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Sony a7R II Full-Frame Mirrorless Interchangeable Lens Camera, Body Only (Black) (ILCE7RM2/B)
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- World’s first Full-frame back-illuminated Exmor R CMOS sensor-42.4MP, 5-axis in-body image stabilization optimized for 42.4MP full-frame, 4K movie recording with full pixel readout and no pixel binning
- 2.4-million dot XGA OLED Tru-Finder w/ ZEISS T* coating, Simple connectivity to smartphones via Wi-Fi and NFC w/ camera apps, Fast focal plane phase-detection AF realized with A-mount lenses
- Shutter vibration suppression, first curtain shutter, and silent shutter, Resolution meets sensitivity 42.4MP up to ISO 102,400 / 4K up to 25,600, Durable, reliable and ergonomically enhanced for professional use
- Fast Hybrid AF with 399 focal plane phase-detection AF points
- Lens Compatibility: Sony Full Frame E-mount lenses
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From the manufacturer
Sony α7R II Full-frame Mirrorless Interchangeable-Lens Camera
Realism meets resolution and sensitivity - with the world's first (1) back-illuminated 35 millimeter full-frame CMOS image sensor. The α7R II increases image quality with 42.4MP resolution, up to ISO 102,400 sensitivity and speedy response with 5fps and a Fast Hybrid AF system (399 AF points).
World’s first (1) Full-frame back-illuminated Exmor R CMOS sensor with 42.4 MP
The newly developed 35mm Exmor R CMOS sensor is the world’s first full-frame sensor with back-illuminated structure. The structure combines gapless on-chip lens design and AR (anti-reflective) coating on the surface of the sensor's glass seal - with no low-pass filter - to dramatically improve light collection efficiency, even though the pixels are smaller than the ones in the α7R. Moreover, the wiring layer now uses copper (instead of aluminum) wiring for faster transmission speed (2). The results are truly remarkable – with incredibly detailed 42.4 megapixel stills and 4k video with high sensitivity - up to ISO 102,400 (3), low-noise performance and wide dynamic range that are superior to previous models.
5-axis in-body image stabilization optimized for 42.4MP full-frame
The 5-axis SteadyShot INSIDE image stabilization system is fine-tuned for high-resolution image sensors. It accurately compensates for blur caused by camera shake from five different directions—vertical, horizontal, pitch, yaw and roll—as opposed to only two in previous systems. The 5-axis image stabilizing system excels during video recording and even compensates for blur caused by the photographer walking or running. It’s a true marvel of engineering. You can even monitor the stabilizing effects of camera shake compensation in the viewfinder or LCD screen while shooting still images by pressing the shutter button halfway or magnifying the image, and while shooting movies by entering movie mode.
4K movie recording (5) with full pixel readout and no pixel binning
The α7R II is the world’s first (1) camera to offer 4K movie recording (5) to internal media in the full-frame format. It also provides you the option of shooting 4k in the super 35mm format. Enjoy the expansive power that the full-frame image sensor can express in 4k with direct pixel readout and no line skipping. In super-35 format, the α7R II employs oversampling with full pixel readout and no line skipping or pixel binning - resulting in images that exhibit higher resolution and less moiré and jaggies than typical 4K movies. Fast hybrid AF with 399 phase detection AF points and 5-axis image stabilization take movie making to a new level.
Fast Hybrid AF with 399 focal plane phase-detection AF pts
Your shots of action can look clearer than ever, thanks to a new full-frame image sensor that assures the world’s highest number of focal plane phase-detection AF points, at 399, and the widest coverage, of 45% of the image area (1). With its accelerated readout and an advanced algorithm to anticipate subject movement, the sensor also makes it possible for the Fast Hybrid AF system with additional 25-point contrast-detection AF points to raise speed, accuracy, and tracking performance to incredible heights, even when shooting at up to 5fps at 42.4MP. Faster readout thanks to the back-illuminated structure of the image sensor improved AF response so dramatically that the AF system of the α7R II instantly captures even fast-moving subjects with razor-sharp clarity.
2.4-million dot XGA OLED Tru-Finder w/ ZEISS T* coating
See every detail in every scene with the XGA OLED Tru-Finder electronic viewfinder. The new four-lens optical system with double-sided aspherical elements provides views of cutting-edge clarity and contrast throughout the entire width and length of the display. Better yet, ZEISS T* coating ensures absolutely minimal surface reflection. You’ll enjoy rich tonal gradations and high-end features like 100% frame coverage, and the world's highest (1) magnification in a full-frame camera with EVF at 0.78x7. View every scene in rich detail as the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately monitor the results.
Simple connectivity to smartphones via Wi-Fi/NFC
Thanks to built-in Wi-Fi, you can easily connect to a compatible iOS or Android smartphone or tablet with the free PlayMemories Mobile App. From there you can control your camera, preview and frame using your mobile device and trigger the camera shutter or movie button. Then instantly transfer a photo or MP4 movie to your device. NFC (Near Field Communication) provides 'one-touch connection' convenience to Android smartphones and tablets with NFC. Simply touch devices to connect. Setting up your mobile device is as simple as downloading a free PlayMemories Mobile app.
Personalize your camera with PlayMemories Camera Apps (9)
Add new features to your α7R II with PlayMemories Camera Apps (9). Find apps to fit your shooting style - with everything from time lapse, motion shot and more. Use apps that shoot, share and save photos to your smartphone using Wi-Fi, making it easy to post photos directly to your favorite social media site or backup images to the cloud without connecting to a computer.
Focal plane phase-detection AF with A-mount lenses (10)
The α7R II offers focal plane phase-detection AF with A-mount lenses, (10) so you can take advantage of the wide AF coverage of 399 focal plane phase-detection AF points, high-speed response, high tracking capability and high optical performance of A-mount lenses. This is only possible with A-mount lenses mounted using a LA-E3 or LA-EA1 (APS C format with LA-EA1) lens mount adaptor and that have a SSM (Super Sonic wave Motor) or SAM (Smooth Autofocus Motor).
Durable reduced-vibration shutter
The new shutter's braking mechanism cuts mechanical front/rear curtain vibration by about 50% (2). Also, use the electronic front curtain for even less vibration. This not only minimizes camera shake that can blur details in 42.4-megapixel images — it makes the shutter durable enough to have been tested to 500,000 cycles (4).
Tough magnesium alloy body and robust lens mount
Designed for solid reliability and steady handling, the α7R II's compact body is built to withstand the rigors of shooting in the field, thanks to an internal structure and top, front, and rear covers all made of strong, rigid magnesium alloy. Furthermore, the α7R II features a robust lens mount with the strength and rigidity to match the body – this is especially good for mounting large, heavy lenses such as super telephoto lenses and those preferred for movie shooting.
3" LCD screen tilts up & down for high & low-angle framing
The tiltable 3 inch (1,229k dots) Xtra Fine LCD Display makes it easy to photograph over crowds, or objects close to the ground or maybe you just want to get a different perspective. The screen can swivel up approx. 107 degree and down approximately 41 degree. The large display delivers brilliant-quality still images and movies thanks to WhiteMagic technology that nearly doubles the brightness of the display through a unique RGBW pixel structure for easier checking of the focus and image details.
2015 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.
1 Among digital cameras with a 35mm full-frame image sensor at the time of June 2015 press release, based on Sony research.
2 In comparison with the α7R.
3 ISO 100-25600 expandable to ISO 50–102400 for shooting still images.
4 According to Sony internal testing, with the electronic front curtain shutter activated.
5 Movie recording is possible for approximately 29 minutes.
6 A class 10 or higher SDXC memory card is required to record movies in the XAVC S format. UHS Speed Class 3 is also required for recording at 100Mbps.
7 Among digital still camera viewfinders at the time of June 2015 press release. Full-display diagonal field of view: approx. 38.5 degrees; live-view-display diagonal field of view: approx. 37.2 degrees. The viewfinder magnification is approx. 0.78x (with 50mm lens at infinity, -1m-1). As of June 2015 based on Sony research.
8 Some functions can only be assigned to certain buttons.
9 Requires a valid Sony Entertainment Network account. Some apps require a fee.
10 Requires optional LA-EA1 or LA-EA3 lens adaptor with SSM or SAM A-mount lens.
Sony, BIONZ X, Exmor R, PlayMemories Home, PlayMemories Mobile, PlayMemories Camera Apps, PlayMemories Online, SteadyShot INSIDE, Xtra Fine LCD and the Sony logo are trademarks of Sony Corporation. AVCHD is a trademark of Panasonic Corporation and Sony Corporation. Windows is a trademark of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI are a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.
|Battery Type||Lithium Ion|
|Compatible Mountings||Sony Mirrorless|
|Display Fixture Type||tilting|
|Display Size||3 inches|
|Effective Still Resolution||42.4 MP|
|External Memory Included||No|
|Flash Memory Type||SDXC|
|Flash Modes Description||Auto, Fill-in, Flash on, Hi-speed sync, Red-eye reduction, Second curtain synchro, Slow synchronization|
|Item Dimensions||5.67 x 6.1 x 9.61 inches|
|Item Weight||3 pounds|
|Lithium Battery Energy Content||7.3 Watt Hours|
|Lithium Battery Voltage||7.2 Volts|
|Lithium Battery Weight||3.5 grams|
|Manufacturer Warranty Description|
|Maximum Shutter Speed||30.0 seconds|
|Memory Slots Available||1|
|Minimum Focal Length||10 centimeters|
|Optical Sensor Resolution||0 MP|
|Optical Sensor Technology||CMOS|
|Photo Sensor Technology||cmos|
|Processor Description||bionz x|
|Shipping Weight||2.95 pounds|
|Supported Battery Types||NP-FW50|
|Video Capture Format||4K, HD|
|Video Capture Resolution||other|
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This item Sony a7R II Full-Frame Mirrorless Interchangeable Lens Camera, Body Only (Black) (ILCE7RM2/B)
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Screen Size||3 in||2.95 in||3 in||3 in||3 in||3 in|
|Item Dimensions||6.1 x 9.61 x 5.67 in||2.8 x 15.7 x 2.13 in||2.36 x 5 x 3.78 in||5 x 2.37 x 3.77 in||6.1 x 9.61 x 5.67 in||1.89 x 5 x 3.7 in|
|Item Weight||3 lbs||0.91 lb||1.32 lbs||1.38 lbs||2.98 lbs||1.04 lbs|
|Optical Sensor Resolution||—||24.2 megapixels||24.3 megapixels||—||12.2 megapixels||24.3 megapixels|
|Photo Sensor Size||Full Frame||aps-c||Full frame (35.8 x 23.9 mm)||full_frame||Full Frame||Full frame (35.8 x 23.9mm)|
|Video Capture Resolution||other||4K (3840 x 2160)||1080p_hd||1080p||other||1080p_hd|
|Viewfinder||LCD||electronic viewfinder||LCD||electronic viewfinder||electronic viewfinder||LCD|
Sony a7R II Full-Frame Mirrorless Interchangeable Lens Camera, Body Only (Black) (ILCE7RM2/B)
Top customer reviews
For the past year, I've also brought along a Sony A7R (with 16-35 and 24-70 zeiss lenses). It was a slow, clunky focusing camera with an amazing sensor. I liked the mirrorless concept, so I tolerated its faults. The mark ii version is a vast improvement; about 5 generations ahead of the old one. Sony has fixed just about everything about A7R, while adding some unique features.
I am the last person on earth to run out and buy the latest gear. I was lucky enough to walk into a local store who had one for me to try and buy. I was not happy about the price, but I could quickly see why it cost so much. The build quality and speed were terrific. You're definitely paying an early adopter fee for all the R&D. It will be years before all this technology becomes cheaper, so go ahead and buy it now. At least this time Sony includes 2 batteries and a charger.
1) This is the first camera to shoot as unobtrusively as my rangefinder film cameras, except that I get a really nice preview. DSLRs were always old technology slapped onto modern technology. I hate DSLRs because you constantly need to 'chimp' and take your eyes away from the viewfinder to check exposure. With mirrorless, you can get a full what-you-see-is-what-you-get preview before hitting the trigger. No need to review for focus or exposure.
2) The new viewfinder more improved then you can initially tell. When turning a polarizer, for instance, I can see the change in sky much better. The screen is sharper, bigger, and very high resolution. I can distinguish background blur from whats in focus, even with a 16mm at f/4. I can manually focus accurately without focus assist (but I do have very good eyes).
3) DR of the sensor is astounding. I'm considering not using grad nd filters anymore. Ignore people obsessing over lossless RAW.
4) The sensor stabilization really works. Works seamlessly with Zeiss lenses with stabilization (btw, upgrade your 24-70 to v2 firmware, I had already done so. Some people have focus issues, that is why!).
5) Soft shutter finally gets rid of camera shake on long lenses. I repurchased the 70-200 f/4, which works worlds better than on the mk1. Silent shutter allows hand held exposures that are super slow. e-front curtain shutter has a nice quick chirp sound, vs the old clunky a7r that drove me nuts.
6) Lots more settings and customization. I spent a good 4 hours customizing each switch. Then, I programmed the 1 and 2 dial for switching between tripod exposures and hand held. Lots more bracketing options. Bulb mode works better with wireless remote.
7) Focusing is great. Really great, even in low light with the f/4 lenses. My intention is to only use native sony lenses. The real focusing system works much better for closeups with wide angles, and other situations where the a7r struggled. You can disable the video button. The list goes on and on.
8) The camera is now lightning fast and super responsive. This is from the combination of fast shutter and focus.
8) Build quality is terrific. Gone is the twisty, bendable lens mount. Too bad they didn't use real gaskets (although tight build is important for good weather sealing).
9) Light meter. This doesn't get enough attention, but the meter is sooooo more accurate in mirrorless cameras in general, especially with portraits.
10) More lens choices coming soon. Sony and Zeiss are dedicated to the e-mount system.
11) Knock-off accessories are really good, and most from a7r work with a7rii
12) ISO performance is great, but I can't compare since I mostly only use 100-400 iso.
1) Update September 2015: True 14bit files are now available, which did matter for star trail photography and in some occasions.
2) Silent shutter and/or continuous mode will only give you only 12bit files. Use e-front curtain instead.
3) Spend a good 4 hours customizing all the buttons. Make the camera fit your needs.
4) I set the image review to off, which prevents the photographer from having to chimp, and allows a more subject connected, intuitive style of shooting that I associate with film rangefinder cameras. BTW Film SLRs were always terrible, and not made for fine-art photographers.
5) The Neewer Arca-Swiss Bracket for the A7ii fits the A7ii. Makes the camera a little bit taller, which is good.
1) Sony is still catching up with lens choices. No ultra-super-wide, no fisheye, no wide primes, etc. Some lenses are branded Zeiss, but are made by Sony and cost more for the zeiss name.
2) Battery life still sucks, but Wasabi batteries are cheap and good (easier than carrying film). Turn off the pre-focus, which will save power. Turn off camera when not in use.
3) No gaskets for super-duper weather sealing.
4) Included camera manual is useless. Spends more time on liability stuff than using the camera.
5) Camera is a bit small without a bottom arca swiss plate, even with my small hands.
**Random thought. Wouldn't it be great for Sony to make this into a Nikonos style underwater camera? Just a thought.
I enjoy the placement of the buttons and dials on this camera. They are solid and smooth to operate - and the ones that need to click into position do so. At this time, with the camera always in manual (M) mode I have the front dial set to adjust shutter speed, the rear to adjust f-stop and a button on the rear to adjust ISO on the fly. A single click on the button brings up the ISO menu, then the thumb wheel allows me to quickly scroll to the rating I want.
The only other button programmed so far is C1 for eye detection. Obviously, only used in portraits but seems to nail it every time. I use this same setup on the RX1R II. I have been using the Exposure Comp wheel more and more to give me the exposure exactly how I want it rather than relying on post to correct that. Also been getting into relying almost solely on the histogram in the viewfinder to expose my work now.
The shutter release is smooth and pleasing (and I like the sound of it) and has the option of silent shutter, though I haven't tried that to date.
SONY A7R II - SENSOR
The A7R II has a 42.4-megapixel back-illuminated 35mm full-frame Exmor R CMOS sensor powered by the BIONZ X image processing engine to support 14-bit uncompressed RAW images. Technically, getting an ISO range of 50-102,400 but realistically using ISO 100-25,600. Even more realistically for my style is ISO 100-6400.
Unlike my RX1R II, there is no optical low-pass filter on this camera.
5-AXIS IMAGE STABILIZATION
The Sony A7R II has 5-Axis Image Stabilization which has been maximized for the 42 MP sensor. This system corrects camera shake while shooting along the 5 axes of angular shake (pitch & yaw), shift shake (along the x/y axis), and rotational shake (roll). Pair this with a IS lens (like the Zeiss Batis 85 I have been using) and you can freehand some ultra-lowlight photography.
Battery is notoriously bad on these cameras, but there are a ton of tips and tricks out there to increase life. Best thing I suggest is tossing the camera into Airplane mode - this turns off all the Wi-Fi and searching for networks. With this off, I can shoot all day with 3 batteries at the ready. To be honest, I shoot so little on a typical day (200-300 max photos) that I seldom need to jump to a backup.
Some other things you can try are reducing the brightness in the monitor and viewfinder, having a short power-save time, turn off the "Sunny Weather" option, turn off audio signals and turn off Pre-AF.
If I am walking around between shots, I tend to switch the camera off too. Not sure how much that helps, but a habit I picked up with the RX1R II.
I also suggest having a couple battery backups and a couple chargers in the house. Right now, I have 2 Sony stock batteries and 2 off-brand ones. I haven't noticed much of a difference between the two. For the house, I have a pair of chargers, as these batteries seem to take forever to get to a full charge. At least with a pair, I am able to cut the charge time in half.
FINDER / SCREEN
There are a couple ways to compose images with the A7R II. Either the screen on the back of the camera with LiveView or via the Electronic View Finder (EVF) that's really a godsend. The camera has the intelligence to automatically only power the view you are using. If LiveView, the EVF is powered off. If you put your eye to the EVF, it fires up in an instant and the back screen powers down. Very good for a camera that's a battery whore, as mentioned above.
With either of these views, you can increase or decrease the resolution, though they both look really good at standard. Very bright and quite responsive. Nearly identical to what I said about the RX1R II and not like the LiveView of the past (where my last experience was with a laggy Sony NEX-3). I keep the rear screen fairly dim, so I like to use the finder as my review of images when needed.
The eye cup for the A7R II finder is much better than the RX1R II, by the way. The former is a proper viewfinder with a rubberized eye cup (see rear image of A7R II below in the My Defaults section) while the later is a pop-up EVF and does not offer eye relief at all.
Both screens offer a slew of data from shutter speed, ISO, f-stop to digital levels, histograms and so on. I won't bore you with all the goodies, but there is a plethora of stuff that can be added to or removed from either screen.
The rear screen tilts up and down which is nice to hold over your head or at your feet to frame a decent shot. I don't use the screen often, but really enjoy the ability when I need it to compost a shot this way. I find this can be a stealthy way of composing a shot without those around aware of what you're doing - if stealth is your motive.
The Sony A7II offers up 25 contrast detection points and 399 phase detection points covering about half the sensor. The modes available here are Single, Continuous and Manual focus as well as AF-A and DMF modes that can be used with the native FE glass. As I don't tend to shoot moving targets, I stick to Single mode for almost all my shooting and have found it to be quite fast and really accurate.
As always, you can also switch the focus areas between Wide Area, Zone Area, Center Area (my preference), Flexible Spot, Expand Flexible Spot, Lock-on AF Expand Flexible Spot, Lock-on AF, Eye AF (which I mapped to C1), and Face Detection.
Like with the Sony RX1R II, the files spoil me. There is a great deal of latitude in them and so much shadow detail. The IQ is really nice to work with and I am getting the hang of how they behave with my one-click edits.
It is very early on with this camera to have any firm conclusions, but I have to tell you, I was secretly hoping to not love this one. I have my film cameras that I am more than happy with, and my Sony RX1R II that I figured was all I wanted. I wanted to shoot this, get it out of my system, then return it. Well, it's not going back. As soon as I strapped on the Zeiss Batis 85 and walked around with the Sony A7R II I was smitten. This camera is really offering everything I currently want in a digital setup. Gorgeous files with the colors I enjoy, great speed and a joy to walk around with. I read complaints about the menu system, but really, once you set it up once, you don't need to dig in there much and it truly isn't that bad.
This is a fine compliment to my film work and will also be a great compliment to the Sony RX1R II - so yes, they are both staying. I plan to get a ton of use out of this throughout the year and re-touch this review with future thoughts, uses, issues or what have you.
Most recent customer reviews
The A7RII definitely takes better photos and fully exploits the FE lenses with its 42mp Full-Frame.Read more