Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$30.99$30.99
FREE delivery: Monday, Nov 6 on orders over $35.00 shipped by Amazon.
Ships from: Amazon Sold by: ASELStore
Buy used: $14.77
Other Sellers on Amazon
& FREE Shipping
85% positive over last 12 months
FREE Shipping
99% positive over last 12 months
& FREE Shipping
92% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Speedliter's Handbook: Learning to Craft Light with Canon Speedlites 1st Edition
Purchase options and add-ons
A fantastic in-depth resource illustrated with over 500 images, Speedliter’s Handbook covers:
- how to see the various characteristics and properties of light itself, as well as the differences between how your camera sees versus how you see
- all the buttons and dials of the entire Canon Speedlite family
- the basics of on-camera flash…and the necessity of getting your flash off the camera
- how to beautifully balance flash with the existing ambient light
- all the equipment necessary for great Speedlite shots
- how to get amazing shots with just one Speedlite
- how and when to use E-TTL versus manual flash
- the use of color gels to balance color, as well as create dramatic effects
- how to tame the sun—or any really bright light—with hi-speed sync
- and much, much more
- ISBN-10032171105X
- ISBN-13978-0321711052
- Edition1st
- PublisherPeachpit Pr
- Publication dateMay 26, 2012
- LanguageEnglish
- Dimensions7.48 x 0.87 x 9.25 inches
- Print length391 pages
Frequently bought together

Similar items that may ship from close to you
Editorial Reviews
From the Back Cover
About the Author
Product details
- Publisher : Peachpit Pr; 1st edition (May 26, 2012)
- Language : English
- Paperback : 391 pages
- ISBN-10 : 032171105X
- ISBN-13 : 978-0321711052
- Item Weight : 2.09 pounds
- Dimensions : 7.48 x 0.87 x 9.25 inches
- Best Sellers Rank: #275,173 in Books (See Top 100 in Books)
- #7 in Flash Photography
- #11 in Photography Lighting (Books)
- #168 in Digital Photography (Books)
- Customer Reviews:
Important information
To report an issue with this product, click here.
About the author

SYL | 'sill'
1. short for 'Sylvester'
2. rhymes with 'Bill', 'Phil' and 'Will'
3. not pronounced 'Sile' or 'Sly'
Shortly after Neil Armstrong stepped onto the moon, Syl Arena "borrowed" his father's newfangled Polaroid camera, climbed a tree, and made his first photograph. Syl was in the third grade. He has wandered the world of photography ever since.
In college, Syl studied commercial photography at Brooks Institute and fine art photography at the University of Arizona (BFA, 1984). Among his more noteworthy accomplishments in school was the construction of a pinhole camera that used 20" x 24" litho film. True to his eclectic style, Syl then printed these giant negatives as cyanotypes, carbon prints, and screen prints--a early indication of Syl's willingness to explore the boundaries of photography.
Over the years, Syl has shot for newspapers, magazines, and catalogs. He has been recognized for his expertise on color critical workflow and his ability to turn noon to night by firing off a dozen Speedlites simultaneously.
Widely known for his teaching ability, Syl is the author of the bestselling Speedliter’s Handbook, and he has taught lighting and photography at Maine Media Workshops, Santa Fe Photo Workshops, and Dubai’s Gulf Photo Plus. Syl covers the world of photography on his blog, PixSylated.com.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
Submit a report
- Harassment, profanity
- Spam, advertisement, promotions
- Given in exchange for cash, discounts
Sorry, there was an error
Please try again later.-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
I'm not usually prone to breathless hyperbole, but if you light with Canon Speedlites, or are thinking about it, you need this book. The only comparable texts in the field are NK Guy's text (not as useful a reference, dry and technical) and Joe McNally's books emphasizing, well, Joe's rambling writing style, Joe's sense of humor, Joe's killer imagery and Joe's Nikon speedlighting. For the Canon guys, and anybody wanting to understand basic flash lighting design, this is the go-to. Every page has well-organized information about how particular equipment works and how to accomplish a particular lighting effect.
Syl's underlying message is that your pictures will look better if you get your Speedlite off the camera. Triggering the off-camera flash is then done via (a) a long cable running from your hot shoe to the flash, (b) radio triggers working wirelessly to send a signal from your camera to the flash, or (c) on some Canon models, a pop-up flash can be used to trigger the off-camera Speedlite similar to the Nikon CLS approach. If you have more than one Speedlite available, Syl teaches you how to use the first to trigger the others to give increasingly sophisticated lighting. And if you wonder about flash modifiers and general lighting equipment (softboxes, gels, grids, stands, clamps, etc.) Syl very comprehensively covers the state of the market in this category of equipment. I have no doubt the book would pay for itself if you are a beginner wanting to be careful with a limited budget.
This book is about equipment and technique. It does not contain tear-out art images suitable for framing. It may disappoint you, for example, if you expect it to develop your creative vision beyond the creative capability you will gain by knowing how to light things that you didn't think you could light, or capture images you didn't realize were possible. It has the tone of a good buddy who just happens to be a world-class expert taking you under his wing on a Saturday morning and explaining just what all those oddly named buttons on your flash really do, and why his photos invariably look better than yours. Every technique is explained and illustrated and feels achievable, although Syl's explanations and illustrations are so clear that you won't feel like you need to reproduce it just to understand how to do it. Much like home cooks embark on odysseys where they cook through every recipe in a favorite cookbook, I could imagine a serious student of photography wanting to reproduce as learning exercises the shots Syl includes.
Syl begins with general lighting theory and includes opinionated (in the best sense of the word) remarks on light modifiers, flash equipment, and so on. He concludes with 2-page tutorials where he shows how a given shot is achieved using one or more Speedlites. Again, imagine going to the store with your expert buddy alongside explaining why you shouldn't buy X but should buy Y and why. Imagine that buddy explaining why, for example, might small tilt-head flashes be superior to more powerful studio strobes? What should you do if the sun is so bright that the slave flashes can't see the IR trigger from the master flash? Why would you want to zoom or gel a flash? And so on, in detail that is meticulous but so well-organized that you can find answers to specific questions quickly, or just read casually for general education.
I attended an extended workshop with Syl in 2010, and had seen a preview of this text. I ordered pre-release knowing how good it was going to be. It exceeded my expectations.
My only quibbles with the book are
(a) there are occasional minor editing glitches with photo captions,
(b) some of the glossary material feels a little superficial. Bokeh, for example, is more profound than just "the shape of out-of-focus elements created by a wide aperture."
(b) the equipment discussions in the book will quickly become dated as new equipment is introduced. For example, Canon has already outpaced Syl's book with the introduction of their new Speedlite 270EXII and Speedlite 320EX, which are not covered by Syl in this text. The same problem exists with reviews of flash modification equipment. The longer the book is out, the more likely a specific piece of equipment is not going to be included. Maybe a wiki is the only way to keep up. Regardless, the learning principles and lighting philosophy should be timeless.
I am a Canon shooter, and I was looking more for a technical discussion of the nuts and bolts of the canon flash system, so I procured Syl Arena's Speedliter's handbook - this book.
Photography books authors usually fall into two categories: they tend to be good at making pictures or at explaining how to do it but rarely both. With this book, Syl Arena falls clearly in the second category. As other reviewers noted, the pictures are short of mind-blowing, including the cover one (coming from Joe McNally's book didn't help either) but that's OK with me as this is not what I was coming for.
While the general principles exposed in this book would work regardless of the camera gear you have, most details are purely for Canon equipment. This book is much less about artistic feel and mood than it is about the nuts and bolts of flash photography with Canon speedlites - no big studio strobes here, although you will be showered with gear, gobos, scrims, battery details etc. (How about being showered with umbrellas?)
The book is just short of 400 pages divided in 5 parts with a few chapters each:
Part 1 is basics of light and photography - could be useful as a refresher course for the amateur but nothing very new under the sun here.
Part2 is exclusively about the Canon flash, except for a short last chapter dealing with mixing canon gear with other stuff - obviously needed but over too fast.
Part 3 deals with everything that goes around the speedlite. Be ready to be doused in gobos, Justin clamps, light stands and other grids. Amazon can thank Syl for my spending spree after reading this section - the list of what I procured would not fit in this review...
Part 4 (Finally!) deals with what to do with all this stuff, i.e. how to light shown by the example. He obviously indulged himself with pictures lit with a pole covered with speedlites. C'mon Syl! Nobody's going to do that! We don't have the budget.
Part 5 is a collection of odds and ends aptly dubbed "Appendices", mostly useful for pages 374 to 375 (included) which resume pretty well the approach for lighting.
If you are looking for a more general-purpose introduction to digital photography and lighting, I found that Digital Photography Lighting For Dummies does a great job at that, to a surprising level of detail.
If you want a reference on lighting styles, check out the Master Lighting Guide for Portrait Photographers which is really good at that without dwelling too much on the tools.
If you want great pictures and their stories, then procure the Joe MacNally's Sketching Light already mentioned.
For reference guides on photography, including history of the technical aspect of things and all, get Ansel Adams' Camera and Negative , although they are not for the faint of heart. Brace for the zone theory.
If what you are yearning for are more one- or two-pages-long tutorials on how to do this or that, have a look at Scott Kelby's The Digital Photography Book and Part 2 and Part 4 (and yes, skip the part 3, I found it useless.)
Now if what you are looking for is a light-hearted, detailed description of the Canon gear, how it fits in the big picture and how to use it, you are in luck, this is the book for you.
The rating I came up with is based on my recent reading of a collection of other photography books. I also factored in my personal guidelines: below three stars I regret the purchase; at three I am satisfied but no more, at four this is a good value for the money.
This is a four stars for me.
This was used But Band new condition
A must have book for flash photography
Top reviews from other countries
Although some readers have criticised Arena's style, I find him to be clear in what he is trying to explain (although sometimes not all at once: as is the case with many technical books sometimes he mentions a concept but only really explains it later on). If you are using the book to learn technique and see what's possible then you don't strictly speaking need to waste any time imagining how smug the author is! Even if he does try to sell you his "long ETTL cord" every three paragraphs.
The order of topics in the book is quite logical, starting in the "what are Speedlites and why would you want to use them" area, and building up throughout the chapters until you know how cameras perceive light, how flashes affect exposure, what kit is available and what you'd use it for, and how to achieve a whole raft of portrait styles and special effects. The material is arranged in such a way that you can either dip in and look at the parts you want to know about, or read it cover to cover to build up comprehensive knowledge. The author himself recommends the former rather than the latter!
The book itself is slightly let down by being printed on paper that is quite thin and slightly corrasable (meaning that if you grip the edges of the pages with slightly greasy finger tips to turn the page, you may find you smudge the print). This almost gives it the feel of a thick magazine which considering the retail price I thought was a bit cheap of the publishers. The content is so very useful that this is easily forgiven, and doesn't even come close to costing this excellent book an Amazon star!
Whether it is for learning or reference, you will find it hard to beat this book. If you own even just one Speedlite, buy it.
The book can be used as a reference as well as a step by step guide. Nothing is taken for granted about the level of reader's knowledge. Without patronising, the book moves you from a very basic understanding of the mechanics of digital SLRs through to the fundamentals of flash. Not just a technical guide, the book examines how lighting can be used creatively to produce really high quality phootographs worthy of any professional. The book is written in plain English, jargon is kept to a minimum and where used is carefully defined. I particularly like the way that almost every page includes a box called "Geek Speak" which delves into the science (for those who feel they need it) and another box called "Speedliter's Tip" in which the author's own hard won experience is imparted.
Of quite a large number of photography books I own, this book has proved to be the best investment I have made ...by a country mile. I have only spotted one minor discrepancy in the entire book being a failure to mention that the 60D (as well as the 7D which is mentioned), has wireless cabability via the on - board flip up flash unit.
Overall, this book is inspiring and has raised my understanding and confidence with both Speedliting and other forms of lighting to a high level. I am having a huge amount of fun using all that I have learned and producing some amazing shots. You will too.
I know that I will be referring to Mr. Arena's book over and over again. If you are serious about wanting to take better flash pictures, I can highly recommend it to you. It is so comprehensive in its coverage that there is likely no need to purchase any other book on the same topic. This book does it all in a down to earth, easy to understand fashion. And with the exception of some very specialized lighting setups (detailed near the end of the book) which are really fun and interesting, this book talks to those of use who do NOT have professional studios. It is directed mainly at those who have one or two Speedlites and probably won't ever have more than this. Mr. Arena is also very practical when he suggests additional equipment such as stands and light modifiers that we amateurs might like to acquire. Great book. I wish all books were this good.
However, if you have ann understanding as to the effect being created thats not too much of a problem.
I have a fair understanding on the aspect of flash photography, most of it is going to be down to practise, trial and error.
Now, I dropped it a star because.... this book, in places, is VERY indepth, infact a lot of it is manufacturers instruaction manual type stuff. Now I know when describing different stuff the author has decided to tell you how to use it, but what a lot of wasted pages, so much info, I will never need to know.
However its a very comprehencive book, and I guess if you have the time and resources, you could come up with results like the average photographer never would.
If you need it as a reference book and generally know what your doing, the kindle version for B&W versions is probably fine, although it wasnt clear you would need a colour one. The book would be for someone who needed to know in more depth.
The best info I got from the book was about metering ambient light and then using flash to add, normally a lot of flash pics blast the ambisnt light and are over powered, you find out with this book why your flash can go down to 1/64 or 1/128 power, sometimes its all you need.
I havent finished it yet, I keep reading bits and skipping a bit and picking up what I need too.
Although its probably dedicated to canon, it is useable by anyone.
I have followed Syl's recommendations in a number of cases, for example: the Lastolite 54x54cm Ezybox Hotshoe Softbox with Bracket , which really provides beautiful soft light.
The book is excellently presented; where complicated topics are dealt with in plain English, a simple layout, and plenty of supporting photos. My favourite parts of the book are the chapters at the end where he deals with specific scenarios, and demonstrates how he set them up, with step by step photos demonstrating how each image evolved. Superb.
My only small criticism (not worth losing a star for) is that the discussion of speedlites is too Canon-centric. Yes, I know the clue is in the title and the word "speedlite", but they are very expensive, and there are cheaper alternatives, particularly for those comfortable with using optically fired manual slaves such as these YONGNUO YN-560 II ELECTRONIC SPEEDLIGHT SPEEDLITE FLASH FLASHGUN With The Standard Hot Shoe for Nikon , Canon , Fuji , Olympus , Pentax , DSLR Digital Camera by eimo . I have 2 and can vouch for their functionality and build quality. Some discussion of these would have made the book more complete.
Overall, a must buy for newbies in the world of flash. Go buy it.







