Sony Cybershot DSCR1 10.3MP Digital Camera with 5x Optical Zoom
| Brand | Sony |
| Model Name | Sony DSCR1 |
| Form Factor | Compact |
| Effective Still Resolution | 10.3 MP |
| Special Feature | Image Stabilization |
| Optical Zoom | 5 x |
| Color | Black |
| Connectivity Technology | USB |
| Screen Size | 2 Inches |
| Photo Sensor Size | APS-C |
About this item
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- 10.3-megapixel CCD captures enough detail for photo-quality 18 x 24-inch prints
- 5x optical zoom; 2.0-inch vari-angle LCD display
- Live preview using Sony's Complementary Metal Oxide Semiconductor (CMOS) technology
- Three color modes and RAW capture
- Records images on Memory Stick PRO and Compact Flash Type 1/II media; powered by one NP-FM50 InfoLithium battery
What's in the box
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This item Sony Cybershot DSCR1 10.3MP Digital Camera with 5x Optical Zoom | Sony Cybershot DSCS90 4.1 MP Digital Camera with 3x Optical Zoom | Kodak PIXPRO Friendly Zoom FZ41 16 MP Digital Camera with 4X Optical Zoom and 2.7" LCD Screen (Black) | Sony Cybershot DSCN1 8.1MP Digital Camera with 3x Optical Zoom | Sony Cybershot DSC-N2 10.1MP Digital Camera with 3x Optical Zoom | |
|---|---|---|---|---|---|
| Customer Rating | 3.9 out of 5 stars (51) | 4.0 out of 5 stars (77) | 4.0 out of 5 stars (119) | 3.9 out of 5 stars (97) | 3.9 out of 5 stars (121) |
| Price | $249.99$249.99 | $74.09$74.09 | $119.99$119.99 | $73.46$73.46 | $109.99$109.99 |
| Sold By | good_stuff_ | Tracktown Treasures | PORTABLE GUY | Mister B Enterprises | good_stuff_ |
| Screen Size | 2 inches | 2.5 inches | 2.7 inches | 3 inches | 3 inches |
| Includes External Memory | Yes | Yes | No | Yes | Yes |
| Item Dimensions | 5.47 x 3.82 x 6.61 inches | 3.82 x 1.57 x 2.52 inches | 1.05 x 3.67 x 2.37 inches | 3.7 x 0.79 x 2.36 inches | 3.7 x 0.79 x 2.36 inches |
| Item Weight | 2.19 lbs | 0.56 lbs | 4.10 ounces | 4.96 ounces | 4.96 ounces |
| Optical Sensor Resolution | 10.3 megapixels | 4.1 megapixels | — | 8.1 megapixels | 10.1 megapixels |
| Optical Zoom | 5x | 3x | 4x | 3x | 3x |
| Video Capture Resolution | 1080p | MPEG VX (640 x 480, 16/30 fps, unlimited) | 720p | 480p | 480p |
| Viewfinder Type | LCD | Optical | — | — | None |
Product Description
From the Manufacturer
From the Manufacturer The Cybershot R1 camera is the world's first integrated lens digital still camera to combine a professional-grade, 10.3-megapixel image sensor and the flexibility of live preview while shooting. With its ultra-wide Carl Zeiss Vario-Sonnar T* zoom lens (24mm to 120mm) and free-angle, two-inch LCD, the Cybershot R1 brings professional level imaging performance to mainstream consumers.
A Class of Its Own
Photo enthusiasts know that image sensor size is one of the most important influences on picture quality. Professional-grade image sensors, sometimes referred to as advanced photo system (APS) or APS-class, are many times the size of compact sensors used in point-and-shoot cameras; large sensors deliver extraordinary resolution, high sensitivity to light, and lower image noise or graininess for exceptional pictures. At 10.3 megapixels, the R1's sensor offers one of the highest resolutions available in the APS class.
The Sony R1's vari-angle LCD display allows for "live" preview and makes complex shooting situations a cinch. Unlike digital SLRs, the Cybershot R1 unit's sensor allows for a "live" preview thanks to Sony Complementary Metal Oxide Semiconductor (CMOS) technology. Until now, the extraordinary power consumption of these large sensors has limited their operation to image capture only--unable to support the benefit of a live preview. Sony's distinctive design is employed to reduce power consumption, as well as increase image processing speeds.
The camera's electronic viewfinder or two-inch LCD lets you evaluate scene conditions, such as exposure and how color is rendered before taking a shot. Because the R1 camera can preview electronically, using the image sensor itself in real time, framing is always 100% accurate.
Built Digital from the Ground Up
The R1's integrated Carl Zeiss Vario-Sonnar lens was carefully crafted to take full advantage of the resolution, clarity, and color performance of its APS-class CMOS image sensor. Because of the sensor's live preview capability, there is no need for the camera to have a traditional "mirror and prism" construction common to digital SLRs. This allows a lens-to-sensor distance of as little as 2 millimeters, optimizing image quality and color accuracy.
Another benefit of this structure is the ability to incorporate an extraordinary wide field of view and zoom range. The 24mm wide end of the lens is particularly suited for architectural photography, landscapes and large-group portraits, while the 120mm telephoto end is perfect for filling the frame with distant subjects. This is a range not easily matched by any other lens for use with cameras using large-scale image sensors.
Furthermore, no mirror and prism construction means that the R1 is a quiet camera, perfect for shooting at a tennis match or in nature without disturbing wildlife.
Get the Shot without the Backache
The Cybershot R1 sports a two-inch LCD screen that folds flat and swivels so you can shoot from nearly any position. This flexibility allows you to get the shots that other cameras miss. For example, you can hold the camera low--down to the ground--for eye-level view shots of kids and pets without having to bend yourself into a pretzel or crawling on the ground.
The Power of Optimal Image Processing
A 10.3-megapixel camera needs a fast processor. Sony harnessed the power of it Real Imaging Processor LSI to achieve fast response times, low power consumption and clear images.
The new camera features a one-second shot-to-shot time, three-frame-per-second burst shooting, and a shutter-release time of only 7.5 milliseconds. Because it consumes 70 percent less power than Sony's previous processing circuitry, the camera has a battery life of up to 500 shots per charge, which can vary according to use and camera settings.
For enhanced versatility, Cybershot R1 offers three different modes of color reproduction: Adobe RGB used for professional graphics and offset color printing, Standard sRGB for most computer-based uses, and Vivid sRGB for more intense primary colors.
The camera's user selectable Advanced Gradation Control System (AGCS) optimizes image contrast, in order to avoid "blown out" highlights in high-contrast scenes and "crushed" blacks in low-contrast ones. AGCS evaluates the distribution of brightness and then automatically applies the appropriate gamma curve to achieve better pictures.
Users will also enjoy the added convenience of storing images onto Memory Stick PRO media, as well as CompactFlash Type I and Type II media or Microdrive media. The camera supports both JPEG and RAW formats, which can then be manipulated on a PC using the supplied Sony Image Data Converter SR software.
Other Features
Shoot with Memory Stick PRO media or Compact Flash I/II cards.
- Dual Media Capability: If you've already invested in high-capacity Flash Memory cards, the DSC-R1 is the camera for you. It accepts Memory Stick PRO media, Compact Flash Type 1/II media, and optional Microdrive media.
- Memory Stick and Memory Stick PRO Media: Digital. Powerful. Transportable. Memory Stick media is compact, portable, and rugged, connecting a variety of hardware and software applications.
- Three Color Modes and RAW Capture: Choose standard sRGB for accuracy, Vivid sRGB to emulate reversal film, or Adobe RGB for advanced applications. RAW mode brings the latent image into the Digital darkroom. RAW files must be converted with Sony's Image Data Converter SR software.
- Advanced Gradation Control System (AGCS): Enhances dynamic range, avoids crushed shadow detail and clipped highlights.
- Advanced Viewfinder/Monitor Displays: Choose grid lines, zebra stripes, and histogram. Enjoy full-time exposure indication of aperture, Shutter Speed and Exposure Value over/under.
- Advanced Creative Control: Aperture Priority, Shutter Priority, Program shift, EV compensation, and full manual exposure control allow you to adjust quickly for a wide range of shooting situations. Capture fast action, control depth of field, and more.
- Versatile Manual Exposure: Adjust the aperture from f2.8 to f16. Set the shutter from 30 seconds to 1/2000 second, or choose Bulb exposure for up to 3 minutes! Adjust ISO from 125 to 3200. Choose Auto White Balance then fine-tune color temperature by hand.
- Live Histogram Display and RGB Playback: Available in capture and playback the Live Histogram displays the concentration of Pixels at each luminosity value making it easy to evaluate correct exposure. Histogram in Playback mode also includes RGB information
- 5 Area Multi-Point AF System: By evaluating 5 separate focus areas of the frame, Sony's Multi-Point AF system can intelligently focus on the subject and avoid mistakenly focusing on the background. In addition, you can manually select a point or position a point anywhere in the frame with Flexible Spot AF.
- Manual Exposure Control: Flexible Exposure control is provided with Aperture Priority (f2.0 to f8.0), Shutter Priority (30 secibds to 1/3200 second) and Manual Exposure modes. Exposure Value Compensation (EV) and Flash output level control allow for even more control over your images.
- Slow Shutter Noise Reduction: During long exposures, those longer than 1/25 second, the camera captures two exposures with each press of the shutter button. The first exposure captures the scene, and the second exposure captures the CCD noise pattern with a dark frame exposure. By subtracting the two, even long exposures can be clear.
- Raw Mode: Capture raw data directly from the CCD before any in-camera processing, while a separate JPEG is stored for viewing convenience. Sony's IDC RAW converter software provides extensive control of Gamma, White Balance, color, and sharpness for fine tuning the image. What's in the Box
Sony R1 digital camera, NP-FM50 InfoLithium battery, an AC-L15 adapter, a USB and video cables, neck/shoulder strap, and CD-ROM software with PicturePackage and Image Data Converter SR for RAW.
Product information
| Auto Focus Technology | Center, Selective single-point, Multi-area, Single, Live View, Contrast Detection |
|---|---|
| Display Resolution Maximum | 134,000 |
| Photo Sensor Size | APS-C |
| Photo Sensor Technology | CMOS |
| Effective Still Resolution | 10.3 MP |
| JPEG quality level | Fine |
| Video Capture Resolution | 1080p |
| Expanded ISO Maximum | 3200 |
|---|---|
| Expanded ISO Minimum | 160 |
| Max Shutter Speed | 1/2000 seconds |
| Min Shutter Speed | 30 seconds |
| Exposure Control Type | Automatic |
| Shooting Modes | Sports |
| Model Name | Sony DSCR1 |
|---|---|
| Brand | Sony |
| Model Number | DSCR1 |
| Customer Reviews |
3.9 out of 5 stars |
| Best Sellers Rank | #632,585 in Electronics (See Top 100 in Electronics) #261 in Instant Digital Cameras #4,436 in Digital Point & Shoot Cameras |
| Color | Black |
| Included Components | Shoulder Strap, Battery, Instruction Manual |
| Language | English |
| Age Range (Description) | Kid |
| Item Dimensions LxWxH | 5.47 x 3.82 x 6.61 inches |
|---|---|
| Item Weight | 2.19 Pounds |
Warranty & Support
Feedback
| Lens Type | Zoom |
|---|---|
| Optical Zoom | 5 x |
| Digital Zoom | 10 x |
| Zoom Type | Optical, Digital |
| Autofocus Points | 5 |
| Compatible Mountings | Sony E |
| Focus Type | Autofocus & Manual |
| Maximum Focal Length | 120 Millimeters |
| Minimum Focal Length | 24 Millimeters |
| Photo Filter Thread Size | 67 Millimeters |
| Viewfinder Type | LCD |
|---|---|
| Screen Size | 2 Inches |
| Batteries Required? | No |
|---|---|
| Number of Batteries | 1 Lithium Ion batteries required. |
| Are Batteries Included | No |
| Rechargeable Battery Included | No |
| Battery Description | InfoLithium (NP-FM50) & charger |
| Connectivity Technology | USB |
| Continuous Shooting Speed | 3 |
| Flash Memory Type | Memory Stick / Pro, Compact Flash (Type I or II) |
| Special Feature | Image Stabilization |
| Skill Level | Professional |
| Form Factor | Compact |
| Hardware Interface | USB |
| Photo Sensor Technology | CMOS |
Product guides and documents
Read about our customers' top-rated cameras on our review page: Point-and-Shoot Cameras
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on December 22, 2016
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Top reviews
Top reviews from the United States
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-Why Sony R1 is unique.
I bought this camera used here in Amazon. I was tempted for sigma dp1, but I really want an evf and not to be limited by a lens with just one focal length. I could get a mirrorless, but I don't want to buy lenses nor to take care of the sensor, and find a lens equivalent to this Carl Zeiss could be very, but very, expensive (I could use my father's Canon FD lenses with a mount but actually the pictures I saw with several cameras like nex or nx hadn't soul to my eyes) I could bought a DSLR, buy again I don't want worry about sensors and lenses, and I actually find very uncomfortable that noisy shutter that I think is suitable to studios but not to shot in the nature or in the city where it seems a gun to shot doves and people, and when someone is not a professional photographer the best is to be discrete. I like the superzooms because its form. Is safer to hold and carry IMHO.
-Why this is a great camera even in 2013
I am not a professional photographer, so my point of view is from my experience with small digital cameras and great film cameras, my review is for people who just love to take photographs not with the best image quality but with a better artistic meaning.
**Today we have great storage in hard disks and better raw converters. The raw archive is 20mb of data and in night shots to my inexperience it's better to easily correct the white balance and reduce the noise without destroy the detail.
**I tried DxO, Capture One and Lightroom: DxO doesn't support SR2, so the correction is lens distortion but to try to fix night shots is impossible, and to my taste the lens is so good that it doesn't needs correction, but for correct day shots it could be enough if someone wants to correct; Capture One was a bit hard because I don't understand it very well; Lightroom is very good, my night shots are perfect with that program, I process first in Lightroom to clean the noise and adjust the colors and in dxo i fix the horizon or the angle, or convert with a preset like film. These programs are free to try for a month and two in the case of capture one.
**There is accessories, and because it's an old model they are very cheap.
**This has an electronic viewfinder, these days the cameras just have a screen that and the evf are sold apart.
**Current mirrorless cameras say that the distance between sensor and lens is 20mm more or less. In Sony R1 the distance is 2.1mm, so I think if the add of a 2012 camera says it's a plus a shorter distance then this camera could be better performance.
**This has a great screen. Yes, it's small and slow, but if you are like me and you are trying to take better images and not to hunt with autofocus running children then it is a great screen. It thing is so useful!
**I use my cameras always in manual. I don't use auto. So I could hand the well thoughts bottoms of the camera without problem. In minutes I knew what button to press in the dark. Although the dial has a strange place.
**A great sensor with more than enough 10 megapixels. I barely print my photographs. I do it just to show the best to my older relatives, my grandfather, grandmother and parents. And with the raw conversion i'm sure I could print bigger sizes.
**The Carl Zeiss Lens is a beauty in crystal. With real manual zoom and a focus ring that is fake but works. I know, I know, it is surely rebranded but the quality is there. Years ago i had a HP, a 4 megapixels camera, with carl zeiss lens and the sun in the sunsets always was perfectly rendered.
**An actual compact camera means 450 dollars or more. With smaller sensors and mostly advances in features. I see a great dynamic range in Sony R1. And with 12 gigas of internal storage, great lens and a great range of pros I think almost is a robbery to pay near to 300 bucks for this great camera.
**The shutter is Ninja Level!! It is so quiet.
-Cons that you have to have in mind:
**There is no video option. I don't take much videos, and when I do them is with a cell phone.
**The custom white balance in night is inaccurate. Or perhaps I am doing something wrong because I cannot set the white balance as I used to do with my Olympus SP bridge.
**The options to adjust the jpeg from the camera are almost childish. In day there is no problem but the night can be harder cause the limited controls. Every adjustment has just three levels where others in those times has even 10 adjustment levels.
**The lack of image stabilization could be a problem, although to me not because I get a tripod or shoot with higher isos and clean the raw.
**There is no much accessories or are expensive. The best is buy generic from another cameras like marumi filters to close up.
**Just three minutes in bulb mode.
-Last words.
This camera possibly is a hidden classic, an electronic jewel with the original sin to have the cybershot name in its cover (if it would say leica surely other would be the history). Actually I don't understand why a camera with premium glass, big sensor and so beautiful colors is so forgotten. What I know is with Sony R1 I am thinking more in improve the quality and composition of my photographs than in worrying about the image quality of the camera. It is a new world to me as an aficionado to the photography. I don't think I am going to need another camera in a long time.
it takes a while to get used to all the features. You change one little thing and it drastically changes the shot, and you cant figure how to get back. when you place it back in same position, you meter still isnt right. white balance.... cant figure out how to customize it. ahh well
I really got it for the night shot featured on other sony cameras, but silly me, i mustta overlooked the fact, that they discontinued that on this model, HUGE let down. .looking to trade it up already for a f828 or a Nikon.
R1 is not amateur's camera, or if it would be defined as one, it is camera for very discriminating, pro level amateur that can do money with photography but simply decided not to. R1 features not nice but exceptional optics. This lens is a story of optical glory of its own rights and it is why you will see it produced as an attachable for new Alpha series. Some time ago, not too long back, if lens of such quality had become available it sparked clubs of funs and endless love confessions.
I use DSLRs as much as use to be I used SRLs however to be honest I don't like them. I used as I'm forced, but in general, one produces MUCH better photography with EVFs. There are many people around who will be argue that optical viewfinder provides better view and yes it does, but I'm talking about photography, not about your comfort. You may be shocked and asking why? It is because monitors allow you taking controlled pictures from whole panoply of angles and SDLR or SLR is limited to the eye level. To take picture from ground level with EVF it only takes put a camera on or near ground and look into monitor, you don't have to lie on the ground to see the picture!
It is pretty much the same approach as with medium format waist level viewfinders which allow control the picture and arrange composition at right angle to the axis of shooting. Moreover, I think this camera was inspired by Hasselblad: it is substantial, with beefy grip and top notch optics. The top location of monitor, no doubt was stimulated by medium format workflow.
I'm not sure how one reviewer managed to compare this R1 to MF camera and find it to be less capable. While comparison of MF cameras to digital is the whole big subjects on its own, let me remind, that digital image is even and mechanics free. It means no scratches, no surface issues, and no granularity and so on. If one wants printing on huge sizes, today's resizing technologies from the kind of quality R1 camera provides will allow printing of any size imaginable and technologically possible.
The comparison of "sharp image wall sized" is sounding totally irrelevant to me. Ansel, who wasn't a bad photographer after all, printed mostly 8x10. I think we should more strive for a great composition rather than great sizes.
As I mentioned, the lens is exceptional and rest of the camera is build around this lens. As new, large (let say relatively large) sensor is used, it increases the focal capabilities and implies bigger, heavier lens which is less capable for macro photography. It is not because Sony had decided so, but because Sony can't break laws of nature. Nevertheless, Sony offers some very capable additional glass that fulfills the requests.
This R1 is terrific quality universal camera which will produce nice results on whatever endeavor; someone's knowledgeable hands will turn it. It is definitely camera for photographer, for wedding and portrait professional. Sony emphasized this message by removing video capability from it but the message often wasn't heard. Sony created this camera so great; it had to withdraw it from the market only six month later because it blocked its new Alfa DSLR, as for some $800 you were able to have the same setup as today for some $1300. If you have flare for photography and you need a camera to fulfill any need in general photography it is your camera. Grab it fast, if you can find one.











