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Sourdough: A Novel Hardcover – September 5, 2017
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From Robin Sloan, the New York Times bestselling author of Mr. Penumbra’s 24-Hour Bookstore, comes Sourdough, "a perfect parable for our times" (San Francisco Magazine): a delicious and funny novel about an overworked and under-socialized software engineer discovering a calling and a community as a baker.
Named One of the Best Books of the Year by NPR, the San Francisco Chronicle, and Southern Living
Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers quickly close up shop. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her―feed it daily, play it music, and learn to bake with it.
Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves to the General Dexterity cafeteria every day. Then the company chef urges her to take her product to the farmer’s market―and a whole new world opens up.
- Print length272 pages
- LanguageEnglish
- PublisherMCD
- Publication dateSeptember 5, 2017
- Dimensions5.86 x 0.96 x 8.4 inches
- ISBN-100374203105
- ISBN-13978-0374203108
- Lexile measureHL800L
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Editorial Reviews
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Review
“Robin Sloan's delightful new novel, Sourdough… displays both lightness and a yearning for escape, but only in the best sense.” ―Jeff Vandermeer, author of Borne, in LA Times
“Sourdough rises like a good loaf . . . Beautiful . . . Fight Club meets The Great British Bake Off . . . [Sourdough] knows as much about the strange extremes of food as Mr. Penumbra did about the dark latitudes of the book community. [Sloan’s] voice . . . fits so beautifully into the time and place and moment he is writing about.” ―Jason Sheehan, NPR Books
"Delicious fun . . . a novel as delectable as its namesake." ―Elizabeth Hand, The Washington Post
“Fascinating . . . insightful . . . One of the more cogent novels this year on the fertile tensions that exist between culture and technology” ―Andy Newman, The Atlantic
"If you’ve ever been confused about what’s artificial and what’s authentic―can you really tell anymore?―Sourdough is a book for you." ―Jeffery Gleaves, The Paris Review Daily
"Sloan’s prose is sharp, and his critiques of capitalism, Silicon Valley and foodie culture are finely cut." ―Everdeen Mason, The Washington Post
“Baking, foodie culture, and a club made up of women named Lois all figure in this charming story about a coder slogging away at a trendy tech company. When friends give her some sourdough starter and she begins making her own bread, everything changes.” ―Entertainment Weekly
“A culinary delight . . . Sourdough is the story we all secretly dream about. Could we leave our mundane lives and take a leap of faith in the direction of our newfound passion? Sloan takes readers on a thought-provoking journey to answer that question and asks them to consider the irony that it takes a living concoction of yeast and microbes to force Lois to consider living her best life.” ―Lincee Ray, The Associated Press
“[Sourdough] plunges through so much terrain: microbial nations, assimilation and tradition, embodied consciousness and the crisis of the tech industry, all without losing the light, sweet, ironic Sloanian voice familiar from Mr. Penumbra’s, a plot that makes the book a page-turner and a laugh-out-louder, with sweetness and romance and tartness and irony in perfect balance. What a great book, seriously.” ―Cory Doctorow, Boing Boing
"Delightful . . . equal measures techie and foodie fodder, a perfect parable for our times." ―San Francisco Magazine
"As he did in Mr. Penumbra's 24-Hour Bookstore, Robin Sloan will have readers looking for magic in the mundane." ―Nora Horvath, Real Simple
“[Sourdough] fuses the story of worker alienation and embodied consciousness and microbiomes and microbiology with robotics in a beautiful way . . . A Robert Pirsig or Armisted Maupin kind of novel, but it’s about robotic arms and sourdough bread!” ―Cory Doctorow of Boing Boing on KDNK Radio
“On the crust, Sourdough is a buddy book . . . But slice a little deeper, and you will discover, Sourdough is a novel about work . . . Sloan's sense of place is palpable, and his prose is dusted with luxurious lines to be savored . . .” ―David LaBounty, Dallas Morning News
“In his novel Mr. Penumbra’s 24-Hour Bookstore, Sloan unraveled a mystery about a web designer who takes a job in a peculiar all-night Bay area book shop. New technology clashed, then melded, with classic history. Sourdough promises a similar sort of tech and analog mashup, in this case involving the food industry: a software engineer learns to bake bread and uncovers a secret underground market.” ―The Miami Herald
“Sloan has imagined a funny and curious novel unlike anything else, a perfect combination of self-discovery through all sorts of weird passions. Like truly good sourdough, this namesake is the perfectly tangy, chewy, and airy addition to anyone’s reading list―minus the gluten and calories, of course.” ―Chika Gujarathi, BookPage
"Filled with crisp humor and weird but endearing characters . . . At once a parody of startup culture and a foodie romp . . . [A] delight, perfect for those who like a little magic with their meals." ―Booklist (starred review)
"A wild, geeky, flour-dusted ride through the oddball food and techie communities of San Francisco . . . A winning story that―like its namesake bread―carries a satisfying tang.” ―Shelf Awareness
“How many novels can boast an obstreperous sourdough starter as a key character? A delightful and heartfelt read.” ―Library Journal
"Sloan's comic but smart tone never flags, and Lois is an easy hero to root for." ―Kirkus Reviews
"Through narrative and email correspondence, Sloan captures contemporary work environments, current reality, and future trends . . . [Sourdough] offers much to savor." ―Publishers Weekly
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Sourdough
A Novel
By Robin SloanFarrar, Straus and Giroux
Copyright © 2017 Robin SloanAll rights reserved.
ISBN: 978-0-374-20310-8
Contents
Title Page,Copyright Notice,
Map,
Dedication,
Acknowledgments,
Number One Eater,
The Slurry Table,
The Clement Street Starter,
Spartan Stix,
The Lois Club,
Jesus Christ in an English Muffin,
Sharing the Miracle,
Chef Kate,
The Jay Steve Value Oven,
The Problem was Ongoing,
A Catalog of Phenomena,
The Lois Club (Continued),
The Greatest of all The Markets,
The Pantheon,
Alameda,
Pink Light,
The Faustofen,
Refurb,
Cathedrals,
This New Darkness,
The Eater's Archive,
The Lois Club (Continued),
The Hub, the Heart,
Boonville,
The Egg Problem,
Elephants' Armpits,
A Long-Awaited Announcement,
Quitting,
The Novice's Grace,
Deflation,
Agrippa,
Agrippa (Continued),
The Fall of Camelot,
Tend Your Garden,
Hunger,
The Slurry Factory,
The Island of the Mazg,
The Lois Club (Concluded),
Mr. Marrow,
The Beginning,
Also by Robin Sloan,
A Note About the Author,
Copyright,
CHAPTER 1
NUMBER ONE EATER
It would have been nutritive gel for dinner, same as always, if I had not discovered stuck to my apartment's front door a paper menu advertising the newly expanded delivery service of a neighborhood restaurant.
I was just home from work and my face felt brittle from stress — this wasn't unusual — and I would not normally have been interested in anything unfamiliar. My nightly ration of Slurry waited within.
But the menu intrigued me. The words were written in a dark, confident script — actually, two scripts: each dish was described once using the alphabet I recognized and again using one I didn't, vaguely Cyrillic-seeming with a profusion of dots and curling connectors. In either case, the menu was compact: available was the Spicy Soup or a Spicy Sandwich or a Combo (double spicy), all of which, the menu explained, were vegetarian.
At the top, the restaurant's name was written in humongous, exuberant letters: CLEMENT STREET SOUP AND SOURDOUGH. At the bottom, there was a phone number and the promise of quick delivery. Clement Street was just a fewblocks away. The menu charmed me, and as a result, my night, and my life, bent off on a different track.
I dialed the number and my call was answered immediately. It was a man's voice, slightly breathless. "Clement Street Soup and Sourdough! Okay to hold?"
I said yes, and music played — a song in some other language. Clement Street was a polyglot artery that pulsed with Cantonese, Burmese, Russian, Thai, and even scraps of Gaelic. This was none of those.
The voice returned. "Okay! Hello! What can I make for you?" I ordered the double spicy.
* * *
I CAME TO SAN FRANCISCO from Michigan, where I was raised and educated and where my body's functioning was placid and predictable, mostly.
My father was a database programmer for General Motors who liked his work and had endeavored to surround me with computers from toddlerhood onward, and whose plan succeeded because I never thought of anything except following his path, especially at a time when programming was taking on a sheen of dynamism and computer science departments were wooing young women aggressively. It's nice to be wooed.
It helped that I was good at it. I liked the rhythm of challenge and solution; it felt very satisfying to solve programming problems. For two summers during college, I interned at Crowley Control Systems, a company in Southfield that provided motor control software for one of Chevrolet's electric cars, and when I graduated, there was a job waiting for me. The work was minutely specified and cautiously tested, and it had the feeling of laying bricks: put them down carefully, because you won't get another chance. The computer on my desk was old, used by at least two programmers before me, but the codebase was modern and interesting. I kept a picture of my parents next to my monitor, along with a tiny cactus I'd named Kubrick. I bought a house two towns over, in Ferndale.
Then I was recruited. A woman contacted me through my stubby LinkedIn profile — her own identifying her as a talent associate at a company called General Dexterity in San Francisco — with a request for an exploratory phone call, which I accepted. I could hear her bright smile through the speaker. General Dexterity, she said, designed industry-leading robot arms for laboratories and factories. The company needed programmers with a background in motor control, and in San Francisco, she said, such programmers were rare. She explained that a software sieve had flagged my résumé as promising and that she agreed with the computer's assessment.
Here's a thing I believe about people my age: we are the children of Hogwarts, and more than anything, we just want to be sorted.
Sitting there in my car in the little parking lot behind Crowley Control Systems on West 10 Mile Road in Southfield, my world cracked open a tiny bit. It was only a hairline fracture, but that was enough to see through.
On the other end of the line, the talent associate conjured difficult problems suited to only the fiercest intellects. She conjured generous benefits and free food and, oh, was I vegetarian? Not anymore, no. But maybe I could try again, in California. She conjured sunshine. The sky above the Crowley parking lot was gray and drippy like the undercarriage of a car.
And — no conjuring here — the talent associate made an offer. It was a salary that represented more money than both of my parents currently earned, combined. I was a year out of college. I was being wooed again.
Ten months into a Michigan-sized mortgage, I sold my house in Ferndale at a very small loss. I hadn't hung a single thing on the walls. When I said goodbye to my parents, I cried. College had been less than an hour away, so this was the real departure. I set out across the country with all my belongings in the back of my car and my desk cactus strapped into the passenger seat.
I drove west through the narrow pass in the Rockies, crossed the dusty nothing of Nevada, and crashed into the verdant, vertical shock of California. I was agog. Southeastern Michigan is flat, almost concave; here was a world with a z-axis.
In San Francisco, a temporary apartment waited for me, and so did the talent associate, who met me on the sidewalk in front of General Dexterity's brick-faced headquarters. She was tiny, barely five feet tall, but when she took my hand, her grip was viselike. "Lois Clary! Welcome! You're going to love it here!"
The first week was amazing. Grouped with a dozen other newly Dextrous (as we were encouraged to call ourselves), I filled out health insurance forms and accepted a passel of phantasmal stock options and sat through recitations of the company's short history. I saw the founder's original prototype robot arm, a beefy three-jointed limb almost as tall as me, set up in a little shrine in the center of the cafeteria. You could call out "Arm, change task. Say hello!" and it would wave a wide, eager greeting.
I learned the anatomy of the software I'd be working on, called ArmOS. I met my manager, Peter, who shook my hand with a grip even firmer than the talent associate's. An in-house apartment broker found me a place on Cabrillo Street in San Francisco's Richmond District for which I would pay rent fully four times larger than my mortgage in Michigan. The broker dropped the keys into my hand and said, "It's not a lot of space, but you won't be spending much time there!"
General Dexterity's founder, an astonishingly young man named Andrei, walked our group across Townsend Street to the Task Acquisition Center, a low-slung building that had once been a parking garage. The cement floor was still mottled with oil spots. Now, instead of cars in long lines, there were robot arms parked thirty to a row. Their plastic cladding was colored Dextrous blue, the contours friendly and capable with just the faintest suggestion of biceps — gentle swells marked with General Dexterity's logo, an affable lightning bolt.
The arms were all going at once, sweeping and grasping and nudging and lifting. If it was supposed to impress us: it worked.
All of these were repetitive gestures, Andrei explained, currently executed by human muscles and human minds. Repetition was the enemy of creativity, he said. Repetition belonged to robots.
We were on a quest to end work.
And it would involve: a shit ton of work.
My orientation week ended on Friday night with celebratory beers and a ping-pong tournament against one of the robot arms, which of course emerged victorious. Then my job began. Not the following Monday. The next morning. Saturday.
I had the feeling of being sucked — floop — into a pneumatic tube.
The programmers at General Dexterity were utterly unlike my colleagues at Crowley, who had been middle-aged and chilled-out, and who enjoyed nothing as much as a patient explanation. The Dextrous were in no way patient. Many of them were college dropouts; they had been in a hurry to get here, and they were in a hurry now to be done, and rich. They were almost entirely young men, bony and cold-eyed, wraiths in Japanese denim and limited-edition sneakers. They started late in the morning, then worked past midnight. They slept at the office.
I hated the idea of it, but some nights I, too, succumbed to the cushy couches upholstered in Dextrous blue. Some nights, I'd lie there, staring up at the ceiling — the exposed ductwork, the rainbow braids of fiber channel ferrying data around the office — and feel a knot in my stomach that wouldn't loosen. I would think I had to poop and I would go squat on a toilet, doing nothing. The motion sensor would time out and the lights would click off, leaving me in darkness. Sometimes I would sit like that for a while. Then a line of code would occur to me, and I would limp back to my desk to tap it out.
At Crowley Control Systems in Southfield, the message we received from Clark Crowley, delivered in an amble around the office every month or so, was: Keep up the fine work, folks! At General Dexterity in San Francisco, the message we received from Andrei, delivered in a quantitative business update every Tuesday and Thursday, was: We are on a mission to remake the conditions of human labor, so push harder, all of you.
I began to wonder if, in fact, I knew how to push hard. In Michigan, my colleagues all had families and extremely serious hobbies. Here, the wraiths were stripped bare: human-shaped generators of CAD and code. I tried to emulate them, but something hitched inside me. I couldn't get my turbine spinning.
In the months that followed, I had the sense of some vital resource dwindling, and I tried to ignore it. My colleagues had been toiling at this pace for three years without a pause, and I was already flagging after a single San Francisco summer? I was supposed to be one of the bright new additions, the fresh-faced ones.
My face was not fresh.
My hair had gone flat and thin.
My stomach hurt.
In my apartment on Cabrillo Street, I existed mostly in a state of catatonic recovery, brain flaccid, cells gasping. My parents were far away, locked in the frame of a video chat window. I didn't have any friends in San Francisco aside from a handful of Dextrous, but they were just as traumatized as I was. My apartment was small and dark, and I paid too much for it, and the internet was slow.
* * *
TWELVE MINUTES after I had called it in, my order from Clement Street Soup and Sourdough arrived, carried to my door by a young man with a sweet face half hidden inside a ketchup-colored motorcycle helmet. A soft oonce-oonce of music emanated from within the helmet, and he bobbed to the beat.
He boomed his greeting in a heavy, hard-to-place accent: "Good evening, my friend!"
Greatest among us are those who can deploy "my friend" to total strangers in a way that is not hollow, but somehow real and deeply felt; those who can make you, within seconds of first contact, believe it.
I dug in my pocket for cash, and then, as I paid him, I thought to ask, "What kind of food is this?"
His face lit up like a neon sign. "It is the food of the Mazg! I hope you like it. If not, call again. My brother will make it better next time." He jogged toward his motorcycle but, halfway there, turned back to say, "You will like it, though." Above the rev of the engine he waved and repeated: "You will like it!"
Inside my apartment, on my kitchen countertop — utterly bare, free from any sign of food preparation or, really, human habitation — I unwrapped the sandwich and opened the soup and consumed the first combo (double spicy) of my life.
If Vietnamese pho's healing powers, physical and psychic, make traditional chicken noodle soup seem like dishwater — and they do — then this spicy soup, in turn, dishwatered pho. It was an elixir. The sandwich was spicier still, thin-sliced vegetables slathered with a fluorescent red sauce, the burn buffered by thick slabs of bread artfully toasted.
First my stomach unclenched, and then my brain. I let loose a long sigh that transformed into a rippling burp, which made me laugh out loud, alone, in my kitchen.
I lifted the lone magnet on my refrigerator, allowed a sheet of shiny pizza coupons to fall to the floor, and stuck the new menu reverently in its place.
* * *
I CALLED CLEMENT STREET SOUP AND SOURDOUGH again the next night, and the next. Then I skipped a night, feeling self-conscious, but I ordered again the night after that. For all its spiciness, the food sat perfectly in my traumatized stomach.
In the month that followed, I learned about it bit by bit:
• The restaurant was operated by two brothers.
• Beoreg, with the sweet voice and the perfect English, answered the phone and cooked the food.
• Chaiman, with the sweet face and the earbuds never not leaking dance music, rode the motorcycle and delivered the food.
• When pressed for more information on "the food of the Mazg," Chaiman would only laugh and say, "It's famous!"
• Beoreg and Chaiman had been slinging spicy soups and/or sandwiches in San Francisco for just over a year.
• They possessed no storefront: they cooked where they lived, in an apartment whose precise location they were reluctant to disclose.
• Chaiman said, "It is okay. Just not legal. Definitely okay, though."
• With the double spicy, one bonus slab of sourdough bread was included, always, for dunking in your soup.
• That bread was the secret of the whole operation. Beoreg baked it himself every day.
• That bread was life.
Most nights, I called ahead and waited on hold (though I was recognized, and the greeting from brother Beoreg was not "Okay to hold?" but "Lois! Hi! I have to put you on hold. Just a second, I promise") with the music in another language I'd grown to appreciate — it was sad, in a nice way — and then, rescued from purgatory, I placed my order (the same order every time), and when brother Chaiman brought it on his motorcycle, I greeted him warmly and tipped him generously, then carried my double spicy inside to eat it standing, my eyes watering from the heat and the happiness.
One Friday, after a particularly shattering day at the office, in which my code reviews had all come back red with snotty comments, and my manager, Peter, had gently inquired about the pace of my refactoring ("perhaps not sufficiently turbocharged"), I arrived home in a swirl of angst, with petulance and self-recrimination locked in ritual combat to determine which would ruin my night. On the phone with Beoreg, I ordered my food with a rattling sigh, and when his brother arrived at my door, he carried something different: a more compact tub containing a fiery red broth and not one but two slabs of bread for dipping. "Secret spicy," he whispered. The soup was so hot it burned the frustration out of me, and I went to bed feeling like a fresh plate, scalded and scraped clean.
Is it an exaggeration to say Clement Street Soup and Sourdough saved me? At night, instead of fitfully reviewing the day's errors while my stomach swam and churned, I ... fell asleep. My course steadied. I had taken on ballast in the form of spicy broth and fragrant bread and, maybe, two new friends, or sort-of-friends, or something.
Then they went away.
It was on a Wednesday in September that I dialed the number and was greeted by Beoreg, who said "Okay to hold?" as if he didn't recognize me, then abandoned me to the sad-but-nice music for a very long time, so long in fact I suspected he'd forgotten me. When he came back on the line, he accepted my order dutifully and told me his brother would bring it soon. "Goodbye," he murmured before hanging up. He'd never actually said that before.
When Chaiman knocked on my door, his sweet face was morose. He wasn't listening to any music. The night seemed suddenly oppressively quiet.
"Hello, my friend," he said limply. The bag containing my double spicy dangled limply from his fingers.
I took the bag and cradled it, felt the warmth of the soup across my chest. "What's wrong?"
"We are leaving," he said. "Visas, you know?" This was unacceptable.
"We cannot stay. I would try, but Beoreg says ... he does not want to be hidden forever. He wants to have a real restaurant. With tables." Chaiman rolled his eyes, as if wishing to serve customers in a physical establishment constituted Versailles-level extravagance.
"We will miss you," he said. "Me and Beoreg both."
The bag in my arms crinkled, and so did the skin around my eyes. I wanted to wail, Don't leave me! What will I eat? Who will I call? But all I could muster was "I'm so sorry to hear about this."
He nodded. I did, too. It was September, and the air was very cold. He said, "I should tell you ... Beoreg and I have a joke. When he gives me the bag" — he poked at the food in my arms — "and says, for Lois on Cabrillo Street, we always say together: the number one eater!"
I didn't know what that meant, but I knew I had never been one before.
"It's supposed to be nice. Because we like you. You know?" I did.
Astride his motorcycle, Chaiman raised a hand and shook his index finger emphatically. Above the rev of the engine, he cried again: "Number one eater!"
(Continues...)Excerpted from Sourdough by Robin Sloan. Copyright © 2017 Robin Sloan. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : MCD; First Edition (September 5, 2017)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 0374203105
- ISBN-13 : 978-0374203108
- Lexile measure : HL800L
- Item Weight : 12.8 ounces
- Dimensions : 5.86 x 0.96 x 8.4 inches
- Best Sellers Rank: #490,922 in Books (See Top 100 in Books)
- #2,811 in Magical Realism
- #16,375 in Paranormal & Urban Fantasy (Books)
- #25,465 in Literary Fiction (Books)
- Customer Reviews:
About the author

Robin Sloan is the author of the novels Sourdough and Mr. Penumbra’s 24-Hour Bookstore, published by MCD in the United States, Tokyo Sogensha in Japan, and others around the world. He splits his time between the San Francisco Bay Area and the San Joaquin Valley. His next novel, Moonbound, will arrive in June 2024.
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Top reviews from the United States
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In a day & age where every NYT fiction best seller (and sone less than best sellers) travel down a journey of "woe is me here is my story," Sloan writes stories that are stories in & of themselves. Much like Frederick Backman, he writes fiction that is alive, that makes you feel good about yourself, and life in general. This is not to say that all of Sloan's works are without conflict in some way. But the stories are a capsule of why life is fun & interesting.
I read the Penumbra book almost 3 years ago, and bought this shortly after. I saved it for a long time for reasons I cannot quite put my finger on. I often do this, thinking that a book with these expectations is like a fine wine that should be opened on a special occasion. This was not a special occasion, I just felt it was time to revisit. And it lived up to that expectation.
Normally I am surprised at the Amazon rating system and that every hunk of trash printer is 4.5 or more stars. Oddly, this one is only 4 stars. I guess in the indulgent NYT-fiction world we live in, there isn't enough post-apocalyptic angst to sustain a year's worth of therapy sessions? I really don't know. This is a well-written, easy to relate to book about a quirky series of life choices. I am not talking about major life choices here (ok, the job thing can be). We're talking about baking bread.
I often find men who write female characters really off the mark, but that is not the case here. While not a woman, I can see where a narrative might be cringe-worth, which this is not. It's a journey, a fun journey, where you root for the protagonist from the first to the last page. I think it is worth mentioning that a good portion of books written these days have absolutely abysmal protagonists. How does this fly anymore? How can you read a book that has a main character that is a jerk?
Not the case here. The main character and everything around that character is nice, enjoyable. The story is also enjoyable. The last few chapters are quirky and out of left field, but totally in line with what you would expect of the author. I look forward to more works y Sloan, and will pick up the short works as I wait.
Great book, great author, looking forward to more.
The book started off as a fun adventure and there were some humorous aspects to the story. The ending was less than satisfying unfortunately and the whole book just left me flat. Cute premise but just didn't work for me. It was nice to have a woman as a central character not built around gender-based stereotypes.
When the brothers find themselves having to leave precipitously, they present Lois with a gift, a rather high maintenance sourdough starter, tall order for someone who grew up on McDonalds Happy Meals. But the starter has a will of its own, and as it inspires her to learn to bake ethereal loaves, the story really takes off.
Top reviews from other countries
This was a thoroughly enjoyable book. It had all the sass, all the beauty and all the vivid imagery of San Francisco. It had the encroachingly uncomfortable technology industry. It had the incomer protagonist who was incredibly relatable, like in Penumbra. It had some really clever devices to tie together all these people. Then it had the Mazg tribe who are a soulful group, always on the move and who are close to food and music and all the best things in life. It just made me feel warm and fuzzy inside.
It's a clever book, it's an intelligent book, it was just totally magnificent. If I could buy it again on Kindle I would. It's worth the full price £4.99, probably more. If I could buy it again I would.
What am I on?
Sourdough, obviously.
Lois is a software engineer who’s recently moved to San Francisco to work in a high-end, high-tech robotics company. The lifestyle the company demands of her is stressful and the only thing that keeps Lois sane is her favourite sandwich shop. Then the owners run into visa problems and the shop closes up. But before the owners leave, they give her their starter to make her own delicious sourdough bread (a starter being the combo of flour, water, and wild yeast; you use small bits of it to “start” making bread). As Lois slowly switches her attention to baking, she realises there’s a lot more to her starter than meets the eye…
This book is a cross between magic realism, low-key sci-fi, and slice-of-life. There’s a mystery to the sourdough (for one, upon baking the dough a face is formed on the crust of the bread). There’s a mystery to the shop owners’ culture (the ever-wandering Mazg). And there’s a mystery to the underground farmer’s market that Lois becomes involved in (who are heavily involved in technologically-augmented food).
But at the heart of it all is just Lois, fresh out of college, overwhelmed and craving that tiny bit of old-fashioned in her hyper modern life. Sourdough definitely has some interesting things to say about the (perhaps inevitable?) combination of food and technology. But it’s the connection to something traditional that stuck out to me. Maybe because it’s something that’s helped me too, although I picked up crocheting instead. Lois’ discovery of a whole new “subculture” revolving around baking reminded me of finding about “Stitch ‘n’ Bitch” knitting/crocheting meet-ups, and her feelings of satisfaction at producing something tangible echoed my own. The book ended up feeling almost painfully real for me. (This also really helps ground the pretty crazy “slightly shady, intense, sci-fi farmer’s market” plot.)
Altogether, whether you’ve ever felt the urge to pick up an old-fashioned craft or not, Sourdough is a book I’d recommend to anyone who just wants to read something quiet and hopeful.




![Mastering Bread: The Art and Practice of Handmade Sourdough, Yeast Bread, and Pastry [A Baking Book]](https://images-na.ssl-images-amazon.com/images/I/A1OWS2zm7nL._AC_UL160_SR160,160_.jpg)










