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Sony E-Mount FE 24mm F1.4 GM Full Frame Wide-Angle Prime Lens (SEL24F14GM), Black (Renewed) $1,049.95 & FREE Shipping
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This Item  Sony E-mount FE 24mm F1.4 GM Full Frame Wide-angle Prime Lens (SEL24F14GM), Black |  |  |  |  | |
| Price | $1,398.00 | $598.00 | $1,898.00 | $1,298.00 | -10% $719.95 New Price: $799.99 |
| Delivery | Get it as soon as Monday, Feb 19 | Get it as soon as Monday, Feb 19 | Get it as soon as Monday, Feb 19 | Get it as soon as Monday, Feb 19 | Get it as soon as Tomorrow, Feb 13 |
| Customer Ratings | |||||
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| Sold By | Amazon.com | Amazon.com | Amazon.com | Amazon.com | 6ave |
| lens type | Standard | Wide Angle | Wide Angle | Standard | Wide Angle |
| compatible mountings | Sony E | Sony E | Sony E | Sony E | Sony E |
| lens design | Prime | Prime | Zoom | Prime | Prime |
| focus type | Auto Focus | Auto/Manual | Auto Focus | Auto Focus | Auto Focus |
| fixed focal length | 24 millimeters | 24 millimeters | 35 millimeters | 50 millimeters | 20 millimeters |
| model name | SEL24F14GM | SEL24F28G | SEL1635GM | SNSEL50F14GM | sel20f18g |
| max aperture | 1.4 f stop | 2.8 millimeters | 2.8 f stop | 1.4 f stop | 1.8 f stop |
From the manufacturer
Sony Alpha Full-frame E-mount Wide Prime G Master Lens
The 24mm F1.4 GM features an advanced optical design, including two XA (Extreme Aspherical) elements and three ED (Extra-low Dispersion) glass elements that delivering outstanding corner-to-corner resolution, even at a wide F1.4 aperture. An 11-blade circular aperture mechanism creates beautiful bokeh that is a hallmark of the G Master series. Fast focusing is attained through the DDSSM (Direct Drive SSM) focus drive system. This lens sports class-leading size and weight, providing great handling and mobility.
Features
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Compact G Master wide prime lens w/ stunning wide-open resolutionThe FE 24mm F1.4 GM realizes consistently high resolution across the entire frame and delivers soft and natural bokeh - a signature feature of Sony’s G Master lens series. It also boasts a new optical design comprised of 10 groups with 13 elements, including two XA (extreme aspherical) and three ED (Extra-low Dispersion) elements. The incorporation of two XA elements ensures that point light sources can be accurately reproduced, making the FE 24mm F1.4 GM a compelling proposition for astrophotography. For impressive clarity, Sony’s unique Nano AR Coating is applied to reduce lens flare and ghosting, even in landscape shots where the position of the sun can be problematic with a normal lens. |
F1.4 max apertureThe F1.4 max aperture maintains exposure and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens. |
11-blade circular aperture contributes to gorgeous bokehThe 11-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. |
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Direct Drive SSM (DDSSM) for fast, quiet, precise focusingThe 24mm F1.4 GM lens supports hybrid autofocus for both contrast and focal-plane phase detection AF. It has a high-precision Direct Drive Super Sonic Motor (DDSSM) system that ensures exceptionally fast, quiet and accurate AF performance. The precision internal focus mechanism aids in AF speed by moving only the middle groups of the optical system and effectively minimizing focus breathing, while keeping the lens size compact and lightweight. In addition to being the ideal wide prime lens for stills, it is also exceptionally suited for video with a linear motor that takes on the vital role of ‘wobbling’ to providing high-speed actuation for the contrast AF detection system, for smooth, continuous AF. |
Two XA (Extreme Aspherical) lens elementThe 24mm F1.4 GM employs two XA (Extreme Aspherical) lens element, one of which is the front lens. This large-diameter front XA lens element features a new optical design, maximizing the advantages of the short mirrorless camera flange distance, and effectively suppresses various aberrations, especially the peripheral area in the frame and sagittal flare. Two XA elements compensate for coma, field curvature, and astigmatism that can be problems with wide-angle large-aperture optics. This also contributes to the compact and lightweight design. |
Nano AR coating suppresses reflections, flare and ghostingSony’s original Nano AR Coating technology minimizes flare and ghosting, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. |
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Compact, lightweight designThis remarkably compact and lightweight lens weighs in at only 15.7oz (445g) with smallest in class dimensions of 3” (75.4mm) diameter and 3-3/4” (92.4mm) in length. It’s compact, lightweight design enhances portability and mobility thanks to the combination of optical design utilizing two XA elements and the newly developed DDSSM (Direct Drive SSM) AF system. |
Manual aperture ring w/ selectable on/off click for stills or movieA responsive manual aperture ring offers positive action that will satisfy professional photographers and moviemakers alike. The aperture ring click stops can be switched on or off as required. “Off” is the preferred setting for moviemaking since it results in the least aperture operation noise. When “On” the ring provides tactile feedback that is useful when shooting stills. |
Focus hold button, programmable for multiple functionsThe focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring. |
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Dust and moisture resistant for robust reliabilityThe dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. |
Astrophotography Sagittal flare suppressionSagittal flare is a phenomenon that results in an unnatural spreading of point light sources that appears somewhat like a bird spreading its wings and becomes more pronounced towards the image periphery. It is most common in large-aperture lenses. The 24mm F1.4 GM incorporates a new optical design, including two XA lens elements, to effectively suppress and correct for sagittal flare, making this lens ideal for night sky and astrophotography. |
Nano AR coating suppresses reflections, flare and ghostingSony’s original Nano AR Coating technology minimizes flare and ghosting, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. |
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| ILCE-7RM3 | ILCE-7M3 | ILCE-9 | ILCE-7RM2 | ILCE-7M2 | ILCE-6500 | |
| Product Name | α7R III 35 mm full-frame camera with autofocus | α7 III WITH 35 MM FULL-FRAME IMAGE SENSOR | α9 featuring full-frame stacked CMOS sensor | α7R II with back-illuminated full-frame image sensor | α7 II E-mount Camera with Full Frame Sensor | α6500 Premium E-mount APS-C Camera |
| Lens compatibility | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-mount lenses | Sony E-m35 mm full-frame (1.41" x 0.94"), Exmor R CMOS sensorount lenses | Sony E-mount lenses |
| Sensor type | 35 mm full frame (35.9 x 24.0 mm), Exmor R CMOS sensor | 35 mm full frame (35.6 × 23.8 mm), Exmor R CMOS sensor | 35mm full frame (35.6×23.8mm), Exmor RS CMOS sensor | α7R II with back-illuminated full-frame image sensor | 35 mm full frame (35.8 x 23.9 mm) Exmor CMOS sensor | APS-C type (23.5 x 15.6 mm), Exmor CMOS sensor |
| Megapixels | Approx. 42.4 megapixels | Approx. 24.2 megapixels | Approx. 1 lb 4.7 oz / Approx. 588 g | 42.4 megapixels | 24.3 megapixels | Approx. 24.2 megapixels |
| Weight | 657 g / 1 lb 7.2 oz | Approx. 1 lb 7.0 oz / 650 g | Approx. 1 lb 4.7 oz / Approx. 588 g | 20.53 oz (body only) | 19.61 oz (body only) | Approx. 1 lb, Approx. 453 g |
Reviews with images
What can I say? Perfection.
For a long time I was agonizing over which lens I wanted to buy for the wider end. I was debating between spending the money on the FE 16-35 f/2.8 GM or the f/4 Zeiss lens. all this time, however, the 24mm GM was in the back of my mind, and I couldn't stop thinking about how sexy a lens it it.Getting a 16-35 would be the "safe" choice. I needed it because every youtube talking head was drilling it into my head that I should get it. YOU NEED ATHE HOLY TRINITY. Well I, have the Tammy 28-74 f/2.8 and the 100-400GM as well, so i was never going to have a proper holy trinity of lenses anyway, so I decided YOLO and ordered the 24mm f/1.4 GM instead. I am very glad I did. This lens is stunning. It's barely left my camera since I got it.It's the sharpest lens I own, and the build quality is amazing and it's significantly less expensive than the 16-35GM while being plenty wide for my needs. I don't regret calling an audible and getting this lens instead. If you're on the fence about this lens, do it. It's a very special lens.
Top reviews from the United States
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Reviewed in the United States on October 19, 2019
Style: ‘w/ 24mm G Master’Verified Purchase
For a long time I was agonizing over which lens I wanted to buy for the wider end. I was debating between spending the money on the FE 16-35 f/2.8 GM or the f/4 Zeiss lens. all this time, however, the 24mm GM was in the back of my mind, and I couldn't stop thinking about how sexy a lens it it.
Getting a 16-35 would be the "safe" choice. I needed it because every youtube talking head was drilling it into my head that I should get it. YOU NEED ATHE HOLY TRINITY. Well I, have the Tammy 28-74 f/2.8 and the 100-400GM as well, so i was never going to have a proper holy trinity of lenses anyway, so I decided YOLO and ordered the 24mm f/1.4 GM instead. I am very glad I did. This lens is stunning. It's barely left my camera since I got it.
It's the sharpest lens I own, and the build quality is amazing and it's significantly less expensive than the 16-35GM while being plenty wide for my needs. I don't regret calling an audible and getting this lens instead. If you're on the fence about this lens, do it. It's a very special lens.
Getting a 16-35 would be the "safe" choice. I needed it because every youtube talking head was drilling it into my head that I should get it. YOU NEED ATHE HOLY TRINITY. Well I, have the Tammy 28-74 f/2.8 and the 100-400GM as well, so i was never going to have a proper holy trinity of lenses anyway, so I decided YOLO and ordered the 24mm f/1.4 GM instead. I am very glad I did. This lens is stunning. It's barely left my camera since I got it.
It's the sharpest lens I own, and the build quality is amazing and it's significantly less expensive than the 16-35GM while being plenty wide for my needs. I don't regret calling an audible and getting this lens instead. If you're on the fence about this lens, do it. It's a very special lens.
Images in this review
Reviewed in the United States on August 30, 2023
Style: ‘w/ 24mm G Master’Verified Purchase
Great Prime lens and extremely sharp. I have the Sony 20mm F1.8 G also. I expected the GM to be a bit better. It isn't IMO. In my experience they are both equally sharp. Since I got such a great deal on the 24mm, I'll keep it for low light situations. But if you are strapped for cash and have to choose, the 20mm F1.8 is just as good in virtually every aspect. The attached xFine JPG test shot is SOOC (no processing).
Images in this review
Reviewed in the United States on July 22, 2019
Style: ‘w/ 24mm G Master’Verified Purchase
I am primarily a Canon shooter but after buying and testing many of the fast and wide astro lenses for my Canon body, I was left hoping for something better. The best I've found (Tamron 15-30 f/2.8) is a relatively good astro lens with low coma and wide FOV, but I really wanted something faster. When I saw the initial astro reviews for this Sony 24mm f/1.4 I knew I had to give it a whirl, so I picked up a A7iii and this lens and have been using it for several months now. Bottom line is that I'm very impressed. The star distortion is very low. I had tested the Sigma Art 20mm f/1.4 and found it unusable but this Sony is so much better. At f/1.4 the far corners have a little bit of coma which you can notice at 100% magnification, but by f/2.0 this is essentially gone. I also like the sharpness, and feel the size and weight are outstanding for the image quality this lens delivers. I still prefer my Canon for daytime use (love the optical viewfinder), but for wide angle night work, the Sony A7 + 24mm f/1.4 is my preferred setup
Images in this review
Reviewed in the United States on June 16, 2021
Style: ‘w/ 24mm G Master’Verified Purchase
Fast lens that is great for photos and video
Reviewed in the United States on June 16, 2021
This is probably my favorite lens for film and photography using the Sony A7III. It does a great job capturing a wide range of indoor and outdoor shots even under very low-light conditions. With the 1.4 aperture, it is possible to get some great astrophotography. While filming in a nearly dark cemetery at night, I was able to capture some great film without any grain and it even does well with portrait if close enough to the subject. Overall, this is a well rounded lens for film and photography, providing a wider angle without distortion at the edges or a warped image. It is a pricier lens, but I have gotten a lot of use out of it and will continue to use it as my go-to lens.
Reviewed in the United States on June 16, 2021
Images in this review
Reviewed in the United States on May 23, 2022
I definitely recommend this lens. I bought it in October 2021 (7 months ago)
I use the Sony a7RIII, and this lens is the most sharp wide open lens I own.
It's also very well built
If you need a prime lens that does it all (not too wide, not too portrait), go with this lens, it will give you nice image quality, nice bokeh for close up subjects, nice colors and data for your photo editing sessions !
Style: ‘w/ 24mm G Master’Verified Purchase
Very sharp and robust lens ! (Most sharp lens I own)
Reviewed in the United States on May 23, 2022
Fast shipping and the product came intact, the box was intact !Reviewed in the United States on May 23, 2022
I definitely recommend this lens. I bought it in October 2021 (7 months ago)
I use the Sony a7RIII, and this lens is the most sharp wide open lens I own.
It's also very well built
If you need a prime lens that does it all (not too wide, not too portrait), go with this lens, it will give you nice image quality, nice bokeh for close up subjects, nice colors and data for your photo editing sessions !
Images in this review
Top reviews from other countries
SEBASTIAN GARCIA
UNA BELLEZA SIN EXCEPCIÓN
Reviewed in Mexico on August 29, 2023Style: ‘w/ 24mm G Master’Verified Purchase
SEBASTIAN GARCIA
Reviewed in Mexico on August 29, 2023
Images in this review
Jack Tunnicliffe
Amazing full frame lens from Sony
Reviewed in Canada on April 13, 2019Style: ‘w/ 24mm G Master’Verified Purchase
Jack Tunnicliffe
Reviewed in Canada on April 13, 2019
Images in this review
keith mee
ARRIVED ON TIME AND WORKED
Reviewed in Australia on February 20, 2023Style: ‘w/ 24mm G Master’Verified Purchase
César Orlando Acosta Valenzuela
Muy luminoso, excelente enfoque y distancia focal recomendada para video
Reviewed in Mexico on June 19, 2023Style: ‘w/ 24mm G Master’Verified Purchase
KS
Can’t go wrong with this lens. Must have for Sony full frame mirrorless.
Reviewed in Canada on January 16, 2020Style: ‘w/ 24mm G Master’Verified Purchase
