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Spontaneous Human Combustion Paperback – February 22, 2022
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A 2022 BRAM STOKER AWARD NOMINEE
A TOR NIGHTFIRE MOST EXCITING HORROR BOOK OF 2022
"In range alone, Richard Thomas is boundless. He is Lovecraft. He is Bradbury. He is Gaiman." —Chuck Palahniuk
With a Foreword by Brian Evenson
In this new collection, Richard Thomas has crafted fourteen stories that push the boundaries of dark fiction in an intoxicating, piercing blend of fantasy, science fiction, and horror. Equally provocative and profound, each story is masterfully woven with transgressive themes that burrow beneath the skin.
- A poker game yields a strange prize that haunts one man, his game of chance now turned into a life-or-death coin flip.
- A set of twins find they have mysterious new powers when an asteroid crashes in a field near their house, and the decisions they make create an uneasy balance.
- A fantasy world is filled with one man’s desire to feel whole again, finally finding love, only to have the shocking truth of his life exposed in an appalling twist.
- A father and son work slave labor in a brave new world run by aliens and mount a rebellion that may end up freeing them all.
- A clown takes off his make-up in a gloomy basement to reveal something more horrifying under the white, tacky skin.
Powerful and haunting, Thomas’ transportive collection dares you to examine what lies in the darkest, most twisted corners of human existence and not be transformed by what you find.
- Print length248 pages
- LanguageEnglish
- PublisherKeylight Books
- Publication dateFebruary 22, 2022
- Dimensions5.5 x 0.75 x 8.5 inches
- ISBN-101684427541
- ISBN-13978-1684427543
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Editorial Reviews
Review
"In range alone, Richard Thomas is boundless. He is Lovecraft. He is Bradbury. He is Gaiman." —Chuck Palahniuk
"This chilling collection of short stories, with plenty of twists and turns, as well as echoes of Lovecraft and Bradbury, probes the dark corners between the horrors humans inflict on each other and those that haunt our nightmares. This volume will please Thomas's existing fans and will surely create new ones." —Shelf Awareness (starred review)
"Fans of science fiction, horror, and dark fiction will relish immersing themselves in this collection for all its grit, lyricism, and unquestionable profundity." —Library Journal (starred review)
"Equally devastating and refreshing, this is a collection to be savored by horror fans and literary readers alike." —Publisher’s Weekly (starred review)
"Horror fans will be drawn to this compelling anthology." —Booklist
"Each story is filled with vivid and evocative details and provides a fascinating journey that explores the dark places of our existence and engages its readers throughout . . . [Richard Thomas] does not disappoint." —New York Journal of Books
"A feast for the senses, this collection is simultaneously lush and terrifying. Horror and dark fantasy fans are sure to find many delights within." —A.C. Wise, author of Wendy, Darling
"Nothing will prepare you for Richard Thomas' stories, for the brutality, for the intense white-hot horror, for the blood-soaked gorgeous beauty of his writing. Reading his fiction is like sinking into a fever dream, filled with an alien-yet-familiar wondrousness to it all that makes you long to be back inside those seductive terrors long after they've ended. I was not prepared: I can't wait to return." —Livia Llewellyn, author of Furnace
"Thomas masterfully combines noir and horror. He paints the beauty and the meanness of human life with an ease that belies how damned hard a trick it is to accomplish. Spontaneous Human Combustion is a bottle of the top shelf stuff—smooth, but it burns. Burns all the way to the bottom." —Laird Barron, author of Swift to Chase
"By turns poetic and brutal, this is a stellar collection." —Lucy A. Snyder, author of Sister, Maiden, Monster
"Richard Thomas brings us expertly crafted tales steeped in violence and beauty. Each richly detailed story teases the reader with equal parts emotion and stoicism. Spontaneous Human Combustion is truly a work of dark wonder." —Mercedes M. Yardley, Bram Stoker Award–winning author of Little Dead Red
"The stories in Spontaneous Human Combustion sizzle and burn. Richard Thomas is a narrator of the human condition at its most feral, and a master at the damnation game." —Usman T. Malik, award-winning author of Midnight Doorways: Fables from Pakistan
"Richard Thomas's Spontaneous Human Combustion is a marvelous monster made of blood, anger, fear, guilt, grief, hunger, and pain. These gritty, blood-soaked stories pull readers into the darkness of the single black heart beating at the core of horror and noir, and somehow makes them love every second of it." —Gabino Iglesias, author of Coyote Songs
"Richard Thomas gives us a timely and eloquent reminder that, no matter how far we run, we take our darkness with us." —Priya Sharma, author of Ormeshadow
“The stories in Richard Thomas’s Spontaneous Human Combustion marry a dark noir sensibility with unusually wide-ranging horror and fantasy tropes. The results are impressive, not only because of their originality, but in the way he is able to elicit our empathy for the grotesque sufferings of deeply flawed characters torn between impulses of petty revenge and sacrifice, creation and destruction. The language here is dense and richly evocative, achieving at times a transgressive and surreal quality reminiscent of Rimbaud in its beauty and brutality.” —Steve Rasnic Tem, author of Figures Unseen: Selected Stories and Thanatrauma
“Dark, but rarely bleak. Punishing, but never sadistic. Thomas’s stories drag you into the light as often as they knock you into the abyss. A necessary collection.” —Doug Murano, Bram Stoker Award–winning editor of Behold!: Oddities, Curiosities & Undefinable Wonders
“If you dig Black Mirror or any surrealist, neo-noir fiction, then you definitely need to check this out, because this would be right up your alley.” —Jenny Ashford, 13 O'Clock podcast
"Richard Thomas is a seasoned professional . . . He is such a fantastic writer with so much depth and subtext in every single paragraph. Every single line has punch to it . . . This collection is damn near perfect!" —Edward Lorn, author of Life after Dane
"Imaginative and propulsive, the stories of Spontaneous Human Combustion confront universal human fears in supernatural, futuristic worlds." —Foreword Reviews
"Transgressive, dark and masterfully written—with Spontaneous Human Combustion, Thomas forces the reader to run the gamut of human emotions. With beguiling and devastating prose one can’t help but see the beauty in the macabre morsels Thomas has given us to consume. A truly breathtaking collection." —Ross Jeffery, Bram Stoker Award–nominated author of Tome
“In this collection, Richard Thomas leads us through a vivid sequence of ever-darkening dreams. Strange, surreal, terrible and beautiful—I didn't want to wake.” —Karen Runge, author of Doll Crimes
“Raw and shocking, each story takes us deeper into the human psyche and our darkest instincts. Favorites included 'Ring of Fire' and 'Requital,' however, the strength of the collection overall make this a disturbingly satisfying read.” —Kathleen Kaufman, author of The Lairdbalor, Hag, and the Diabhal Trilogy
"With Spontaneous Human Combustion, Richard Thomas bravely leads us into the darkest recesses of the human soul. As always his writing is superb—precise, evocative, and moving." —Kate Jonez, author of Lady Bits
"Richard Thomas isn't just writing stories in his new collection, he's taking that part of yourself you look away from, the dark thoughts and forgotten nightmares, and showing them to you with the clarity and power only our best working writers possess. Take it from a guy who's actually been on fire—Spontaneous Human Combustion delivers." —Fred Venturini, author of The Heart Does Not Grow Back and To Dust You Shall Return
"Soaked in dread and wonder, Richard Thomas' work has a way of worming deep into your heart to take hold like a beautiful sickness. And true to form, every piece in his magnificent Spontaneous Human Combustion hits like a fever dream you wish would never end." —Matthew Lyons, author of The Night Will Find Us and A Black And Endless Sky
About the Author
Richard Thomas is the award-winning author of seven books―Disintegration and Breaker (Penguin Random House Alibi), Transubstantiate, Staring into the Abyss, Herniated Roots, Tribulations, and The Soul Standard (Dzanc Books). His over 150 stories in print include The Best Horror of the Year (Volume Eleven), Cemetery Dance (twice), Behold!: Oddities, Curiosities and Undefinable Wonders (Bram Stoker winner), PANK, storySouth, Gargoyle, Weird Fiction Review, Midwestern Gothic, Shallow Creek, The Seven Deadliest, Gutted: Beautiful Horror Stories, Qualia Nous, Chiral Mad (numbers 2-4), PRISMS, Pantheon, and Shivers VI. He was also the editor of four anthologies: The New Black and Exigencies (Dark House Press), The Lineup: 20 Provocative Women Writers (Black Lawrence Press) and Burnt Tongues (Medallion Press) with Chuck Palahniuk. He has been nominated for the Bram Stoker, Shirley Jackson, and Thriller awards. In his spare time he is a columnist at Lit Reactor. He was the Editor-in-Chief at Dark House Press and Gamut Magazine, and lives in Mundelein, Illinois. For more information visit www.whatdoesnotkillme.com or contact Paula Munier at Talcott Notch.
Product details
- Publisher : Keylight Books; 1st edition (February 22, 2022)
- Language : English
- Paperback : 248 pages
- ISBN-10 : 1684427541
- ISBN-13 : 978-1684427543
- Item Weight : 9.6 ounces
- Dimensions : 5.5 x 0.75 x 8.5 inches
- Best Sellers Rank: #978,448 in Books (See Top 100 in Books)
- #9,982 in Short Stories Anthologies
- #17,112 in Short Stories (Books)
- #42,901 in Literary Fiction (Books)
- Customer Reviews:
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About the author

(Art by Erik Wilson) Richard Thomas is the award-winning author of seven books: three novels—Disintegration and Breaker (Penguin Random House Alibi), as well as Transubstantiate (Otherworld Publications); three short story collections—Staring into the Abyss (Kraken Press), Herniated Roots (Snubnose Press), and Tribulations (Cemetery Dance); and one novella in The Soul Standard (Dzanc Books). With over 150 stories published, his credits include The Best Horror of the Year (Volume Eleven), Cemetery Dance (twice), Behold!: Oddities, Curiosities and Undefinable Wonders (Bram Stoker winner), PANK, storySouth, Gargoyle, Weird Fiction Review, Midwestern Gothic, Shallow Creek, The Seven Deadliest, Gutted: Beautiful Horror Stories, Qualia Nous, Chiral Mad (numbers 2-4), PRISMS, Pantheon, and Shivers VI (with Stephen King and Peter Straub). He has won contests at ChiZine and One Buck Horror, has received five Pushcart Prize nominations, and has been long-listed for Best Horror of the Year six times. He was also the editor of four anthologies: The New Black and Exigencies (Dark House Press), The Lineup: 20 Provocative Women Writers (Black Lawrence Press) and Burnt Tongues (Medallion Press) with Chuck Palahniuk. He has been nominated for the Bram Stoker, Shirley Jackson, and Thriller awards. In his spare time he is a columnist at Lit Reactor. He was the Editor-in-Chief at Dark House Press and Gamut Magazine. His agent is Paula Munier at Talcott Notch. For more information visit www.whatdoesnotkillme.com.
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You'll especially enjoy this collection if you're a fan of what Thomas calls his "transgressive neo-noir" voice. Reading the stories in this collection back to back, I've found that to mostly mean he employs his narrators to tell the stories in 1st person, often in present tense, with a sort of dark, twisted reflection on the events as they occur. There are a few occasions where it doesn't quite work for me on a personal level; sometimes Thomas seems to challenge even himself as a writer by stringing together long sentences chained together by various punctuation (at times deliberately, as explains in the afterword about his story 'Undone'), to a point where a narrator may make observations in real time that I didn't think one would naturally make. However, this is on me; I needed to keep reminding myself Thomas is a stylistic writer first, and for a reason. There's no denying that by the end of each story, a mark is left behind. You're made wiser, sympathetic, and maybe even damaged as a reader by Thomas' stories. You've been warned!
If you've enjoyed these stories, especially the final one where Thomas really takes time to stretch himself out, I would strongly recommend his novels. I still think about Disintegration whenever I come across Thomas' stories... there's no doubt he's both a student and a contemporary to writers like Palahniuk. And to see how other writers have interpreted Thomas' vision for a "neo-noir" style, also be sure to check out the anthology that Thomas edited himself, "The New Black", or the one he edited alongside Palahniuk, "Burnt Tongues". In a format where you'll often get very mixed results, both stand out at some of my favorite anthologies ever.
Each story in this collection is rich in atmosphere, nostalgia, human connection, sociological questions, and psychological insight. Thomas makes us feel sympathy for the most heinous characters, forcing us to look within and confront our own flaws. There is the constant plea for forgiveness, and the always lingering hope that it will be given, or that it already has been.
My favorite stories were:
Battle Not with Monsters—a peek into a serial killer’s psyche and his lair (think of pillows stuffed with human hair).
How not to Come Undone—magically written, foreboding yet whimsical, a story that proves no one is beyond saving if someone loves them enough.
Hiraeth—a sweet, cozy fairy tale that leaves you with a lingering glow.
In His House—wickedly fun, clever, and unsettling.
This distinctive collection is for horror, sci-fi, and speculative readers who crave a deeper experience, as well as for writers who want to learn what exciting things can be done with dark fiction.
The tales come alive with Richard's detailed descriptions and setting, even in artificial worlds.
The book is fun and later, after you've enjoyed it, worth studying to learn out how good writing is done.
And I suggest you read the epilogue. The writer's comments are a course in writing.
I really enjoy stories that cause me to continue to reflect on the content long after the stories have been read. This book certainly did not fail to provide that for me.
I think the author does a great job at bringing the reader in and sharing, bit by bit, the concepts and
characters every story present, bringing them to life slowly and in the most entertainment way possible.
A very satisfying read, don't waste any time, get your copy now.
Top reviews from other countries
Striking a completely different note is ‘Hiraeth’, one of the gentler tales. I looked up ‘hiraeth’ in Wikipedia: a Welsh word that translates roughly into ‘a homesickness tinged with grief and sadness’; in many ways, this theme echoes through the collection in one way or another, where the homesickness is perhaps as much for an emotional state as a physical space; a place where haunted characters can strip off their tainted skins, purge themselves of their deeds, and find some kind of peace. Throughout the stories’ hellishness and grimness, there is always a vestige of optimism and the glimmer of transformation.








