- Paperback: 144 pages
- Publisher: Farrar, Straus and Giroux; First Edition edition (September 1, 1999)
- Language: English
- ISBN-10: 0374526176
- ISBN-13: 978-0374526177
- Product Dimensions: 5.1 x 0.4 x 7.5 inches
- Shipping Weight: 5.6 ounces (View shipping rates and policies)
- Average Customer Review: 26 customer reviews
- Amazon Best Sellers Rank: #70,687 in Books (See Top 100 in Books)
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The Sounds of Poetry: A Brief Guide First Edition Edition
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While it's hardly the most traveled of literary destinations, poetry has suffered from no shortage of guidebooks. Still, these poetic baedekers tend to get bogged down in terminology and historical hairsplitting, while the actual music gets lost in the shuffle. We should be thankful, then, for Robert Pinsky's brief, wonderfully readable volume, in which he zooms in on verse as acoustic artifact: "When I say to myself a poem by Emily Dickinson or George Herbert, the artist's medium is my breath. The reader's breath and hearing embody the poet's words. This makes the art physical, intimate, vocal, and individual."
Not that Poet Laureate Pinsky gets vague or touchy-feely on us. Poetry, like God, is in the details, and the author starts with the building blocks, the amino acids, of verse: accent and duration. Even the most jaded of readers will benefit from his syllable-by-syllable examination of Thomas Campion's "Now Winter Nights Enlarge" and Wallace Stevens's "Sunday Morning." Moving on through discussions of syntax and line, meter and rhyme (or lack thereof), Pinsky enlists both the usual suspects (Shakespeare, Frost, Hardy, Eliot, Bishop) and some less customary ones (Gilbert & Sullivan, Louise Gluck, and the splendid James McMichael) to make his points. These poems are, in some sense, teaching tools for the author. Yet even his on-the-fly commentary causes us to see them in a new light. Here he is, for example, on the near-monotonous minimalism of W.C. Williams's "To a Poor Old Woman": "The poem dramatizes the taking in of a supposedly ordinary experience, and the playful, almost hectoring repetitions are like an effective sermon in praise of simplicity." The Sounds of Poetry is no less effective a sermon. It leaves your ear (and your heart) attuned to the pleasurable play of poetic language and persuades you that hearing is, indeed, believing. --James Marcus --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Though this book is written by a celebrated poet (the poet laureate of the Untied States), there is little to be gleaned from it. The work is organized in five chapters about the mechanics of poetry: accent, syntax, terms, chimes, and some notes on blank and free verse. This title, oddly written in a humorless, academic first person for the novice, tells us more about what Pinsky thinks than about the subtle merging of the oral and written craft of English verse. Perhaps straining to make the mysteries of poetry accessible, the passages define, advise, and recommend like a set of cobbled lecture notes. Better to stick with Alfred Corn's quality guide, The Poem's Heartbeat (LJ 4/1/97). Pinsky's endeavor is a disappointing enterprise.
-?Scott Hightower, NYU/Gallatin, New York
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
However, I had to read a couple of sections more than once, and it took me a while to get through it. I'd say it's a little bit "wordy."
I learned from it. I'm glad I read it. I now appreciate more of the remarkable "language behind the language."
Most recent customer reviews
It has all the pages in it, which is a good plus.