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Sony a7R Full-Frame Mirrorless Digital Camera - Body Only
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- 36.4 MP full frame CMOS sensor without an anti-aliasing/OLP filter
- Up to 4 FPS in Speed Priority Continuous shooting
- ISO 100-25600(AUTO ISO 100-6400)
- 1080/60p/24p HD video (AVCHD/MP4)
- 3" tiltable LCD with 921,600 dots
- 1/2-inch XGA OLED color electronic viewfinder with 2.4M dots
- Raw and Raw + JPEG shooting
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|Item Dimensions||3.7 x 1.89 x 5 inches|
|Item Weight||1.03 pounds|
|Shipping Weight||2.1 pounds|
No other full frame, interchangeable-lens camera is this light or this portable. 36MP of rich detail. A true-to-life 2.4 million dot OLED viewfinder. Wi-Fi sharing and an expandable shoe system. It's all the full-frame performance you ever wanted in a compact size that will change your perspective entirely.
From the Manufacturer
No other full frame, interchangeable-lens camera is this light or this portable. Features 36MP of rich detail, a true-to-life 2.4 million dot OLED viewfinder, Wi-Fi® sharing and an expandable shoe system. It's all the full-frame performance you ever wanted in a compact size that will change your perspective entirely.
World's smallest and lightest1 interchangeable lens full-frame camera
Sony's Exmor® image sensor takes full advantage of the Full-frame format, but in a camera body less than half the size and weight of traditional full-frame DSLRs.
Ultimate full frame 36.3 MP resolution with no optical low-pass filter
The newly developed 36.3-megapixel 35mm full-frame Exmor® CMOS sensor delivers unbelievably high resolution in combination with high sensitivity and extremely low noise. Sony removed the optical low-pass filter to bring out the full potential of the sensor and lens, thus achieving an enhanced sense of clarity with supremely realistic details to the very edges of your photos. An AR coating also reduces flare and ghosting.
Gapless, optimally positioned on-chip lenses
Sony optimized the design and positioning of every on-chip lens (OCL) covering every pixel to significantly enhance light-gathering efficiency. A gapless on-chip lens design eliminates the gaps between the micro-lenses to collect more light. Moreover, each on-chip lens is optimally positioned depending on its location to accommodate the sharper angle of light entering the periphery, which is caused by larger sensor dimensions being teamed with the E-mount's short flange-back distance.
New BIONZ® X image processing engine
Sony proudly introduces the new BIONZ® X image processing engine, which faithfully reproduces textures and details in real time, as seen by the naked eye, via extra high-speed processing capabilities. Together with front-end LSI (large scale integration) that accelerates processing in the earliest stages, it enables more natural details, more realistic images, richer tonal gradations and lower noise whether you shoot still images or movies.
Fast Intelligent AF for responsive,
accurate, and greater operability with
full frame sensor
The high-speed image processing engine and improved algorithms combine with optimized image sensor read-out speed to achieve ultra high-speed AF despite the use of a full-frame sensor.
Fully compatible with Sony's E-mount lens system and new full-frame lenses
To take advantage of the lightweight on-the-go body, the α7R full frame compact interchangeable lens digital camera is fully compatible with Sony's E-mount lens system and expanded line of E-mount compact and lightweight full-frame lenses from Carl Zeiss and Sony's premier G-series.
Direct access interface for fast, intuitive shooting control
Quick Navi Pro displays all major shooting options on the LCD screen so you can rapidly confirm settings and make adjustments as desired without searching through dedicated menus. When fleeting shooting opportunities arise, you'll be able to respond swiftly with just the right settings.
High contrast 2.4M dot OLED EVF for eye-level framing
View every scene in rich detail with the XGA OLED Tru-Finder, which features OLED improvements and the same 3-lens optical system used in Sony's flagship a99 DSLR. The viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately monitor the results. You'll enjoy rich tonal gradations and 3 times the contrast of the α99. High-end features like 100% frame coverage and a wide viewing angle are also provided.
3.0" 921k dot LCD tilts for high and low angle framing
The tiltable 3.0" (921k dots) Xtra Fine™ LCD Display makes it easy to photograph over crowds or low to capture pets eye to eye by swinging up approx. 84° and down approx. 45°. Easily scroll through menus and preview life thanks to WhiteMagic™ technology that dramatically increases visibility in bright daylight. The large display delivers brilliant-quality still images and movies while enabling easy focusing operation.
Simple connectivity to smartphones via
Wi-Fi® or NFC
Connectivity with smartphones for One-touch sharing/One-touch remote has been simplified with Wi-Fi®/NFC control. In addition to Wi-Fi support for connecting to smartphones, α7R also supports NFC (near field communication) providing "one touch connection" convenience when transferring images to Android™ smartphones and tablets. Users need only touch devices to connect; no complex set-up is required. Moreover, when using Smart Remote Control — a feature that allows shutter release to be controlled by a smartphone — connection to the smartphone can be established by simply touching compatible devices.
PC control w/ remote video capture control
Remote Camera Control allows you to control your α7R from your PC using a USB cable. Feature control has also been updated to include video capture control.
14-bit RAW output for rich tonal gradation
14-bit RAW image data of extremely high quality is outputted by the α7R. This data fully preserves the rich detail generated by the image sensor during the 14-bit A/D conversion process. When developed with Sony's Image Data Converter RAW development software, these images deliver the superb photographic expression and rich gradation that only 14-bit data can offer.
Full HD movie2 at 24p/60i/60p w/uncompressed HDMI® output
Capture Full 1920 x 1080 HD uncompressed clean-screen video files to external recording devices via an HDMI® connection in 60p and 60i frame-rates. Selectable in-camera AVCHD™ codec frames rates include super-smooth 60p, standard 60i or cinematic 24p. MP4 codec is also available for smaller files for easier upload to the web.
Multi-interface Shoe for flash and microphone flexibility
Unlike conventional cameras, the α7R features the advanced Multi-Interface Shoe that dramatically expands compatibility with Sony digital imaging accessories, thus raising the potential for photo/movie shooting.
4K Still image output by HDMI®8 or Wi-Fi® for viewing on 4K TVs
Enjoy Ultra High Definition slide shows directly from the camera to a compatible 4K television. The α7R converts images for optimized 4K image size playback (8MP). Enjoy expressive rich colors and amazing detail like never before. Images can be viewed via an optional HDMI connection8 or via WiFi®.
TRILUMINOUS™ color outputs wider color gamut to compatible devices
TRILUMINOS™ Color technology, allows you to experience photos and movies in rich, natural colors on any TV equipped with a TRILUMINOS Display™. The expanded color gamut immerses you in those unforgettably colorful moments, from the complex shades in a shimmering blue sky to the delicate skin in a baby's face.
PlayMemories™ Camera Apps allows feature upgrades
Personalize your camera by adding new features of your choice with PlayMemories™ Camera Apps. Find apps to fit your shooting style from portraits, detailed close-ups, sports, time lapse, motion shot and much more. Use apps that shoot, share and save photos using Wi-Fi® that make it easy to control and view your camera from smartphone, and post photos directly to Facebook or backup images to the cloud without connecting to a computer11.
Image Data Converter
Advanced features enable manipulation, conversion and management of full-resolution RAW images. You can expertly adjust exposure, white balance, tonal curves, saturation, contrast, hue and sharpness — as well as apply DRO and vignetting compensation. Bundled Remote Camera Control software also lets you remotely activate and deactivate still/movie recording and control various camera settings from a PC.
Vertical Grip Capable
Enjoy long hours of comfortable operation in the vertical orientation with this sure vertical grip, which can hold two batteries for longer shooting and features dust and moisture protection.
Both the LA-EA4 and LA-EA3 are full frame compatible adaptors that let you the α7R with any A-mount lens. Additionally, the LA-EA4 features a built-in AF motor, aperture-drive mechanism and Translucent Mirror Technology to enable continuous phase-detection AF. Both adaptors also feature a tripod hole that allows mounting of a tripod to support large A-mount lenses.
Sony Off Camera shoe
Sony Genuine leather case for α7 and α7R
W-Series Battery Charger
1. Among interchangeable-lens cameras with an full frame sensor as of October 2013
2. Records in up to 29 minute segments.
8. Requires compatible BRAVIA® HDTV and cable sold separately.
11. Requires a valid Sony Entertainment Network account. Some apps require a fee.
© 2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, BIONZ, PlayMemories and the Sony make.believe logo are trademarks of Sony. Wi-Fi is a registered trademark of the Wi-Fi Alliance. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.
Top customer reviews
What really puts it over the top is that the two lenses I own for it, the Zeiss FE 35mm f/2.8 and 55mm f/1.8 are among the finest lenses made. The 55mm has even been ranked as the top resolving AF lens by DXO mark. They worked great on my A7, but they really explode with their full potential on the A7R.
For context, you can look up my A7 review on Amazon under my name. The gist of that review was that the A7 is an incredible all-around stills and video camera that is not quite as good as my Nikon D600 was, but the size and other features made it the best for me at that moment after two months of use. I gave it four stars.
I’ve owned the A7R for two weeks and have since sold the A7, but NOT because the A7R is a better all-around camera. Quite the opposite. The A7R is more specialized and requires more patience to use, but as I mentioned, the files just blow me away with detail.
What I Shoot
The A7R is my “studio” camera and also for travel. The image quality is fantastic for portraits and landscapes. Like most folks, I’ve dreamed of having the raw power of a medium format camera, but spending ten to thirty thousand dollars was way out of the question. There was a lot of hype when the D800 came out and comparisons made to medium format produced results which were very comparable. Now two years later that level of power is a bit more affordable and very compact to boot!
What the A7R is not ideal for
The A7R is not a good all around camera. The autofocus is a bit slow (A7 is definitely faster) so I wouldn’t use it for family shots with fast moving kids. The shutter is quite loud so it’s not ideal for candid shots. My current “all around” camera is the Sony RX10. With a superb Zeiss 24-200mm f/2.8 lens and a large 1” sensor, the RX10 is perfect for almost anything. BUT, when I need the maximum resolution and quality, that’s when I turn to the A7R.
True game changer…for me
The A7R has really raised my expectations for the type of image files possible. It’s really put my priorities for photography in much clearer focus. No camera or group of cameras is going to be perfect for everything. It’s all about finding the right tools for what you want to do. For me, that search has ended with the combo of the RX10 and A7R. I would love to add something that is truly pocket size, but honestly the A7R, RX10 and the two FE lenses have really stretched my bank account. I’m very happy though and having a great time enjoying focusing on photography.
As we expected the camera works great, delivering consistent exposure in dim or bright light. We have found autofocus speed to be good under daylight conditions. We have used it indoors and have been satisfied with its automatic focusing speed, although in dim light it takes a tad longer. We have used the Sony NEX-6 and NEX-7 and found the a7R's focusing speed comparable to those two cameras. For most subjects, the focusing speed is fast enough and we found it satisfactory.
We rely heavily on manual focusing, especially for our scientific photography work. This camera makes manual focusing a pleasure. The camera has two modes for facilitating focus. One is the traditional increase in viewfinder magnification: the center of which is magnified for close inspection of fine detail. The increased magnification sacrifices the field of view. The other is peaking. This provides a pseudo colored fringe around in-focus edges and provides us the advantage of seeing the whole field of view. We have used both and find them to be powerful working tools when focusing lenses manually.
The electronic viewfinder works very well with a diopter control for focusing ones eye to the screen and various aids for evaluating exposure. Not only does the viewing screen vary in brightness as one departs from the recommended exposure, but there is a histogram displayed in the viewfinder. In addition, there is a "zebra" mode. This causes over exposed highlights to display stripes and is a good indicator of when and where you will lose your highlight detail.
We have taken some great shots in dim lighting conditions. For us, we took advantage of Sony's Image Data Converter software v. 4.0 and opened the images into this program; however, we note that this program immediately applies an aggressive noise reduction filter so that in regions with fine detail the image appears "smudged". We found it preferable to turn off the noise reduction in that program and save the image as a 16-bit tiff. This picture can then be processed in Photoshop where we used Noise Ninja to reduce the effects of noise without losing fine detail. We were happy with pictures taken at ISO 3200.
The a7R's major weakness, in our opinion, is the paucity of full frame Sony autofocus lenses for this camera. While you can use the NEX series of lenses, this will use only the central part of the sensor. When you do so, the camera crops down and provides a 15-megapixel (4800x3200 pixels) image. If you are willing to sacrifice autoexposure, autofocus, and image stabilization you do have the option of using non-Sony lenses. We have used a 20 mm AIS Nikon and while we need more time to check the image files to evaluate edge sharpness and chromatic aberration, our initial results look promising. We used these lenses in Aperture-priority mode, letting the camera set the shutter speed while we set the lens diaphragm. With the camera operating in "stopped down" mode, it gave us a real time depth of field display. It should be noted that when using the camera in Aperture priority or Manual mode, the lens is always used in a stopped down mode. So autofocus speed of E mount lenses will be slower when you use smaller apertures. In dim lighting conditions, using these modes will also cause the lens to "hunt" for focus when the aperture is closed down or if you are using a slow lens. If focusing speed is an issue, try using P or S mode on the camera..
There is a lot more to describe about this camera, but in a nutshell it is a reliable photographic tool. We have noticed that it does consume batteries. We ordered a couple of spare batteries by the second day. We also prefer to use an independent battery charger rather than charging the batter through the camera body.
We have been working with the LEAE4 lens adapter for the a7R and we are very satisfied with the combination. As noted in our review, we felt a weakness of this series of cameras is the lack of full frame autofocus lenses that can be used with this camera. One solution is to buy the LAEA4 adapter that accepts Sony's A mount lenses and maintains full autofocus capability. This adapter is quite complex and as a result it is expensive. It contains a semi-transparent mirror that directs a fraction of the light to a set of focusing sensors. This unit takes over focusing and, essentially, converts the a7R to a SLT camera. In essence it replaces the contrast detection focusing system with a phase detection one. This has a couple of advantages. First, there is an increase in focusing speed over the contrast based system. Second, it appears that this unit has more sensitivity for working in lower light levels. Finally, this unit will work with the older, discontinued, Minolta AF and Konica-Minolta AF lenses. Many of these lenses rely on a focusing motor housed in the camera body and this adapter contains such a motor. So as a consequence, this adapter will autofocus with older discontinued Minolta products and it will autofocus all of Sony's A-series AF lenses. The adapter weighs only 4 ounces and does not adversely affect camera handling. Also, it is well designed. If you use a Sony A series lens which is designed for an APS-C sensor, the unit will "crop" down and use only the center of the a7R sensor to provide an image free of vignetting.
With this adapter we have used a 500 m f8.0 Minolta AF Mirror lens, their 100-300 mm APO zoom telephoto lens, and a Tamron 90 mm f/2.8 macro lens. We also used the kit lens from our A77 to test the "auto crop" capability of the adapter and camera combo. With these lenses, the unit autofocuses the lens rapidly in dim lighting conditions.
Although this adapter is more expensive than the LAEA3 adapter, we feel its expense is justified. The former adapter will only autofocus those lenses which have a focus motor built-in the lens barrel while the latter will focus all autofocus lenses in the A line. In addition, the latter unit focuses rapidly. These two features make the additional expense more acceptable.
Recently I decided to upload some Apps from Sony's online store. As you may know, Sony NEX cameras and the a7/a7R camera have wireless capability that enables them to transfer images to smartphones and tablets. In addition, this capability can be used to download apps to your camera to provide it additional features. For example, Sony does not have time lapse capability in its NEX-6 or a7R camera, but you can install an App to provide that capability.
One of Sony's free Apps is their Smart Remote Control and this useful feature has undergone improvements since its been first released. For example, when I first used Smart Remote Control I was overjoyed that it would work on my iPAD mini. It was tremendously convenient to have a large screen for focusing and composing images. For macro work it was nice to put the camera low to the ground and position it without having to hunch down and get close to view the tilted LCD screen. However, when I found that the first release of that software could not save RAW files to the camera's memory card, I abandoned using it.
Well, I revisited the Sony App store and found they updated and improved the program. Most importantly, they allow the saving of RAW files to the camera's memory card. You cannot just save RAW files however. You must save RAW + JPEG and I presume this is necessary so that the smaller size files could be uploaded, wirelessly, to either a tablet or a smart phone. I don't use this feature, but prefer using it as a replacement for a remote cable release. For what it is worth, while a smartphone can be used, I find the mini tablets and tablets to be preferable since their larger screen provides a larger preview of the subject. For those who manually focus their cameras, the enlarged image is detailed enough to accomplish this task with ease.
Although I have the cable release for the a7R, I find that I hardly use it. The Smart Remote Control App will work with smartphones. It seems I always forget to take my cable release, but I never forget my smartphone. Considering that the Smart Remote Control is free, it is well worth getting.
Another nice thing about the App store. They keep track of the Apps you have downloaded to your camera. So, if you have to do a total reset of the camera's settings and values (this wipes out the apps) you can download replacement Apps at no charge.
One final note, you are not penalized if you buy a new Sony camera. In my case, I had downloaded the time lapse App for the NEX-6. For a time this was unavailable for the a7 series of cameras. Well, it recently became updated to work with these cameras and I was not charged when I upload it to my new Sony camera.
I loaded the new firmware on the a7R camera so now I am using version 1.02. The camera functions much as it did before and I did not see a dramatic increase in focusing speed or focusing accuracy in AF-S or AF-Continuous under outdoor lighting during the day. But, then I was reasonably satisfied with the original firmware. When using the CZ 24-70 mm f4.0 lens, I felt that the new firmware did improve the focusing accuracy under dim lighting. There was less "hunting". The most dramatic improvement I observed was the performance of the Object tracking function. The performance of that was much improved and the camera did a better job of following objects and maintaining focus on the targeted subject.
This is basically a medium format camera in a 35mm frame! So you need to take your time with the shots and make sure your shutter speed is 150 or above because the heavy shutter on the camera can blur high-res shots easily.
Even with dedicated lenses this sensor is not very reliable on automatic focus, and this is definitely not a "shoot from the hip" camera. I have not found a site that can compare Sony to Canon or Tamron glass so I can only go on what other photographers have mentioned. So--Sony body and Canon glass seems to get the best results in the foreseeable future! This is the best tradeoff for quality vs cost I have found with this system.
Most recent customer reviews
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