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Sons of Mississippi: A Story of Race and Its Legacy Paperback – January 6, 2004
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More than thirty years later, award-winning journalist and author Paul Hendrickson sets out to discover who these men were, what happened to them after the photograph was taken, and how racist attitudes shaped the way they lived their lives. But his ultimate focus is on their children and grandchildren, and how the prejudice bequeathed by the fathers was transformed, or remained untouched, in the sons. Sons of Mississippi is a scalding yet redemptive work of social history, a book of eloquence and subtlely that tracks the movement of racism across three generations and bears witness to its ravages among both black and white Americans.
- Print length368 pages
- LanguageEnglish
- PublisherKnopf Doubleday Publishing Group
- Publication dateJanuary 6, 2004
- Dimensions5.19 x 0.83 x 8 inches
- ISBN-100375704256
- ISBN-13978-0375704253
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Editorial Reviews
Review
“Profound. . . . Shattering [the] silence was Hendrickson’s goal. Filling it with a meanful, searching record is his tremendous accomplishment.” —Atlanta Journal-Constitution
“Hendrickson is a talented writer, with an eye for the telling detail and a comfortable voice that is both personal and lyrical in the style of a James Agee or W. J. Cash.” —Washington Post Book World
“Ambitious. . . . Vivid. . . . Treats the civil rights revolution and resistance not as dusty history but as the best and worst of American culture.” —USA Today
From the Inside Flap
More than thirty years later, award-winning journalist and author Paul Hendrickson sets out to discover who these men were, what happened to them after the photograph was taken, and how racist attitudes shaped the way they lived their lives. But his ultimate focus is on their children and grandchildren, and how the prejudice bequeathed by the fathers was transformed, or remained untouched, in the sons. Sons of Mississippi is a scalding yet redemptive work of social history, a book of eloquence and subtlely that tracks the movement of racism across three generations and bears witness to its ravages among both black and white Americans.
From the Back Cover
More than thirty years later, award-winning journalist and author Paul Hendrickson sets out to discover who these men were, what happened to them after the photograph was taken, and how racist attitudes shaped the way they lived their lives. But his ultimate focus is on their children and grandchildren, and how the prejudice bequeathed by the fathers was transformed, or remained untouched, in the sons. Sons of Mississippi is a scalding yet redemptive work of social history, a book of eloquence and subtlely that tracks the movement of racism across three generations and bears witness to its ravages among both black and white Americans.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Dying Billy
In his retirement, which wasn't kingly but pretty sweet, Billy Ferrell loved sitting on the dock of his lake house, watching Taco, his Labrador-blue heeler mix, splash around for bream and shad and the occasional white perch. It didn't matter a doughnut that the dog seldom got anything. It was good just to be down at the pier by himself or with a crony, in a peeling metal chair on the moss-green unpainted wood, looking out over the shallow water of the skinny, torpid lake. Hazel Ferrell would be up at the house, fussing with something or other, and so he'd sneak a smoke, cupping it on the inside of his fist so his wife wouldn't know, saying to himself, Well, hell, what is life but a series of doing a bunch of little things you're not supposed to do? Sometimes she'd bring down coffee for him. Seeing his spouse coming, the high sheriff of Natchez-which is how everyone still thought of Billy Ferrell, even if he wasn't sheriff anymore, that was his boy Tommy's show now-would quickly stub the cigarette out on the backside of the deck and toss it in the water.
His arteries were clogging and the circulation in his legs wasn't good and there was a cancerous mass growing secretly in his lungs, but he was still a handsome man and he knew it. Vanity and pride had always been core Ferrell flaws. He wore gold-rimmed glasses now. The teeth were in trouble and his coal-black hair, which once had glistened in pictures and was parted forty-five degrees to the left, had thinned to long swipes of dirty white. He'd become ruddy-faced and gargly-voiced, and his breath seemed to emerge from him in hard little pants. And yet, this final Billy Ferrell-weakening, sedentary, semidepressed, widened out-was still capable of coming at you with that old incisored, tough-guy, top-dog grin; with that noted, flat-lined, crow's-footed, predatory squint. The grin and the squint-didn't they explain everything about the Mississippi doctrine of Might Is Right?
Both had been there when he'd campaigned for sheriff the first time. That was in 'fifty-nine. He was a young man then, in his mid-thirties, good-looking as all get-out, albeit with a kind of blocky, sober, big-eared, straight-ahead earnestness in his speech and manner. He'd run ads for himself before the Democratic primary that summer, as all the candidates had, and there were a slew of them, candidates that is, something like eight or nine. He was already well known, since he'd been a sheriff's deputy for eight years, and since he'd lived in Adams County all his life, except for when he'd been to the war. "He has never been known to conduct himself in any manner that would bring discredit to his badge or the people he represented," the ads said. "We know Billy Ferrell and his Devotion to Duty, His Character, His Sincerity of Purpose, His Unrelenting Courage and his High Principles. Let's elect William T. 'Billy' Ferrell Our Sheriff and Tax Collector." And Natchez did. They elected him for the next twenty-eight years, with the exception of one four-year window of time, 1964-68, when he couldn't succeed himself because, back then, a sheriff in Mississippi could be sheriff for only four years at a stretch. In some counties (there are eighty-two in the state), sheriffs would get their wives elected as interim sheriffs, while they did the real thing behind the scenes. Billy Ferrell laid out a term (he sold Ford clunkers at Bluff City Cars and tried to run a Gulf station and hauled some gravel and worked for Premo Stallone's plumbing business and did a stint as a city policeman, but everybody knew he was just whiling his time), and then he came back in, and then the succession law was changed, and then Natchez and the county seemed willing to make him pope of the county for life. Well, white Natchez always seemed willing, and they had the majority. But after six terms, the high sheriff decided not to run anymore and handed the job over to Tommy in 1988. Tommy still had to get elected by the people, but he had the Ferrell name, and in Natchez, for most of the last half of the twentieth century, that name was almost synonymous with the word "badge." There'd been a sheriff in Natchez since 1798, and for one-fifth of that time the Ferrells had owned the title.
Billy had been number 32a on the ballot machines in that first race, and in the runoff campaign between himself and Morris Doughty, some unsavory elements had tried to buy him into withdrawing. There'd been a secret meeting on the levee, on the Louisiana side of the river, and somebody had produced a gob of hundreds, maybe $10,000 worth of hundreds, and stuck it at him. All Billy had to do was take his name off and let Doughty win. He'd never dreamed of so much money. But he wouldn't take his name off-not that he didn't think it over a heavy minute, walk around the back side of the pickup and discuss the situation with his old pal Premo Stallone, whom he'd known practically all his life. William T. Ferrell stayed on the ballot, and on election day, the lever with his name on it was the one that got pulled by enough Natchezeans for him to squeak it out. That contest marked the first time a county in Mississippi went modern with voting machines, but corruption being what corruption is, it didn't stop bribes or offers of bribes.
The lake house, to which Billy and Hazel had repaired after he'd hung up the gear, was on the Louisiana side of the Mississippi River, upstream a little bit from Natchez. To get there, you took the big bridge over to Vidalia, Louisiana, and then went to Ferriday, Louisiana, and then drove north to the lake and came on around to the back side of it and started looking for Ferrell Lane. When Billy and Hazel first got a weekend place up on Lake St. John-Billy was still sheriffing-all they could afford was a double-wide trailer. Now they had a three-bedroom brick house. If the garage door was open, and the retired couple was home, you'd spy a white Lincoln, never dirty. In the living room, the console TV with the fifty-two-inch screen would doubtless be going. Paw-Paw and Mimsy, as their grandkids called them, had an antenna that could pull in Moscow and Monterrey, Mexico, but they couldn't get good reception from a Natchez station, which was only across the river and about a half hour's drive away. Billy enjoyed tuning in Russia and Mexico on his giant wood-encased TV even if, as he said, he didn't know what the hell they were saying. He watched an awful lot of television in those last years at Lake St. John-not sex shows or Oprah, but news programs. He liked to say he knew what was going on, which is what he'd been content to say of himself when he was in office: He "had the rap from the ax," was his expression.
An example: Some collegians and two of their teachers got off a bus on July 5, 1961, in the semitropical antebellum river town of Natchez, which is in the southwestern corner of Mississippi, sitting on great bluffs, at a bend in the river. Billy had been sheriff of Adams County a year and a half then. The students and their two faculty chaperones were from Adelphi College in New York, and they were traveling on an interstate carrier out of New Orleans. From nearly the moment they stepped into the Trailways bus terminal at 5 p.m., they were watched. Even though Natchez was a tourist town, famous for its plantation "pilgrimages," site of the South's oldest slave-owning cotton aristocracy, they would have been watched: They were suspiciously young, traveling in a group, northern accents. But even more so in this case, since right away they'd begun asking impertinent questions about the terminal's segregated waiting rooms. That evening, Sheriff Billy Ferrell sent a Teletype under his special teletypewriter number, NTZ-44. He sent it to General T. B. Birdsong, commander of the Mississippi Highway Patrol (he used to be a colonel, but now he was a general), and also to the director of the Mississippi State Sovereignty Commission, which was a state-sponsored and tax-supported agency whose charter was to spy on the civil rights movement. The Sov-Com was based in Jackson, the capital city, two and a half hours away. this afternoon on a bus from new orleans la seven white males and females combined entered this city and county. . . . these subjects have been constantly under surveillance since their arrival by officers this department. they have mailed two letters since their arrival. It was clear from the wire and from typed reports written in subsequent days by investigators of the Sov-Com that the desk clerk at the Eola Hotel had listened in on the group's phone calls and had reported to the sheriff. It was clear the postmaster was in on it, and so, too, the editor of the local newspaper, with whom the travelers naively thought they might arrange an appointment. subjects told desk clerk at local hotel that they was exchange students touring the country to find out all local customs prior to their shipment to overseas countries, the wire said. The authorities in Jackson wired back to Billy: ok will advise all consern. The collegians and their teachers left town on a bus the next morning. They were headed toward Little Rock, Arkansas, via Vicksburg, Mississippi. It was known they intended to stay at either the Albert Pike or the Marion Hotel in Little Rock. The constabularies up there would be alerted that a Barbara Wexler (w/f, address 14 grange lane, levittown, new york) and a Gail Yenkinson (w/fm, same add) and an Emilio Rivera (same add and supposed to be a proffessor at this college), along with the others, were on their nosy way.
No one told this story at Billy Ferrell's wake and funeral; no one trotted out an old and semi-inconsequential document from the recently declassified files of the Mississippi State Sovereignty Commission. That would have been a rude and inexcusable thing. And yet such documents existed, by the fistful, available for anybody's reading by the time he expired. All an impertinent person in the post-totalitarian society of Mississippi would have had to do was drive over to Jackson, park his or her car, walk past the monument to the Confederate dead out front of the Department of Archives and History, near the State Capitol, across State Street from the big sign that says welcome to downtown jackson. best of the new south. All he or she would've needed to do was enter a room on the first floor and fill out a brief application and log on to a Hewlett-Packard Vectra XM2 computer. Soon as the nosy soul started punching up "William T. Ferrell" or "Ferrell, Billy," he or she would start to come on all sorts of interesting if essentially unsurprising items from thirty and forty years back-not evidence of murder or outright brutality, no; just greater or lesser little bigotries and incontestable evidences of a general mind-set, such as this one, for instance: "Sheriff Billy Ferrell agreed to furnish the Chief of Police with the names of the negroes who had been participating in the afore mentioned activities, and also to begin a file at once in keeping records and names of any known agitators or any would-be agitators in his county and to keep us advised on current activities. The other Sheriffs likewise agreed to do the same."
In their retirement, the high sheriff and his wife had traveled some and generally enjoyed it. They had a motor home, until they sold it in 1996, and wondered afterward why they did. They'd gotten as far north as Edmonton, Alberta, gasping at the Canadian Rockies and the rest of the Lord's handiwork up there. Billy would do the driving, his only requirement being that Hazel and her sister-who'd be in the back, yakking-kept a pot of fresh coffee going for him at all times. One of their favorite destination spots was Branson, Missouri, where Las Vegas-like country music extravaganzas are based. Once they saw an eleven- or twelve-year-old kid in a spangled suit impersonating Elvis, damnedest thing you could imagine. Mickey Gilley, the big country star, had his own show and restaurant in Branson. He was from Ferriday, down near home, and he and Hazel were something like third cousins maybe a time or two removed. Gilley and Jerry Lee Lewis and the great TV preacher Jimmy Swaggart (you know: the one who'd taken illicit female flesh but wept for the nation's forgiveness) were all Louisiana boys and first cousins and performers who'd done well in the fame and loot department. More than once Billy and Hazel got to sit down with Gilley in his restaurant and have a drink with him and get some free show tickets. One time, Hazel carted up to Missouri a box of decorative golf balls from Gilley's old high school golf coach in Ferriday. He'd treated the two of them just like kin.
These years in semiexile on the Louisiana side of the river were comfortable and pleasant and full of respect, given what a man had accomplished in his life. But they were also flat and tedious years. Just not enough laving light. Billy was a man without hobbies. He'd always been the sheriff. Too often he'd just sit and remember, stare hard. In a more jovial mood, he'd tell cronies in town he'd gone to work for "Honey-Do." Honey, do this. Honey, do that.
In 1992, Natchez made him Santa for the annual Christmas parade, a coveted honor, and there was Billy, third car in the procession, red suit, riding through the neighborhoods in a top-down convertible, waving, tossing candies to black and white kiddies alike. Hazel framed the official parade invitation: "Santa and Mrs. William T. Ferrell Sr. . . ."
Product details
- Publisher : Knopf Doubleday Publishing Group; Reprint edition (January 6, 2004)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0375704256
- ISBN-13 : 978-0375704253
- Item Weight : 11.2 ounces
- Dimensions : 5.19 x 0.83 x 8 inches
- Best Sellers Rank: #212,825 in Books (See Top 100 in Books)
- #236 in Civil Rights & Liberties (Books)
- #713 in African American Demographic Studies (Books)
- #2,524 in U.S. State & Local History
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Hendricks seeks out the men in the photos and their descendants in order to find out "what has come down" from what that photograph represents. What is the legacy of race in Mississippi and for these men and their families? Is their any redemption, any guilt, or are has nothing changed?
Only two men in the photograph were still alive for Hendrickson to talk with, and despite hours of interviews they didn't say much about the big questions. No sign of regret. Too, polite he doesn't ask these men if they are still the people in the photograph - or their children for that matter. We are told that they weren't in the Klan. But then maybe they were.
The truth is that the men in the photograph probably never wrestled with these questions - or the past - like Hendrickson does - and takes his readers do on the trip that he takes them. Most people are content to live the lives that they want to lead and if that means seeing other people suffer they learn to accept and live with that. That's just the way it is. When Hendrickson goes to the store that Emmit Till was murdered at he bumps into a man who says "the past is the pay and why stir it up and get folks thinking about things that can't be undone?"
That is the attitude that most white southerners have about the history of race relations. In the town that I live in there were Civil Rights demonstrations and marches that were akin to what happened in Birmingham. There was a day called "bloody Sunday" and Martin Luther King came to town. He left in defeat so the story isn't told in most narrative histories of the Civil Rights movement. We are approaching the 40th anniversary of that summer. There is no marker to the marches or the beatings. In a poll our newspaper did last week they asked what should the city do for the 40th anniversary of the local civil rights demonstrations. 63% of the respondents said nothing.
Hendrickon's book shows how in many ways attitudes have not changed since then. The times have changed. But the deep South isn't much different than anywhere else. There is always something somewhere that people find that they need to look away from. But by looking you learn something about the human condition. Suffering builds perseverance, perseverance character, and character hope. One person in the book makes the comment that the racists of Mississippi hated as a way to focus on something other than their own suffering. That meant turning away from their own humanity and becoming depraved. That is why this is a book worth reading.
With the anniversary of MLK's speech, Civil Rights stories were everywhere. I couldn't get enough; I had to quench my thirst. I knew immediately I had something that could do that: Sons of Mississippi.
This book's prose was immediately apparent; it sucks you in and lets you feel that sticky, southern humidity as events unfold. As Hendrickson recounts the historic events, you can't help but feel he's captured the moment perfectly and presents it squarely to you.
The foundation of the book is unique as well; the picture that adorns the cover represents seven men at the height of civil rights tension getting ready to put down a riot. While these men were not large players, they are all intractably tied to Mississippi life, politics and racism.
Henderson's story relies on two fundamental truths: everyone has a story and the past affects the future. He dives into the lives of these seven men through interviews, documents, witnesses, and media clippings. He pulls seven discrete figures to the forefront of our consciousness and allows us realize how many people were involved in the institution of slavery. This is where his book is at its best; pulling facts and stories from the depth of southern lore.
The second truth, while ultimately an important part of the book, fell a bit more flat. As Henderson begins to dive into second or third generations, it is easy to start feeling a bit letdown. It's hard to live up to the tension, drama and shock of the civil rights era with following the life of someone who works at Home Depot. But, this doesn't mean it is downgrades this book; it is just an off-pace layer that doesn't add as much substance as the first.
Some of the best nuggets in the book are about James Meredith, the man who integrated at Ole Miss and where most of the tension comes from. Not all the brave warriors we uphold in our history are clean characters that fit our molds. His families present conditions carried the second part of the book for me.
After many years and many boxes, I read Sons of Mississippi. I should have read it sooner.






