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Sony SELP1650 16-50mm Power Zoom Lens
|Price:||$348.00 & FREE Shipping. Details|
- Enter your model number to make sure this fits.
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony α camera system E-mount cameras. You cannot use it on A-mount cameras
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|Aperture Control Design||Aperture controlled by camera|
|Compatible Mountings||Sony E (NEX)|
|Item Dimensions||2.56 x 2.56 x 1.18 inches|
|Lens Type||Zoom lens|
|Macro Focus Range||0.25 m|
|Manufacturer Warranty Description||1 Year Parts & Labor|
|Maximum Aperture Range||F3.5 - F5.6|
|Maximum Focal Length||50 mm|
|Maximum Format Size||APS-C / DX|
|Minimum Focal Length||16 mm|
|Minimum Focal Range||16 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||9|
|Number of Groups||8|
|Photo Filter Thread Size||41 mm|
|Shipping Weight||0.25 pounds|
|Style Name||Retail Packaging|
|Zoom Type||Motorized Zoom|
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|Sold By||Amazon.com||Beach Camera Same Day Shipping||Focus Camera||Amazon.com|
|Compatible Mountings||Sony E (NEX)||Sony E (NEX)||Sony E (NEX)||Sony E (NEX)|
|Dimensions||2.56 inches x 1.18 inches x 2.56 inches||2.44 inches x 2.36 inches x 2.44 inches||2.44 inches x 2.44 inches x 2.44 inches||2.48 inches x 1.77 inches x 2.48 inches|
|Item Weight||Information not provided||0.47 pounds||0.45 pounds||0.34 pounds|
|Lens||Zoom lens||Zoom lens||Prime lens||Prime lens|
|Maximum Aperture||Information not provided||Information not provided||1.8 f||1.8|
|Max Focal Length||50 mm||55 mm||50 mm||35 mm|
|Min Focal Length||16 mm||18 mm||50 mm||35 mm|
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From the Manufacturer
E PZ 16-50mm F3.5-5.6 OSS Power Zoom Lens
This 16-50mm retractable zoom lens is super compact and easy to carry and the ideal lens for traveling and other scenarios that require a lightweight, compact camera and lens combo.
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2012 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.
Sony, BIONZ, BRAVIA, Exmor, InfoLITHIUM, Memory Stick, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, PlayMemories Home, Smile Shutter, Stamina, Theatre Sync, Sweep Panorama, and the Sony make.believe logo are trademarks of Sony. AVCHD is a trademark of Panasonic Corporation and Sony Corporation. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, Inc. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are trademarks of their respective owners.
Top Customer Reviews
I'm a simple guy who's sort of new to this game - I've been shooting professionally for only 53 years, since I got a driver's license - from 4x5 Speed Graphics through Leica M4P and Hasselblad, up through a pair of D7000s today. My video work has appeared on CBS Sunday Morning, local TV and many medical web sites; my stills have been on the business and feature pages of magazines and newspapers worldwide. I bought my NEX-6 to use my languishing Leica M mount lenses, and they are spectacular on the NEX-6. I bought the 16-50 with my NEX-6 because it was cheap when the combination was selling at $200 less than it is today.
Now, for this lens. Let's be aware of what this lens is: A small, very light and very inexpensive lens spanning a wide range at a cost that has no parallels in size/weight/cost/quality. It's not a Zeiss or Leitz. It's a lens designed to produce good images in an essentially pocketable camera-lens combination, at a sub-$1000 price (NEX-6).
And it does precisely that. It's a relatively slow (aperture-wise) compromise, and yes, it does require in-camera jpeg or post-processing (RAW images) to correct distortion at its widest setting.
But it's really sharp.Read more ›
Sony leaves some very important information about this lens out of their marketing info, so let me save you some pain if you are considering this lens for any older (pre fall 2012) model NEX camera. This lens is designed for the NEX5r, the NEX6, and presumably, future NEX stills cameras. This lens is very small and convenient, but to get it this size, some huge optical quality concessions were made in terms of distortion and vignetting. The NEX6 (and other supported NEX bodies) have built in, real time correction for distortion and vignetting, which can not be turned off when this lens is attached to the body (hence many people do not even know how bad this lens actually is, unless they attach it to a camera without the in-body correction tables).
If you have an older NEX camera, such as the original NEX5, or any NEX3 except the F3, then your camera does not have these correction tables built in, and the results you get from this lens are going to be so bad that most people with an eye for photography would label the results unusable.Read more ›
- The lens is retractable so when it is turned off the camera + lens has a very thin profile which makes it great to carry. E.g. I can wear the camera around my neck and button up my jacket easily.
- The zoom range is also great for an APS-C sensor camera. I was used to the 24-70 on my full frame canon and this is a very close approximate of that.
- Focusing is super fast. Unlike some of the other sony lenses (like the e-mount 50mm f1.8) this one supports phase detection AF (even in contrast detection mode it is fast) which makes focusing soooo much faster than all of the sony primes for nex.
- Image stabilization works extremely well - I've shot many handheld at 1/20 - 1/30 sec and they've all turned out
- Aperture is too small to get good shots with shallow depth of field or super low light situations.
- Bokeh is so so
- Sharpness is much lower compared to my canon 24-70 MK I (but maybe not a fair comparison- this lens is $1000 cheaper)
- You can zoom either using the ring or a toggle lever on the side of the lens. The ring works great, but this ring pulls double duty as focus ring as well, so when I am trying to fine tune the focus manually, my fingers keep brushing against the zoom lever and messing things up
Bottom-line: Recommend it for travel/casual/daylight photography. Not a good lens if you primarily take people pictures.
Most Recent Customer Reviews
This was a replacement for a badly damages original lens and works fine in this use. The small size of this lens and the zoom range are very useful when wanting to have a small... Read morePublished 12 days ago by John Fountain
The lens was part of a package deal with an a6300. It stopped working after 3 months. The vendor stated that this lens is prone to problems with the auto focus/power zoom drivePublished 25 days ago by Robin Jenkins
The best way to look at this lens is in terms of its "value, " i.,e., its quality divided by its cost. Assumptions in this review:
1. Read more
Works perfectly just as described. Perfect for me who banged up the original lens and didn't want to pay full price for a new lens.Published 2 months ago by Mario A. Aguirre
This SELP1650 lens came with the Sony camera kit that I purchased. It makes a grinding sound when connect it to my Sony a6000 camera body and turn the camera on. Read morePublished 2 months ago by JimFred
Fits my Sony A3000 and is very sharp. Focus ring has a little resistance but works ok. Power zoom works not really needed on 16-50mm range but it works.Published 2 months ago by Rocky
I tried to use this lens on NEX-7 body and hated it - the vignetting, color fringing, and smeared unsharp corners made it unusable. Read morePublished 2 months ago by Sanity Advocate
I bought this kit for my husband who has wanted to take more photographs lately. We have a nice DSLR camera, but we don’t take it around with us as much as we used to before the... Read morePublished 2 months ago by Christian Stork