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The Sound Of Music
50th Anniversary Edition, 0th Anniversary Edition
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The Sound Of Music (50th Anniversary Edition)
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MP3 Music, January 1, 1965
"Please retry" | $12.49 | — |
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Track Listings
| 1 | Prelude / The Sound of Music - Julie Andrews |
| 2 | Overture / Preludium (Dixit Dominus) / Morning Hymn / Alleluia - Evadne Baker, Anna Lee, Portia Nelson, and Marni Nixon |
| 3 | Maria - Evadne Baker, Anna Lee, Portia Nelson, and Marni Nixon |
| 4 | I Have Confidence - Julie Andrews |
| 5 | Sixteen Going on Seventeen - Dan Truhitte and Charmian Carr |
| 6 | My Favorite Things - Julie Andrews |
| 7 | Do-Re-Mi - Julie Andrews, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 8 | The Sound of Music - Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath, Bill Lee |
| 9 | The Lonely Goatherd - Julie Andrews, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 10 | Edelweiss - Bill Lee and Charmian Carr |
| 11 | Grand Waltz - Irwin Kostal |
| 12 | Laendler - Irwin Kostal |
| 13 | So Long, Farewell - Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 14 | Processional Waltz - Irwin Kostal |
| 15 | Goodbye Maria / How Can Love Survive Waltz - Evadne Baker, Anna Lee, Portia Nelson, and Marni Nixon |
| 16 | Edelweiss Waltz - Irwin Kostal |
| 17 | Entr'acte - Irwin Kostal |
| 18 | Climb Ev'ry Mountain - Peggy Wood |
| 19 | My Favorite Things (Reprise) - Julie Andrews, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 20 | Something Good - Julie Andrews and Bill Lee |
| 21 | Processional and Maria (The Wedding) - Evadne Baker, Anna Lee, Portia Nelson, and Marni Nixon |
| 22 | Sixteen Going on Seventeen (Reprise) - Julie Andrews and Charmian Carr |
| 23 | Do-Re-Mi (Reprise) - Julie Andrews, Bill Lee, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 24 | Edelweiss (Reprise) - Julie Andrews, Bill Lee, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 25 | So Long, Farewell (Reprise) - Julie Andrews, Bill Lee, Charmian Carr, Heather Menzies, Nicholas Hammond, Duane Chase, Angela Cartwright, Debbie Turner, Kym Karath |
| 26 | Nuns and Nazis / Escape/ Climb Every Mountain (Reprise) / Finale - Irwin Kostal |
| 27 | End Titles - Irwin Kostal |
Editorial Reviews
To commemorate the 50th anniversary of The Sound Of Music, the iconic film adaptation of Rodgers and Hammerstein's acclaimed musical, Legacy Recordings will celebrate this milestone with a special 50th Anniversary Edition CD featuring the definitive version of the film's soundtrack, remastered and expanded to feature previously unreleased score cues and all vocal performances for the first time in one release.
This package will also include new introductory notes from Julie Andrews and Theodore S. Chapin, the president and executive director of Rodgers and Hammerstein; rare photos and illustrations from the film; and liner notes written by Laurence Maslon, author of The Sound Of Music Companion.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.7 x 5.2 x 0.4 inches; 1.6 Ounces
- Manufacturer : Legacy Recordings
- Item model number : 33569700
- Original Release Date : 2015
- Run time : 1 hour and 14 minutes
- Date First Available : January 16, 2015
- Label : Legacy Recordings
- ASIN : B00SC8KTNU
- Number of discs : 1
- Best Sellers Rank: #11,672 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #126 in Movie Scores (CDs & Vinyl)
- #260 in Movie Soundtracks (CDs & Vinyl)
- #7,478 in Pop (CDs & Vinyl)
- Customer Reviews:
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Several tracks boast extended versions on the back cover, including the opening number. What they fail to tell you is that expansion was simply about a minute of wind and bird noises, before going into the original LP version of the song. I find that incredibly insulting. Several other tracks remain in their shortened LP versions, including "Processional And Maria" and "I Have Confidence."
Much of the material has been released in their original film versions on the bonus CD from the 35th Anniversary Edition, as well as the 24K Gold CD included with the deluxe 30th Anniversary laserdisc. That Gold CD was also partially released in cassette form with some copies of the 1994 VHS reissue of the film. So we know this material exists somewhere, it's just a shame that Sony just wants to continue to drop the ball instead of doing it right for once. The Gold CD and cassette even contain an extended intro to The Lonely Goatherd - longer than even the film version - that has yet to be issued on any soundtrack release since. That version also contained an extended version of the Dixit Dominus/Alleluia track that, again, was longer than even the film version. That version also remains unreleased on any other version of the soundtrack. I also believe the Gold CD and cassette are the only release, to date, of the full film version of "Processional And Maria."
This 50th anniversary edition isn't a total failure, however. Sound quality is good, for the most part, although Do-Re-Mi has way too much reverb - much more than I remember being on any version of the soundtrack. And most people, especially first time buyers, may not be as picky about the LP versions being presented. It's nice that there's still SOME extra material present here, such as the film version of "Sixteen Going On Seventeen," and let's face it, we'll probably buy the 55th and 60th anniversary editions too, just because we love this music so much. There's definitely extra material on several tracks, especially instrumental tracks, because this disc clocks in at around 75 minutes - the 40th anniversary edition had a similar tracklisting, but with 10 minutes of interview tracks with Richard Rodgers and Charmian Carr, so it only stands to reason that there HAS been some expansion of some of the material present here. (The 45th anniversary edition replicated the 40th exactly, except the interview tracks were removed and replaced with an overproduced and sicky sweet performance of "My Favorite Things" with Lea Michele.)
The packaging is one area of this release that isn't a disappointment whatsoever. Despite the web image being rectangular, fear not - this is not a digipak or, even worse, a cardboard wallet. Instead, it's a jewel case inside a cardboard slipcase. The front and back artwork are replicated on both the slipcase and jewel case, but the slipcase has the front text and some of the back text and the tracklisting border with a nice gold foil effect. The booklet contains some nice photographs, two nice essays including one from Julie Andrews, and is beautifully designed. If only this same effort had gone into presenting the music in 100% pristine quality in their original film versions, even if they had to turn this into a 2-CD set, this would actually be the definitive soundtrack. And to be fair to the original LP versions, if they were to make another 2-CD set, those versions should absolutely be included as bonus material. That original LP was, after all, the version that topped the Billboard charts in 1965, stayed in the top 10 for 8 months and on the charts for nearly 4 1/2 years, sold an estimated 11 million copies worldwide, and received a Grammy nomination for Album Of The Year.
I should also note, this is not the 50th anniversary soundtrack included in the huge 5-Disc deluxe Blu-Ray/DVD/CD combo pack. That CD includes the soundtrack in its original 1965 LP format, supplemented by eight tracks from various international dubbings. Since I've not bought that set, I can't comment on the audio quality of that CD, but definitely know that this CD is different than the one in that set. A similar thing occured with the 45th anniversary edition - the standalone CD, as I said before, removed the interviews from the 40th anniversary disc and replaced them with Lea Michele's performance, while the CD included with the limited edition big box Blu-Ray/DVD/CD combo pack tacked her song at the end of the original LP version.
If you're buying this soundtrack for the first time or you only own one of the CD's that merely replicates the original LP, this is definitely the one to get. The sound quality, for the most part, is superb, the music, whether in its LP or film form, is glorious, and the packaging is well-designed and thoughtful. If you've already bought one of the anniversary expanded editions, your mileage may vary. I'm not sure I'd have bought this if I'd known RCA would once again drop the ball and the CD wasn't really going to be extremely different from the previous anniversary editions, but I can still see myself enjoying this over and over. At least until 2020, when I'm sure RCA will YET AGAIN reissue the CD - maybe then they'll get it right. Until then, this will suffice.
EDIT (March 13, 2015): Listening to the CD again, I have a few more notes:
1. I must somewhat correct my assessment of "Do-Re-Mi." Upon a second listen, it's only the children's vocals that have that odd reverb/echo effect. Julie's vocals are completely pristine. I don't know if this is in the original LP master, but naturally, it could have been solved with a remaster from the original isolated music and isolated vocal tracks, as I don't recall this on the 24K gold CD or any video version of the film. Many of my issues with this OST could have been solved that way, especially with the 2010 HD restoration of the audio elements, which would have allowed for a pristine remaster of the film versions with even better sound than the gold CD.
2. Much of the extra material on here that I mentioned is in the form of score that, until now, had only been issued on the 24K gold CD or the 35th Anniversary Edition. I hadn't looked at the 40th anniversary tracklist in a while, so I'd forgotten that some of these score bits were not on there.
Through the years I have hoped that RCA and Fox would combine to release a comprehensive edition of the soundtrack with both the RCA album edits and the film takes of the songs. I was hoping that the reissue for the golden anniversary would include every note of the score and also of Kostal's underscore. However, it was not to be. This CD reissue is built around the million-selling RCA Victor soundtrack album and utilises the RCA edits for many of the songs. I do not begrudge it because most people heard the film score in this way. Yet if Fox has included the longer film versions of some songs on its 1994 gold CD issue of the soundtrack, one wonders why the producers of this issue do not build the special edition around the Fox CD.
This 50th anniversary Sound of Music CD integrates the extra song and music cues into the film running order, very like the 40th and 45th anniversary issues. This concept works well on paper and I enjoy this very much. As on the prior Sound of Music CD reissues, we hear the RCA album, some selections from the Fox gold CD (included on the 35th anniversary twin-disc) and cues taken from mix prints of the final soundtrack. In this reissue, some tracks are made up of cues from two different sources and the edits turn out to be disjointed. The Salzburg montage set to the music of My Favourite Things is not well-edited to the end of the song. Also, on Something Good, I hear an audible splice on Maria's first syllable as she starts the song. I can tell that the producers combined the introduction from the extended version with the LP version, as they did with Climb Ev'ry Mountain. Because of the disjointed feel, I don't feel quite comfortable with the presentation of this issue. I also notice differences in sound quality between the sources. The RCA tapes seem to fare the best and sound pristine, if a bit distant compared to the session recordings of the same material. Margery McKay's rendition of Climb ev'ry mountain is comparatively clearer and fuller this time round. However there are some problems. For instance, Bill Lee's dubbed vocal for the Edelweiss reprise at the Festival Concert is a bit distant and not balanced with the orchestra. The selections from the Fox disc sound clearer and cleaner, if a bit constricted at the high end. The mix print selections (the Entrácte and the reprises of Favourite Things, Do-Re-Mi and So Long, Farewell) fare less well. They sound boxy and less pristine. Fortunately, unlike the mix print-sourced cues in the expanded Oklahoma, Carousel, West Side Story and My Fair Lady soundtracks, the extra selections are not drowned out by excessive foley.
On the plus side, the issue is nicely packaged with a nicely done booklet containing notes from Dame Julie, Ted Chapin and Laurence Maslon, the author of the coffee-table Sound of Music Companion. There is a wealth of photos from the filming and also the recording sessions. It is a delight to see that Margery McKay is properly credited in the booklet notes so that people know that she dubbed Peggy Wood for Climb Ev'ry Mountain. I love Dame Julie's insightful essay and also Ted Chapin's comments on Kostal's orchestrations and arrangements. I like to note that Kostal did not wreck the original Broadway score but kept very closely to it most of the time.
It's good to know that this R&H musical is as popular as ever. I know that this may be seen as among the weaker R&H shows and I'm half expecting schools of thought to argue that the post-Carousel successes that R&H enjoyed are only riding on the coattails of their first two successful musicals and not standing up on their own. I know that the years of the Second World War allowed Oklahoma and Carousel to gain traction with the American theatregoing public and established the reputation of the R&H partnership. I know that popular things only gain their popularity from herd mentality and mob psychology when people rush to adhere to the opinions of the small clique of taste makers. However, ever since I loved the Sound of Music score from an early age, I've always thought it is one of their strongest scores and tightly constructed too. It is remarkable that Hammerstein was still able to write vivacious lyrics that served the story despite being diagnosed with a terminal illness.
Still, this is a very good Sound of Music soundtrack reissue and a worthy effort for the golden anniversary of the film. It may not sweep the board as a presentation just yet but it is still a good thing to have a release with all the song cues together. I'm still hoping that despite the challenges of finding the source material, Fox will allow an enterprising producer and label to do an ultimate issue with demo recordings and Kostal's underscore.
Top reviews from other countries
Classic songs including Sixteen Going On Seventeen, Do-Re, Edelweiss and Climb Every Mountain are brought to life on this 50th Anniversary Edition CD, which produces a very high quality recording for a very low price.
Whenever this music plays, most of us think of the glimmering and expansive mountains of Salzburg and the elegant von Trapp family home where most of the story is set. In every way this is a very magical musical.
Yet.. where are the lyrics!?! Had a suspicion there weren't included in the booklet. But couldn't find it either in the product reference or reviews.
My family want's to learn the songs and sing along - I now have to resort to internet & print.. so 3 stars only.
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