Songs for Drella closely mirrors the life of Pop Artist Andy Warhol through the music of John Cale and Lou Reed. Based on reality and myth surrounding Warhol the songs create a very intimate look at what life was like for the artist, and the people around him.
The songs themselves are fantastic. They are very simple, and that simplicity creates a great background for the dynamic story that takes center stage, the life af the factory people. The songs speak of almost everything in warhol's life, from growing up in the outscurts of Philli, to being shot, all the major points in Warhol's life are transcribed into narrative, backed by the magnetic sounds of former Velvet Underground members Lou Reed and John Cale.
The work of Andy itself is hardly spoke of. No mention of Marilyns or soup cans, which I personnaly found to be a smart move. Those are the things we are most familiar with, so by spending more energy focused on the life of the artist, we can look later at the art with a more understanding eye.
"The most important thing is work"
Benjamin Divin 2009
Image Unavailable
Image not available for
Color:
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Songs for Drella
Import
$8.93 $8.93
Get Fast, Free Shipping with Amazon Prime
FREE Returns
Return this item for free
- Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
- Learn more about free returns.
How to return the item?
- Go to your orders and start the return
- Select the return method
- Ship it!
See all 14 formats and editions
Hide other formats and editions
| Listen Now with Amazon Music |
|
Songs For Drella
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
|
MP3 Music, April 11, 1990
"Please retry" | $9.49 | — |
|
Audio, Cassette
"Please retry" | $6.98 | $3.00 |
What do customers buy after viewing this item?
Page 1 of 1 Start overPage 1 of 1
Track Listings
| 1 | Smalltown |
| 2 | Open House |
| 3 | Style It Takes |
| 4 | Work |
| 5 | Trouble With Classicists |
| 6 | Starlight |
| 7 | Faces & Names |
| 8 | Images |
| 9 | Slip Away (A Warning) |
| 10 | It Wasn't Me |
| 11 | I Believe |
| 12 | Nobody But You |
| 13 | A Dream |
| 14 | Forever Changed |
| 15 | Hello It's Me |
Editorial Reviews
Beautiful 1990 tribute to Andy Warhol from ex-Velvet Underground founders Lou Reed & John Cale
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.96 x 5.63 x 0.39 inches; 3.67 Ounces
- Manufacturer : Sire
- Item model number : 7599-26140-2
- Original Release Date : 2003
- Date First Available : July 27, 2006
- Label : Sire
- ASIN : B000002LKS
- Number of discs : 1
- Best Sellers Rank: #118,726 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,529 in Pop Singer-Songwriters
- #4,141 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- #6,120 in Folk (CDs & Vinyl)
- Customer Reviews:
Important information
To report an issue with this product, click here.
Customer reviews
4.7 out of 5 stars
4.7 out of 5
182 global ratings
How customer reviews and ratings work
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
5.0 out of 5 stars
If You're a Fan of Reed/Cale/Warhol, Buy the RSD Edition for the Etching
Reviewed in the United States on November 14, 2020
The reason to get this (assuming that you already own a copy) is for the very cool etching of Warhol on side 4. The mastering, the original from 30 years ago, sounds as good as ever, and the vinyl is good quality, but the sleeve (not a gatefold) is thin and cheap. The only thing that makes this RSD issue of interest is the great etching of Warhol.
Reviewed in the United States on November 14, 2020
Images in this review
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States on October 16, 2009
Reviewed in the United States on November 14, 2020
The reason to get this (assuming that you already own a copy) is for the very cool etching of Warhol on side 4. The mastering, the original from 30 years ago, sounds as good as ever, and the vinyl is good quality, but the sleeve (not a gatefold) is thin and cheap. The only thing that makes this RSD issue of interest is the great etching of Warhol.
5.0 out of 5 stars
If You're a Fan of Reed/Cale/Warhol, Buy the RSD Edition for the Etching
Reviewed in the United States on November 14, 2020
The reason to get this (assuming that you already own a copy) is for the very cool etching of Warhol on side 4. The mastering, the original from 30 years ago, sounds as good as ever, and the vinyl is good quality, but the sleeve (not a gatefold) is thin and cheap. The only thing that makes this RSD issue of interest is the great etching of Warhol.
Reviewed in the United States on November 14, 2020
Images in this review
Reviewed in the United States on November 5, 2013
Got it when it first came out.
Cheaper to buy the CD and rip it than to do the MP3 thing.
My personal soundtrack to the Warhol Museum in Pittsburgh.
I was saddened on my last visit there that it was basically all in silence.
On my 1st visit years ago it was a blast - what with the Velvets blasting in one room - multi video displays blaring in another.
So, this made up for it,
Cheaper to buy the CD and rip it than to do the MP3 thing.
My personal soundtrack to the Warhol Museum in Pittsburgh.
I was saddened on my last visit there that it was basically all in silence.
On my 1st visit years ago it was a blast - what with the Velvets blasting in one room - multi video displays blaring in another.
So, this made up for it,
Reviewed in the United States on October 12, 2019
On an artist level, I need not say what a tribute and master piece it is. If you can't wrap you're around it, I'm hardly the eclectic one!
Reviewed in the United States on March 10, 2014
Despite much personal antipathy between them, Lou Reed and John Cale were moved enough by Andy Warhol’s death to reunite and make a tribute album in his memory. It is a chronologically told musical biography. On the first listening it is great and interesting from first to last, but many of the songs don’t stand up to repeated listening. There are a few great songs here though so it is definitely worth getting. Some of these songs and song lines have bounced around my head for years. I especially like the song about work and the dream song towards the end.
Reviewed in the United States on April 24, 2005
One of Lou's finest albums. This is one to keep coming back to - it has stood the test of time, and Cale's work on it is also very strong. I think Lou is at his best when he lets some warmth REALLY come through (like on the 1970's song, "Coney Island Baby"), and he does that on this album, a tribute to Andy Warhol. Definitely get this if you like Lou Reed, even if you just like his 70's and Velvets stuff. Also check out NEW YORK and THE BLUE MASK.
Reviewed in the United States on September 15, 2012
I have heard most if not all of the songs through online radio, so no surprises there. The condition of the cd and packaging was perfectly okay. [DR]acula + Cinder[ELLA] though considered a work of fiction in the liner notes seems to sum up Andy Warhol's life, including the time he got shot by that woman. Money well spent.
Reviewed in the United States on August 11, 2017
I like Lou Reed's vocals better than John Cale's, but great album.
Top reviews from other countries
Joao C. R. Previdi
5.0 out of 5 stars
recomendo
Reviewed in Brazil on June 10, 2022
disco fundamental virada dos 80 para 90
Antonio g.
5.0 out of 5 stars
Fortunsto ad aver trovato l'edizione limitata
Reviewed in Italy on November 11, 2020
Amazon perfetto! Cosa dire di questa chicca!? Stupendo e ledizione limitata grandiosa con un lato di vinile disegnato il viso di Andy Warhol
Antonio g.
Reviewed in Italy on November 11, 2020
Images in this review
joe rex
4.0 out of 5 stars
Songs for Andy
Reviewed in Italy on March 15, 2019
Storico Album in memoria di Andy Warhol dei due ex Velvet. Lou è sempre Lou e la presenza di John Cale fa la differenza. Consigliato .
durian
5.0 out of 5 stars
泣ける
Reviewed in Japan on April 11, 2014
Louの生の声を聞く事が出来なくなってしまいましたね。John Caleの2ショットも実現できなかった。。。。このアルバムの最後のHello It's Me 最高です。これを聞いていると天国でアンディと再会出来たかな。。。なんて思ってしまいます。
Keith M
5.0 out of 5 stars
Perfectly Judged And Memorably Poignant
Reviewed in the United Kingdom on January 13, 2014
Strangely enough, with Lou Reed's recent passing, this album he made in 1990 with John Cale, as a tribute to their former collaborator and mentor Andy Warhol (who had died three years earlier), seems an even more poignant listen than ever. Admittedly, it did follow Reed's outstanding 1989 effort New York (arguably his finest post-Transformer/Berlin era recording) and so the man 'had his hand in' (so to speak) in the songwriting stakes, and Songs For Drella carries on where New York left off, as both he and Cale have penned some of their very best material here.
These are clearly very personal songs and this collection sheds a good deal of insight into the relationships of what was (for me) one of the most creative (three-way) collaborations of all contemporary music. Written primarily from a 'Warhol 1st person perspective', Songs For Drella is an enthralling mix of songs covering key aspects of the Warhol persona, including fame, art, cinema, ambition, religion, liberalism, Warhol's assassination attempt and personal relationships - and, as you might expect from these two scribes, the lyrics are unfailingly poetic, witty and perceptive. Musical style-wise, the pair cover much of their own past musical territories, with Reed fulfilling all guitar duties and Cale playing piano and viola - and indeed, although Reed sings lead vocal on 10 of the 15 songs, it is always a nice surprise to hear the lyrical depth of Cale's voice.
There are moments of great vibrant (piano-driven) pop, such as on album opener Smalltown and the account of the assassination attempt in I Believe, whilst each of Work, Starlight, Images (a Reed lyrical tour-de-force) and Forever Changed (with some of Cale's most impassioned vocals) inhabit 'rockier' territory. Thereafter, Trouble With Classicists, Faces And Names, It Wasn't Me (with Reed's guitar and Cale's piano both excelling) and Cale's spoken A Dream (which really touches on the personal, 'Then I saw John Cale, he's been looking really great...', from the perspective of a Warhol dream) all provide great moments. But, it is probably on the album's 'ballads' where (for me, at least) the pair really excel, with Reed appearing to revisit the writing style of his Velvets/early solo period. Open House, Slip Away (A Warning) and Nobody But You (with its Walk On The Wild Side feel) all fit this bill admirably, but if I had to pick a couple of album highpoints these would be Cale's dulcet tones on his fond tribute to Warhol's art in Style It Takes and the sublime album closer, Hello It's Me, as (over Cale's beautiful viola playing) Reed sings with a mix of poignant regret and ambivalence.
These are clearly very personal songs and this collection sheds a good deal of insight into the relationships of what was (for me) one of the most creative (three-way) collaborations of all contemporary music. Written primarily from a 'Warhol 1st person perspective', Songs For Drella is an enthralling mix of songs covering key aspects of the Warhol persona, including fame, art, cinema, ambition, religion, liberalism, Warhol's assassination attempt and personal relationships - and, as you might expect from these two scribes, the lyrics are unfailingly poetic, witty and perceptive. Musical style-wise, the pair cover much of their own past musical territories, with Reed fulfilling all guitar duties and Cale playing piano and viola - and indeed, although Reed sings lead vocal on 10 of the 15 songs, it is always a nice surprise to hear the lyrical depth of Cale's voice.
There are moments of great vibrant (piano-driven) pop, such as on album opener Smalltown and the account of the assassination attempt in I Believe, whilst each of Work, Starlight, Images (a Reed lyrical tour-de-force) and Forever Changed (with some of Cale's most impassioned vocals) inhabit 'rockier' territory. Thereafter, Trouble With Classicists, Faces And Names, It Wasn't Me (with Reed's guitar and Cale's piano both excelling) and Cale's spoken A Dream (which really touches on the personal, 'Then I saw John Cale, he's been looking really great...', from the perspective of a Warhol dream) all provide great moments. But, it is probably on the album's 'ballads' where (for me, at least) the pair really excel, with Reed appearing to revisit the writing style of his Velvets/early solo period. Open House, Slip Away (A Warning) and Nobody But You (with its Walk On The Wild Side feel) all fit this bill admirably, but if I had to pick a couple of album highpoints these would be Cale's dulcet tones on his fond tribute to Warhol's art in Style It Takes and the sublime album closer, Hello It's Me, as (over Cale's beautiful viola playing) Reed sings with a mix of poignant regret and ambivalence.
13 people found this helpful
Report
Open Web Player






