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Sony SEL50F18 50mm f/1.8 Lens for Sony E Mount Nex Cameras (Black) - Fixed
|Price:||$248.00 & FREE Shipping. Details|
|You Save:||$52.20 (17%)|
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- Built-in Optical SteadyShot image stabilization
- Minimum Focus Distance : 1.28 ft (0.39 m), Maximum Magnification ratio : 0.16x, Focal-Length : 50 mm
- Large F1.8 maximum aperture enables beautiful defocusing effects
- Compact, lightweight mid-range telephoto prime with elegant aluminum alloy exterior
- Lens not zoomable
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|Aperture Control Design||Aperture controlled by camera|
|Compatible Lens Hood Part Number||ALC-SH116|
|Compatible Mountings||Sony E (NEX)|
|Focus Type||Stepper motor|
|Image Stabilization||4 stop claimed|
|Item Dimensions||2.44 x 2.44 x 2.44 inches|
|Item Display Weight||202 grams|
|Item Weight||0.45 pounds|
|Lens Type||Prime lens|
|Macro Focus Range||0.39 m|
|Manufacturer Warranty Description|
|Material Type||Metal barrel, Metal mount|
|Maximum Aperture Range||F1.8|
|Maximum Focal Length||50 mm|
|Maximum Format Size||APS-C / DX|
|Minimum Focal Length||50 mm|
|Minimum Focal Range||50 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||8|
|Number of Groups||7|
|Photo Filter Thread Size||49 mm|
|Shipping Weight||3 pounds|
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This item Sony SEL50F18 50mm f/1.8 Lens for Sony E Mount Nex Cameras (Black) - Fixed
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||Amazon.com||Focus Camera||Amazon.com||UTM Inc||Premium-Japan|
|Lens Type||Prime lens||50mm||Zoom lens||zoom||zoom|
The built-in Optical SteadyShot image stabilization system provides a 4-stop (approx.) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video.
From the Manufacturer
E 50mm F1.8 OSS Prime Lens
This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills.
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.
Top Customer Reviews
This lens will get you that awesome blurred background and foreground effect that everybody loves normally see when they pay a professional photographer to take their family or personal photos.
If you have a Alpha 6000 camera then this is a must have lens. I was looking at the Zeiss 55mm prime also which has the highest rating as far as quality image goes on DXO Review Site goes for the best prime lenses on the Sony A6000 specifically but it also has a $1000 price tag which really didn't stop me from buying it if i thought it was better but the lack of OSS "Optical Image Stabilization" which helps improve night shots and prevents video distortion was what made me buy this lens instead.
I never leave reviews normally due to time restraints but I have to urge A6000 camera owners to please buy this lens for your camera if you want to really make the A6000 spit out superb high quality photographs that when taken right will need zero editing.
Thanks to its relatively low f-stop of 1.8 compared to the kit lens, it's great for portraits. Even at around f/2.5 to f/2.8, you still get that creamy bokeh in the background with nice subject isolation. To justify its $300 price tag, however, I've used it for other situations. As a Yelper Elite, I'm constantly that camera dork who takes pictures of every restaurant entree I order before shoving it away voraciously into my mouth. With that said, it operates well when taking close up shots. Extreme shots of insects, flowers, etc. would be better justified with a macro lens, although you can consider a cheap alternative from Meike (https://www.amazon.com/gp/product/B00BXZ9ALQ/ref=oh_aui_detailpage_o06_s00?ie=UTF8&psc=1) to turn this 50mm into a quasi-macro lens. I've also used it occasionally for street photography, although its large focal length makes it cumbersome to use indoors. You can't really zoom out with your feet once your back hits the wall, ya know?
In these particular situations, I will use the 50mm hands-down. Is it the most versatile lens? No. That's why I also have Sony's 28mm f/2, which I find myself leaving on my camera most of the time. In hindsight I would have purchased my 28mm prime first, given its practicality. However, the 50mm acts as a great sidekick with the kit lens and should eventually find its way into your camera bag, regardless of when you purchase it.