Add to your order
- NO ADDITIONAL COST: You pay $0 for repairs – parts, labor and shipping included.
- COVERAGE: Plan starts on the date of purchase. Drops, spills and cracked screens due to normal use covered from day one. Malfunctions covered after the manufacturer's warranty.
- EXPERT TECH HELP: Real experts available 24/7 to help with set-up, connectivity issues, troubleshooting and much more.
- PRODUCT ELIGIBILITY: Plans cover products purchased in the last 30 days.
- EASY CLAIMS PROCESS: File a claim anytime online or by phone. Most claims approved within minutes. If we can’t repair it, we’ll send you an Amazon e-gift card for the purchase price of your covered product or replace it.
Other Sellers on Amazon
100% positive over last 12 months
& FREE Shipping
82% positive over last 12 months
& FREE Shipping
89% positive over last 12 months
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
| Price: |
$1,498.00
&
FREE Returns
Return this item for free
How to return the item?
|
Enhance your purchase
| Brand | Sony |
| Lens Type | Telephoto |
| Compatible Mountings | Sony E |
| Camera Lens Description | 200 millimetres |
| Maximum Focal Length | 200 Millimeters |
About this item
- Make sure this fits by entering your model number.
- Brand is Sony
- Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
- Interchangeable Lens
- SEL70200G
Frequently bought together
Customers who viewed this item also viewed
Customers who bought this item also bought
Have a question?
Find answers in product info, Q&As, reviews
Your question might be answered by sellers, manufacturers, or customers who bought this product.
Please make sure that you are posting in the form of a question.
Please enter a question.
From the manufacturer
FE 70-200mm F4 G OSS Full-frame E-mount Zoom Lens
The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well.
Technology
Additional Features
Compatible Models
ILCE-6600/ILCE-6100/ILCE-7RM4/ILCE-6400/ILCE-6400L/ILCE-6400M/ILCE-7M3/ILCE-7M3K/ILCE-7RM3/ILCE-9/ILCE-6500/ILCE-6500M/ILCE-6300/ILCE-6300L/ILCE-6300M/ILCE-7SM2/ILCE-7RM2/ILCE-5100/ILCE-5100L/ILCE-5100Y/ILCE-7M2/ILCE-7M2K/ILCE-7S/ILCE-6000/ILCE-6000L/ILCE-6000Y/ILCE-3500J/ILCE-5000L/ILCE-5000Y/ILCE-3000K/ILCE-7/ILCE-7K/ILCE-7R/NEX-5T/NEX-5TL/NEX-3NL/NEX-5R/NEX-6/NEX-F3K/NEX-5N/NEX-5NK/NEX-7/NEX-7K/NEX-C3K/NEX-3A/NEX-5A
Depending on the model, the operation may be restricted or additional accessory products may be required. Please refer the manufacture site for details.
ILCE-7RM2 |
ILCE-7M3 |
ILCE-7M2 |
ILCE-7RM3 |
ILCE-6500 |
ILCE-6400 |
|
|
Product Name
|
α7R II with 35 mm image sensor | α7 III WITH 35 MM MAGE SENSOR | α7 II E-mount Cam with 35mm | α7R III 35 mm with arutofocus | α6500 Premium APS-C Camera | α6400 cam with APS-C Sensor |
|
Lens compatibility
|
Lens compatibility | Lens compatibility | Lens compatibility | Lens compatibility | Lens compatibility | Lens compatibility |
|
Sensor type
|
35 mm full frame Exmor R CMOS | 35 mm full frame Exmor R CMOS | 35 mm full frame Exmor CMOS | 35 mm full frame Exmor R CMOS | APS-C type Exmor CMOS sensor | APS-C type Exmor CMOS sensor |
|
Megapixels
|
42.4 megapixels | Approx. 24.2 megapixels | 24.3 megapixels | Approx. 42.4 megapixels | Approx. 24.2 megapixels | Approx. 24.2 megapixels |
|
Weight
|
20.53 oz (body only) | Approx. 1 lb 7.0 oz / 650 g | 19.61 oz (body only) | 657 g / 1 lb 7.2 oz | Approx. 1 lb, Approx. 453 g | Approx. 14.3 oz / 403 g |
Compare with similar items
This item
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
|
Sony FE 70-200mm f/2.8 GM OSS Lens
|
Sony FE 20mm F1.8 G Full-Frame Large-Aperture Ultra-Wide Angle G Lens, Model: SEL20F18G
|
Tamron 70-180mm F/2.8 Di III VXD for Sony Full Frame/APS-C E-Mount, Black
|
Sony Alpha 70-350mm F4.5-6.3 G OSS Super-Telephoto APS-C Lens
|
Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2)
|
|
|---|---|---|---|---|---|---|
| Customer Rating | 4.4 out of 5 stars (210) | 4.8 out of 5 stars (196) | 4.8 out of 5 stars (374) | 4.8 out of 5 stars (337) | 4.7 out of 5 stars (262) | 4.8 out of 5 stars (455) |
| Price | $1,498.00 | $2,598.00 | $898.00$898.00 | $1,199.00 | $998.00$998.00 | $1,398.00 |
| Sold By | Amazon.com | Focus Camera LLC | Amazon.com | PROCAM | Amazon.com | Amazon.com |
| Color | black | White | — | Black | — | Black |
| Compatible Camera Mount | Sony E | Sony FE | Sony E | Sony E, Sony E | Sony E | Sony E |
| Focus Type | Stepper motor | Auto Focus | Auto Focus | Auto Focus | Auto Focus | Auto Focus |
| Item Dimensions | 6.89 x 3.15 x 3.15 inches | 11.93 x 5.47 x 5.67 inches | 7.75 x 4.5 x 4.25 inches | 5.9 x 3.18 x 3.18 inches | 8.27 x 3.98 x 4.53 inches | 4.5 x 3.38 x 4.72 inches |
| Item Weight | 1.85 lbs | 4.91 lbs | 0.82 lbs | 1.79 lbs | 1.90 lbs | 1.46 lbs |
| Lens Type | Telephoto | Telephoto | Wide Angle | Telephoto | Telephoto | Standard |
| Maximum Aperture | f/2.8 | f/2.8 | 1.8 millimeters | 2.8 millimeters | 4.5 millimeters | 4 millimeters |
| Maximum Focal Length | 200 millimeters | 200 | 20 millimeters | 180 | 350 | 105 millimeters |
| Minimum Aperture | 0 | 22 | 22 | 22 | 0 | 22 millimeters |
| Minimum Focal Length | 70 millimeters | 70 | 20 millimeters | 70 | 70 | 24 millimeters |
| Photo Filter Thread Size | 72 millimeters | 77 millimeters | — | 67 millimeters | — | — |
Product description
Product Description
Sony SEL70200G 70-200mm Interchangeable Lens for Sony Alpha Cameras. Angle of View 34°-12° 30' The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Effectively suppress reflections that can cause flare and ghosting with Sony’s original Nano AR Coating technology. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Once you’ve adjusted focus to where you want it, pressing this button on the lens barrel will keep the lens locked to that focusing distance. The preview function can also be assigned to this button through the camera’s custom settings. This function allows you to set a limit on the focusing range which can save you time during AF operation as the lens will not ‘hunt’ through the entire focusing range. In macro lenses, this limit can be on either the near or far range (as pictured). In the SAL70200G, the limit is set on far ranges only. In the SAL300F28G, focusing can be limited either to a far range or to a range that you specify yourself. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Aluminum alloy is used in the construction of the G Lenses and other high-end lenses to ensure high optical performance. This material is lightweight, durable, and highly resistant to the effects of temperature change. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) log, G logo and SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. Sony and the Sony make.believe logo are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.
From the Manufacturer
FE 70-200mm F4 G OSS Full-frame E-mount Zoom Lens
The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well.

Technology



Circular Aperture
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
Nano AR Coating
Effectively suppress reflections that can cause flare and ghosting with Sony’s original Nano AR Coating technology. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.



Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Focus hold button
Once you’ve adjusted focus to where you want it, pressing this button on the lens barrel will keep the lens locked to that focusing distance. The preview function can also be assigned to this button through the camera’s custom settings.
Focus range limiter
This function allows you to set a limit on the focusing range which can save you time during AF operation as the lens will not ‘hunt’ through the entire focusing range. In macro lenses, this limit can be on either the near or far range (as pictured). In the SAL70200G, the limit is set on far ranges only. In the SAL300F28G, focusing can be limited either to a far range or to a range that you specify yourself.
Additional Features
Internal focusing
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
Aluminum alloy lens barrel
Aluminum alloy is used in the construction of the G Lenses and other high-end lenses to ensure high optical performance. This material is lightweight, durable, and highly resistant to the effects of temperature change.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Dust and Moisture Resistant
The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures.
2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) log, G logo and SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Sony and the Sony make.believe logo are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.
Product information
Style:Lens Only| Product Dimensions | 6.89 x 3.15 x 3.15 inches |
|---|---|
| Item Weight | 1.85 pounds |
| ASIN | B00I8BICEO |
| Item model number | SEL70200G |
| Customer Reviews |
4.4 out of 5 stars |
| Best Sellers Rank |
#300 in SLR Camera Lenses
|
| Is Discontinued By Manufacturer | No |
| Date First Available | February 12, 2014 |
| Manufacturer | Sony |
| Country of Origin | Japan |
Warranty & Support
Feedback
Product guides and documents
Important information
Legal Disclaimer
FULL 14 DAY NO HASSLE SATISFACTION GUARANTEE SERIAL #1806252
Customer reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
The lens quality is very high with one silly exception: the sliders are too easy to slide. If you have the lens dangling from you shoulder it's enough to move the sliders randomly. It gets slightly annoying after a while and seems like a glaring design omission. I had to get into a habit of checking the sliders pretty much every time I raise the camera up or discover that AF was toggled to MF and/or IS was turned off. That's where one star gets deducted.
The zoom and focus rings are silky smooth. Image stabilization works well, no problems with shooting flying birds or airplanes at 200mm. Unlike my old Canon 100-400L, this lens zoom is fully internal, the lens doesn't expand when zoomed and there is no lens creep, yay!
I am not a pixel peeper. I'm just a hobbyist who wants to strike a balance between cost, portability and image quality while hiking for hours. As far as I am concerned this lens produces stunning images with my a6000 that are better than what my 7D with 100-400L could do, sans the extra 200mm, but also sans the bulk. Combined with the fast a6000 focus this lens is a blast to use.
The attached images are unedited, just exported from Lightroom with default settings.
By AdamDZ on February 11, 2015
The lens quality is very high with one silly exception: the sliders are too easy to slide. If you have the lens dangling from you shoulder it's enough to move the sliders randomly. It gets slightly annoying after a while and seems like a glaring design omission. I had to get into a habit of checking the sliders pretty much every time I raise the camera up or discover that AF was toggled to MF and/or IS was turned off. That's where one star gets deducted.
The zoom and focus rings are silky smooth. Image stabilization works well, no problems with shooting flying birds or airplanes at 200mm. Unlike my old Canon 100-400L, this lens zoom is fully internal, the lens doesn't expand when zoomed and there is no lens creep, yay!
I am not a pixel peeper. I'm just a hobbyist who wants to strike a balance between cost, portability and image quality while hiking for hours. As far as I am concerned this lens produces stunning images with my a6000 that are better than what my 7D with 100-400L could do, sans the extra 200mm, but also sans the bulk. Combined with the fast a6000 focus this lens is a blast to use.
The attached images are unedited, just exported from Lightroom with default settings.
Glad i added this lens to the collection, it will be used as much as possible. I attached some photos of the show, most at either 1/90 or 1/125 F4. Love it.
By Shinebox on July 25, 2017
Glad i added this lens to the collection, it will be used as much as possible. I attached some photos of the show, most at either 1/90 or 1/125 F4. Love it.
It's a very beautiful lens however and has THREE "Focus hold" buttons, all of which can be customized...For various purposes..
It's LONG!! Longer than say a 70-200 F/2.8 from Canon....
Doesn't balance well on the A7III, even with a battery grip...And it's not that heavy, but most of the weight seems to be out towards the front....
Comes with an aluminum hood (not plastic!) and a tripod collar/foot...
Best part is, it makes you APPEAR as if you know what you are doing...
Seems very well built, although not as tank-like as a Canon F/2.8 but probably the equivalent of their F/4 70-200...
The optics are quite amazing, esp on the A7III and rates near the top of DXOMark's lens rating tables, esp for sharpness...
IF you can afford it, I'd maybe get this and the Tamron 28-75 2.8 and forget the kit lens...
Also, this did not fit in my large-ish Ape Case bag, neither vertically, nor laying down..It's just that long!
IF someone gave me $4000, I'd buy this in an instant, but I'd wait to see if the A7IV will have a "real" grip..
Top reviews from other countries
Reviewed in Canada on March 13, 2019
Some say it's not sharp wide-open, it is kinda soft at wide-open when you are pixel peeping while shooting handheld. What you want to know is I have ZERO concerns with the sharpness when printing 12x18, 18x24 on Hahnemühle Photo Rag. Post-editing is very important.
What's the catch then? Well, I wish the bokeh is smoother and less busy, the minimum focusing distance is closer and compatible with extenders from Sony. If these are important to you, get f2.8 GM or Tamron 70-180 f2.8 Di.
Overall, I'm very happy with its performance.
Reviewed in Canada on May 13, 2021
Some say it's not sharp wide-open, it is kinda soft at wide-open when you are pixel peeping while shooting handheld. What you want to know is I have ZERO concerns with the sharpness when printing 12x18, 18x24 on Hahnemühle Photo Rag. Post-editing is very important.
What's the catch then? Well, I wish the bokeh is smoother and less busy, the minimum focusing distance is closer and compatible with extenders from Sony. If these are important to you, get f2.8 GM or Tamron 70-180 f2.8 Di.
Overall, I'm very happy with its performance.
d'image.

















