Save Big On Open-Box & Used Products: Buy "Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Len...” from Amazon Open-Box & Used and save 15% off the $961.24 list price. Product is eligible for Amazon's 30-day returns policy and Prime or FREE Shipping. See all offers from Amazon Open-Box & Used.
Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
- Enter your model number to make sure this fits.
- Focal Length: 55mm, Filter Diameter: 49mm
- Minimum Focus Distance: 19-11/16 inches (.50m)
- Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
- Aperture (Min/Max): 22/1.8
- Magnification: 14x
Frequently bought together
Customers who bought this item also bought
Special offers and product promotions
|Aperture Control Design||Aperture controlled by camera|
|Compatible Lens Hood Part Number||ALC-SH131|
|Compatible Mountings||Sony E (NEX)|
|Focus Type||Stepper motor|
|Item Dimensions||2.52 x 2.52 x 2.8 inches|
|Item Display Weight||9.91 ounces|
|Item Weight||0.62 pounds|
|Lens Type||Prime lens|
|Macro Focus Range||0.50 m|
|Manufacturer Warranty Description|
|Material Type||All-metal construction|
|Maximum Aperture Range||F1.8|
|Maximum Focal Length||55 mm|
|Maximum Format Size||35mm full frame|
|Minimum Focal Length||55 mm|
|Number of Diaphragm Blades||9|
|Number of Elements||7|
|Number of Groups||5|
|Photo Filter Thread Size||49 mm|
|Shipping Weight||1.15 pounds|
Compare to similar items
This item Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
Sony FE 50mm F1.8 Lens B01DLMD5O6
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Compatible Camera Mount||Sony E (NEX)||Sony FE||Sony E (NEX)||Sony E (NEX)|
|Focus Type||Stepper motor||auto-focus||Stepper motor||Stepper motor|
|Item Dimensions||2.52 x 2.8 x 2.52 in||3.43 x 4.09 x 4.69 in||2.44 x 1.46 x 2.44 in||2.87 x 3.74 x 2.87 in|
|Item Weight||0.62 lb||0.65 lb||4.23 ounces||—|
|Lens Type||Prime lens||normal||Prime lens||Zoom lens|
|Maximum Focal Length||55 millimeters||50||35 millimeters||70 millimeters|
|Minimum Focal Length||55 millimeters||50||35 millimeters||24 millimeters|
|Photo Filter Thread Size||49 millimeters||—||49 millimeters||67 millimeters|
Sony Camera Lenses SEL55F18Z
From the Manufacturer
Sonnar T* FE 55mm F1.8 ZA Full-frame E-mount Prime Lens
Renowned Carl Zeiss contrast and resolution brings out the best in α7 series full frame E-mount bodies. The T* coating works with an innovative optical design to suppress internal reflections, for sublime contrast from highlights to deep blacks. In keeping with the Sonnar concept, a large F1.8 maximum aperture can produce beautiful full-frame background bokeh, but you also have the option of stopping down for extended depth-of-field. A bright lens like this is also an advantage when shooting indoors or outdoors in low light. Linear motor driven internal focusing is smooth and quiet, and a dust and moisture resistant design ensures consistently reliable performance.
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Carl Zeiss T* (T-star) coating
Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality.
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.
All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.
Top Customer Reviews
I just purchased this lens on amazon and it arrived in time for a wedding I shot just yesterday. It performed brilliantly. 95% of my shots were done wide open at f/1.8 and almost 100% of the images were in focus, minus a few that were from user error (accidentally switched off auto iso, resulting in a slower shutter speed indoors).
The lens at 1.8 is so sharp, it's quite refreshing and locks on focus quickly.
I had no problems at all with auto focus though I will say my 5d3 did focus faster indoors. But the a7 and 55 still performed well.
Outdoors at around 4pm with the sun at a beautiful spot, shooting was almost too good.
My primary use for this lens is to get nice bokeh and and I couldn't be happier. In some instances, it has this quality about it that I can't explain but have always read about. I guess its a Zeiss thing (my first and definitely not last).
So I would say, if this is in your budget, you won't be disappointed with the quality of the images produced. Then add the fact that it's weathered sealed, it's definitely worth the price. My 50L is now up for sale.
Most importantly to me, I am an avid hiker and when I do take pictures of models/subjects I do so at remote locations. Before I moved to a mirrorless full-frame, I was lugging my heavy 50/1.4 and my mirrored full-frame camera for 12(+) miles per hike up and down mountains. That got old and painful quickly and not to mention that the general bulk of what I was carrying was inconvenient for my packs and inconvenient for climbing. I believe this lens is the perfect size for a small mirrorless professional system and has 99% of the image quality needed for all but the very 0.1% of studio shoots or where the extra subject isolation of a F/1.4 (or less) lense is absolutely needed.
This lens is a must for any FE-mount Sony Owners out there.
This is one of the highest rated lenses on the market, Sony or otherwise.
Won't get much better with any other lens (as at August 215), and for a similar price (around $US900).
Therefore, if you are going to get just one very good, general purpose, Sony E mount, full frame FF lens for around $US900, this is a very good choice.
Other options, in the full frame series, are the Sony 35mm/2.8 FF (~US$600), and the 35mm/1.4 FF (~US$1600). I got the 55mm/1.8 over the 35mm/2.8 due to the lower fstop, meaning brighter and better pictures in lower light, including a desire for milky way shots with a tripod at night. (and the 35mm/1.4 is also much more expensive).
At 55mm, it's very good for portraits, general street photography, indoor use, and can also be useful for some architecture and landscapes. At fstop 1.8 is also very good for night/astronomy photos, with the help of a tripod.
It’s a full frame (FF) lens, which are designed for full frame Sony A7 series cameras; however you can use it on NEX series Sony cameras but it’s not really worth it, as you pay way more for this lens which won’t give you any better quality on those NEX series cameras than other, cheaper lenses which are specifically made for the NEX cameras.
OTHER LENSES/PACAKGES IN THE SONY E MOUNT RANGE
After much searching and looking to minimise costs (at August 2015) I use these lenses for my Sony A7 full frame (FF) camera:
• Sony 55mm/1.8 lens FF (~$900US), (general street use, portrait, indoor, some macro at 0.5m)
• Sony 55-210mm lens APS-C (~$US250) , (wildlife, distal objects, some portrait and street photography)
• Sony 28-70mm lens FF (~$400US/$200 with A7 kit) (landscapes at ~28mm, general use, some portrait, indoor and street photography)
• Sony 30mm/3.5 macro APS-C (45mm equivalent on full frame sensor) (~$250US) (macro use; some portrait, indoor, street and landscape)
MY TOTAL LENS PACKAGE (with mix of FF and APS-C lenses) COST ABOUT US$1600-1800.
Here are some alternatives:
• Sony 24-240mm FF (~US$1000) for wildlife, street and distant objects, and some landscape
• Sony 16-35mm FF (~US$1200) for landscapes and architecture, some portait
• Sony 90mm FF macro (~US$1000), macro, portrait, street use
• Sony 35mm/2.8 FF (~US$600), general street use, portrait, some landscape
• Or /Sony 35mm/ 1.4 FF (~US$1600) general street use, portrait, some landscape
TOTAL LENS FF PACKAGE COST ABOUT ~$US3800-$4800.
So there is significant differences between lens prices/packages, so perhaps a mix for those on a budget, but with at least 1-2 full frame (FF) lenses, is not a bad, cheaper alternative, as I have done.
The Sony 55-210mm APS-C lens performs surprisingly well in wildlife shots, except in very low light (I took it to Africa and it was fine), even though it isn’t a full frame lens, and so is a reasonable cheaper alternative to the Sony 24-240mm FF lens.
SONY A MOUNT LENSES ON E MOUNT/VICE VERSA CAMERAS
Can be done, but you need a convertor, and the availability/quality isn’t much different from the A series to the E series, so I don’t think it’s really worth it.
NIKONS/CANON/SIGMA FOR SONY LENSES, AND OTHER BRANDS.
These lenses are not specific to Sony and many do not for example include autofocus, except for the Sigma for Sony lenses. The Sigmas for Sony: 19/30/60mm are fine and relatively cheap, but as yet there are no full frame lenses in this Sigma series, so these are only really worth it for the NEX series cameras.
There are some Rokinon/Samyung ultra wide angles (e.g. 14mm/f2.8, for landscape, indoor, architecture, and astrophotography) which are full frame and quite ok for the price (around US$300 or so), but dont expect quite the same sharpness you get with other full frame lenses, when one uses ultra wide angle lenses.
The Sigma 19mm tests I did on the Sony A7 full frame camera were ok but of lower quality than what the Sony 28-70mm kit lens achieved. The Sony 55m was better in all respects than both the Sigma 19mm and the28-70mm kit lens, especially in lower light.
The advantage of fixed focal length lenses is they give a better, more even and sharper picture (both in the middle and also across the frame) for that focal length, compared to zoom lenses. So the detail in the corners will be similar to the middle when so desired, but they can also give more ‘bokeh’ or ‘blurred background’ when you want to blur out unwanted details in the background, which is common, for example, in portrait work.
The Sony 55mm/1.8 lens is an excellent, full frame lens for Sony A7 series cameras. It doesn’t have image stabilisation, however I’m told this is only really an issue in very low light and without a tripod, and perhaps also with some hand-held video contexts.
You need to pair it with other lenses in a package to decide whether you really need it, taking into account price and what kind of pictures you want to take, for what situations. It’s particularly good for portrait work and general street photography, but can also be used in other contexts including some landscape photography and night/ low light work as well as some macro it’s ok, so it makes a good all-round, high quality lens. It gets only 4 stars due to price and lack of image stabilisation with video.
In the past, the prime lenses I used the most were the Canon EF 50mm f/1.4, and the Olympus 45mm f/1.8 (which is actually 90mm and the depth-of-field is actually about f/3.6 in 35mm equivalent).
What I love about using the 55mm f/1.8 with the a7RII, is that besides the great performance of the optics (image quality, accurate/speedy autofocus), I can also put the a7RII in Super 35 mode and use the lens as a 82.5mm f/2.6, which doubles the usefulness of this already wonderful lens. I don't even feel like I need to get the Zeiss Batis 85mm f/1.8 anymore, since that will add another lens I need to carry around, not to mention the extra cost. Of course, shooting in Super 35 mode will get you only about 18 MP, but that's plenty enough for most people's needs.