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Sony a7 Full-Frame Mirrorless Digital Camera with 28-70mm Lens
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- 24.3 MP full frame CMOS sensor
- Up to 4 FPS in Speed Priority Continuous shooting
- ISO 100-25600(AUTO ISO 100-6400)
- 1080/60p/24p HD video (AVCHD/MP4)
- 3" tiltable LCD with 921,600 dots
- 1/2-inch XGA OLED color electronic viewfinder with 2.4M dots
- Raw and Raw + JPEG shooting
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2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, BIONZ, PlayMemories and the Sony make.believe logo are trademarks of Sony. Wi-Fi is a registered trademark of the Wi-Fi Alliance. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.
Sony α7K Full Compact Interchangeable Lens Digital Camera with SEL2870 lens included
No other full frame, interchangeable-lens camera is this light or this portable. Features 24.3 MP of rich detail, a true-to-life 2.4 million-dot OLED viewfinder, Wi-Fi sharing and an expandable shoe system. It's all the full-frame performance you ever wanted in a compact size that will change your perspective entirely.
World's smallest and lightest* interchangeable lens full-frame camera
Sony's Exmor image sensor takes full advantage of the Full-frame format, but in a camera body less than half the size and weight of a full-frame DSLR.
Full Frame 24.3 MP Resolution with 14-bit RAW Output
A whole new world of high-quality images are realized through the 24.3 MP effective 35 mm full-frame sensor, a normal sensor range of ISO 100 – 25600, and a sophisticated balance of high resolving power, gradation and low noise. The BIONZ X image processor enables up to 5 fps high-speed continuous shooting and 14-bit RAW image data recording.
Fast Intelligent AF
AF for responsive, accurate and greater operability with full frame sensor.
The high-speed image processing engine and improved algorithms combine with optimized image sensor read-out speed to achieve ultra high-speed AF despite the use of a full-frame sensor.
Fully Compatible with Sony's E-mount Lens System and New Full-frame Lenses
To take advantage of the lightweight on-the-go body, the α7-series of full frame compact interchangeable lens digital cameras is fully compatible with Sony's E-mount lens system and expanded line of E-mount compact and lightweight full-frame lenses from Carl Zeiss and Sony's premier G-series.
Simple Connectivity to Smartphones via Wi-Fi or NFC
Connectivity with smartphones for One-touch sharing/One-touch remote has been simplified with Wi-Fi/NFC control. In addition to Wi-Fi support for connecting to smartphones, the α7 also supports NFC (near field communication) providing "one touch connection" convenience when transferring images to Android smartphones and tablets. Users need only touch devices to connect; no complex set-up is required. Moreover, when using Smart Remote Control - a feature that allows shutter release to be controlled by a smartphone - connection to the smartphone can be established by simply touching compatible devices.
PlayMemories Camera Apps allows feature upgrades
Personalize your camera by adding new features of your choice with PlayMemories Camera Apps. Find apps to fit your shooting style from portraits, detailed close-ups, sports, time lapse, motion shot and much more. Use apps that shoot, share and save photos using Wi-Fi that make it easy to control and view your camera from smartphone, and post photos directly to Facebook or backup images to the cloud without connecting to a computer****.
Fast Hybrid AF w/ Phase-detection for DSLR-like Focusing Speed
Enhanced Fast Hybrid auto focus combines speedy phase-detection AF with highly accurate contrast-detection AF, which has been accelerated through a new Spatial Object Detection algorithm, to achieve among the fastest autofocusing performance of any full-frame camera. First, phase-detection AF with 117 densely placed phase-detection AF points2 swiftly and efficiently moves the lens to bring the subject nearly into focus. Then contrast-detection AF with wide AF coverage fine-tunes the focusing in the blink of an eye.
New Eye AF Control
Even when capturing a subject partially turned away from the camera with a shallow depth of field, the face will be sharply focused thanks to extremely accurate eye detection that can prioritize a single pupil. A green frame appears over the prioritized eye when focus has been achieved for easy confirmation. Eye AF can be used when the function is assigned to a customizable button, allowing users to instantly activate it depending on the scene.
High Contrast 2.4M Dot OLED EVF for Eye-level Framing
View every scene in rich detail with the XGA OLED Tru-Finder, which features OLED improvements and the same 3-lens optical system used in the flagship α99. The viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately monitor the results. You'll enjoy rich tonal gradations and 3 times the contrast of the α99. High-end features like 100% frame coverage and a wide viewing angle are also provided.
3.0" 921k Dot LCD Tilts for High and Low Angle Framing
The tiltable 3.0" (921k dots) Xtra Fine LCD Display makes it easy to photograph over crowds or low to capture pets eye to eye by swinging up approx. 84° and down approx. 45°. Easily scroll through menus and preview life thanks to WhiteMagic technology that dramatically increases visibility in bright daylight. The large display delivers brilliant-quality still images and movies while enabling easy focusing operation.
PC Control w/ Remote Video Capture Control
Remote Camera Control allows you to control your α7 from your PC using a USB cable. Feature control has also been updated to include video capture control.
14-bit RAW Output for Rich Tonal Gradation
14-bit RAW image data of extremely high quality is
outputted by the α7. This data fully preserves the rich detail generated by the image sensor during the 14-bit A/D conversion process. When developed with Sony's Image Data Converter RAW development software, these images deliver the superb photographic expression and rich gradation that only 14-bit data can offer.
New BIONZ X Image Processing Engine
Sony proudly introduces the new BIONZ X image processing engine, which faithfully reproduces textures and details in real time, as seen by the naked eye, via extra high-speed processing capabilities. Together with front-end LSI (large scale integration) that accelerates processing in the earliest stages, it enables more natural details, more realistic images, richer tonal gradations and lower noise whether you shoot still images or movies.
Full HD movie** at 24p/60i/60p w/uncompressed HDMI Output
Capture Full 1920 x 1080 HD uncompressed clean-screen video files to external recording devices via an HDMI connection in 60p and 60i frame-rates. Selectable in-camera AVCHD codec frames rates include super-smooth 60p, standard 60i or cinematic 24p. MP4 codec is also available for smaller files for easier upload to the web.
Up to 5 fps Shooting to Capture the Decisive Moment
When your subject is moving fast, you can capture the decisive moment with clarity and precision by shooting at speeds up to 5 frames per second. New faster, more accurate AF tracking, made possible by Fast Hybrid AF, uses powerful predictive algorithms and subject recognition technology to track every move with greater speed and precision.
Multi-interface Shoe for Flash and Microphone Flexibility
Unlike conventional cameras, the α7 features the advanced Multi-Interface Shoe that dramatically expands compatibility with Sony digital imaging accessories, thus raising the potential for photo/movie shooting.
4K Still Image Output by HDMI*** or Wi-Fi for Viewing on 4K TVs
Enjoy Ultra High Definition slide shows directly from the camera to a compatible 4K television. The α7 converts images for optimized 4K image size playback (8MP). Enjoy expressive rich colors and amazing detail like never before. Images can be viewed via an optional HDMI or Wi-Fi.
TRILUMINOUS Color Outputs Wider Color Gamut to Compatible Devices
TRILUMINOS Color technology, allows you to experience photos and movies in rich, natural colors on any TV equipped with a TRILUMINOS Display. The expanded color gamut immerses you in those unforgettably colorful moments, from the complex shades in a shimmering blue sky to the delicate skin in a baby's face.
Image Data Converter
Advanced features enable manipulation, conversion and management of full-resolution RAW images. You can expertly adjust exposure, white balance, tonal curves, saturation, contrast, hue and sharpness - as well as apply DRO and vignetting compensation. Bundled Remote Camera Control software also lets you remotely activate and deactivate still/movie recording and control various camera settings from a PC.
Vertical Grip Capable
Enjoy long hours of comfortable operation in the vertical orientation with this sure vertical grip, which can hold two batteries for longer shooting and features dust and moisture protection.
Both of these 35mm full-frame compatible adaptors let you mount the α7-series with any A-mount lens. The LA-EA4 additionally features a built-in AF motor, aperture-drive mechanism and Translucent Mirror Technology to enable continuous phase-detection AF. Both adaptors also feature a tripod hole that allows mounting of a tripod to support large A-mount lenses.
*Among interchangeable-lens cameras with an full frame sensor as of October 2013.
**Records in up to 29 minute segments.
***Requires compatible BRAVIA HDTV and cable sold separately.
****Requires a valid Sony Entertainment Network account. Some apps require a fee.
|Auto Focus Technology|
|Battery Average Life||340 Photos|
|Compatible Mountings||Sony FE|
|Continuous Shooting Speed||5 fps|
|Display Fixture Type||Tilting|
|Display Resolution Maximum||1230000|
|Display Size||3 inches|
|Effective Still Resolution||24.3 MP|
|Expanded ISO Maximum||25,600|
|Expanded ISO Minimum||50|
|Exposure Control Type|
|External Memory Included||No|
|File Format||JPEG (DCF 2.0, EXIF 2.3), RAW (ARW 2.3)|
|Flash Memory Type||SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo|
|Flash Sync Speed||1/250_sec|
|Flash Type||via Multi Interface shoe|
|Focus Description||Fast Hybrid AF|
|Focus Type||Includes Manual Focus|
|Form Factor||SLR-style mirrorless|
|HDMI Type||micro-HDMI port with 4K still, uncompressed video output|
|Image Aspect Ratio||3:2, 16:9|
|Item Dimensions||3.7 x 1.89 x 5 inches|
|Item Weight||1.04 pounds|
|Lithium Battery Energy Content||2 Watt Hours|
|Lithium Battery Voltage||5 Volts|
|Lithium Battery Weight||3.5 ounces|
|Manufacturer Warranty Description|
|Material Type||Magnesium alloy|
|Maximum Focal Length||70 mm|
|Maximum Shutter Speed||1/8000 of a second|
|Maximum horizontal resolution||6,000|
|Metering||Multi, Center-weighted, Spot|
|Minimum Shutter Speed||30 seconds|
|Optical Sensor Resolution||24.3 MP|
|Optical Sensor Technology||CMOS|
|Photo Sensor Technology||CMOS|
|Processor Description||Bionz X|
|Remote Control Description||wired|
|Sensor Cleaning Method||Ultrasonic vibration, charge protection coating|
|Shipping Weight||3.1 pounds|
|Style Name||w/ 28-70mm|
|Supported Battery Types||NP-FW50 lithium-ion battery and charger|
|Video Capture Format||mpeg-4;avchd|
|Video Capture Resolution||1080p_hd|
|Viewfinder Description||2359000 dots|
|Water Resistance Level||Not Water Resistant|
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This item Sony a7 Full-Frame Mirrorless Digital Camera with 28-70mm Lens
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||Amazon.com||Amazon.com||Rand's Camera||Amazon.com||Amazon.com||Amazon.com|
|Screen Size||3 in||3 in||3 in||3 in||3 in||2.95 in|
|Item Dimensions||1.89 x 5 x 3.7 in||2.36 x 5 x 3.78 in||5.7 x 6.2 x 5.2 in||6.1 x 9.61 x 5.67 in||5 x 2.5 x 3.8 in||2.8 x 15.7 x 2.13 in|
|Item Weight||1.04 lbs||1.32 lbs||1.75 lbs||1.38 lbs||—||0.91 lb|
|Optical Sensor Resolution||24.3 megapixels||24.3 megapixels||24.2 megapixels||—||—||24.2 megapixels|
|Photo Sensor Size||Full frame (35.8 x 23.9mm)||Full frame (35.8 x 23.9 mm)||APS-C (23.5 x 15.6mm)||Full Frame||full_frame||aps-c|
|Video Capture Resolution||1080p_hd||1080p_hd||3840 x 2160||other||—||4K (3840 x 2160)|
|Viewfinder||LCD||LCD||LCD||LCD||electronic viewfinder||electronic viewfinder|
No other full frame, interchangeable-lens camera is this light or this portable. 24.3 MP of rich detail. A true-to-life 2.4 million dot OLED viewfinder. Wi-Fi sharing and an expandable shoe system. It's all the full-frame performance you ever wanted in a compact size that will change your perspective entirely.
Top customer reviews
So ... I took my excellent Sigma 30mm f2.8 from my Nex 6 and removed the baffle ( a common mod since then the Sigma can cover full frame). And there is a very, very tiny amount of vignetting at f2.8 and is actually very good up to around f4. All the vignetting is so light it can easily be removed in Lightroom. But that lense is absolutely tack sharp in the IQ department. Check all the reviews ... This is a $199 lens that rivals the new Sony FE 35mm f2.8 at a fourth of the cost (with the baffle removed ... 3 tiny screws and 3 minutes of work).
Then I researched and got the Samyang 14mm f2.8 super wide. This lense retails for around $348 on amazon, and has been tested by different mags and dozens of reviews to be practically equivalent to a $1400 super wide. You can get this lens under the Rokinon branding. The only thing is, of course, is that you have to use this lense with an adaptor to the e-mount. Since I use the inexpensive Sony LEA-1, it does not auto focus (the lens would not support it anyway) ... So you have to manually focus. I find that with this lens, the A7 peaking function is a little off or uncertain, so I simply assign the C1 custom button to the focus magnifier function and eyeball it without peaking instead.
But ... My star lens is the Sony A-mount SAL50M28 50mm f2.8. I put this beauty on the A7 via the LEA-1 adaptor, and beautiful things happen. That A7 is predictable and dead on accurate. And the peaking is full off until exactly (not almost) in focus. That makes manually focusing with mid level peaking fast, effortless and very accurate ... An absolute pleasure to use. This is the only lense I have used thus far that makes me feel just as comfortable shooting as I do with auto focus shooting. Plus (the very best part) the lense is unbelievably sharp and flat across the frame. When I saw that 16 people on Amazon gave it five stars, I was skeptical ... But now, I'm a believer. Amazing sharpness and even though, yes 50mm is handy for macro work, this lens is da bomb for street photography. Chances are I will rarely take this lens off my camera. Even for 50mm landscape shots, a 100% crop reveals individual pine needles on a pine tree at 120 yards away ... With dead on color and absolutely no noise or optical distortion. The lens is completely flat and is about 1:1.1 or 1:1.2 ... In other words, subjects in your images look the same size as what your eyes see.
This $598 sony 50mm just boosted the sharpness of my A7 to what seems to be slightly beyond 5D MIII territory. And finally that lens, with the small Sony adaptor attached is about the same size as the original A7 kit lens. Before, I just had a pro camera ... Now I am getting pro images out of it. What a difference! All else with the camera is high quality, pro build and everything I could hope for in manual control functions that are all easily assignable to the many physical controls that are easily and intuitively placed around the camera. So now, with an Nex-6, a Canon T2i, a Sony RX1 and my new A7, I finally feel like things are reasonaby well covered. But the A7 takes me into another league altogether. It's easy to carry with me, I get pro results, it's rock solid, ultra configurable to the way I want to shoot, etc. We're having fun now.
UPDATE: I was so impressed with the leap in IQ from the Alpha A-mount lenses that I purchased the LA-EA4 adaptor. This is the adaptor you want ... fast AF and actually much smaller looking and feeling than what the pictures of it on the camera would seem to indicate. If fact, I am so impressed by the auto focusing response and lightness of the unit that I decided to simply make the A-mounts my lens collection. Of course I save a lot of money, but once I research the lenses for 5 star average reviews, I can buy them at around 50 to 60 percent what the FE lenses would cost. So far, in addition to the (not so sharp) 28-70 kit lens that came with the A7, I have the A-mount Sony 50mm F2.8 ($450), the Sony 50mm F1.4 ($550), and a SUPERB Sony 100mm F2.8 ($800). These are all full frame lenses and the pros who have used them are virtually unanimous on their virtues.
At first glance it may seem that I do a lot of macro work since the 50f2.8 and 50f1.4 and 100f2.8 are all hyped as macro lenses. But, even though they seem to be superb at macro shooting, my purpose was use in street photography. Everyone knows the 50mm is preferred by many street photographers, thus the purchase of the two 50mm lenses. But, sometime I don't want to get too close to my subject so that I can capture the moment without them feeling uncomfortable or ruining the look and feel I am trying to capture. The 100mm f2.8 gives me that bit of telephoto but is still razor sharp like a good quality prime should be. It let's me be about twice the distance away while shooting and still fill the frame with my subject scene.
IMHO ... A KEY TO GREAT IQ ON THE A7 ... No matter what you've heard about 1/60th of a second being fast enough to freeze the action in street scenes, switch to M (manual mode) on your mode dial. Then set your Aperture to either shallow depth of field (f1.4-3.2, etc) or deep depth of field (f8-16) and put the shutter speed at minimum 1/320th second. With this camera you have nothing to worry about when in Manual mode. Your auto focus still works, you select the aperture you want for bokeh or for focus across the frame with one of the two horizontal dials, then set, and forget, the shutter speed to 1/320 to 1/500th second with the other horizontal dial.
The reason why this setup is key is that the lack of sharpness the A7 sometimes exhibits in images can be traced to too slow of a shutter speed. Now you may be thinking, "Well ... DUH?" But remember, in addition to hand steadiness, you can also have camera vibration from the shutter event itself. Your hand may be relatively steady, and your subject relatively still, but camera vibration can still sabotage your shot ... even at 1/60th of a second. A fast shutter speed will capture the picture before the vibration "echoes" reverberate through the camera body. Forgive the technical stuff, I'm a scientist by training :) When you leave the shutter speed at this fast speed, you only have to decide which effect you want your aperture to have and set it. THE COOL THING IS ... the A7 will continue to set the ISO automatically for you, if you have set the menu selection for ISO to AUTO. So, your shot always turns out! You can even set the bracketing for AUTO ISO in the menu system to make sure the camera does not select an ISO that is too noisy (higher than 3200 or 6400). While the A7 can remain relatively noiseless until around 3200, a shot at 6400 is completely usable in all but the largest print sizes ... and 6400 shots are better than missing the shots. That's why I set my upper ISO limit to 6400. Shots that have a little ambient light usually never take my A7 above 1600-3200 ISO so I'm usually safe.
So, you can see that shooting in M, with the shutter frozen at faster speeds, then simply choosing Aperture for whatever you happen to be shooting that day, can be like an AUTO mode since the camera will make it all right for you with the AUTO ISO. I usually agree with the ISO the AUTO ISO sets, so I'm happy. The end result of this coffee-powered write-up is that, with the shutter speed at 1/320 to 1/500, the 100% crops on my images have improved in sharpness by close to 300% from what they were when the camera selected 1/60th to 1/80th sec shutter speed. Again, I think this is likely due to camera vibration rather than lack of steady hand ... though both are important. With the kit lens, I now have a family of 4 lenses, 3 of which produce great IQ, that auto focus fast and produce very good results. It may be a long time before I feel the need to buy any FE lens. I know they will be good, but they are somewhat expensive. With the A-mounts, I spent a lot less getting my kit outfitted (and let my wallet cool off), plus, I have everything I need today ... instead of having to wait a year or two. The key to this plan was the LA-EA4 adaptor which only adds about 10-15% to the overall size and mass of the camera plus lens unit. You have a great camera! Enjoy it.
1) Grip is fine. Shutter placement is overstated- you learn to adapt quickly. Although, the placement of your thumb is a much bigger issue. Zero place to put it in the back and you often reach for the edge of the viewfinder to get a grip. Hump on top means no thumb grip- bummer.
2) Dials are very good. I love the ISO dial up top- nailed it! Controls are fairly easy to use and default settings are quite intuitive.
3) Wobbling mount? You'll hear this smack talk from time to time. It's not a problem- it's a minor issue. It's so minor to not even be an issue. I've hung a 135mm 1.8 Zeiss off the front no issues. My thoughts- be mindful of how you hold your camera.
4) EVF eye sensor could be placed higher. It trips easily when the back screen is pulled out. Very annoying- a fix on the A7II.
5) I find if you have fast modern glass it's a bit of a pass. Doesn't match well and feels a bit off balance.
6) Manual focus lenses are good, but adapters add bulk. Best option is VM lenses from Zeiss, Voigtlander. Even Contax are a good option. I use Minolta MD right now and I'm satisfied.
Battery life is not good. Is it a big deal? No- but many modern and modest priced DSLR's can do up to and beyond a thousand shots on a single battery. FORGET ABOUT IT with the A7. This translates into frustration if you spend a lot of time composing with the camera on. It eats batteries since you can't shut the camera off while doing so- such as in the case of a big OVF. You either like it or you don't. Deal breaker- no. Work around needed- yes.
Native lens selection is costly and limited at this point (minus the new 28mm 2.8). Get ready to shell out $$$$ and still be stuck with so so AF and slower options for zooms (think f4). The 55mm 1.8 is a bargain for what it can do- I agree on that lens. 35mm 2.8? Mediocre and overpriced. All of the lenses they have slated coming out this year are big. They are BIG...not like 'big' but literally BIIIGGGG. Add to that almost zero third party lens support.
This leads me to the thought process for most consumers getting around this camera- adapted lenses. It's worth it depending on what quality you are use too. Some of Minolta MD's are becoming harder to find, but 50mm, 135's- all day long and cheap. Don't want 6 bladed harsh bokeh and poor wide open contrast? Step up to Contax, Zeiss, Voigtlander- but get ready to pay more. Contax will give you AF with a good adapter- score!
Want wide? This is where it gets tricky. The rangefinder lenses below 35 suffer from vignetting due to the short flange distance and digital sensor. You need to adapt over DSLR lenses- bigger adapter and often bigger lenses. Still doesn't completely solve the problem, but it's workable. However, this is were this camera should be able to excel- small lenses at modest focal lengths. It's the sweet spot. I don't think it's worth mounting anything over 50mm on it...certainly not anything fast over 135 at 3.5.
I digress, because I do like the camera. My conclusion is that it is a niche product at the present moment. Want to shoot a wedding with it? Pass. Better options for far less. Want to do fast sports or fast tracking- certainly not. Can it be done? Yes, but we're comparing how your $$$ translates from one camera to the next. You can stretch the dollar seriously further elsewhere.
A nod to Loxia. Loxia lenses make sense on this camera. These small Zeiss manual only lenses balance well, but they are 1k or more for performance you could get elsewhere at half the price. Most of those adapted lenses with inexpensive adapters will also give you zero EXIF data. Even worse, many of those cheap adapters do not tell you what aperature your are at. They simply indicate "open- closed."
It's a good camera for the money and it's fun to play around with. No need to explain much further other than the basic user experience is solid. However, I'd be cautious investing INTO the system beyond a body and some manual focus lenses. Got a draw of em'? This is your guy. Want fast modern or specialty lenses and plan on it being your primary system? You can always adapt a zeiss Canon onto an A7- not the other way around. Think about economies here. It's still very much a system in the making.
Keep in mind- Voigtlander is coming out with a new 15mm 4.5 III hellinar. It's great, but the price announced is 200 euros more than the previous version- get ready to pay yet again. If you want wide, you can't do it cheap yet with this system. You can't. Don't think a Tokina 17mm RMC 3.5 will cut it either. Those older lenses have horrible contrast despite really good sharpness- I've tried. You can't fix it all in post processing. Biggest problem is flaring and ghosting wide open.
Many of you will buy it because it's cheap. I find Olympus and their "cheap" 25 and 45 lenses offer a lot of bang for the buck at a better price. There bodies and lenses are all modern and a product of a digital design. Hard to tell the difference in many casesl. Except, I like the colors and dynamic range of sony sensors- can't argue with that. Doesn't always matter. If your reading these reviews it's because you want the camera. I'm a camera addict, so what can I say- nothing will change that. What I am saying is before you buy...grab an A77II, Pentax K3, Olympus EM10....there are some sick products out right now much better suited to a wide variety of situations with excellent IQ. If you have to have that full frame then consider the fact that even D800's can be had for 1700 used these days- even less. Just saying. Happy shooting.
I still have it. I'm about to break a record as I rarely go above a few months before selling off my camera for another. The reasons aren't quite as straighforward I'm afraid. For one, Sony keeps slashing the price like crazy on this. It is now worth less on the used market than a 7 year old Sony A900- which has retained it's value for the past 2.5 years at around 900 dollars. The fast release cycle Sony is putting out is literally killing any resale value these first round of A7's should have had. I feel sorry for the folks who bought this brand new and 1.5 years later have taken a 1k hit should they sell it on ebay (I'm factoring in seller fees).
With that said...you know...it's a pretty tight camera. It gets the job done and doesn't complain. The build isn't great, but it's not bad either. The shutter noise is annoying and hallow sounding but not too annoying that you want to smash it. It's light- that's for sure. You get to appreciating that after a long walk. At this point, I'd chalk it up to being above average in image quality and just average in overall execution of hardware. It's still worth it though. At the prices these are going for you're really getting a steal. Just remember that by time it reaches your door step it'll probably be worth 100 bucks less than when you bought it. I would not be surprised if in a year it's going for 600 or less slightly used. The first 500 dollar barely used Full Frame easy to grab on the market- folks, it's quickly becoming a reality.