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The Sparrow: A Novel (The Sparrow Series) Paperback – September 8, 1997
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Praise for The Sparrow
“A startling, engrossing, and moral work of fiction.”—The New York Times Book Review
“Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly
“Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle
“Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News
“[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today
- Print length408 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateSeptember 8, 1997
- Dimensions5.4 x 1.14 x 8.2 inches
- ISBN-100449912558
- ISBN-13978-0449912553
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Editorial Reviews
Review
“Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly
“Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle
“Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News
“[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today
From the Publisher
I started reading it on my vacation, and it's a good thing, because I couldn't put it down to do anything else! I'm not quite sure what I can say about it that will do it justice, because it can be viewed so many different ways by different people----it's beautiful, ugly, sad, optimistic, and intensely compelling all at the same time. Suffice it to say that it's one of those once-in-a-lifetime books that just makes you stop and sit-up and think about things that you've never given second thought to before.
-----J. Rendon, Editorial Assistant
From the Inside Flap
"A NOTABLE ACHIEVEMENT . . . Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense."
--USA Today
"AN EXPERIENCE NOT TO BE MISSED . . . If you have to send a group of people to a newly discovered planet to contact a totally unknown species, whom would you choose? How about four Jesuit priests, a young astronomer, a physician, her engineer husband, and a child prostitute-turned-computer-expert? That's who Mary Doria Russell sends in her new novel, The Sparrow. This motley combination of agnostics, true believers, and misfits becomes the first to explore the Alpha Centuri world of Rakhat with both enlightening and disastrous results. . . . Vivid and engaging . . . An incredible novel."
--Milwaukee Journal Sentinel
"POWERFUL . . . Father Emilio Sandoz [is] the only survivor of a Jesuit mission to the planet Rakhat, 'a soul . . . looking for God.' We first meet him in Italy . . . sullen and bitter. . . . But he was not always this way, as we learn through flashbacks that tell the story of the ill-fated trip. . . . The Sparrow tackles a difficult subject with grace and intelligence."
--San Francisco Chronicle
"SMOOTH STORYTELLING AND GORGEOUS CHARACTERIZATION . . . Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them."
--Entertainment Weekly
SELECTED BY THE BOOK-OF-THE-MONTH CLUB
From the Back Cover
"A NOTABLE ACHIEVEMENT . . . Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense."
--USA Today
"AN EXPERIENCE NOT TO BE MISSED . . . If you have to send a group of people to a newly discovered planet to contact a totally unknown species, whom would you choose? How about four Jesuit priests, a young astronomer, a physician, her engineer husband, and a child prostitute-turned-computer-expert? That's who Mary Doria Russell sends in her new novel, The Sparrow. This motley combination of agnostics, true believers, and misfits becomes the first to explore the Alpha Centuri world of Rakhat with both enlightening and disastrous results. . . . Vivid and engaging . . . An incredible novel."
--Milwaukee Journal Sentinel
"POWERFUL . . . Father Emilio Sandoz [is] the only survivor of a Jesuit mission to the planet Rakhat, 'a soul . . . looking for God.' We first meet him in Italy . . . sullen and bitter. . . . But he was not always this way, as we learn through flashbacks that tell the story of the ill-fated trip. . . . The Sparrow tackles a difficult subject with grace and intelligence."
--San Francisco Chronicle
"SMOOTH STORYTELLING AND GORGEOUS CHARACTERIZATION . . . Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them."
--Entertainment Weekly
SELECTED BY THE BOOK-OF-THE-MONTH CLUB
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
ROME: DECEMBER 2059
On December 7, 2059, Emilio Sandoz was released from the isolation ward of Salvator Mundi Hospital in the middle of the night and transported in a bread van to the Jesuit Residence at Number 5 Borgo Santo Spìrito, a few minutes' walk across St. Peter's Square from the Vatican. The next day, ignoring shouted questions and howls of journalistic outrage as he read, a Jesuit spokesman issued a short statement to the frustrated and angry media mob that had gathered outside Number 5's massive front door.
"To the best of our knowledge, Father Emilio Sandoz is the sole survivor of the Jesuit mission to Rakhat. Once again, we extend our thanks to the U.N., to the Contact Consortium and to the Asteroid Mining Division of Ohbayashi Corporation for making the return of Father Sandoz possible. We have no additional information regarding the fate of the Contact Consortium's crew members; they are in our prayers. Father Sandoz is too ill to question at this time and his recovery is expected to take months. Until then, there can be no further comment on the Jesuit mission or on the Contact Consortium's allegations regarding Father Sandoz's conduct on Rakhat."
This was simply to buy time.
It was true, of course, that Sandoz was ill. The man's whole body was bruised by the blooms of spontaneous hemorrhages where tiny blood vessel walls had breached and spilled their contents under his skin. His gums had stopped bleeding, but it would be a long while before he could eat normally. Eventually, something would have to be done about his hands.
Now, however, the combined effects of scurvy, anemia and exhaustion kept him asleep twenty hours out of the day. When awake, he lay motionless, coiled like a fetus and almost as helpless.
The door to his small room was nearly always left open in those early weeks. One afternoon, thinking to prevent Father Sandoz from being disturbed while the hallway floor was polished, Brother Edward Behr closed it, despite warnings about this from the Salvator Mundi staff. Sandoz happened to wake up and found himself shut in. Brother Edward did not repeat the mistake.
Vincenzo Giuliani, the Father General of the Society of Jesus, went each morning to look in on the man. He had no idea if Sandoz was aware of being observed; it was a familiar feeling. When very young, when the Father General was just plain Vince Giuliani, he had been fascinated by Emilio Sandoz, who was a year ahead of Giuliani during the decade-long process of priestly formation. A strange boy, Sandoz. A puzzling man. Vincenzo Giuliani had made a statesman's career of understanding other men, but he had never understood this one.
Gazing at Emilio, sick now and almost mute, Giuliani knew that Sandoz was unlikely to give up his secrets any time soon. This did not distress him. Vincenzo Giuliani was a patient man. One had to be patient to thrive in Rome, where time is measured not in centuries but in millennia, where patience and the long view have always distinguished political life. The city gave its name to the power of patience--Romanità. Romanità excludes emotion, hurry, doubt. Romanità waits, sees the moment and moves ruthlessly when the time is right. Romanità rests on an absolute conviction of ultimate success and arises from a single principle, Cunctando regitur mundis: Waiting, one conquers all.
So, even after sixty years, Vincenzo Giuliani felt no sense of impatience with his inability to understand Emilio Sandoz, only a sense of how satisfying it would be when the wait paid off.
The Father General's private secretary contacted Father John Candotti on the Feast of the Holy Innocents, three weeks after Emilio's arrival at Number 5. "Sandoz is well enough to see you now," Johannes Voelker informed Candotti. "Be here by two."
Be here by two! John thought irritably, marching along toward Vatican City from the retreat house where he'd just been assigned a stuffy little room with a view of Roman walls--the stone only inches from his pointless window. Candotti had dealt with Voelker a couple of times since arriving and had taken a dislike to the Austrian from the start. In fact, John Candotti disliked everything about his present situation.
For one thing, he didn't understand why he'd been brought into this business. Neither a lawyer nor an academic, John Candotti was content to have come out on the less prestigious end of the Jesuit dictum, Publish or parish, and he was hip-deep in preparations for the grammar school Christmas program when his superior contacted him and told him to fly to Rome at the end of the week. "The Father General wishes you to assist Emilio Sandoz." That was the extent of his briefing. John had heard of Sandoz, of course. Everyone had heard of Sandoz. But John had no idea how he could be of any use to the man. When he asked for an explanation, he couldn't seem to pry a straight answer out of anyone. He had no practice at this kind of thing; subtlety and indirection were not indoor sports in Chicago.
And then there was Rome itself. At the impromptu farewell party, everyone was so excited for him. "Rome, Johnny!" All that history, those beautiful churches, the art. He'd been excited too, dumb shit. What did he know?
John Candotti was born to flat land, straight lines, square city blocks; nothing in Chicago had prepared him for the reality of Rome. The worst was when he could actually see the building he wanted to get to but found the street he was on curving away from it, leading him to yet another lovely piazza with yet another beautiful fountain, dumping him into another alley going nowhere. Another hour, trapped and frustrated by the hills, the curves, the rat's nest of streets smelling of cat piss and tomato sauce. He hated being lost, and he was always lost. He hated being late, and he was late all the time. The first five minutes of every conversation was John apologizing for being late and his Roman acquaintances assuring him it was no problem.
He hated it all the same, so he walked faster and faster, trying to get to the Jesuit Residence on time for a change, and collected an escort of small children, noisy with derision and obnoxious with delight at this bony, big-nosed, half-bald man with his flapping soutane and pumping arms.
"I'm sorry to keep you waiting." John Candotti had repeated the apology to each person along the way to Sandoz's room and finally to Sandoz himself as Brother Edward Behr ushered him in and left him alone with the man. "The crowd outside is still huge. Do they ever go away? I'm John Candotti. The Father General asked me to help you at the hearings. Happy to meet you." He held out his hand without thinking, withdrawing it awkwardly when he remembered.
Sandoz did not rise from his chair by the window and at first, he either wouldn't or couldn't look in Candotti's direction. John had seen archive images of him, naturally, but Sandoz was a lot smaller than he expected, much thinner; older but not as old as he should have been. What was the calculation? Seventeen years out, almost four years on Rakhat, seventeen years back, but then there were the relativity effects of traveling near light speed. Born a year before the Father General, who was in his late seventies, Sandoz was estimated by the physicists to be about forty-five, give or take a little. Hard years, by the look of him, but not very many of them.
The silence went on a long time. Trying not to stare at the man's hands, John debated whether he should just go. It's way too soon, he thought, Voelker must be crazy. Then, finally, he heard Sandoz ask, "English?"
"American, Father. Brother Edward is English but I'm American."
"No," Sandoz said after a while. "La lengua. English."
Startled, John realized that he'd misunderstood. "Yes. I speak a little Spanish, if you'd prefer that."
"It was Italian, creo. Antes--before, I mean. In the hospital. Sipaj--si yo..." He stopped, close to tears, but got a hold of himself and spoke deliberately. "It would help ... if I could hear ... just one language for a while. English is okay."
"Sure. No problem. We'll stick to English," John said, shaken. Nobody had told him Sandoz was this far gone. "I'll make this a short visit, Father. I just wanted to introduce myself and see how you're doing. There's no rush about preparing for the hearings. I'm sure they can be postponed until you're well enough to..."
"To do what?" Sandoz asked, looking directly at Candotti for the first time. A deeply lined face, Indian ancestry plain in the high-bridged nose, the wide cheekbones, the stoicism. John Candotti could not imagine this man laughing.
To defend yourself, John was going to say, but it seemed mean. "To explain what happened."
The silence inside the Residence was noticeable, especially by the window, where the endless carnival noise of the city could be heard. A woman was scolding a child in Greek. Tourists and reporters milled around, shouting over the constant roar of the usual Vatican crowds and the taxi traffic. Repairs went on incessantly to keep the Eternal City from falling to pieces, the construction workers yelling, machinery grinding.
"I have nothing to say." Sandoz turned away again. "I shall withdraw from the Society."
"Father Sandoz--Father, you can't expect the Society to let you walk away without understanding what happened out there. You may not want to face a hearing but whatever happens in here is nothing compared to what they'll put you through outside, the moment you walk out the door," John told him. "If we understood, we could help you. Make it easier for you, maybe?" There was no reply, only a slight hardening of the face profiled at the window. "Okay, look. I'll come back in a few days. When you're feeling better, right? Is there anything I can bring you? Someone I could contact for you?"
"No." There was no force behind the voice. "Thank
you."
John suppressed a sigh and turned toward the door. His eyes swept past a sketch, lying on top of the small plain bureau. On something like paper, drawn in something like ink. A group of VaRakhati. Faces of great dignity and considerable charm. Extraordinary eyes, frilled with lashes to guard against the brilliant sunlight. Funny how you could tell that these were unusually handsome individuals, even when unfamiliar with their standards of beauty. John Candotti lifted the drawing to look at it more closely. Sandoz stood and took two swift steps toward him.
Sandoz was probably half his size and sicker than hell but John Candotti, veteran of Chicago streets, was startled into retreating. Feeling the wall against his back, he covered his embarrassment with a smile and put the drawing back on the bureau. "They're a handsome race, aren't they," he offered, trying to defuse whatever emotion was working on the man in front of him. "The ... folks in the picture--friends of yours, I guess?"
Sandoz backed away and looked at John for a few moments, as though calculating the other man's response. The daylight behind his hair lit it up, and the contrast hid his expression. If the room had been brighter or if John Candotti had known him better, he might have recognized a freakish solemnity that preceded any statement Sandoz expected to induce hilarity, or outrage. Sandoz hesitated and then found the precise word he wanted.
"Colleagues," he said at last.
Product details
- Publisher : Ballantine Books; Reissue edition (September 8, 1997)
- Language : English
- Paperback : 408 pages
- ISBN-10 : 0449912558
- ISBN-13 : 978-0449912553
- Item Weight : 14.7 ounces
- Dimensions : 5.4 x 1.14 x 8.2 inches
- Best Sellers Rank: #14,097 in Books (See Top 100 in Books)
- #175 in First Contact Science Fiction (Books)
- #612 in Science Fiction Adventures
- #1,418 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Mary Doria Russell has been called one of the most versatile writers in contemporary American literature. Her novels are critically acclaimed, commercial successes. They are also studied in literature, theology and history courses in colleges and universities across the United States. Mary's guest lectures have proved popular from New Zealand to Germany as well as in the U.S. and Canada.
Her debut novel, THE SPARROW, is considered a classic of speculative fiction, combining elements of First Contact science fiction and a tense courtroom drama. Its sequel, CHILDREN OF GOD, is a sweeping three-generation family saga. Through the voices of unforgettable characters, these novels raise respectful but challenging fundamental questions about religion and faith. Together, the books have won eight regional, national and international awards. They have also been optioned for Hollywood movies starring Antonio Banderas and Brad Pitt, and they have inspired both a rock opera and a full-scale bel canto opera.
Next, Russell turned to 20th century history. A THREAD OF GRACE is the story of the Jewish underground near Genoa during the Nazi occupation of Italy. Nominated for a Pulitzer Prize, this thriller "moves swiftly, with impressive authority, jostling dialog, vibrant personalities and meticulous, unexpected historical detail. The intensity and intimacy of Russell's storytelling, her sharp character writing and fierce sense of humor bring fresh immediacy to this riveting WWII saga," according to Publisher's Weekly.
Her fourth novel, DREAMERS OF THE DAY, is both a romance and a disturbingly relevant political novel about the 1921 Cairo Peace Conference, when Winston Churchill, T.E. Lawrence and Gertrude Bell invented the modern Middle East. The Washington Post Book World called it "marvelous and rewarding... a stirring story of personal awakening set against the background of a crucial moment in modern history." Nominated for the 2008 IMPAC Dublin Literary Prize, Dreamers of the Day is also being adapted for the stage by Going to Tahiti Productions in New York City.
As a novelist, Mary is known for her exacting research -- no surprise, when you know that she holds a Ph.D. in Biological Anthropology from the University of Michigan. Before leaving Academe to write, Mary taught human gross anatomy at the Case Western Reserve University School of Dentistry. That background came in handy for her fifth novel, DOC, a murder mystery set in Dodge City in 1878, when the unlikely but enduring friendship between Wyatt Earp and Doc Holliday began, four years before the famous shoot-out at the O.K. Corral.
"It's about vice, bigotry, violence, and living with a terminal disease," Russell says. "And Doc Holliday is going to break your heart." DOC was nominated for the Pulitzer in 2011, named a Notable Book by the Kansas State Library and won the Great Lakes Great Reads prize. The story has been optioned by Ron Howard and Akiva Goldsman for an HBO series.
Mary is currently at work on the story of the Tombstone gunfight (working title: THE CURE FOR ANGER). "DOC is The Odyssey," she says. "What happened in Tombstone forms the basis of an American Iliad." Expect it in late 2014 from HarperCollins Ecco imprint.
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The aliens on a planet orbiting the smallest of the three suns that make up the Centauri system are very different from those in "The Three-Body Problem," another very popular novel in which it turns out there is intelligent life there. They are just beginning to see what radio can be used for and one of the first transmissions of their music is picked up by an astronomer at the Arecibio Radio Telescope in Puerto Rico. One of the first people he tells that he has picked up an extraterrestrial signal is the hero of the book, Jesuit priest Emilio Sandoz, who has recently returned home to the island after years of short-term missions to deprived people all over Earth. He immediately recruits the astronomer, his three other closest friends, and three other Jesuits to travel to the planet, named Rakhat by its inhabitants, in a hollowed-out asteroid at an average of 25% of c.
Mary Doria Russell's only mistake with this book was setting it within her own lifetime (it starts in the mid-2010s). It will probably be the 2110s before we have Australians on Mars and miners throughout the asteroid belt (assuming we can avoid a Third World War or comprehensive environmental collapse). The book ends in 2060, when as one character observes the population of Earth is nearly 16 billion (which isn't going to happen by then, or probably ever). Even in the 2010s the technological singularity is approaching; you pretty much need to have a Ph.D. to have a job. Most other jobs are being handed over to AIs taught by the last humans to do those jobs and set up by indentured servants like Sofia Mendes, the second-most compelling character in the book.
I caught myself doing something that these days, I only do for the best novels: casting the movie version in my head. The thing is, like "Dune," this book is too sprawling to be told with a single two- or even three-hour movie. It is divided into 3 acts, each of which should be its own movie. The first act is Sandoz's life and friendships on Earth and on the (from their perspective brief) journey inside the asteroid to Rakhat. The second act is Rakhat itself. These two acts are told in flashback through the memory of Sandoz, who in the third act is the only human who makes it back alive (though horribly maimed) to Earth. The first movie could be named "Scientists," the second could be "Missionaries" and the third could only be "Priests" since literally everyone Sandoz interacts with after returning to Earth is a Jesuit.
Maybe I would change a few things for the third movie (such as giving the humans more than one rifle, which might have changed the course of events), but nothing for the first two. I really shouldn't have wanted a happy ending for this book. It is too powerful. Six stars.
And it pretty quickly became evident. It is a book on the future with its very beginnings apropos of today (and the early part of the book does indeed begin almost this year — what a shock!). Simply and most obviously, this is a book about the human spirit and the search that all of us seem to go through for a sense of place, of worth and meaning. So much more than I ever envisioned when I bought the book or began the book.
The story kicks off in the year 2059 with a Jesuit priest who has been 'rescued' from a mission to the planet Rakhat. Remember that this is indeed the beginning of the book and as a plot will finish the story, but it really begins with a group of disparate people who slowly come together: the Jesuit Emilio Sandoz who has spent his career in the Society of Jesus, traveling the world as a linguist but never staying for very long until he returns to the place where he grew up, the small village of La Perla in Puerto Rico.
It is there that he meets the others: A retired engineer and his physician wife; a technician working at a listening station seeking transmissions from other worlds and Sofia Mendez, an artificial intelligence specialist. They form strong bonds and relationships with each other and it is those ties that bind when the technician hears singing from a distant planet. He shares the discovery with his friends but it most strongly resonates with Sandoz, who has struggled with his faith but sees the songs as a sign that it is God's will that this group of people not only have come together for this moment but that it is for them to travel to the planet and learn about the creators of the songs.
Needless to say, the book is told in flashbacks, the report that made it back to Earth and from Sandoz himself, who is the sole survivor of the trip, as a broken man barely holding together mentally, as well as physically. And it is to him to make sense of the trip and the experiences he faced.
This is the main focus and what sets this book far from being just — if you can say that without demeaning the genre — science fiction. For ultimately this is a story about a man who in one of the characters words came very close to God, who felt the rapture of belief and then has his faith perhaps irreparably shattered by what happens during the trip he once thought was planned by God.
It is what makes this so hard to write, to frame and give a true reflection to what this book is all about because whether we are believers or not, we feel and know what Emilio Sandoz is going through. As others have said this is really a philosophical novel. Nancy Pearl of "Library Journal" describes it as about the nature of good and evil and what happens when a man tries to do the right thing, for the right reasons and ends up causing incalculable harm. I agree.
This is an amazing book and well worth all the honors that it has received. It's sometimes difficult reading. The story is haunting and beautiful and very sad.
The reader finds out the “end” outcome in the very beginning of the book, and the remainder of the narrative is a telling of how the main character got there.
Overall I gave this 3/5 stars because the narrative is unique and well thought out, but much of the writing is unnecessary rambling between characters. The author could have trimmed 25-30% of the text without taking anything of value out.
One of the things I hated about this book is the focus on sexual tension, which plays into the story. However, it’s a huge distraction from what’s really going on. The author alternatives this along with passages that have almost a forced “poetic” style of English writing. I found it pretentious and frustrating. The text feels like more and more filler. By the time you reach the end, there is a payoff, but for me it wasn’t worthy of the lengthy, hollow drivel I had to patiently sit through to get there.
If you’re interested in a first contact Sci fi, there are significantly better books and series out there.
Top reviews from other countries
You’ll wrestle like Jacob, feel loss like Job, you will praise like David thanks to a rich tapestry of characters.
The book is a bit of a slow burn while drawing you deeper into emotive states of this otherworldly yet so familiar an expedition.
Be ready to be challenged by this highly recommended read.
2059年、イエズス会が計画した惑星Rakhatの探索が無惨な失敗に終わり、心身に深い傷を負った唯一の生還者エミリオ・サンドス神父は頑なに沈黙し続け、信仰を捨てようとしている――という興味をそそられる導入部で始まる物語は、Rakhatとの最初の接触から探索員たちが旅立つまでを描く2019年、Rakhatへ向かう(地球時間で)約18年の旅、Rakhatでの4年間の出来事が交錯し、神の名の許に異星を訪れた地球人が彼の地とその人々に何をもたらし、何が起きたかが次第に明らかになっていきます。
マタイ伝の一節からの引用であるタイトルを始め、キリスト教に関係する用語や固有名詞が数多く登場しますが、終盤のサンドス神父の凄惨な告白に至るまでのスリリングな展開、やや類型的ながらも個性豊かな登場人物たちの示唆に富んだ思索と会話の妙には、私のような無宗教者でも静かな感動が訪れる結末まで飽きることなく惹きつけられました。
キリスト教とイエズス会の辿った歴史を彷彿とさせるエピソードや暗喩は、クリスチャンの読者にはことさら興味深いものと思われます。
絶望の果てに一条の光を見出しかけたサンドス神父に再び試練が訪れることを予感させるラストシーンは、続編 "Children of God" に繋がっていくようです。
さて、映画化が実現したら、ブラピの役は何だろう?残念ながら、サンドス神父はイメージが違うか。いずれにしても楽しみです。








