Add to your order
- NO ADDITIONAL COST: You pay $0 for repairs – parts, labor and shipping included.
- COVERAGE: Plan starts on the date of purchase. Drops, spills and cracked screens due to normal use covered from day one. Malfunctions covered after the manufacturer's warranty.
- EXPERT TECH HELP: Real experts available 24/7 to help with set-up, connectivity issues, troubleshooting and much more.
- PRODUCT ELIGIBILITY: Plans cover products purchased in the last 30 days.
- EASY CLAIMS PROCESS: File a claim anytime online or by phone. Most claims approved within minutes. If we can’t repair it, we’ll send you an Amazon e-gift card for the purchase price of your covered product or replace it.
Other Sellers on Amazon
89% positive over last 12 months
99% positive over last 12 months
Sony - E 50mm F1.8 OSS Portrait Lens (SEL50F18/B), Black
| Price: |
$348.00
&
FREE Returns
Return this item for free
How to return the item?
|
Enhance your purchase
| Brand | Sony |
| Lens Type | Telephoto |
| Compatible Mountings | Sony E |
| Camera Lens Description | 7 |
| Maximum Focal Length | 50 Millimeters |
About this item
- Make sure this fits by entering your model number.
- Built-in Optical SteadyShot image stabilization and 7-blade circular aperture for beautiful defocus effects
- Minimum Focus Distance : 1.28 ft (0.39 m), Maximum Magnification ratio : 0.16x, Focal-Length : 50 mm and filter diameter (mm) is 49 mm
- Large F1.8 maximum aperture enables beautiful defocusing effects. Angle of View (APS-C) : 32°
- "Compact, lightweight mid-range telephoto prime with elegant aluminum alloy exterior.Diaphragm Blades 7, Rounded"
- In-the-box: Hood (ALC-SH116), Lens front cap, Lens rear cap
Buy this product as Renewed and save $107.86 off the current New price.
(6)
Works and looks like new and backed by the Amazon Renewed Guarantee
Frequently bought together
Customers who viewed this item also viewed
More items to explore
Have a question?
Find answers in product info, Q&As, reviews
Your question might be answered by sellers, manufacturers, or customers who bought this product.
Please make sure that you are posting in the form of a question.
Please enter a question.
Compare with similar items
This item
Sony - E 50mm F1.8 OSS Portrait Lens (SEL50F18/B), Black
|
Sony - FE 50mm F1.8 Standard Lens (SEL50F18F/2)
|
Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965)
|
Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
|
Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens, Black
|
Sigma 56mm for E-Mount (Sony) Fixed Prime Camera Lens, Black (351965)
|
|
|---|---|---|---|---|---|---|
| Customer Rating | 4.8 out of 5 stars (1505) | 4.6 out of 5 stars (4060) | 4.8 out of 5 stars (2805) | 4.8 out of 5 stars (1269) | 4.8 out of 5 stars (1000) | 4.8 out of 5 stars (854) |
| Price | $348.00$348.00 | $248.00$248.00 | $363.99$363.99 | $473.00$473.00 | $598.00$598.00 | $389.96$389.96 |
| Shipping | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details |
| Sold By | Amazon.com | Amazon.com | Digital Goja | Amazon.com | Amazon.com | Digital Goja |
| Color | Black | — | Black | Black | — | Black |
| Compatible Camera Mount | Sony E | — | Sony E, Sony E | Sony E | Sony E | Sony E, Sony E |
| Focus Type | Stepper motor | Auto Focus | Auto Focus | Stepper motor | Auto Focus | Auto Focus |
| Item Dimensions | 2.44 x 2.44 x 2.44 inches | 4.09 x 3.4 x 4.69 inches | 3.6 x 2.8 x 2.8 inches | 1.77 x 2.48 x 2.48 inches | 4.49 x 3.82 x 4.49 inches | 2.3 x 2.1 x 2.6 inches |
| Item Weight | 7.13 ounces | 0.65 lbs | 0.89 lbs | 5.47 ounces | 0.65 lbs | 0.61 lbs |
| Lens Type | Telephoto | Standard | Wide Angle | Wide Angle | Telephoto | Full Frame |
| Maximum Aperture | f/1.8 | 1.8 millimeters | 1.4 millimeters | 1.8 | 1.8 millimeters | f/56 |
| Maximum Focal Length | 50 millimeters | 75 millimeters | 16 millimeters | 35 millimeters | 85 millimeters | 19.7 |
| Minimum Aperture | 22 | 22 | 16 millimeters | 22 | 22 | 16 |
| Minimum Focal Length | 50 millimeters | 35 | 16 millimeters | 35 millimeters | 35 | 56 |
| Photo Filter Thread Size | 49 millimeters | — | 67 millimeters | 49 millimeters | — | 66.5 millimeters |
Product description
Product Description
The built-in Optical SteadyShot image stabilization system provides a 4-stop (approx.) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video . Features 35 millimeters equivalent focal length (APS-C) is approximately 75 millimeters
From the Manufacturer
E 50mm F1.8 OSS Prime Lens
This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills.

Technology


Circular Aperture
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Additional Features
Internal focusing
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.
Product information
*:Black | Style:Lens Only| Product Dimensions | 2.44 x 2.44 x 2.44 inches |
|---|---|
| Item Weight | 7.1 ounces |
| ASIN | B00EPWC30O |
| Item model number | SEL50F18/B |
| Customer Reviews |
4.8 out of 5 stars |
| Best Sellers Rank |
#11 in SLR Camera Lenses
|
| Is Discontinued By Manufacturer | No |
| Date First Available | August 26, 2013 |
| Manufacturer | Sony |
| Country of Origin | China |
Warranty & Support
Feedback
Product guides and documents
Important information
Legal Disclaimer
3 months old. No returns. MINT conditions.
Customer reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Thanks to its relatively low f-stop of 1.8 compared to the kit lens, it's great for portraits. Even at around f/2.5 to f/2.8, you still get that creamy bokeh in the background with nice subject isolation. To justify its $300 price tag, however, I've used it for other situations. As a Yelper Elite, I'm constantly that camera dork who takes pictures of every restaurant entree I order before shoving it away voraciously into my mouth. With that said, it operates well when taking close up shots. Extreme shots of insects, flowers, etc. would be better justified with a macro lens, although you can consider a cheap alternative from Meike (https://www.amazon.com/gp/product/B00BXZ9ALQ/ref=oh_aui_detailpage_o06_s00?ie=UTF8&psc=1) to turn this 50mm into a quasi-macro lens. I've also used it occasionally for street photography, although its large focal length makes it cumbersome to use indoors. You can't really zoom out with your feet once your back hits the wall, ya know?
In these particular situations, I will use the 50mm hands-down. Is it the most versatile lens? No. That's why I also have Sony's 28mm f/2, which I find myself leaving on my camera most of the time. In hindsight I would have purchased my 28mm prime first, given its practicality. However, the 50mm acts as a great sidekick with the kit lens and should eventually find its way into your camera bag, regardless of when you purchase it.
By david groves on November 19, 2016
Thanks to its relatively low f-stop of 1.8 compared to the kit lens, it's great for portraits. Even at around f/2.5 to f/2.8, you still get that creamy bokeh in the background with nice subject isolation. To justify its $300 price tag, however, I've used it for other situations. As a Yelper Elite, I'm constantly that camera dork who takes pictures of every restaurant entree I order before shoving it away voraciously into my mouth. With that said, it operates well when taking close up shots. Extreme shots of insects, flowers, etc. would be better justified with a macro lens, although you can consider a cheap alternative from Meike (https://www.amazon.com/gp/product/B00BXZ9ALQ/ref=oh_aui_detailpage_o06_s00?ie=UTF8&psc=1) to turn this 50mm into a quasi-macro lens. I've also used it occasionally for street photography, although its large focal length makes it cumbersome to use indoors. You can't really zoom out with your feet once your back hits the wall, ya know?
In these particular situations, I will use the 50mm hands-down. Is it the most versatile lens? No. That's why I also have Sony's 28mm f/2, which I find myself leaving on my camera most of the time. In hindsight I would have purchased my 28mm prime first, given its practicality. However, the 50mm acts as a great sidekick with the kit lens and should eventually find its way into your camera bag, regardless of when you purchase it.
I'm absolutely in love with it, my friends love it, and it makes me feel better bout my abilities as a photographer.
Just a fair warning to anyone purchasing: This lens does not zoom in or out, and is rather close up, making you have to stand father back from your subjects to get a full frame. But it is not that much of a downside when the pictures come out so perfect.
By Payton on August 1, 2017
I'm absolutely in love with it, my friends love it, and it makes me feel better bout my abilities as a photographer.
Just a fair warning to anyone purchasing: This lens does not zoom in or out, and is rather close up, making you have to stand father back from your subjects to get a full frame. But it is not that much of a downside when the pictures come out so perfect.
By Tamer Maximus on December 14, 2015
By Mike on March 6, 2016
This lens will get you that awesome blurred background and foreground effect that everybody loves normally see when they pay a professional photographer to take their family or personal photos.
If you have a Alpha 6000 camera then this is a must have lens. I was looking at the Zeiss 55mm prime also which has the highest rating as far as quality image goes on DXO Review Site goes for the best prime lenses on the Sony A6000 specifically but it also has a $1000 price tag which really didn't stop me from buying it if i thought it was better but the lack of OSS "Optical Image Stabilization" which helps improve night shots and prevents video distortion was what made me buy this lens instead.
I never leave reviews normally due to time restraints but I have to urge A6000 camera owners to please buy this lens for your camera if you want to really make the A6000 spit out superb high quality photographs that when taken right will need zero editing.
The OSS allows you to use a slower shutter speed--good for those quasi-static indoor, poor-lighting shots.
Keep in mind that to shoot an image of an a person from head to toe, you probably have to back off 30 feet with a 50mm focal length like this. So if you're used to the lens that comes standard with your camera or a cell phone camera, this focal length is vastly different.
By Pugs Rule on April 7, 2016
By J. Horner on September 16, 2016
Top reviews from other countries
Bokeh:
- Bokeh vom Samyang 50mm F1.2 neigt außen zu Katzenaugen. Ein Unterschied in der Tiefenschärfe / Bokeh war zwischen Blende 1.2 und 1.4 für mich auf verschiedene Distanzen nicht warnehmbar, so dass der Vorteil zum Samyang 50mm F1.4 mit Autofokus (bis auf den Preisunterschied) für mein subjektives Empfinden nicht gegeben ist.
- Bokeh vom Samyang 50mm F1.4 mit Autofokus ist genial und bei meinem Exemplar bis in die Ecken kreisrund. Das Bokeh zeigt leichte Onion-rings.
- Bokeh vom Sony SEL50F18B neigt außen zu leichten Katzenaugen (nicht so stark wie das Samyang F1.2), dafür sind keine Onion-rings zu erkennen. Der Unterschied zwischen Blende 1.4 bei den beiden Samyangs zu 1.8 beim Sony ist allerdings schon recht gut erkennbar.
Schärfe:
- Bei der Schärfe ist Sony klarer Sieger, sowohl mit offener Blende, als auch auf F8 abgeblendet.
- Samyang 50mm F1.2 ist mit offener Blende (hier auch bei F1.4 und F1.8) außen deutlich unschärfer als die anderen beiden Objektive. Bei F8 ist das Samyang 50mm F1.2 etwa gleich scharf wie das Sony und damit schärfer, als das Samyang 50mm F1.4 mit Autofokus.
- Samyang 50mm F1.4 mit Autofokus ist mit offener Blende außen ähnlich scharf wie das Sony und damit schärfer als das Samyang 50mm F1.2. Bei F8 ist das Samyang 50mm F1.4 mit Autofokus unschärfer, als die anderen beiden Objektive.
- Im Zentrum ist das Sony bei meinen Tests immer am schärfsten.
Fokus / Autofokus:
- Der Autofokus vom Sony SEL50F18B ist auf der A6000 treffgenau, schnell und leise. Natürlich kann es auch hier bei schlechten Lichtbedingungen mal zum Pumpen kommen, aber bei meinen Tests nicht sehr häufig.
- Der Autofokus vom Samyang 50mm F1.4 ist ebenfalls relativ treffgenau, aber sehr laut und ist gefühlt etwas langesamer als beim Sony. Auch scheint der Autofokus öfter zu pumpen, als beim Sony Objektiv (auch nicht sehr häufig, aber häufiger als beim Sony).
- Das Samyang 50mm F1.2 hat keinen Autofokus und muss dementsprechend manuell fokussiert werden. Bei F1.2 ist es schon extrem schwierig präzise auf z.B. ein Auge zu fokussieren. Model und Fotograf dürfen sich in dem Fall nicht bewegen. Ein Fokussieren bei F1.2 ist trotz Fokuspeaking ohne Fokus-Lupe nicht präzise möglich (dafür ist der Schärfebereich zu gering und das Fokus Peaking zu ungenau). Beim Verwenden der Fokuslupe bringt das Fokuspeaking nicht mehr den gewünschten Vorteil, so dass es kaum einen Unterschied macht, ob es eingeschaltet ist, oder nicht. Alles in allem ist das Fokussieren mit offener Blende recht mühsam und es gab bei mir einen recht großen Ausschuss bei den Bildern. Natürlich wird es Leute geben, die schneller und besser manuell fokussieren können, hier wird also nur die Kombination vom Objektiv, der A6000 und mir bewertet. Abgeblendet kann man mit dem Fokuspeaking gute Ergebnisse erreichen, aber dafür kaufe ich kein F1.2 Objektiv. Der Fokusring lässt sich übrigens hervoragend bedienen und hat eine gute Haptik.
Fringing:
- Bei den Samyangs etwas ausgeprägter als bei Sony, aber für mich nicht relevant, da es leicht in Lightroom entfernt werden kann.
Kontrast und Dynamik:
- Hier ist mein subjektives Empfinden, dass ich beim Sony Objektiv mehr Kontrast und mehr Dynamikumfang in den Bildern habe. Die Unterschiede habe ich aber nicht gemessen.
Größe und Gewicht (bezogen auf ein Objektiv für eine APS-C Kamera):
- Sony SEL50F18B: Klein und leicht
- Samyang 50mm F1.2: Mittelgroß und mittelschwer
- Samyang 50mm F1.4 mit Autofokus: Groß und schwer
Fazit:
- Das Samyang 50mm F1.2 verliert im Vergleich zum Samyang 50mm F1.4 mit Autofokus, da das manuelle Fokussieren (für mich) zu mühsam und zu ungenau ist und der Blendenvorteil von F1.2 zu F1.4 für mich im Bild nicht wahrnehmbar ist. Hier würde ich auf jeden Fall den Aufpreis von ca. 100 Euro für den Autofokus und das bessere Bokeh vom Samyang 50mm F1.4 zahlen.
- Bei Preis, Schärfe, Autofokus, Kontrast / Dynamik und Größe / Gewicht gewinnt für mich das Sony Objektiv. Lediglich das geile Bokeh vom Samyang 50mm F1.4 mit Autofokus wäre für mich ein relevanter Grund dieses Objektiv dem Sony vorzuziehen. Ob jemanden das über 200 Euro Aufpreis Wert ist, muss derjenige für sich selber entscheiden. Das kreisrunde Bokeh wäre es mir nicht Wert, wenn dann der Blendenvorteil von F1.4 zu F1.8.
- Wenn man sich für das Samyang 50mm F1.4 mit Autofokus entscheidet, sollte einem klar sein, dass die äußere Unschärfe bei Portraits i.d.R. im Bokeh verschwindet, das Objektiv aber abgeblendet für z.B. Landschaftsaufnahmen in meinen Augen wegen der äußeren Unschärfe nicht so geeignet ist.
Wenn diese Rezension für Sie hilfreich war, dürfen Sie gerne auf "Eine Person fand diese Informationen hilfreich. War diese Rezension für Sie hilfreich? --> Ja" klicken. Vielen Dank!
Also kann ich dieses Objektiv uneingeschränkt empfehlen.
Unlike the FE full frame version, this lens has optical stabilisation, making it ideal for low light conditions when photographing static objects. However, I have mainly used it as a portrait lens as the 75 mm full-frame equivalent focal length is ideal for taking pictures of grandchildren. I have been really impressed how well the lens autofocus mechanism works in combination with the face and eye detection 4D tracking system of the A6400. I took 520 photographs this afternoon and was really impressed by the “keeper” rate. Even with the lens at f/2.0 or 2.2, the vast majority of photographs had the toddler’s eyes in extremely sharp focus, with a nicely rendered bokeh for the background, despite the fact that they were constantly on the move.
Strongly recommended
Reviewed in the United Kingdom on October 6, 2017
He hecho una comparación con el Sigma 56mm 1.4 (ya que son las mejores alternativas "económicas" de objetivos de retratos para APS-C). Izquierda Sony 50mm y derecha el Sigma 56mm.
Pros:
- tiene OSS (imprescindible para los que quieran hacer vídeos y tienen la a6300 o inferior).
- bonito efecto bokeh
- realtivamente pequeño y muy ligero
- calidad bastante buena (especialmente en motivos lejanos, que es cuando iguala al Sigma 56).
Contras:
- no tiene una definición excelente como otras alternativas -eso sí, más caras-
- tiene un decepcionante y precoupante aberración cromática (se ve claramente en las imagenes 3 y 4).
Conclusiones. Si tienes una cámara APS-C y la darás uso de viídeo, es buena opción.
Si tienes cámara APS-C y solo le darás uso de fotografía de retratos merece la pena valorar el Sigma también.
Personalmente lo devuelvo porque las aberraciones cromáticas me parecen muy altas. Ese fucsia en los bordes me molesta demasiado.
Reviewed in Spain on February 25, 2019
He hecho una comparación con el Sigma 56mm 1.4 (ya que son las mejores alternativas "económicas" de objetivos de retratos para APS-C). Izquierda Sony 50mm y derecha el Sigma 56mm.
Pros:
- tiene OSS (imprescindible para los que quieran hacer vídeos y tienen la a6300 o inferior).
- bonito efecto bokeh
- realtivamente pequeño y muy ligero
- calidad bastante buena (especialmente en motivos lejanos, que es cuando iguala al Sigma 56).
Contras:
- no tiene una definición excelente como otras alternativas -eso sí, más caras-
- tiene un decepcionante y precoupante aberración cromática (se ve claramente en las imagenes 3 y 4).
Conclusiones. Si tienes una cámara APS-C y la darás uso de viídeo, es buena opción.
Si tienes cámara APS-C y solo le darás uso de fotografía de retratos merece la pena valorar el Sigma también.
Personalmente lo devuelvo porque las aberraciones cromáticas me parecen muy altas. Ese fucsia en los bordes me molesta demasiado.















