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Sony FDR-AX100/B 4K Video Camera with 3.5-Inch LCD (Black)
|Price:||$1,598.00 & FREE Shipping. Details|
|You Save:||$100.00 (6%)|
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- Capture 4k/30p video that far exceeds HD resolution
- 1" Exmor R CMOS sensor with Direct Pixel Read Out
- 14MP resolution video and 20MP still image capture
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|Image Stabilization||Image Stabilization|
|Item Dimensions||5.39 x 6.61 x 9.57 inches|
|Item Weight||1.74 pounds|
|Lithium Battery Energy Content||2 Watt Hours|
|Lithium Battery Voltage||5 Volts|
|Lithium Battery Weight||3.5 ounces|
|Media Format Digital Video||Other|
|Optical Sensor Resolution||20 MP|
|Optical Sensor Technology||CMOS|
|RAM Memory Technology||flash memory|
|Shipping Weight||3.05 pounds|
|Supported Battery Types||Sony NP-FV50/FV70/FV100|
|Video Capture Format||avchd;xavc_s|
|Video Capture Resolution||4K|
|Video Input Format||hdmi|
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This item Sony FDR-AX100/B 4K Video Camera with 3.5-Inch LCD (Black)
|Price||$1,598.00||$848.00||Add to cart to see product details. Why?||$748.00||$997.99||$2,997.99|
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Screen Size||3.5 in||3 in||2.7 in||3 in||3 in||3.5 in|
|Optical Sensor Technology||CMOS||CMOS||CMOS||CMOS||CMOS||CCD|
|Video Capture Resolution||4K||other||1080p_hd||other||other||4K|
Capture your vision in breathtaking 4K Ultra HD with the camcorder that fits in the palm of your hand. Sporting resolution that"s four times clearer than HD, this changes everything. Footage is captured with true cinematic depth thanks to the 1" image sensor and video is recorded with total versatility in mind: XAVCS, AVCHD and MP4. Put one in your hand and tell your story in 4K.
From the Manufacturer
4K Camcorder with 1" sensor
Capture your vision in breathtaking 4K Ultra HD with the camcorder that fits in the palm of your hand. Sporting resolution that’s four times clearer than HD, this changes everything. Footage is captured with true cinematic depth thanks to the 1” image sensor and video is recorded with total versatility in mind: XAVC S2, AVCHD and MP4. Put one in your hand and tell your story in 4K.
Capture 4k/30p video that far exceeds HD resolution
Capture the finest details in 4k (Full HD 4x resolution , QFHD: 3840 x 2160). This camcorder allows incredibly high resolution, to produce vibrant and extremely realistic images. What’s more, the blazingly fast image processor is the same one employed in professional Sony models, making it possible to record 30p movies at the camera’s full resolution for incredibly smooth and sharp playback, with no loss in realism, even when panning the camera and shooting moving subjects.
1” Exmor R CMOS sensor w/ Direct Pixel Read Out
The camcorder features Sony's first 1.0" Exmor R CMOS sensor. The back-illuminated technology improves low-light sensitivity and combines with Sony's Column A/D Conversion to reduce noise by 50%. This is great when shooting in dimly lit environments such as night landscapes or indoor scenes.
14MP resolution video and 20MP still image capture
Create cinematic video with 14MP resolution sensor (for video) and high quality 20MP still images.
Versatile shooting w/ XAVC-S, AVCHD and MP4 codecs
The FDR-AX100 records HD movies in the XAVC-S format, which uses MPEG-4 AVC/H.264 for video compression and linear PCM for audio compression, while saving files in a MP42 wrapper. The highly compressed files allow extensive record times. The camcorder also records in AVCHD, ideal for quality video for HDTV and Blu-ray disc burning. Additionally, the camcorder can shoot MP4 HD video, which is ideal for sharing over the internet at up to 28Mbps. Having the ability to switch between all three of three formats makes this camcorder an ideal tool that is versatile for creating content to live in a number of different environments.
Carl Zeiss Vario Sonnar T* lens w/ 12x optical zoom
The FDR-AX100 comes equipped with a newly developed Carl Zeiss Vario-Sonnar T* lens that has cleared a series of tough performance tests. Not only is this 29mm wide-angle lens ideal for capturing grand landscapes, but it covers wide-ranging image expression thanks to maximum 12x optical zoom and 24x Clear Image zoom
Multi-interface Accessory Shoe for system accessories
Users can expand photographic and movie shooting possibilities by attaching optional accessories via the Multi Interface Shoe, including an electronic viewfinder, powerful external flash and stereo microphone. You can also connect with a compatible remote control via Multi Terminal.
BIONZ X Processor enables high Speed rec 120fps
The new BIONZ X image processor enables the camcorder to create more naturally vivid and lifelike image quality, and higher resolution imagery. Notable features of BIONZ X technology include: 1. Detail reproduction technology optimally filters edges and textures differently depending on the scene. 2. Area specific noise reduction swiftly and efficiently analyzes the subject and reduces noise. This new image processing technology achieves an even better balance of exceptional detail and advanced noise control. Its ability to record at 120p enables slow-motion playback at one-fifth the speed in a 24p environment in post-processing.
Optical SteadyShot Image Stabilization w/ Active Mode
Optical SteadyShot Image Stabilization with Intelligent Active Mode is an advanced optical image stabilization technology that corrects camera shake to capture scenes with phenomenal smoothness and stability. Intelligent Active Mode analyzes video frames and provides compensation with assistance from the new BIONZ X image processing engine. Whether recording movies while strolling on vacation, shooting while chasing a child, or zooming in to capture faraway subjects, Handycam’s simple solution smoothly reproduces the scene with a higher level of stability.
High contrast 0.39 OLED EVF for eye-level framing"
The FDR-AX100 employs high contrast a 0.39” OLED Tru-Finder EVF which reproduces rich color and deep black. A new optical design of the EVF, using four dual-surface aspherical lenses, allows for a 33-degree wide angle view that is amazing clear through the edge of the view finder.
Large 3.5 Xtra Fine LCD (921K) "
The 3.5” (16:9) Xtra Fine LCD screen (921K) displays sharp, bright, vivid images, letting you compose a shot more easily - even outdoors, while enabling you to change settings to best represent the scene.
NFC smartphone linking - Simple connectivity to smartphones via Wi-Fi
Connectivity with smartphones for One-touch sharing/One-touch remote has been simplified with Wi-Fi/NFC control. In addition to Wi-Fi support for connecting to smartphones, the FDR-AX100 also supports NFC (near field communication) providing “touch connection” convenience when transferring images to Android smartphones and tablets. Users need only touch devices to connect; no complex set-up is required. Moreover, when using Smart Remote Control — a feature that allows shutter release to be controlled by a smartphone — connection between FDR-AX100 and the smartphone can be established by simply touching devices.
2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, Exmor R, BIONZ and the Sony logo are trademarks of Sony Corporation. All other trademarks are trademarks of their respective owners. Features and specifications subject to change without notice.
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Top customer reviews
It's menus are very Sony traditional, just like the previous three generations of top quality Sony camcorders, so if you have used one before, navigation is the same. It offers far more manual shooting control then any of the previous Sony's I have owned, Sony finally got this right for manual shooting "Pro Style". It uses the same camera batteries as the previous Sony's I own, believe it or not really the same battery in at least three generations, again bravo SONY.
The camera is made in China, I have never owned a flagship Sony camera made in China before, don't particularly know if that matters these days, but it's different to see made in China.
The lens is not as wide as my previous Sony's, it's close to 30mm the wide side. I think this is the most major flaw for my taste, thus the 4 instead of 5 star for me. Others may be fine without going so wide, but for me I find it limiting. The camera does have a 62mm threaded filter front ring, excellent for adapting lenses (more on that later). There are also several buttons and slider controls, yes tactile control for human interface, again bravo Sony.
The camera ships with a micro to HDMI cable. Yes that's micro not mini HDMI, so if you do some external monitoring be prepared for new cables or adapters if the supplied shortie won't do. Also to feed SD out of this, IE using it with projectors and real time mixers for live events, yes some things live are still SD, you will need a Sony multi AV cable sold separately.
I like that there is still a small USB cable attached to the camera, riding on the handgrip, just like the previous Sony"s, another bravo. Basically it's just another in the fine line of Sony products I trust, appears high quality, and no BS. I like Sony, I have never had one fail yet, I currently own 8 of the previous models, none has ever failed.
Back to the tight lens, I own a great piece of glass called a REDEYE .65x wide angle lens, I use it all the time for wider shots. It's made in Canada, and really augments the lack of wide angle on this camera. It's glass, and high quality, in my test I see no noticeable reduction in resolution, it just lets the camera see a larger field of view. I don't think they are still being made, but I bought a brand new one on an auction site, and it looks beautiful on the front of this camera. Make sure it has a 62mm threaded adapter. It has an anodized RED front metal ring, which just screams out I'm a mini RED camera, your screaming may vary. If you can find a REDEYE, it's dope much better then the Century lens I also own.
I will have further comments as I get to know more about this wonderful new tool. My initial impression is Bravo Sony!
Update 3/28/14 Yes the camera has higher rolling shutter then others I have used. Not to beat the drum, but since the REDEYE adapter allows for a wider field of view, it does help to minimize this. The wider you can go the better. I do really like the manual exposure and built in ND filters. This might not be the best cam for shooting trains going by, but if your subject is straight on like a landscape, or people, it's not an issue. The rolling shutter is very apparent in moderate to fast pans. If there is something this won't work with, I can always use my also excellent Sony HDR-PJ760. This camera is just another tool for a production. GH4 looks great on paper too, but I don't want to deal with sensor dirt in the field, and I like camcorder bodies better, as for me they are faster to work with. Also GH4 gets pricey with added lenses, higher bit rates eating more storage and so on. Use these until the next best thing. Just be sure to get some sort of wide lens for it.
Update 3/30/14 Heres more of what I know. I like the built in ND filters and full manual exposure control a lot. It's camcorder style, but finally easy buttons and knobs. I like buttons and knobs. The REDEYE wide lens adapter lets me zoom in about half way and still autofocus sharp. Again it has built in ND filters, so I can shoot with some depth of field, use a f2.8 in shade. The .mp4 files open in Quicktime, they play at 1080, but inspector shows that it is a 4k file size.
When you think of the GH4, it sounds great, but I live in a dry dusty climate, so changing lenses without sensor dirt would be hard to do. The current REDEYE adapter goes on the front of the lens, so no dust on the sensor. I like easy exposure control and the tilt able viewfinder, very good for daylight. It's heavier then other cameras, but the ergonomics for the most part are fine. I don't like to have to carry filters and clean and mount them to a lens, so again the built in ND is great. With a GH4, I would have to mount filters for ND, and change them with the light dropping, so this is better. The GH4 specs are excellent, I have no doubt it will look great. If I had the money, I would use both, for the best use of image capture for what the scene calls for. Also with the GH4 I would want one of those lens speed adapters, but I am concerned about the ghosting and flare it might introduce. By the time I bought an adapter to use my Nikon lenses, and a dedicated Panasonic lens or two, the total price of the GH4 would increase significantly over the Sony. I don't consider myself a "Kool Aide" drinking camera geek, dedicated to one brand like religion, I just want a fast, reliable package with good image quality. Is the Sony perfect? No, nothing in this size would be. Are there better cameras out there? Yes on paper and in quality, I'm sure, but every tool has it's merits, people rave about GoPro's, they can all do something with the right operator and good content.
It comes down to content, content is king, go out use the tools you have, worry about your safety, treat people well, focus on your shooting, be good to your knees. Let other people discuss camera details and deliver the best you can.
Cons: Handheld, or when tracking moving objects, like wildlife,
image stabilization disappoints.
As a relatively early adopter, I took this camera to Yellowstone,
hoping to get some stunning 4k footage. I really wanted to love this 2 thousand dollar camera.
But I soon realized--even the 3.5 inch monitor revealed it--that
any time the camera was moving, the resulting picture was unacceptable unstable.
Don't get me wrong, I never expected it to match or even come close to my PJ790
(which spoils us, re. image stabilization)
but I was still heartbroken to see the results of handheld footage:
[and I'm quite practiced at smooth, steady camera movement]
When this camera is completely stationary, shooting a waterfall, or wildlife that is resting,
it is awesome...and if that's all it was designed for, I'd give it 5 stars.
But I found myself using it ONLY in those situations, and reaching for the PJ790 every time
filming required camera movement (or my tiny PJ260 when wildlife was very far away).
In my opinion, the justification for spending this much in 2014 for a videocamera
is that the picture be amazing. And, as I said, stationary, on a tripod, this is.
But the lack of superior image stabilization makes even a 3840 x 2160 picture merely mediocre
when it's this jerky. So, despite my disappointment, I still gave this camera 3 stars,
because--if most of one's shooting does not require camera movement--this can still be a great camera.
But for most people, and most shooting situations, I don't think this camera is really ready.
p.s. The camera did struggle to auto-focus once or twice as well, but it was lack of
good image stabilization which led me to return it. :(
P.P.S. (2/18/15) Just an update: I see (per the Jan. CES show) that on March 22, Sony will be releasing a new 4K camera, the FDRAX33.
Though it has a slightly smaller sensor, that should be more than made up for by Sony integrating its excellent
"Balanced Optical SteadyShot" (aka: "BOSS") image stabilization!!! This should be exactly what is needed!
Also, it's supposed to be priced just under $1,000, a significantly lower price point. I'll definitely try it.