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A Spy in the House of Love Paperback – May 1, 1994
- Print length166 pages
- LanguageEnglish
- PublisherPocket
- Publication dateMay 1, 1994
- Dimensions4.25 x 0.75 x 6.75 inches
- ISBN-100671871390
- ISBN-13978-0671871390
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Product details
- Publisher : Pocket; Reprint edition (May 1, 1994)
- Language : English
- Paperback : 166 pages
- ISBN-10 : 0671871390
- ISBN-13 : 978-0671871390
- Item Weight : 3.2 ounces
- Dimensions : 4.25 x 0.75 x 6.75 inches
- Best Sellers Rank: #1,487,341 in Books (See Top 100 in Books)
- #80,584 in Erotic Literature & Fiction
- Customer Reviews:
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About the author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally, most notably with the anthology The Portable Anais Nin (2011).
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The tattoo artist orginally said it would be two four hour sessions. I got in the chair and started reading this book. Three hours later, my tattoo was completely finished - no need for a second session.
I didn’t even flinch because I was so engrossed. Get this book. The storyline isn’t particularly interesting, but Anais Nin writes with such artistry that it is truly grabbing.
There's no doubt that Anais's unique style, insights, and sense of description all appear in this work, but I think she left out the nitty gritty. She's capable of more. If nothing else, I'd love to see the book about 3 times or more this tiny length, enough space to really delve into Sabina's character, how she got to her breaking point, why she even chose that path in life.
For others considering reading "A Spy in the House of Love," I do recommend it as a unique look into the mind of a woman who's found herself leading separate lives for a single reason, who's in search of a happiness that alludes her, and never finds reason to really be herself, all of herself, at any one point in her life. The book is a psychological slice of a person...a person most of us are at one point in our lives as we seek to be our true selves in every moment, a lot of us never even reaching that point of complete freedom.
Anais also writes of the lure of sex, the psychological reasons why one may seek it out in any way possible, but the book isn't explicit in detail. That's left up to the reader's imagination as Anais only gives us the psychological details. There are many great insights here, most previously untold, but Anais is (was) capable of so much more. Looks like I'll have to turn back to her diaries for that.
It’s hard to judge this book by modern expectations because of the time period in which it was written. Anais Nin’s writing is known for its eloquence, though at times she becomes flowery and “obvious”. She frequently spells out connections to the title throughout the body of the text, which gets to be somewhat cloying (page 51: “Her eyes like the eyes of a spy. Her habits like the habits of a spy.”). Generally, though, the text was rife with apt metaphors and poetic descriptive passages such as on page 66:
“When their still throbbing bodies lay side by side, there was always silence, and in this silence each one began to weave the separating threads, to disunite what had been united, to return to each what had been for a moment equally shared.
There were essences of caresses which could penetrate the heaviest insulations, filtering through the heaviest defenses, but these, so soon after the exchange of desires, could be destroyed like the seeds of birth.”
I did not always sympathize with Sabina. At times, I found her to be too self-pitying but also a victim of her era and her history. Each of her relationships throughout the novel explored a different aspect of herself: another version of her as a woman. Her main concern is to find a way to reconcile these different versions of herself; to find a man who will recognize each of her faces instead of the single one he wishes to see.
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What is disappointing is that it ends just when there seems a possibility that she will grow up.
One might presume this novel would be categorized as erotica or romance, but it’s not so graphic as to be typical of the former, nor so much of a celebration of romance to count as the latter. I’d place this work simply as literary fiction. It focuses on the character of Sabina and the conflict that resides within her – on the on hand, she craves the attention of multiple men; but on the other hand, she is is in turmoil about this need. The lie detector serves as a confessor, and by having her activities known to someone she hopes to be unburdened. The language is often verges on the poetic.
I enjoyed this novel both for its language and its reflection on the inner conflict of the human condition. I’d recommend this work for readers of literary fiction.







