I've spent the last 3 months researching the A6000 and all of its lenses, and this has to be the most capable lens available--bar none.
Let me clear the air first.... This lens does NOT beat every other lens in every single focal range and aperture. But, to be fair, that lens just doesn't exist. However, it does everything I want and need well enough that it spends 95% of the time on my A6000. I'll explain the other 5% at the end, if you're not bored out of your mind by then.
A little backstory. I'm a peeper... a pixel peeper that is, and I want every photo crisp and sharp.... that's just me. So I spent days setting up my test bed, taking test photos, compiling them, and comparing them in Photoshop to see how they all stack up and attached a test photo with my results.
SHOT SETTINGS:
ISO100, Manual Focus, Focal length: 18/19mm, Noise Reduction: OFF, SteadyShot: OFF
RESULTS:
The SELP18105G at least matches the Sigma at f4.0
It blows the SELP1650 out of the water (Just check the shots and you'll see why)
THOUGHTS: If a zoom lens can zoom 87mm and still hold its own (and in some cases win) against a well regarded prime lens, then why buy prime? So, you can get more exercise?! This was at the lens's widest too! At F5.0 it most definitely matches or beats the Sigma in sharpness all across the image. I took way too many photos to share here, but trust me this lens is way worth it.
TIPS:
I checked this lens at every focal length with every F-stop, and it is SHARPEST at F5.0-F5.6 (depending on focal length).
If you own this lens, set it to aperture priority F5.0 and you should get the sharpest image this lens can produce at the given focal length.
I compared this against the SEL55210 and found it to be sharper than it as well at comparable focal lengths (but obviously it had an extra 95mm range).
Lastly, the only other lens I use (that 5% I mentioned earlier) is a Rokinon/Samyang 12mm f2.0 for astrophotography. Don't get me wrong, the SELP18105G can do that too, but the extra FOV and two stops of light are worth the trouble of swapping lenses and having to manually dial everything in.
My whole camera kit is made up of just those two lenses and I couldn't be any happier with the results I get from them.
OTHER STUFF:
OSS: This lens has optical image stabilization which is a must for video IMO and important towards the telephoto end of the lens (70mm+)
PS: I Bought and reviewed the "International Version" to save the 100+ bucks but it should be exactly the same as this version.
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Sony SELP18105G E PZ 18-105mm F4 G OSS (Renewed)
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From the manufacturer
Recommended Cameras
ILCE-6500 |
ILCE-6400 |
ILCE-7M3 |
ILCE-7RM2 |
ILCE-7SM2 |
ILCE-7M2 |
|
|
Product Name
|
α6500 Premium APS-C Camera | α6400 with APS-C Sensor | α7 III WITH 35 MM IMAGE SENSOR | α7R II with 35 mm image sensor | α7S II with Full-Frame Sensor | α7 II E-mount Cam with 35mm |
|
Lens compatibility
|
Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses |
|
Sensor type
|
APS-C type Exmor CMOS sensor | APS-C type Exmor CMOS sensor | 35 mm Exmor R CMOS sensor | 35 mm Exmor R CMOS sensor | 35 mm Exmor CMOS sensor | 35 mm Exmor CMOS sensor |
|
Megapixels
|
Approx. 24.2 megapixels | Approx. 24.2 megapixels | Approx. 24.2 megapixels | 42.4 megapixels | Approx.12.2 Megapixels | 24.3 megapixels |
|
Weight
|
Approx. 1 lb, Approx. 453 g | Approx. 14.3 oz / 403 g | Approx. 1 lb 7.0 oz / 650 g | 20.53 oz (body only) | 20.6 oz (Body Only) | 19.61 oz (body only) |
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|---|---|---|---|---|---|---|
| Customer Rating | (1445) | (455) | (2805) | (238) | (1001) | (631) |
| Price | $648.00 | $1,398.00 | $367.00 | $648.00 | $598.00 | $298.00 |
| Shipping | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details | FREE Shipping. Details |
| Sold By | Amazon.com | Amazon.com | Best Seller Deals | Amazon.com | Amazon.com | Amazon.com |
| Color | Black | Black | Black | Black | — | Black |
| Compatible Camera Mount | Sony E | Sony E | Sony E, Sony E | Sony E | Sony E | Sony E |
| Focus Type | Stepper motor | Auto Focus | Auto Focus | Auto Focus | Auto Focus | Stepper motor |
| Item Dimensions | 4.33 x 3.07 x 3.07 inches | 4.5 x 3.38 x 4.72 inches | 3.6 x 2.8 x 2.8 inches | 2.75 x 3.5 x 0.03 inches | 4.49 x 3.82 x 4.49 inches | 4.25 x 2.52 x 2.52 inches |
| Item Weight | 0.94 lbs | 1.46 lbs | 0.89 lbs | 0.72 lbs | 0.65 lbs | 0.76 lbs |
| Lens Type | Wide Angle, Telephoto | Standard | Wide Angle | Wide Angle, Normal, Telephoto | Telephoto | Telephoto |
| Maximum Aperture | 4 millimeters | 4 millimeters | 1.4 millimeters | f/3.5 | 1.8 millimeters | 4.5 |
| Maximum Focal Length | 105 millimeters | 105 millimeters | 16 millimeters | 135 | 85 millimeters | 210 millimeters |
| Minimum Aperture | 22 | 22 millimeters | 16 millimeters | 5.6 | 22 | 32 |
| Minimum Focal Length | 18 millimeters | 24 millimeters | 16 millimeters | 18 | 35 | 55 millimeters |
| Photo Filter Thread Size | 72 millimeters | — | 67 millimeters | — | — | 49 millimeters |
Product description
Style:Camera Lens
Product Description
True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range. The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
From the Manufacturer
E PZ 18-105mm F4 G OSS Power Zoom Lens
The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture.
Technology
Circular Aperture
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Additional Features
Internal focusing
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Customer Questions & Answers
Customer reviews
Top reviews from the United States
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Reviewed in the United States on February 25, 2016
Let me clear the air first.... This lens does NOT beat every other lens in every single focal range and aperture. But, to be fair, that lens just doesn't exist. However, it does everything I want and need well enough that it spends 95% of the time on my A6000. I'll explain the other 5% at the end, if you're not bored out of your mind by then.
A little backstory. I'm a peeper... a pixel peeper that is, and I want every photo crisp and sharp.... that's just me. So I spent days setting up my test bed, taking test photos, compiling them, and comparing them in Photoshop to see how they all stack up and attached a test photo with my results.
SHOT SETTINGS:
ISO100, Manual Focus, Focal length: 18/19mm, Noise Reduction: OFF, SteadyShot: OFF
RESULTS:
The SELP18105G at least matches the Sigma at f4.0
It blows the SELP1650 out of the water (Just check the shots and you'll see why)
THOUGHTS: If a zoom lens can zoom 87mm and still hold its own (and in some cases win) against a well regarded prime lens, then why buy prime? So, you can get more exercise?! This was at the lens's widest too! At F5.0 it most definitely matches or beats the Sigma in sharpness all across the image. I took way too many photos to share here, but trust me this lens is way worth it.
TIPS:
I checked this lens at every focal length with every F-stop, and it is SHARPEST at F5.0-F5.6 (depending on focal length).
If you own this lens, set it to aperture priority F5.0 and you should get the sharpest image this lens can produce at the given focal length.
I compared this against the SEL55210 and found it to be sharper than it as well at comparable focal lengths (but obviously it had an extra 95mm range).
Lastly, the only other lens I use (that 5% I mentioned earlier) is a Rokinon/Samyang 12mm f2.0 for astrophotography. Don't get me wrong, the SELP18105G can do that too, but the extra FOV and two stops of light are worth the trouble of swapping lenses and having to manually dial everything in.
My whole camera kit is made up of just those two lenses and I couldn't be any happier with the results I get from them.
OTHER STUFF:
OSS: This lens has optical image stabilization which is a must for video IMO and important towards the telephoto end of the lens (70mm+)
PS: I Bought and reviewed the "International Version" to save the 100+ bucks but it should be exactly the same as this version.
Style: Camera Lens
If I could only have one A6000 lens--this would be it (includes cropped image comparisons)
By A. Kong on February 25, 2016
I've spent the last 3 months researching the A6000 and all of its lenses, and this has to be the most capable lens available--bar none.By A. Kong on February 25, 2016
Let me clear the air first.... This lens does NOT beat every other lens in every single focal range and aperture. But, to be fair, that lens just doesn't exist. However, it does everything I want and need well enough that it spends 95% of the time on my A6000. I'll explain the other 5% at the end, if you're not bored out of your mind by then.
A little backstory. I'm a peeper... a pixel peeper that is, and I want every photo crisp and sharp.... that's just me. So I spent days setting up my test bed, taking test photos, compiling them, and comparing them in Photoshop to see how they all stack up and attached a test photo with my results.
SHOT SETTINGS:
ISO100, Manual Focus, Focal length: 18/19mm, Noise Reduction: OFF, SteadyShot: OFF
RESULTS:
The SELP18105G at least matches the Sigma at f4.0
It blows the SELP1650 out of the water (Just check the shots and you'll see why)
THOUGHTS: If a zoom lens can zoom 87mm and still hold its own (and in some cases win) against a well regarded prime lens, then why buy prime? So, you can get more exercise?! This was at the lens's widest too! At F5.0 it most definitely matches or beats the Sigma in sharpness all across the image. I took way too many photos to share here, but trust me this lens is way worth it.
TIPS:
I checked this lens at every focal length with every F-stop, and it is SHARPEST at F5.0-F5.6 (depending on focal length).
If you own this lens, set it to aperture priority F5.0 and you should get the sharpest image this lens can produce at the given focal length.
I compared this against the SEL55210 and found it to be sharper than it as well at comparable focal lengths (but obviously it had an extra 95mm range).
Lastly, the only other lens I use (that 5% I mentioned earlier) is a Rokinon/Samyang 12mm f2.0 for astrophotography. Don't get me wrong, the SELP18105G can do that too, but the extra FOV and two stops of light are worth the trouble of swapping lenses and having to manually dial everything in.
My whole camera kit is made up of just those two lenses and I couldn't be any happier with the results I get from them.
OTHER STUFF:
OSS: This lens has optical image stabilization which is a must for video IMO and important towards the telephoto end of the lens (70mm+)
PS: I Bought and reviewed the "International Version" to save the 100+ bucks but it should be exactly the same as this version.
Images in this review
Reviewed in the United States on March 23, 2017
Style: Camera LensVerified Purchase
This lens meets the Zeiss 16-70mm in image quality for half the price with way more zoom!
By Christopher Evensen on March 23, 2017
Compared this for several weeks with the Zeiss 16-70mm. This lens meets the Zeiss in image quality for half the price and way more zoom. Bokeh is awesome, the OIS works perfectly even when zoomed in to 105, and doesn't look any different in the end than the Zeiss! This one is a no-brainer to me.
By Christopher Evensen on March 23, 2017
Images in this review
Reviewed in the United States on August 27, 2017
Style: Camera LensVerified Purchase
Fantastic all-around lens
By S. Blatner on August 27, 2017
Fantastic all-around lens. Extremely versatile focal range. Excellent bokeh at F4 and the constant aperature is a nice plus. Sharp images. Distortion is non-existent on the Sony A6000. Zoom is steady and dead silent. A great upgrade from the kit lens. The 18-105 range covers 95% of my shooting. Attached total eclipse photos were taken with an A6000 at F5.6, focal length of 105mm. No photoshopping whatsoever, just a slight crop to center image.
By S. Blatner on August 27, 2017
Images in this review
Reviewed in the United States on July 2, 2016
Style: Camera LensVerified Purchase
NO BETTER OPTION FOR THE a6XXX IF YOU JUST WANT TO SHOOT VIDEOS look elsewhere if compactness and quality photos are a priority.
Reviewed in the United States on September 21, 2017Style: Camera LensVerified Purchase
NO BETTER OPTION FOR THE a6XXX IF YOU JUST WANT TO SHOOT VIDEOS look elsewhere if compactness and quality photos are a priority.
By Chris_Dobz on September 21, 2017
Purchased this lens and the Zeiss 16-70mm to see which one to go with over the kit lens on the a6000 and I was underwhelmed by this lens for photos but blown away on it's abilities for video. So I ended up keeping both lenses but which one I mount depends on if I am going to be shooting video or photos.By Chris_Dobz on September 21, 2017
First the barrel distortion is out of control and must be fixed in post there's just no way around it if you shoot in RAW. Shooting in JPEG it seems the a6000 automatically adjusts for most of the distortion but doesn't eliminate it. Secondly it's the same size as my full frame Zeiss 35mm f1.4 lens and the same weight as my full frame Zeiss 16-35mm f4 lens. It's literally a full frame size (72mm front element) and weight lens for a camera system that was designed to be light and compact. I get the additional reach with the 105mm but IMHO this lens defeats the purpose of buying/using the Sony NEX/a6XXX series camera for any type of photography.
Unless your goal is to shoot 100% videos (power zoom works great and is silent) I highly recommend you find a used Zeiss 16-70mm on eBay (make sure it's been tested for decentering). I found my used flawless Zeiss 16-70mm copy on eBay for $635 so for marginally more money I am able to get a much better lens system with 2mm additional wide angle (makes a bigger difference than you'd think) that actually looks and feels like it belongs on the Sony a6XXX camera.
Conclusion: If video is your goal then there's no better option for the Sony a6XXX series camera. However, if your goal is to maintain the compact, inconspicuous, portable profile of the Sony a6XXX and take high quality photos look to find a used and tested copy of the Zeiss 16-70mm for nearly the same price. For videos, however, I go with the 18-105mm every time.
Images in this review
Top reviews from other countries
Ull
Si buscas nitidez no es tu objetivo, pero lo recomiendo (con algunos matices).
Reviewed in Spain on September 20, 2019Style: Camera LensVerified Purchase
Abhishek Sandeep Shah
A No brainer must have lens!!
Reviewed in India on August 14, 2020Style: Camera LensVerified Purchase
A No brainer must have lens!!
Reviewed in India on August 14, 2020
Received Sony 18-105 F4 ( Version 4.0) in the second week of August 2020. I am completely in love with this lens.Reviewed in India on August 14, 2020
Decision-making:
After picking up a6100 with kit lens I was really confused between buying one of the sigma trio lens ( 16mm, 30mm, 56mm ) OR just go with Sony 18105mm f4. The truth is the f1.4 is not super necessary for everyday purpose. I needed this lens for food photography mainly and some video work. There are many youtube videos which call it a decent lens only and even the dxo mark isn't that good. The youtubers who said that are professionals and must be using really expensive gear going in lakhs and lakhs. Also the videos talk about the version 1.0 which might have had some issues, and the dxo mark was done on sony 6000 which is a very old camera.
Shortcomings:
The only one shortcomings I found personally was the minimum focus distance on the wider side of the zoom. Once you zoom in between 60-90mm. It's just fabulous.
Best Features:
18mm the widest focal length is said to be the best focal length to use this lens at and I have got great photos using all the different focal lengths. And love the weight of the lens. Extremely well built with all metal construction and feels really good on my sony 6100. I do have the sony 16-50mm kit lens which I might just use now for the 16mm f3.5 advantage in some situations ( for low light conditions) and places where the weight might be an issue. Will need a medium to large size gimbal with this lens.
If you've reached till here do click the HELPFUL icon next to this review
Images in this review
Amazon-Kunde
Vergleich 18-105 und 18-135
Reviewed in Germany on January 25, 2019Style: Camera LensVerified Purchase
Hensing
Haptisch und von Verarbeitung guter Eindruck - Bildqualität nicht gut im Vergleich zum SEL18135
Reviewed in Germany on December 29, 2018Style: Camera LensVerified Purchase
Haptisch und von Verarbeitung guter Eindruck - Bildqualität nicht gut im Vergleich zum SEL18135
Reviewed in Germany on December 29, 2018
Eigentlich hatte ich mehr von einem "G" Objektiv:Reviewed in Germany on December 29, 2018
Es bietet zwar die fast überall größere Blende im Vergleich (siehe Fotos) zum SEL18135 und weist auch bei 18mm nicht die starke Vignetierung auf wie das SEL18135, die Bilder sind jedoch durch die Bank unschärfer, weisen mehr chromatische Aberration auf und dafür ist das Objektiv zu groß.
Vorteile:
- f4
- lediglich im Vergleich von 105mm zum SEL18135 etwas schärfer
Nachteile:
- zu groß im Verleich zum SEL18135
- Zoom etwas zu langsam
- chromatische Aberration trotz Korrektur in Lightroom
- erheblich unschärfer als das SEL18135 in den Grenzbereichen (18mm und 105mm vs 18mm und 135mm)
Anmerkung zum Bildervergleich: links jeweils das SEL18135, rechts das SELP18105 nach automatischer Linsenkorrektur von Lightroom und Entfernung der chromatischen Aberration. Aufgenommen mit Blende f5.6, Belichtung und ISO automatisch. Sonst nichts.
Images in this review
MickeyMouse
Objetivo muy versatil.
Reviewed in Spain on December 3, 2018Style: Camera LensVerified Purchase
Objetivo muy versatil.
Reviewed in Spain on December 3, 2018
Motivo de la compra: Para complementar equipo Sony a6500.Reviewed in Spain on December 3, 2018
La primera impresión al abrirlo es de una excelente terminación y calidad, cuerpo metálico y plásticos en la parte superior, la construcción se la ve de calidad, no hay ruidos de ningún tipo, todas las piezas móviles ajustan a la perfección, la lente mide 110mmx78mm y pesa unos 430 gramos y se suministra con una cubierta de lente de bayoneta.
Objetivo de la serie G de Sony para montura E, 18-105mm f/4, con una rosca del filtro fotográfico de 72mm, decir que, al ser un objetivo de distancia focal variable, cubre desde un gran Angulo a casi un teleobjetivo medio, con una longitud de lente a una apertura de f/4 constante, para cámaras sin espejo APS-C, cuando va montado en un cuerpo recortado, la equivalencia en 35mm sería de 27-158mm.
El enfoque es muy rápido y preciso, por lo menos en la a6500, objetivo muy interesante sobre todo para video, por su apertura focal contante de f/4.
Me lo suelo llevar cuando viajo o en sitios en lo que no puedo llevar varios objetivos, ya que me permite una distancia bastante flexible, y dado a que incluye estabilizador óptico, pero este caso en mi cámara no era necesario ya que la a6500 ya lo lleva.
Tiene zoom motorizado, por una tecla que está situada en un lateral (W-T) o por el amillo de objetivo. Tanto el zoom como el enfoque, se produce de forma interna, con lo cual el objetivo mide lo mismo en 18mm que en 105mm.
Los colores en este objetivo son bastante buenos, pero si quieres colores, yo recomendaría una focal fija,35mm,50mm f1.8 o incluso una 24mm, pero para eso están los gustos.
Ventajas que le veo:
Muy buena calidad óptica en todo el rango focal, desde gran Angulo a casi teleobjetivo.
Cuenta con estabilizador, una ventaja para las cámaras como puede ser la a6300 que no tiene estabilizador de imagen, pero como he dicho en mi caso la cámara ya dispone del él.
Al tener estabilizador óptico, si la cámara no cuenta con ello, nos permite obtener imágenes a velocidades de obturación entre dos y tres veces más lentas, no es de los mejores, pero cumple bien en este campo.
La misma apertura en todo el rango del objetivo, una cosa que veo muy importante si nos gusta hacer video.
La calidad de los materiales, se le ve una construcción muy sólida y de buena calidad, he tenido algún que otro objetivo de marcas chinas y nada que ver.
El enfoque automático es relativamente rápido y silencioso gracias al eje flotante, con buena luz, y con poca luz es aceptable, tiene buena precisión de enfoque, excepto en la parte alta de zoom en los 105mm, y en caso de poca luz.
Bokeh en el extremo más ancho del objetivo no es que sea espectacular, pero en la parte final los hace muy bonitos.
Desventajas que le veo:
Decir que le veo un poco grande, para ir montado en una sin espejo, dado que la cámara es muy estrecha, lo único que se ve es objetivo, me recuerda mucho a las cámaras réflex, que se llevaba un objetivo enorme, y la cámara a su ver también lo era, no es un problema, pero lo veo grande.
Es un objetivo caro, tengo que decir que estuve partidamente todo el black Friday mirando la variación de precio de este objetivo y con la promoción de Sony, me ha salido bastante bien de precio.
La tecla de zoom, no es muy cómoda en fotografía, si en cambio para video, por lo menos para mí, en fotografía prefiero mejor utilizar el anillo, ya que me permite hacer un zoom más suave y rápido.
Objetivo versátil, dado su rango de óptica, 18mm-105mm y apertura f/4 constante, y aunque soy más de focal fija, el cuerpo me pedía una focal variable y después de darle muchas vueltas, me decidí por esta, y de momento no me ha defraudado, como he dicho tiene sus cosas buenas y no tan buenas, pero cumple perfectamente, muy a tener en cuanta si vuestra cámara no tiene estabilizador, pero como he dicho no es un objetivo barato.
Muchas gracias por haber leído mi comentario.
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