| Publisher | Spectra; Reissue edition (March 1, 1984) |
|---|---|
| Language | English |
| Mass Market Paperback | 480 pages |
| ISBN-10 | 055327418X |
| ISBN-13 | 978-0553274189 |
| Lexile measure | 910L |
| Item Weight | 8.5 ounces |
| Dimensions | 4.2 x 1.23 x 6.89 inches |
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Startide Rising (The Uplift Saga, Book 2) Mass Market Paperback – March 1, 1984
| David Brin (Author) Find all the books, read about the author, and more. See search results for this author |
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The Terran exploration vessel Streaker has crashed in the uncharted water world of Kithrup, bearing one of the most important discoveries in galactic history. Below, a handful of her human and dolphin crew battles armed rebellion and a hostile planet to safeguard her secret--the fate of the Progenitors, the fabled First Race who seeded wisdom throughout the stars.
- Print length480 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateMarch 1, 1984
- Dimensions4.2 x 1.23 x 6.89 inches
- ISBN-10055327418X
- ISBN-13978-0553274189
- Lexile measure910L
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--The Encyclopedia of Science Fiction
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--The Encyclopedia of Science Fiction
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The Terran exploration vessel "Streaker has crashed in the uncharted water world of Kithrup, bearing one of the most important discoveries in galactic history. Below, a handful of her human and dolphin crew battles armed rebellion and a hostile planet to safeguard her secret--the fate of the Progenitors, the fabled First Race who seeded wisdom throughout the stars.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Fins had been making wisecracks about human beings for thousands of years. They had always found men terribly funny. The fact that humanity had recently meddled with their genes, and taught them engineering, hadn’t done much to change their attitude.
Fins were still smart-alecks.
Toshio watched the small instrument panel of his seasled, pretending to check the depth gauge. The sled thrummed along at a constant ten meters below the surface. There were no adjustments to be made, yet he concentrated on the panel as Keepiru swam up alongside—doubtless to start another round of teasing.
“Little Hands, whistle!” The sleek, gray cetacean did a barrel roll to Toshio’s right, then drew nearer to eye the boy casually. “Whistle us a tune about shipsss and space and going home!”
Keepiru’s voice, echoing from a complex set of chambers under his skull, rumbled like the groaning of a bassoon. He could just as well have imitated an oboe, or a tenor sax.
“Well, Little Hands? Where is your sssong?”
Keepiru was making sure the rest of the party could hear. The other fins swam quietly, but Toshio could tell they were listening. He was glad that Hikahi, the leader of the expedition, was far ahead, scouting. It would be far worse if she were here and ordered Keepiru to leave him alone. Nothing Keepiru said could match the shame of being protected like a helpless child.
Keepiru rolled lazily, belly up, next to the boy’s sled, kicking slow fluke strokes to stay easily abreast of Toshio’s machine. In the crystal-clear water of Kithrup, everything seemed strangely refracted. The coral-like peaks of the metal-mounds shimmered as though mountains seen through the haze of a long valley. Drifting yellow tendrils of dangle-weed hung from the surface.
Keepiru’s gray skin had a phosphorescent sheen, and the needle-sharp teeth in his long, narrow, vee mouth shone with a teasing cruelty that had to be magnified … if not by the water, then by Toshio’s own imagination.
How could a fin be so mean?
“Won’t you sing for us, Little Hands? Sing us a song that will buy us all fish-brew when we finally get off this ssso-called planet and find a friendly port! Whistle to make the Dreamers dream of land!”
Above the tiny whine of his air-recycler, Toshio’s ears buzzed with embarrassment. At any moment, he was sure, Keepiru would stop calling him Little Hands and start using the new nickname he had chosen: “Great Dreamer.”
It was bad enough to be taunted for having made the mistake of whistling, when accompanying an exploration crew of fins—they had greeted his absentminded melody with razzberries and chittering derision—but to be mockingly addressed by a title almost always reserved for great musicians or humpback whales … it was almost more than he could bear.
“I don’t feel like singing right now, Keepiru. Why don’t you go bother somebody else?” Toshio felt a small sense of victory in managing to keep a quaver out of his voice.
To Toshio’s relief, Keepiru merely squeaked something high and fast in gutter Trinary, almost Primal Delphin—that in itself a form of insult. Then the dolphin arched and shot away to surface for air.
The water on all sides was bright and blue. Shimmering Kithrupan fish flicked past with scaled backs that faceted the light like drifting, frosted leaves. All around were the various colors and textures of metal. Morning sunshine penetrated the clear, steady sea to glimmer off the peculiar life forms of this strange and inevitably deadly world.
Toshio had no eye for the beauty of Kithrup’s waters. Hating the planet, the crippled ship that had brought him here, and the fins who were his fellow castaways, he drifted into a poignantly satisfying rehearsal of the scathing retorts he should have said to Keepiru.
“If you’re so good, Keepiru, why don’t you whistle us up some vanadium!” Or, “I see no point in wasting a human song on a dolphin audience, Keepiru.”
In his imagination the remarks were satisfyingly effective. In the real world, Toshio knew, he could never say any such thing.
First of all, cetacean vocalizings were legal tender in countless spaceports. And while it was the mournful ballads of the larger cousins, the whales, that brought the real prices, Keepiru’s kin could buy intoxicants on a dozen worlds merely by exercising their lungs.
Anyway, it would be a mistake to try to pull human rank on any of the crew of the Streaker. Old Hannes Suessi, one of the other six humans aboard, had warned him about that just after they had left Neptune, at the beginning of the voyage.
“Try it and see what happens,” the mechanic had suggested. “They’ll laugh so hard, and so will I, if I have the good luck to be there when you do. Likely as not, one of them will take a nip at you for good measure! If there’s anything fins don’t respect, it’s a human who never earned the right, putting on patron airs.”
“But the Protocols …” Toshio had started to protest.
“Protocols my left eye! Those rules were set up so humans and chimps and fins will act in just the right way when Galactics are around. If the Streak gets stopped by a Soro patrol, or has to ask a Pilan Librarian for data somewhere, then Dr. Metz or Mr. Orley—or even you or I—might have to pretend we’re in charge … because none of those stuffed-shirt Eatees would give the time of day to a race as young as fins. But the rest of the time we take our orders from Captain Creideiki.
“Hell, that’d be hard enough—taking brown from a Soro and pretending you like it because the damned ET is nice enough to admit that humans, at least, are a bit above the level of fruit flies. Can you imagine how hard it would be if we actually had to run this ship? What if we had tried to make dolphins into a nice, well-behaved, slavey client race? Would you have liked that?”
At the time Toshio had shaken his head vigorously. The idea of treating fins as clients usually were in the Five Galaxies was repulsive. His best friend, Akki, was a fin.
Yet, there were moments like the present, when Toshio wished there were compensations for being the only human boy on a starship crewed mostly by adult dolphins.
A starship which wasn’t going anywhere at the moment, Toshio reminded himself. The acute resentment of Keepiru’s goading was replaced by the more persistent, hollow worry that he might never leave the water world of Kithrup and see home.
* Slow your travel—boy sled-rider *
* Exploring pod—does gather hither *
* Hikahi comes—we wait here for her *
Toshio looked up. Brookida, the elderly dolphin metallurgist, had come up alongside on the left. Toshio whistled a reply in Trinary.
* Hikahi comes—my sled is stopping *
He eased the sled’s throttle back.
On his sonar screen, Toshio saw tiny echoes converging from far ahead. The scouts returning. He looked up and saw Hist-t and Keepiru playing at the surface.
Brookida switched to Anglic. Though somewhat shrill and stuttered, it was still better than Toshio’s Trinary. Dolphins, after all, had been modified by generations of genetic engineering to take up human styles, not the other way around.
“You’ve found no t-traces of the needed substances, Toshio?” Brookida asked.
Toshio glanced at the molecular sieve. “No, sir. Nothing so far. This water is unbelievably pure, considering the metal content of the planet’s crust. Hardly any heavy metal salts.”
“And nothing on the long ssscan?”
“No resonance on the bands I’ve been checking, though the noise level is awfully high. I’m not sure I’d be able to pick out monopole-saturated nickel, let alone the other stuff we’re looking for. It’s like trying to find that needle in a haystack.”
It was a paradox. The planet had metals in superabundance. One reason Captain Creideiki chose this world as a refuge. Yet the water was relatively pure … enough to allow dolphins to swim freely, though some complained of itching, and each would need chelating treatments back on the ship.
The explanation lay all around them, in the plants and fishes.
Calcium did not make up the bones of Kithrupan life forms. Other metals did. The water was strained and sieved clean by biological filters. As a result, the sea shone all around with the bright colors of metal and oxides of metal. The gleaming dorsal spines of living fish—the silvery seedpods of underwater plants—all contrasted with the mundane green of chlorophyllic leaves and fronds.
Dominating the scenery were metal-mounds, giant, spongy islands shaped by millions of generations of coral-like creatures, whose metallo-organic exoskeletons accumulated into huge, flat-topped mountains rising a few meters above the mean water mark.
Atop the islands drill-trees grew, sending metal-tipped roots through each mound to harvest organics and silicates, depositing a non-metallic layer on top and creating a cavity underneath. It was a strange pattern. Streaker’s onboard Library had offered no explanation.
Toshio’s instruments detected clumps of pure tin, mounds of chromium fish eggs, coral colonies built from a variety of bronze, but so far no convenient, easily gathered piles of vanadium. No lumps of the special variety of nickel they sought.
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About the author

David Brin is a scientist, public speaker and world-known author. His novels have been New York Times Bestsellers, winning multiple Hugo, Nebula and other awards. At least a dozen have been translated into more than twenty languages.
David's latest novel - Existence - is set forty years ahead, in a near future when human survival seems to teeter along not just on one tightrope, but dozens, with as many hopeful trends and breakthroughs as dangers... a world we already see ahead. Only one day an astronaut snares a small, crystalline object from space. It appears to contain a message, even visitors within. Peeling back layer after layer of motives and secrets may offer opportunities, or deadly peril.
David's non-fiction book -- The Transparent Society: Will Technology Make Us Choose Between Freedom and Privacy? -- deals with secrecy in the modern world. It won the Freedom of Speech Award from the American Library Association.
A 1998 movie, directed by Kevin Costner, was loosely based on his post-apocalyptic novel, The Postman. Brin's 1989 ecological thriller - Earth - foreshadowed global warming, cyberwarfare and near-future trends such as the World Wide Web. David's novel Kiln People has been called a book of ideas disguised as a fast-moving and fun noir detective story, set in a future when new technology enables people to physically be in more than two places at once. A hardcover graphic novel The Life Eaters explored alternate outcomes to WWII, winning nominations and high praise.
David's science fictional Uplift Universe explores a future when humans genetically engineer higher animals like dolphins to become equal members of our civilization. These include the award-winning Startide Rising, The Uplift War, Brightness Reef, Infinity's Shore and Heaven's Reach. He also recently tied up the loose ends left behind by the late Isaac Asimov: Foundation's Triumph brings to a grand finale Asimov's famed Foundation Universe.
Brin serves on advisory committees dealing with subjects as diverse as national defense and homeland security, astronomy and space exploration, SETI and nanotechnology, future/prediction and philanthropy.
As a public speaker, Brin shares unique insights -- serious and humorous -- about ways that changing technology may affect our future lives. He appears frequently on TV, including several episodes of "The Universe" and History Channel's "Life After People." He also was a regular cast member on "The ArciTECHS."
Brin's scientific work covers an eclectic range of topics, from astronautics, astronomy, and optics to alternative dispute resolution and the role of neoteny in human evolution. His Ph.D in Physics from UCSD - the University of California at San Diego (the lab of nobelist Hannes Alfven) - followed a masters in optics and an undergraduate degree in astrophysics from Caltech. He was a postdoctoral fellow at the California Space Institute. His technical patents directly confront some of the faults of old-fashioned screen-based interaction, aiming to improve the way human beings converse online.
Brin lives in San Diego County with his wife and three children.
You can follow David Brin:
Website: http://www.davidbrin.com/
Blog: http://davidbrin.blogspot.com/
Twitter: http://twitter.com/DavidBrin
YouTube: http://www.youtube.com/user/cab801
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The first book introduced us to aliens and to uplifted chimpanzees ("chims") and dolphins ("fins"). This book embeds in the crew of the first star ship crewed primarily by dolphins.
This book seemed slower paced than the first book but part of that might've been the large cast of dolphinic characters (which break down into two varieties: Tursiops and Stenos) plus several dolphin languages. In addition, there was at least one dolphin in the crew with Orca genes spliced in. One language in particular seems like a continuous haiku and reading poetry always slows down my reading (so "pace" might be especially subjective for this novel). Among the Galactics themselves, at least twelve Galactic languages were mentioned (gratefully without examples).
The humans in the crew are primarily there for reasons of observation and council.
The Galactic alien races seems almost childish, aligning, betraying, aligning, and betraying in the midst of a battle of the planet Kithrup until nearly the entire fleet was destroyed. I would've expected mature, patron races to behave with more maturity.
There were more typos in this book that I would've expected. That was distracting (to me).
Despite all of this, I *am* looking forward to the next book in the series.
A UNIVERSE TEEMING WITH INTELLIGENT LIFE
The concept of Uplift is central to the stories in the series. The premise is that we live in a universe teeming with intelligent life. But most species in the Five Galaxies attained sapience not through evolution, or at least not exclusively that way. Instead, they were “uplifted” by a patron species from a starfaring race and thus became their clients, forced to do their bidding. Earth, it appears, is the sole exception. Here, homo sapiens evolved through natural processes. But we humans then proceeded to institute our own home-grown form of uplift, using genetic engineering and selective breeding to welcome dolphins and chimpanzees into the ranks of the our planet’s sophonts. And when starships piloted by humans and dolphins reached for the stars, homo sapiens thus became the youngest patron race in the Uplift Universe, with dolphins and chimpanzees our clients.
A SPRAWLING CAST OF CHARACTERS
Startide Rising opens with a daunting, seven-page glossary and cast of characters. The upshot is that the novel is indeed a slow slog early on. It’s a challenge to get used to the many neo-dolphin and human officers on board and to the multitude of other, hostile species in the Five Galaxies. But it’s worth it. And eventually the identities of the central characters become clear. It’s still a large number, but manageable. Such is life in the Uplift Universe.
THE HUMANS
The principal human characters include:
Dr. Gillian Baskin, a physician and agent for the Terragens Council. She is the most senior among the small number of humans aboard.
Midshipman Toshio Iwashika, who hails from the mixed human-dolphin colony world of Calafia
Dr. Ignacio Metz, a human expert on uplift
Thomas Orley, an agent of the Terragens Council who is Gillian Baskin’s lover
Dennie Sudman, a female exobiologist
Hannes Suessi, a male engineer
THE NEO-DOLPHINS
However, the principal dolphin characters are more numerous, as this is a ship piloted and captained by neo-dolphins—the first ever.
Akki, a midshipman from Calafia who is Toshio’s best friend
Brookida, a metallurgist
Creideidiki, an aging neo-dolphin who captains the exploration vessel Streaker, thought to be a genius by many in the crew
Hikahi, a female neo-dolphin who is third in command
Keepiru, pilot of the Streaker, who is a trained military officer
K’tha-jon, a petty officer who is an experimental variant Stenos neo-dolphin
Makanee, the ship’s surgeon, a female
Sah’ot, a civilian linguist who is a Stenos neo-dolphin
Takkata-Jim, vice-captain of the Streaker, a male Stenos new-dolphin
T’sh’t, a female neo-dolphin who is the ship’s fourth officer
Wattaceti, a non-commissioned officer who is a male neo-fin
Joining them is Dr. Charles Dart, a neo-chimpanzee planetologist, who is the only member of his species to appear in the story.
CONFLICT WITH ALIEN SPECIES
To this awkwardly long cast of characters, add a bewildering number of hostile alien species. They all come together when Streaker is forced to land on an out-of-the-way planet called Kithrup. By accident, they’d discovered a billions-of-years-old derelict fleet in a backwater in the Milky Way galaxy that consists of ships the size of moons. The aliens have pursued them to discover what the Earthlings have learned about the ancients who piloted the derelict fleet—and to convert the humans and their dolphin and chimpanzee clients into clients of their own.
But the aliens are hostile not just to humans and dolphins. They detest one another with sometimes even greater acrimony. The result is a colossal battle in space around the planet for each of them to gain the advantage over all the others. Meanwhile, Streaker is trapped under an ocean on Kithrup, with factions lining up against each other over clashing plans for them to escape their fate.
If all this sounds unappetizing, never fear. Brin does a brilliant job developing the characters in the story and pacing the action. Read this book, and you’ll likely find yourself caring a great deal about the fate of those on Streaker. Life in the Uplift Universe is endlessly fascinating.
ABOUT THE AUTHOR
David Brin (1950-) holds a BS in Astronomy from the California Institute of Technology and both a Master’s in electrical engineering and a PhD in Astronomy from the University of California, San Diego. Most of his 19 science fiction novels are hard SF. Six are set in the Uplift universe, of which Startide Rising is the second. Brin has won all the major literary awards in the genre. In addition to writing science fiction, he works widely as a lecturer and consultant about the future. Brin lives in San Diego with his wife and children. He is of Polish-Jewish ancestry, and Jewish values and themes are reflected in much of his fiction.
The whole series is fabulous.
i read this book first, of the series- so am probably partial to it. and it can and does stand alone, even though there is a book before it and a book that follows it. Each book is also unique though.
the premise starts with the concept up "uplift" whereby we genetically and biologically modify other species, such as dolphins and chimps- to enhance their intelligence and build human-speech into their evolution. the story goes on to explore the relationship we have with dolphins and delves into other-ness, through a different species that we already know and love. just because we have given dolphins the capacity for speech- does not mean they process language in the same way we do. In fact, the dolphins use poetry and haiku to communicate with us.
this is a touching story about relationships, and the politics around power- whether it is within a ship, a species or intergalactic rivals. I laughed and cried and have reread the books several times. You won't be disappointed.
Teri J. Dluznieski







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