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Stephen King

The Stand Paperback – August 7, 2012

by Stephen King (Author)

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#1 BESTSELLER • Stephen King’s apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published.

This edition includes all of the new and restored material first published in The Stand: The Complete And Uncut Edition.

A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity.

Also a limited series on CBS All Access

Print length

1200 pages
Language

English
Publisher

Anchor
Publication date

August 7, 2012
Dimensions

5.2 x 2 x 8 inches
ISBN-10

0274812428
ISBN-13

978-0274812424
Lexile measure

840L
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Popular Highlights in this book

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Love didn’t grow very well in a place where there was only fear, just as plants didn’t grow very well in a place where it was always dark.
Highlighted by 3,371 Kindle readers
No one can tell what goes on in between the person you were and the person you become. No one can chart that blue and lonely section of hell. There are no maps of the change. You just … come out the other side. Or you don’t.
Highlighted by 3,026 Kindle readers
A boy does not need a father unless he is a good father, but a good father is indispensable.
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Editorial Reviews

Review

"[The Stand] has everything. Adventure. Romance. Prophecy. Allegory. Satire. Fantasy. Realism. Apocalypse. Great!"
    —The New York Times Book Review

"A master storyteller."
    —Los Angeles Times

"As brilliant a dark dream as has ever been dreamed in this century."
    —Palm Beach Post

“An undisputed master of suspense and terror.”
   —The Washington Post

“King is one of the most powerful storytellers we have. His work satisfies on first reading and is even better the second time around.”
   —Chicago Tribune

“Crackling . . . with explosive climaxes.”
   —The Boston Globe

“[For] those who like their horror on a humongous scale.”
   —Los Angeles Times

“Peerless imagination.”
   —The Observer (London)

About the Author

STEPHEN KING is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER 1

Hapscomb's Texaco sat on Number 93 just north of Arnette, a pissant four-street burg about 110 miles from Houston. Tonight the regulars were there, sitting by the cash register, drinking beer, talking idly, watching the bugs fly into the big lighted sign.

It was Bill Hapscomb's station, so the others deferred to him even though he was a pure fool. They would have expected the same deferral if they had been gathered together in one of their business establishments. Except they had none. In Arnette, it was hard times. In 1980 the town had had two industries, a factory that made paper products (for picnics and barbecues, mostly) and a plant that made electronic calculators. Now the paper factory was shut down and the calculator plant was ailing—they could make them a lot cheaper in Taiwan, it turned out, just like those portable TVs and transistor radios.

Norman Bruett and Tommy Wannamaker, who had both worked in the paper factory, were on relief, having run out of unemployment some time ago. Henry Carmichael and Stu Redman both worked at the calculator plant but rarely got more than thirty hours a week. Victor Palfrey was retired and smoked stinking home-rolled cigarettes, which were all he could afford.

"Now what I say is this," Hap told them, putting his hands on his knees and leaning forward. "They just gotta say screw this inflation shit. Screw this national debt shit. We got the presses and we got the paper. We're gonna run off fifty million thousand-dollar bills and hump them right the Christ into circulation."

Palfrey, who had been a machinist until 1984, was the only one present with sufficient self-respect to point out Hap's most obvious damfool statements. Now, rolling another of his shitty-smelling cigarettes, he said: "That wouldn't get us nowhere. If they do that, it'll be just like Richmond in the last two years of the States War. In those days, when you wanted a piece of gingerbread, you gave the baker a Confederate dollar, he'd put it on the gingerbread, and cut out a piece just that size. Money's just paper, you know."

"I know some people don't agree with you," Hapsaid sourly. He picked up a greasy red plastic paper-holder from his desk. "I owe these people. And they're starting to get pretty itchy about it."

Stuart Redman, who was perhaps the quietest man in Arnette, was sitting in one of the cracked plastic Woolco chairs, a can of Pabst in his hand, looking out the big service station window at Number 93. Stu knew about poor. He had grown up that way right here in town, the son of a dentist who had died when Stu was seven, leaving his wife and two other children besides Stu.

His mother had gotten work at the Red Ball Truck Stop just outside of Arnette—Stu could have seen it from where he sat right now if it hadn't burned down in 1979. It had been enough to keep the four of them eating, but that was all. At the age of nine, Stu had gone to work, first for Rog Tucker, who owned the Red Ball, helping to unload trucks after school for thirty-five cents an hour, and then at the stockyards in the neighboring town of Braintree, lying about his age to get twenty back breaking hours of labor a week at the minimum wage.

Now, listening to Hap and Vic Palfrey argue on about money and the mysterious way it had of drying up, he thought about the way his hands had bled at first from pulling the endless handtrucks of hides and guts. He had tried to keep that from his mother, but she had seen, less than a week after he started. She wept over them a little, and she hadn't been a woman who wept easily. But she hadn't asked him to quit the job. She knew what the situation was. She was a realist.

Some of the silence in him came from the fact that he had never had friends, or the time for them. There was school, and there was work. His youngest brother, Dev, had died of pneumonia the year he began at the yards, and Stu had never quite gotten over that. Guilt, he supposed. He had loved Dev the best . . . but his passing had also meant there was one less mouth to feed.

In high school he had found football, and that was something his mother had encouraged even though it cut into his work hours. "You play," she said. "If you got a ticket out of here, it's football, Stuart. You play. Remember Eddie Warfield." Eddie Warfield was a local hero. He had come from a family even poorer than Stu's own, had covered himself with glory as quarterback of the regional high school team, had gone onto Texas A&M with an athletic scholarship, and had played for ten years with the Green Bay Packers, mostly as a second-string quarterback but on several memorable occasions as the starter. Eddie now owned a string of fast-food restaurants across the West and Southwest, and in Arnette he was an enduring figure of myth. In Arnette, when you said "success," you meant Eddie Warfield.

Stu was no quarterback, and he was no Eddie Warfield. But it did seem to him as he began his junior year in high school that there was at least a fighting chance for him to get a small athletic scholarship . . . and then there were work-study programs, and the school's guidance counselor had told him about the NDEA loan program.

Then his mother had gotten sick, had become unable to work. It was cancer. Two months before he graduated from high school, she had died, leaving Stu with his brother Bryce to support. Stu had turned down the athletic scholarship and had gone to work in the calculator factory. And finally it was Bryce, three years' Stu's junior, who had made it out. He was now in Minnesota, a systems analyst for IBM. He didn't write often, and the last time he had seen Bryce was at the funeral, after Stu's wife had died—died of exactly the same sort of cancer that had killed his mother. He thought that Bryce might have his own guilt to carry . . . and that Bryce might be a little ashamed of the fact that his brother had turned into just another good old boy in a dying Texas town, spending his days doing time in the calculator plant, and his nights either down at Hap's or over at the Indian Head drinking Lone Star beer.

The marriage had been the best time, and it had only lasted eighteen months. The womb of his young wife had borne a single dark and malignant child. That had been four years ago. Since, he had thought of leaving Arnette, searching for something better, but small-town inertia held him—the low siren song of familiar places and familiar faces. He was well liked in Arnette, and Vic Palfrey had once paid him the ultimate compliment of calling him "Old Time Tough."

As Vic and Hap chewed it out, there was still a little dusk left in the sky, but the land was in shadow. Cars didn't go by on 93 much now, which was one reason that Hap had so many unpaid bills. But there was a car coming now, Stu saw.

It was still a quarter of a mile distant, the day's last light putting a dusty shine on what little chrome was left to it. Stu's eyes were sharp, and he made it as a very old Chevrolet, maybe a '75. A Chevy, no lights on, doing no more than fifteen miles an hour, weaving all over the road. No one had seen it yet but him.

"Now let's say you got a mortgage payment on this station," Vic was saying, "and let's say it's fifty dollars a month."

"It's a hell of a lot more than that."

"Well, for the sake of the argument, let's say fifty. And let's say the Federals went ahead and printed you a whole carload of money. Well then those bank people would turn round and want a hundred and fifty. You'd be just as poorly off."

"That's right," Henry Carmichael added. Hap looked at him, irritated. He happened to know that Hank had gotten in the habit of taking Cokes out of the machine without paying the deposit, and furthermore, Hank knew he knew, and if Hank wanted to come in on any side it ought to be his.

"That ain't necessarily how it would be," Hap said weightily from the depths of his ninth-grade education. He went on to explain why.

Stu, who only understood that they were in a hell of a pinch, tuned Hap's voice down to a meaningless drone and watched the Chevy pitch and yaw its way on up the road. The way it was going Stu didn't think it was going to make it much farther. It crossed the white line and its lefthand tires spumed up dust from the left shoulder. Now it lurched back, held its own lane briefly, then nearly pitched off into the ditch. Then, as if the driver had picked out the big lighted Texaco station sign as a beacon, it arrowed toward the tarmac like a projectile whose velocity is very nearly spent. Stu could hear the worn-out thump of its engine now, the steady gurgle-and-wheeze of a dying carb and a loose set of valves. It missed the lower entrance and bumped up over the curb. The fluorescent bars over the pumps were reflecting off the Chevy's dirt-streaked windshield so it was hard to see what was inside, but Stu saw the vague shape of the driver roll loosely with the bump. The car showed no sign of slowing from its relentless fifteen.

"So I say with more money in circulation you'd be—"

"Better turn off your pumps, Hap," Stu said mildly.

"The pumps? What?"

Norm Bruett had turned to look out the window. "Christ on a pony," he said.

Stu got out of his chair, leaned over Tommy Wannamaker and Hank Carmichael, and flicked off all eight switches at once, four with each hand. So he was the only one who didn't see the Chevy as it hit the gas pumps on the upper island and sheared them off.

It plowed into them with a slowness that seemed implacable and somehow grand. Tommy Wannamaker swore in the Indian Head the next day that the taillights never flashed once. The Chevy just kept coming at a steady fifteen or so, like the pace car in the Tournament of Roses parade. The undercarriage screeched over the concrete island, and when the wheels hit it everyone but Stu saw the driver's head swing limply and strike the windshield, starring the glass.

The Chevy jumped like an old dog that had been kicked and plowed away the hi-test pump. It snapped off and rolled away, spilling a few dribbles of gas. The nozzle came unhooked and lay glittering under the fluorescents.

They all saw the sparks produced by the Chevy's exhaust pipe grating across the cement, and Hap, who had seen a gas station explosion in Mexico, instinctively shielded his eyes against the fireball he expected. Instead, the Chevy's rear end flirted around and fell off the pump island on the station side. The front end smashed into the low-lead pump, knocking it off with a hollow bang.

Almost deliberately, the Chevrolet finished its 360-degree turn, hitting the island again, broadside this time. The rear end popped up on the island and knocked the regular gas pump asprawl. And there the Chevy came to rest, trailing its rusty exhaust pipe behind it. It had destroyed all three of the gas pumps on that island nearest the highway. The motor continued to run choppily for a few seconds and then quit. The silence was so loud it was alarming.

"Holy moly," Tommy Wannamaker said breathlessly. "Will she blow, Hap?"

"If it was gonna, it already woulda," Hap said, getting up. His shoulder bumped the map case, scattering Texas, New Mexico, and Arizona every whichway. Hap felt a cautious sort of jubilation. His pumps were insured, and the insurance was paid up. Mary had harped on the insurance ahead of everything.

"Guy must have been pretty drunk," Norm said.

"I seen his taillights," Tommy said, his voice high with excitement. "They never flashed once. Holy moly! If he'd a been doing sixty we'd all be dead now."

They hurried out of the office, Hap first and Stu bringing up the rear. Hap, Tommy, and Norm reached the car together. They could smell gas and hear the slow, clocklike tick of the Chevy's cooling engine. Hap opened the driver's side door and the man behind the wheel spilled out like an old laundry sack.

"God-damn," Norm Bruett shouted, almost screamed. He turned away, clutched his ample belly, and was sick. It wasn't the man who had fallen out (Hap had caught him neatly before he could thump to the pavement) but the smell that was issuing from the car, a sick stench compounded of blood, fecal matter, vomit, and human decay. It was a ghastly rich sick-dead smell.

A moment later Hap turned away, dragging the driver by the armpits. Tommy hastily grabbed the dragging feet and he and Hap carried him into the office. In the glow of the overhead fluorescents their faces were cheesy-looking and revolted. Hap had forgotten about his insurance money.

The others looked into the car and then Hank turned away, one hand over his mouth, little finger sticking off like a man who has just raised his wineglass to make a toast. He trotted to the north end of the station's lot and let his supper come up.

Vic and Stu looked into the car for some time, looked a teach other, and then looked back in. On the passenger side was a young woman, her shift dress hiked up high on her thighs. Leaning against her was a boy or girl, about three years old. They were both dead. Their necks had swelled up like inner tubes and the flesh there was a purple-black color, like a bruise. The flesh was puffed up under their eyes, too. They looked, Vic later said, like those baseball players who put lampblack under their eyes to cut the glare. Their eyes bulged sightlessly. The woman was holding the child's hand. Thick mucus had run from their noses and was now clotted there. Flies buzzed around them, lighting in the mucus, crawling in and out of their open mouths. Stu had been in the war, but he had never seen anything so terribly pitiful as this. His eyes were constantly drawn back to those linked hands.

Product details

ASIN ‏ : ‎ 0307947300
Publisher ‏ : ‎ Anchor; Reprint edition (August 7, 2012)
Language ‏ : ‎ English
Paperback ‏ : ‎ 1200 pages
ISBN-10 ‏ : ‎ 0274812428
ISBN-13 ‏ : ‎ 978-0274812424
Lexile measure ‏ : ‎ 840L
Item Weight ‏ : ‎ 2.35 pounds
Dimensions ‏ : ‎ 5.2 x 2 x 8 inches

Best Sellers Rank: #5,290 in Books (See Top 100 in Books)
- #29 in Ghost Fiction
- #121 in Post-Apocalyptic Science Fiction (Books)
- #1,076 in Suspense Thrillers

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Stephen King

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Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.

King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.

King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.

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Resa

Wonderful and horrible ...

Reviewed in the United States 🇺🇸 on November 4, 2022

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Disclaimer: I've never read a Stephen King novel before. I've avoided him because horror isn't my thing. Having read this first novel, I am a fan of his writing ... but not of his content.
Second disclaimer: Apparently Stephen King has written several versions of The Stand, and this one isn't the original ... so if anything I say doesn't seem true, keep in mind that I've only read this one version.
Okay, on with my thoughts on the book:

First, Stephen King is an incredible writer. INCREDIBLE. When I taught writing, I had an article written by King in which he advised that fledgling writers use fewer adjectives and stronger verbs ... wow, did I see this in his writing. Every word he writes is perfection; his words are perfectly chosen, and it's easy to sink into the world he creates. He is genuinely one of the top ten writers of his generation.

Second, his characters are incredible. He builds their backgrounds and feeds out the details about their lives so skillfully that the reader feels he or she knows the characters ... bad guys are sometimes pitied, and good guys aren't always particularly nice. But the characters feel real; often they're haunted by their past actions ... some change for the better, others change for the worse. Some characters only appear for a couple pages, but they serve to show just how horrible this plague would be to the world.

On the other hand, King doesn't pull any punches ... some of his material takes the reader right up to the line where cruelty begins, and he takes a big step across that line. A four-year old who falls into a well and suffers four days with broken bones before he dies of exposure. Weird sexual stuff. It's a big much for me, and that's why I'm giving the book 4 stars. But I loved the overall story of good vs. evil and survival after the plague.

Apparently this is one of King's less gory novels. I'd love to read more of his work, but I'll choose carefully ... this was as much gore as I can take.

17 people found this helpful

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Linda C.

Great Read

Reviewed in the United States 🇺🇸 on January 20, 2023

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It’s a long story but easily kept me reading to the end. The characters were very interesting and I enjoyed some comic asides in the book, (Las Vegas as Lost Wages). Well worth the read.

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King's Best

Reviewed in the United States 🇺🇸 on January 3, 2023

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I've read most of King's books, including the Gunslinger series. While I enjoyed them all very much, this one is my favorite. This is my third time reading it. I like the juxtaposition of good and evil, and, despite its length, it is a very fast read. Also it is very timely, as it is about a pandemic.

2 people found this helpful

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Amy S.

The greatest writer forever!

Reviewed in the United States 🇺🇸 on December 17, 2022

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King just knows how to write and capture the human soul and so onto paper. This book indeed is his masterpiece on this skill that comes naturally to him, I would imagine. Definitely listen to this audio book of "The Stand" that is 47hrs long. King added back a lot of text that was removed on the first edition. This second version of the book is the greatest version! In my opinion.

Reviewed in the United States 🇺🇸 on January 26, 2023

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Stephen King at his best.

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Negan 88

A Little Late to the Party: Retro Review

Reviewed in the United States 🇺🇸 on September 16, 2019

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I have been quite late to board the Stephen King train, but I am glad I finally have. Better late than never right? Maybe King’s works intimidated me just a little bit. Especially his gigantic tomes. However, I am happy to say that the more I read the more I truly love Stephen King, and his masterfully written works.

I will keep the synopsis of The Stand by Stephen King brief, because I am sure everyone at least knows the basic premise. I read the Complete and Uncut Edition, the only edition I can find without shelling out a lot of dough, and if Mr. King felt that it was of value to reprint issues of the original 1978 edition I most certainly think he would do so. I also believe that if King didn’t believe the Complete and Uncut Edition was not superior there would be the choice between both editions at book stores. It makes sense. A lot of people would buy both just to see differences. I know I would. Which would mean more money for the publisher, and Stephen as well. So I feel that the Complete and Uncut edition is worth reading the extra pages considering it is King’s full vision of The Stand.

The Stand is an epic story of massive proportions! The amount of characters throughout are immense, diverse, some you love, and some you hate. The year is 1990, and the world is about to be nearly obliterated by a pandemic, plague, or virus. Take your pick. When something goes awry at a military base in California death soon follows the path of a family into Arnette, Texas. From here the telephone game of deadly infectious disease is set into motion.

There are some that are unaffected by the Captain Trips virus, and their stories are who we follow. Stu Redman, Frannie Goldsmith, Harold Lauder, Nick Andros, Tom Cullen, Lucy Swann, Nadine Cross, Lloyd Henreid, Trashcan Man, Mother Abigail, the mysterious dark man Randall Flagg, and my personal favorite Larry Underwood. Now that is not to say there aren’t others, Glen, Ralph, Sue, Dayna, Judge Farris, and I could go on. The characters in this epic novel are expansive!

Following the lives of survivors King weaves a story that at the core is about survival, and good versus evil. As all of the survivors begin having strange dreams they casually may mention it to others, and they believe it is pure coincidence. However, as more and more join together their dreams are too much alike to be coincidental. They all set out on a journey across the United States to answer their dreams, to see what happens next, and to make their stand.

I honestly do not believe any review of this epic masterpiece that has enthralled readers for many years can be praised properly in a simple book review. I was attached to The Stand from the start of chapter one! I had a difficult time putting it down, and now I understand the hype of this novel, why it has impacted so many readers lives, and inspired others to go on to adapt this work into mini series. I plan to watch the newest mini series, and rewatch the 1994 mini series as well. However, I believe I will revisit this blog, and add my comparisons at a later time. It is quite a lot of information to digest! Nevertheless, a fantastic piece of literature to have linger on the mind for a long time to come.

Overall, I give The Stand Complete and Uncut by Stephen King five perfect stars out of five! I cannot find any fault in the novel, I loved so many characters, and even though Larry is my favorite Nick and Tom come in close behind. I also absolutely enjoyed picturing these characters as my own, and if I had control of casting actors who I thought would play the character the best. The Stand is absolutely an epic journey that I am happy to say has become one of my top five Stephen King novels I have read to date! Until next time, my friends.

16 people found this helpful

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Kindle Customer

Wonderful book

Reviewed in the United States 🇺🇸 on January 18, 2023

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Best book Stephen king ever wrote!!!

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Top reviews from other countries

Bill

The best End of World Post apocalyptic novel of the genre

Reviewed in the United Kingdom 🇬🇧 on April 30, 2019

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This is the #1 bestseller in th Post Apocalyptic genre. I read this book when it came out in 1979, and have read it every 3 to 5 years since. You may ask, why leave a review now, well Amazon wasnt about then, think I bought it in WH Smith. Then I bought and read the complete and uncut edition. And the Audible edition a couple of years ago. I simply love this story, as do millions of others who love the PA genre .

So as regards a review, I'm going to rip off the synopsis from Stephen king.com

One man escapes from a biological weapon facility after an accident, carrying with him the deadly virus known as Captain Tripps, a rapidly mutating flu that - in the ensuing weeks - wipes out most of the world's population. In the aftermath, survivors choose between following an elderly black woman to Boulder or the dark man, Randall Flagg, who has set up his command post in Las Vegas. The two factions prepare for a confrontation between the forces of good and evil

Go ahead and read it, if you like it, welcome to the throng of millions who also like it.

If you dont like it, well - maybe the best in the genre is not for you, try Swan Song by Robert R McCammon, similiar plot , characters and timeframe, or Earth Abides by George R Stewart written in 1948 - a gentler take on the theme .

Sorry, why am I writing a review now, borrowed out my dog eared copy of the complete and uncut edition to God knows who, was enraptured to learn the Kindle version is that version, so my 15th and subsequent rereads will be on my Kindle from now on.

88 people found this helpful

Simon Edwards

M-O-O-N, that spells epic

Reviewed in the United Kingdom 🇬🇧 on June 15, 2020

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Back in 1978, Stephen King was well on his way to becoming the biggest selling author of all time. On the back of three great classics that were Carrie (1974), ‘Salem’s Lot (1975) and The Shining (1977), King had already established himself as the Master of Horror, a title to which, even today, he has become a bit tired with. He had now hit the big time, didn’t need to worry about money or work again – he had achieved his lifelong dream (becoming a full time writer). The Shining had become his first bestselling hardcover novel, perhaps influenced by the fact that Brian DE Palma’s 1976 adaptation of Carrie had become a box office success, allowing audiences to discover King in a new medium that they might not have done so had it not been for the movie.

His first three published novels had been hard-core horror novels, all three contemplating his status as the King of Horror. King’s next novel would be a change of pace. It would still include elements of the horror genre, a genre in which he had spent his entire life surrounded by, even as a child, but his next novel would also have elements of science fiction and would actually become a sociological look at the human race. But first, he would have to kill them all.

On the heels of the Shining, King had been inspired by the Patty Hearst case (a case that involved both kidnapping and terrorism), to write a novel surrounding these events, but not long into the novel, he gave up, after having seen on the news, a chemical spill that had happened in Utah. Not long after this, King’s mind started working overtime and he came up with a novel about something similar that would wipe out the human race, allowing only a few remaining characters to be left behind and deal with the tragic events that had been enforced upon them. Wanting to write an epic on par with Tolkien’s The Lord of the Rings, King went about creating a vast landscape in which he left nothing out, allowed nothing to bypass the story – this would become the ultimate epic novel.

The Stand begins with this primary thought. The basic premise of the novel is that a government research facility, after having spent time creating a super flu bug (Captain Trips as it is known in the novel) to be used in biological warfare, is accidently released on to the base. Everybody dies except for one man, Charles Campion, a security guard, who grabs his family and evacuates that base, heading across Northern America, unaware that he has the flu like virus, infecting everyone he comes into contact to. So King weaves out his tale, introducing us to a multitude of characters, some good, some bad, showing us the effects of Campion’s actions, watching minor characters contract the flu, watching them suffer through the eyes of our main characters, all of diverse backgrounds. King is clever in letting us see how the virus takes hold, how it acts as a chain mail across all of America, letting us get to know the characters, watch the human race become extinguished through their eyes, letting us see their pain, letting us get attached to them so that we can go on the journey that they will inevitably have to take.

King is a genius at creating a wide variety of characters, and not since Dickens, has any writer ever managed to capture a whole society of characters that all can be identified by the reader. Of the good, there is Stu Redman (an everyman from East Texas, the main character pretty much of this large epic), Fran Goldsmith (a young pregnant girl from Maine, who becomes one of the main heroines of the piece), Larry Underwood (a singer from New York), Nick Andros (a deaf mute who passes through Shoyo, Arkansas), Glenn Bateman (a retired college professor that taught sociology and is one of the characters that King uses to speak his own thoughts on society and bring about theories of what will likely happen now that over 99% of the world’s population is dead), Tom Cullen (a man who is more like a boy due to a very low IQ. He develops a great relationship with Nick, learning new things through Nick’s teaching. He spells every word M-O-O-N), Ralph Bretner (a farmer who always seems to see the lightness in everything, never thinking himself superior to anyone, he ends up becoming one of the main heroes of the peace) and Mother Abigail (a 108 year old from Nebraska, who still makes her own biscuit. The main characters dream of her, using her as a guiding force of help along the way. She is a prophet of God and for a short while leads them until letting them make it on their own). There are also plenty of main characters who are on the side of evil: Lloyd Henried (a killer/robber who ends up in prison as Captain Trips spreads across America, being left to die until he is saved by his new leader), Harold Lauder (a friend of Fran’s. Before the flu hit, Harold was the butt of jokes, hated by everyone, even his own parents. He has a crush on Fran and loves her, and becomes jealous and full of hate when she revokes this love and ends up with another of the main characters instead), Nadine Cross (a school teacher who has visions of the Dark Man, visions that they would become lovers and eventually married. She loves Larry also, but can’t allow herself to act upon this love as her heart and mind belongs to the Dark Man), the Trashcan Man (a psychopath who has developed an obsession of burning everything in his path. He is one of King’s most interesting and memorable characters. His loyalty to the Dark Man knows no bounds “my life for you”, yet he ends up becoming something of an anti-hero), Randall Flagg (the Dark Man, the Prince of Evil, the antithesis of Mother Abigail, he is gathering his troops to Las Vegas and trying to create an army that will eventually wipe out those that stand against him. He is one of the greatest villains in the King universe and has appeared in more than one of his novels).

Had this been a book written by any other writer, the premise of the novel would probably have been the characters get together, stand against the Dark Man and his minions and save the day. But this is a King novel, a novel of epic proportions. We don’t just see the Stand that will ultimately take place, we see a large cast of characters coming together, creating a new world together, creating a new life together and King shows every single point of this. The world building in this novel is fantastic, on par with the greatest of fantasy novels (including Tolkien). You really get to know the characters, to love them and hate them, feeling like they have become a part of your family. You feel enriched by them, allowing yourself to be taken on this journey with them, fighting for your own survival as well as theirs.

When King first wrote this back in 1978 and sent it to his publishers, they were shocked by the size and scope of the novel. They replied back to him, saying they would have to cut the book by about four hundred pages in order to sell it. King was distraught by this, but as he was still establishing himself as a bestselling writer, he felt he had no choice but to succumb to Doubleday’s wishes and so he himself cut over four hundred pages out of the book, missing out a lot of what made the book very important. The Stand was eventually published in 1978 and quickly went on to become King’s masterpiece, the book all fans seemed to love and say was his best. King has actually gone on record as saying “to some fans, I could have written nothing after The Stand, and they wouldn’t have cared.”

Fast forward to 1991 – King was toying around with the idea of releasing The Stand as it was originally intended. After receiving permission from Doubleday to go ahead with this idea, King began working on an updated version of The Stand, changing the premise of the book from the late seventies into the early nineties, including new background like HIV/Aids, changing the sociological background of the characters, without allowing them to change in anyway. As he says in his forward to the new version, “you won’t find the characters behaving any differently or going down roads and on journeys that they never went on before”. It was the same story but it was bigger and it was allowed to become complete. And so The Stand: The Complete and Uncut Edition was released in 1991 and this is the version fans say is the one to read. Not having read the original edition, I can only go on hearsay that this is the version that is far superior and much more enjoyable. This is the one I have read four times.

Is The Stand King’s greatest book? In my opinion, it isn’t. As far as I’m concerned, King would go on to write even greater books, but this is definitely one of his most memorable, most exciting works. It is also, along with The Dark Tower series, the one book that seems to have a lot of fans in such diverse thought – some say it is a book that is a work of genius, an epic masterpiece that flows high on every level (I am of this thought) and some say it is too long, not worth the hype, boring and they couldn’t get through it. Whatever your way of thinking becomes, it is most certainly a book you have to read at least once in your lifetime. Despite its length, I would go on to say that it is a perfect place to start for readers just getting into King. It includes all the elements that make him one of the greatest writers of all time – fantastic, realistic characters, a great premise of a story, writing that takes you in, grabs you and doesn’t let you go, and great world building that allows you to feel that you are actually there with the characters, going along with them for the journey.

While this book is not my all-time favourite of King’s (that says more about the brilliance of his future works than about this actual novel), it is definitely in my top ten and one I enjoy coming back to again and again. For me this really is the perfect five.

42 people found this helpful

Sarah Gordon

My favourite Stephen King Novel

Reviewed in the United Kingdom 🇬🇧 on September 16, 2019

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I couldn’t put this book down. I was hooked from the first chapter and didn’t want it to end (except for the fact that I really needed to start conversing with my friends and family again, before they started to worry!) I have never read the original and downloaded the long version by accident, but wasn’t put off when I read the preface - I love long books!

Unusually for a Stephen King book, The Stand was not too scary for me to read at bedtime, but this did not detract at all from the suspense. It kept me on the edge of my seat from start to finish, and I feel like it tuned right in to my own fears about the future of humanity.

Maybe a few politicians ought to read this and then gave a long, hard think...before it’s too late!

30 people found this helpful

G

King's best book and my favourite of all time.

Reviewed in the United Kingdom 🇬🇧 on December 27, 2017

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If you know Stephen King then you know what you are in for with this, in my view his stand out piece of work. Lots of reviews criticise the first part of the book as taking too long to develop but I don't agree. I've never read 1400 pages so quickly and I think the extra detail he puts in over the original version only adds to the colour and texture of the storytelling.

The book tells the story of the end of the human race as we know it, brought about by a deadly flu strain, developed by the US military. The social science is a bit simplistic but the quality of the storytelling and character development are both excellent.

54 people found this helpful

Another Avid Reader

A Timeless Classic

Reviewed in the United Kingdom 🇬🇧 on April 10, 2019

Verified Purchase

I remember the first time I read this book during my early teens, seeing for the first time all of the different levels within the story. On the surface it’s a post apocalypse tale, underneath it’s so much more the eternal struggle of good v evil. This is one of the books that epitomises the human condition, cheer the triumphs, laugh with friends, cry for the losses. Between this book and Tolkien’s Lord of the Rings it set me on a literary path that I’ve enjoyed for many years.
So if you want to be entertained with a story that has meaning then read on. Even if you don’t like anything else by the author (unlikely I know) then this one is worth it.

22 people found this helpful

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