I purchased the 24-70/2.8 GM lens first. Its heavy. Very Heavy. There is no balance with the body, and it strains my wrist to hold it. I purchased the Peak Design Clutch and that made a world of difference on the positive side. When getting ready for a family site-seeing trip, I found the camera with attached lens would not fit in my 5L camera bag. the barrel and length of the lens was too big. I put the camera and lens in a backpack, and off we went. By the end of the day, my back was sore and my arms tired. It is that heavy (or rather, it is that unbalanced as it strained my wrist). I only took a few portait shots of my family, and I noticed that I was usually at F4 or smaller. To get to 2.8, I had to manually over-ride the program setting. The photos are amazing, but the camera was so heavy that I dred using it the following day. I used my iPhone instead. This is when I learned that there is a reason why Sony offers a 24-70/2.8 GM, and a 24-105/4. Its all about the trade-off between portability and shallow depth of field.
I purchased the 24-105/4 for the purpose of being a site-seeing lens. It is much lighter, and much shorter, and a smaller diameter ... it travels a lot easier by using a smaller camera bag. The weight is much more balanced, and easier on my wrist providing a lot more comfort for all-day shooting. The extra reach from the telephoto is also nice for site-seeing as many items in museums are beyond reach of a 70mm lens, but I still want that 24mm for family group shots.
With this learning, here is what I am doing. The 24-70/2.8 is my portrait lens, and it will be used when i am shooting closer subjects in a darker setting of low duration. The 24-105/4 is my travel and site seeing lens. Both have a purpose.
But now that I said all of this, consider the following - I also have a 85/1.4 GM that can easily replace the 24-70/2.8 for potraits, and I have the 18-35/2.8 GM lens that can replace the 24-70/2.8 GM for wide angle nature photography. In some respects, the 24-70/2.8GM lens is no longer needed and can be sold. If I was starting from scratch, I would not have purchased the 24-70/2.8 GM.
One last comment - I do have the 70-200/4 lens, and love it for its lighter weight and better balance than the 70-200/2.8 GM. I realize that I loose an f-stop, but I doubt I would use a lens that is too hard on my wrist.
In summary, the GM lenses are the considered the best lenses. They come at a higher price, higher weight, and longer length that reduce their portability and usability. Before thinking that only the best lens will do for you, think about ergonomics and the strength of your wrist. You might find that the best lens is the one that best serves your personal needs.
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This item: Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G)
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This Item  Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G) |  |  |  |  |  | |
| Price | -8% $1,098.00 Typical: $1,198.00 | -21% $869.95 New Price: $1,098.00 | -9% $998.00 List: $1,099.99 | $2,298.00 | $2,298.00 | -16% $1,098.00 List: $1,299.99 |
| Delivery | Get it as soon as Wednesday, Aug 14 | Get it as soon as Friday, Aug 16 | Get it as soon as Thursday, Aug 15 | Get it as soon as Thursday, Aug 15 | Get it as soon as Thursday, Aug 15 | Get it as soon as Thursday, Aug 15 |
| Customer Ratings | ||||||
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| Versatility | ||||||
| Sold By | Adorama | SSE Photo & Video | Amazon.com | Amazon.com | Amazon.com | Amazon.com |
| lens type | Standard | Standard | Standard | Standard | Wide Angle | Standard |
| compatible mountings | Sony FE | Sony E | Sony E | Sony E | Sony E | Sony E |
| lens design | Zoom | Prime | Zoom | Zoom | Zoom | Prime |
| focus type | Auto Focus | Manual Focus | Auto Focus | Auto Focus | Auto Focus | Manual Focus |
| minimum focal length | — | 24 millimeters | 20 millimeters | 24 millimeters | 16 millimeters | 24 millimeters |
| max focal length | — | 105 millimeters | 70 millimeters | — | 35 millimeters | 105 millimeters |
| fixed focal length | 24 millimeters | 105 millimeters | 70 millimeters | 70 millimeters | 35 millimeters | 105 millimeters |
From the manufacturer
Sony 24-105mm F4 Full-frame E-mount G lens
With a versatile 24 to 105 mm range, this compact zoom brings outstanding G Lens excellence to a variety of still and movie applications. Compact, lightweight mobility makes it a natural choice for a wide range of subjects, while the remarkable blend of impressive optical quality, a constant F4 maximum aperture throughout the zoom range and fast, precise AF, deliver professional performance and reliability.
Features
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24mm to 105mm constant F4 aperture24mm wide angle to 105mm mid-telephoto zoom with spectacular corner-to-corner resolution and high optical performance deliver spectacular overall rendering that is consistent with the G Lens brand. Advanced Aspherical (AA) elements, ED (Extra low dispersion) glass elements and Nano AR Coating contribute to control ghosting, flare and aberration. A 9-blade circular aperture and constant F4 aperture deliver beautiful bokeh. |
Dust and moisture resistant1 for robust reliabilitySony’s standard lens sealing is augmented by a lens mount seal that maximizes resistance to dust and moisture for reliable operation in challenging environmental conditions1. Additional details, like rubberized rings that are easy to operate in low temperatures, a customizable focus hold button and a hood lock button, all add up to professional control and convenience. |
Constant F4 apertureConstant F4 max aperture maintains exposure and depth of field regardless of the focal range to which you zoom. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens. |
Features
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Class-leading close-up performanceClass-leading close-up performance with a minimum focusing distance of 14.9” and 0.31x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. |
Optical Image StabilizationOptical SteadyShot Image Stabilization keeps your image stable even when your hands aren’t. By compensating for the minor hand motions that can cause blurring and distortion, Optical SteadyShot ensures brilliant photographic results – even at high zooms. |
Instant auto/manual focus selectionInstantly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you, or decide to take control and manually focus on the precise point you chose. |
Features & Notes
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Nano AR CoatingSony’s original Nano AR Coating technology minimizes flare and ghosting by suppressing internal reflections and maintaining clarity, even in difficult outdoor lighting conditions, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. |
Direct Drive Super Sonic Wave MotorHigh-resolution cameras demand absolute focus precision. A floating mechanism driven by a DDSSM (Direct Drive Super Sonic Wave Motor) actuator maintains outstanding resolution from infinity to close focus for both stills and movies. DDSSM has the capability to position the large, heavy optical assemblies required by large-aperture lenses with pinpoint precision, offering accurate, fast and quiet autofocus. Manual focus response is natural, intuitive and precise with the DDSSM system. |
Notes & LegalFOOTNOTES: 1 Although the design is dust and moisture resistant, absolute protection from dust and moisture is not guaranteed. 2017 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, Exmor RS, SteadyShot and the Sony logo are marks of Sony Corporation. Wi-Fi is a registered mark of Wi-Fi Alliance. ZEISS is a registered mark of Carl Zeiss Inc. All other marks are marks of their respective owners. Features and specifications subject to change without notice. |
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| Price | $1,798.00 | $1,877.87 | $1,795.00 | $898.99 | $628.00 | $625.00 |
| Product Name | α7 III WITH 35 MM FULL-FRAME IMAGE SENSOR | α7R III 35 mm full-frame camera with autofocus | α9 featuring full-frame stacked CMOS sensor | α7R II with back-illuminated full-frame image sensor | α7 II E-mount Camera with Full Frame Sensor | α6500 Premium E-mount APS-C Camera |
| Lens compatibility | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses |
| Sensor type | 35 mm full frame (35.6 × 23.8 mm), Exmor R CMOS sensor | 35 mm full frame (35.9 x 24.0 mm), Exmor R CMOS sensor | 35mm full frame (35.6×23.8mm), Exmor RS CMOS sensor | 35 mm full-frame (1.41" x 0.94"), Exmor R CMOS sensor | 35 mm full frame (35.8 x 23.9 mm) Exmor CMOS sensor | APS-C type (23.5 x 15.6 mm), Exmor CMOS sensor |
| Megapixels | Approx. 24.2 megapixels | Approx. 42.4 megapixels | Approx. 24.2 megapixels | 42.4 megapixels | 24.3 megapixels | Approx. 24.2 megapixels |
| Weight | Approx. 1 lb 7.0 oz / 650 g | 657 g / 1 lb 7.2 oz | Approx. 1 lb 4.7 oz / Approx. 588 g | 20.53 oz (body only) | 19.61 oz (body only) | Approx. 1 lb, Approx. 453 g |
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Customer Review: Best Lens For Video Shooters!
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Customer Review: Best all around lens for Sony system!
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Reviews with images
NICE LENS BUT I SHOULD HELD OUT (leaves you wanting more...)
After getting this .. it still isnt wide enough... so now i want the 16-35 Gmaster for that extra stop of light and 2000+ is just outrageous right now.. for one lens.. buuuut tamron dropped that new 17-28 for 900... aaand Im thinking teamed up with its buddy the 28-75, I would have had all my focal lengths covered with the extra stop of light.. (i did not go tamron because I saw some youtube reviews said it doesnt always respond to sony - I have this on a a7iii- but i have since heard the firmware updates make it work fine and even when it didnt work before, all you had to do was shut the camera off then on real quick.. which is kind of a bummer, but to save 1000$ for that once here and there that that may happen... I think i shoulda went tamron now...) I am disappointed i only have the f4.. its versatile.. but just not shallow enough when its wide open at 24 and f4... when you zoom in you do get great bokeh for being an F4.. (this photo of my tascams are shot on this lens, zoomed in you get some blurr) but if you want that smoooothe back ground and something wide.. 24 just isnt enough and now im shopping for wider.. get the 16-35 and a prime 50 or 80 to cover these ranges with wide DoF.. buuut if you want something versatile and you dont mind not having super buttery backgrounds.. its in no way a bad lens. I have used it for 2 weddings and music video and i am happy with it.. but it leaves me wanting more..
Top reviews from the United States
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Reviewed in the United States on November 16, 2018
Style: Lens OnlyVerified Purchase
Excellent Everyday Walk Around Lens
Reviewed in the United States on November 16, 2018
I purchased this as an all-purpose everyday lens and as a travel lens for my a7riii. It's an excellent lens, tack sharp and well constructed, Focus is quick and accurate and the inclusion of the focus-hold button is great. I really like the reach over the 24-70mm and the minimal barrel distortion is easily corrected in post. I do not find weight to be an issue, but that has never been a major factor in my lens choices, so others may feel differently. I also do not shoot video, so cannot comment on using this lens in that way. Overall, I have been very happy with the performance of this lens and would definitely recommend it!
Reviewed in the United States on November 16, 2018
Images in this review
Reviewed in the United States on October 16, 2019
Style: Lens OnlyVerified Purchase
In a market dominated by zoom lenses with focal lengths 14-24mm, 24-70mm, 100-400mm etc, it is refreshing to have a lens that goes from wide-angle to telephoto.
Sony FE 24-105mm F4 G OSS is gem of a lens, a zoom with a range of composition options that doesn’t underperform at any range and that can be used in a variety of shooting situations. Built-in optical stabilization in the 24-105mm makes it particularly suited for shots from (or of) moving subjects. Despite the fact that there’s built-in image stabilization, the 24-105mm is a compact and lightweight lens.
The versatility of this lens, especially on landscape shoots, is hard to beat. Sony FE 24-105mm F4 G OSS happens to be one of the rare lenses that not only is good for the enthusiast but also for the pro.
Sony FE 24-105mm F4 G OSS is gem of a lens, a zoom with a range of composition options that doesn’t underperform at any range and that can be used in a variety of shooting situations. Built-in optical stabilization in the 24-105mm makes it particularly suited for shots from (or of) moving subjects. Despite the fact that there’s built-in image stabilization, the 24-105mm is a compact and lightweight lens.
The versatility of this lens, especially on landscape shoots, is hard to beat. Sony FE 24-105mm F4 G OSS happens to be one of the rare lenses that not only is good for the enthusiast but also for the pro.
Images in this review
Top reviews from other countries
Lucas de Oliveira Rabelo
Essa lente é sensacional!
Reviewed in Brazil on April 28, 2022Style: Lens OnlyVerified Purchase
MR STEVE F SPENCER
Premium Product
Reviewed in Canada on September 8, 2021Style: Lens OnlyVerified Purchase
Annette Lee
Sharp shooter
Reviewed in the United Kingdom on February 24, 2022Style: Lens OnlyVerified Purchase
Charles
G Quality for G Price.
Reviewed in Canada on October 18, 2019Style: Lens OnlyVerified Purchase
