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State of Wonder Hardcover – Deckle Edge, June 7, 2011
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A New York Times Bestseller; Orange Prize nominee; a Time Magazine’s Best Books of the Year; a Publisher’s Weekly’s Best Top Ten Best Books; and a Wellcome Trust Book Prize nominee.
“Expect miracles when you read Ann Patchett’s fiction.”―New York Times Book Review
Award-winning, New York Times bestselling author Ann Patchett returns with a provocative and assured novel of morality and miracles, science and sacrifice set in the Amazon rainforest.
Marina Singh is a research scientist at Vogel, a pharmaceutical institute in Minnesota, and inconveniently in love with her boss, Mr. Fox. When one of her colleagues is reported to have died while following up on the progress of a field team based in Brazil, Marina is dispatched by Mr. Fox to the Amazon to uncover the truth of his death. And his widow wants his effects. She travels to Manaus, then down into the Amazonian delta, deep into the dense, dark, insect-infested jungle. The research team is looking into the development of a new miracle drug that could revolutionize Western society. A local tribe has the bark of a certain tree, it yields a substance which allows them to conceive late into middle age: many of the women are getting pregnant into their sixties and seventies. The problem is that the team is taking too long: they have been silent for two years, and Marina has been tasked to find out what is holding back their progress. The second problem is more serious: the team is being headed up by the daunting figure of Annick Swenson, an eminent and fiercely uncompromising scientist who was once Marina’s colleague, and towards whom Marina has very complicated feelings. What Marina learns will change her life. In a novel that is packed with amazing twists and surprises, Ann Patchett returns with immense confidence to a broad canvas, teeming with atmosphere and characters and rich with narrative. Remarkable events--fights with anacondas; encounters with cannibals; deaths; re-births--and profound moral decisions come together in a novel that will enthrall her many readers and fans and is guaranteed to be a major bestseller.
Infusing the narrative with the same ingenuity and emotional urgency that pervaded her acclaimed previous novels Bel Canto, Taft, Run, The Magician’s Assistant, and The Patron Saint of Liars, Patchett delivers an enthralling, innovative tale of aspiration, exploration, and attachment in State of Wonder―a gripping adventure story and a profound look at the difficult choices we make in the name of discovery and love.
- Print length353 pages
- LanguageEnglish
- PublisherHarper
- Publication dateJune 7, 2011
- Dimensions6 x 1.17 x 9 inches
- ISBN-109780062049803
- ISBN-13978-0062049803
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Editorial Reviews
Amazon.com Review
Amazon Exclusive: Elizabeth Gilbert Interviews Ann Patchett
Elizabeth Gilbert is the author of the #1 New York Times bestseller, Eat, Pray, Love, as well as the short story collection Pilgrims—a finalist for the PEN/Hemingway Award, and winner of the 1999 John C. Zacharis First Book Award from Ploughshares. A Pushcart Prize winner and National Magazine Award-nominated journalist, she works as writer-at-large for GQ.
Elizabeth Gilbert: As your close personal friend, I happen to know that you traveled to the Amazon to conduct research for this novel, and that you sort of hated the Amazon--can you share a little about that?
Ann Patchett: I absolutely loved the Amazon for four days. It was gorgeous and unfamiliar and deeply fascinating. Unfortunately, I stayed there for ten days. There are a lot of insects in the Amazon, a lot of mud, surprisingly few vegetables, too many snakes. You can’t go anywhere by yourself, which makes sense if you don’t know the terrain, but I enjoy going places by myself. I can see how great it would be for a very short visit, and how great it would be if you lived there and had figured out what was and wasn’t going to kill you, but the interim length of time isn’t great.
EG: Didn't I hear that you have a sort of magical story about a friend who is also a writer, who was also once going to write a book about the Amazon? Can you share this miraculous tale? Also, is your writer friend pretty?
AP: This friend of mine, who happens to be you, is gorgeous, and much taller in real life. Yes, you were writing a novel about the Amazon, and then you decided not to write a novel about the Amazon, and then I started writing a novel about the Amazon, and later when we compared notes (your book dismissed, mine halfway finished) they had remarkably similar story lines, to the point of being eerie. I thought this must be because it was an incredibly banal idea and we had both come up with a generic Amazon novel, but then you told me that ideas fly around looking for homes, and when the idea hadn’t worked out with you it came to me. If this is true I think your name should be on the cover. It would increase sales significantly.
EG: Readers of your prior work--particularly the luminous Bel Canto--will be delighted to see that opera makes an appearance in this novel, as well. In fact, one of the most dramatic scenes in the book takes place at the opera. Is that a wink and a nod to loyal readers, or just an expression of your own deep and abiding musical passions?
AP: It’s a wink and a nod to Werner Herzog and his brilliant Amazon film “Fitzcarraldo” which opens at the opera house in Manaus where the aforementioned scene takes place. I had very little experience with opera when I wrote Bel Canto, and since then it’s become a huge part of my life. It was fun to write a scene set at the opera now that I know what I’m talking about.
EG: State of Wonder a rollicking adventure story, full of peril and bravery and death-defying action. I personally know you to be a homebody who likes to bake muffins for neighbors. How the heck did you pull off this wildness so convincingly? Was it as invigorating to write as it is to read?
AP: Ah, the life of the mind. All the adventure I need I can dream up in my kitchen. I love writing outside of my own experience, making imaginary worlds. If I wrote novels based on my own life I would not be making a living at this. I also love to write a strong plot. I want things to happen in my books, I want to be thrilled. I always think about Raymond Chandler. I’m sure I’m getting the phrasing wrong but the general idea is that when things get slow, bring in a man with a gun. If you can’t find a gun, a poison arrow works just as well.
EG: The cover is a work of beauty. Authors are not always so lucky. Tell us how you managed such a miracle?
AP: When I first started writing this book, I came downstairs one night and found my husband listening to “Horowitz at Carnegie Hall”. The album cover has a very lush filigreed border. I had two thoughts: first, I have an amazing husband who thankfully held onto his Horowitz LPs; second, that the album cover had the exact the feeling I wanted for my book--half jungle, half Baroque period. When I was finished writing the novel I sent the album to my editor, who sent it to the art department. They understood exactly what I was talking about.
From Publishers Weekly
From Booklist
Review
“An engaging, consummately told tale.” — New York Times
“Emotionally lucid. . . . Patchett is at her lyrical best when she catalogues the jungle.” — The New Yorker
“This is surely the smartest, most exciting novel of the summer.” — Washington Post
“The Amazon setting is something Patchett does rather marvelously.… The book is serious, but also so pleasurable that you hope it won’t end.” — NPR
“Outlandishly entertaining…[with] a brilliantly constructed plot.” — Elle
“Packs a textbook’s worth of ethical conundrums into a smart and tidily delivered story. . . . Ms. Patchett presents an alluring interplay between civilization and wilderness, between aid and exploitation.” — Wall Street Journal
“The large canvas of sweeping moral issues, both personal and global, comes to life through careful attention to details, however seemingly mundane—from ill-fitting shoes and mosquito bites to a woman tenderly braiding another woman’s hair.” — O, the Oprah Magazine
“A spellbinder from bestselling author Patchett. . . . Thrilling, disturbing and moving in equal measures—even better than Patchett’s breakthrough Bel Canto.” — Kirkus Reviews (starred review)
“A superbly rendered novel. . . . Patchett’s portrayal is as wonderful as it is frightening and foreign. Patchett exhibits an extraordinary ability to bring the horrors and the wonders of the Amazon jungle to life, and her singular characters are wonderfully drawn. . . . Powerful and captivating.” — Library Journal (starred review)
“A thrilling new novel. . . . The world imagined in this novel is unusually vivid. . . . Reading State of Wonder is a sensory experience, and even after it’s over you’ll keep hearing the sounds of insects, and your own head will still be hot.” —
“A thrilling new novel. . . . The world imagined in this novel is unusually vivid. . . . Reading State of Wonder is a sensory experience, and even after it’s over you’ll keep hearing the sounds of insects, and your own head will still be hot.” — MORE Magazine
“Patchett makes the jungle jump off the page…This is Patchett’s best effort since The Patron Saint of Liars and, yes, that includes Bel Canto” — Shelf Awareness
“Extraordinary. . . . Is there nothing the prodigiously talented Ann Patchett can’t do? . . . Patchett’s last knockout pages proceed full-speed ahead, with more twists and turns and trachery than the Amazon River. Nothing is as it seems, and the ending is as shocking as it’s satisfying.” — Boston Globe
From the Back Cover
Ann Patchett has dazzled readers with her award-winning books, including The Magician's Assistant and the New York Times bestselling Bel Canto. Now she raises the bar with State of Wonder, a provocative and ambitious novel set deep in the Amazon jungle.
Dr. Marina Singh, a research scientist with a Minnesota pharmaceutical company, is sent to Brazil to track down her former mentor, Dr. Annick Swenson, who seems to have all but disappeared in the Amazon while working on what is destined to be an extremely valuable new drug, the development of which has already cost the company a fortune. Nothing about Marina's assignment is easy: not only does no one know where Dr. Swenson is, but the last person who was sent to find her, Marina's research partner Anders Eckman, died before he could complete his mission. Plagued by trepidation, Marina embarks on an odyssey into the insect-infested jungle in hopes of finding her former mentor as well as answers to several troubling questions about her friend's death, the state of her company's future, and her own past.
Once found, Dr. Swenson, now in her seventies, is as ruthless and uncompromising as she ever was back in the days of Grand Rounds at Johns Hopkins. With a combination of science and subterfuge, she dominates her research team and the natives she is studying with the force of an imperial ruler. But while she is as threatening as anything the jungle has to offer, the greatest sacrifices to be made are the ones Dr. Swenson asks of herself, and will ultimately ask of Marina, who finds she may still be unable to live up to her teacher's expectations.
In a narrative replete with poison arrows, devouring snakes, and a neighboring tribe of cannibals, State of Wonder is a world unto itself, where unlikely beauty stands beside unimaginable loss. It is a tale that leads the reader into the very heart of darkness, and then shows us what lies on the other side.
About the Author
Ann Patchett is the author of several novels, works of nonfiction, and children's books. She has been the recipient of numerous awards including the PEN/Faulkner, the Women's Prize in the U.K., and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages. TIME magazine named her one of the 100 Most Influential People in the World. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books.
Product details
- ASIN : 0062049801
- Publisher : Harper; First Edition (June 7, 2011)
- Language : English
- Hardcover : 353 pages
- ISBN-10 : 9780062049803
- ISBN-13 : 978-0062049803
- Item Weight : 1.38 pounds
- Dimensions : 6 x 1.17 x 9 inches
- Best Sellers Rank: #155,243 in Books (See Top 100 in Books)
- #1,457 in Contemporary Literature & Fiction
- #3,142 in Family Life Fiction (Books)
- #9,125 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Ann Patchett is the author of six novels, including Bel Canto, which won the Orange Prize for Fiction. She writes for the New York Times Magazine, Elle, GQ, the Financial Times, the Paris Review and Vogue. She lives in Nashville, Tennessee.
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The only flaw I found is a lack of attention to detail ,i.e. Pisco Sour is a typical drink from Peru, while Caipirinha is typical from Brasil. Similarly, in Bel Canto I found spelling mistakes in the few Spanish phrases used.
Many reviewers have described this as a female "Heart of Darkness," with Swenson cast in the role of Kurtz. Swenson certainly shares some of Kurtz's defining characteristics: she's a nearly maniacally driven genius, she has little need for other people, and of course, she lives amongst indigenous people in a site that can only be reached by riverboat. However, she is also a much less evil person than Kurtz. Her relationship with the deaf native boy she calls Easter is particularly touching. Swenson is by far the best-drawn character in the book; only Marina comes close. Where it is Swenson's relationship with Easter that humanizes her, Marina's most interesting relationship turns out not be with Mr. Fox, the Vogel executive with whom she is having a love affair, but rather with Anders. Sharing a lab with Anders for many years has led to a set of feelings that Marina discovers only slowly, and after he is gone.
Patchett can write lyrically and powerfully, describing scenes that linger. In "State of Wonder", these notably include Marina's Larium-induced nightmares that are pure expressions of separation anxiety stemming from a childhood in which her parents lived in different continents. Also memorable is an account of an encounter with an anaconda that occurs when a young native many and would-be Amazon tour guide decides to drag the snake onto his boat, thinking that this is the sort of stunt that tourists will expect from him.
The book is full of external references, which in the hands of a less talented writer would be jarring, but which Patchett is able to pull off. My favorite, from late in the book, is this: "Of all the tributaries in all of the Amazon, he had wandered onto hers."
"State of Wonder" is not perfect. It's very heavily plot-driven, and as noted above, some of the characters are quite flat. The plot itself has some implausibilities that detract from the story: for example, the fact that despite having lived amongst the Lakashi tribe for years, Swenson and her staff can barely understand any of their language. The scientists' study of the perpetual fertility drug raises potentially extremely interesting and controversial questions about whether there are limits on what should be studied, but the novel gives only a very shallow exploration of these questions. And the ending is unsatisfying: Marina makes a choice that would seem to have much greater consequences than it does. Despite these shortcomings, this is a good book that, more than anything, provides a rich sense of what it is like to be a totally foreign environment--and it's fun to read, to boot.
So, I approached "State of Wonder" girded for a similar reaction, especially in light of mixed reviews both from literary critics and from friends who had read it before I. As I got into the story, it engaged me somewhat, but I was well into the tale before I felt the same amazement and admiration of the author's skill as I had with "Bel Canto." Deep into the story, I began to see again what is for me Ms. Patchett's greatest talent. That talent is her ability to deal with serious life issues in a highly tolerant way, in a way that invites the reader to see the shades of gray, the nuances, in the life issues being presented. Just as in "Bel Canto," Patchett does this in "State of Wonder" primarily by making her characters very human in a way that allows the reader to "see through" their own initial reactions and judgments. For example, one may initially see the Bovenders as entirely frivolous and insubstantial. Yet, as the story unfolds one is lead to understand that at least Barbara has substance and qualities that soften the earlier prejudice. Marina may seem initially as weak-willed, easily manipulated, and afraid. Yet, as the story unfolds, the reader incrementally is led to understand Barbara's strengths and admirable attributes. Such subtle unfolding of character requires a writer of both great writing skill and a highly refined, non-judgmental understanding of human nature and psychology.
To me the best example in the novel is Ms. Patchett's development of Dr. Swenson. In so many ways, Dr. Swenson is unlikeable and easily subject to quick reader condemnation for her apparent coldness, detachment, lack of feeling, and deception. Yet, as the story moves forward, it reveals her at a deeper level -- her motivations, her relationships with Easter and Marina, and her subjective experience with her pregnancy. Through Ms. Patchett's writing skill, the reader can begin to look at Dr. Swenson in a different light. Her self assuredness is punctured, and the reader is able to view her more humanely. One sees that the cold scientist is also subject to human emotions -- such as the non-rational aspects of the human mother's tie with the child, even an adopted one. One sees that Dr. Swenson's "argument" why Easter must stay in the jungle is simply a rational, intellectual assessment overlaying (one is tempted to say "hiding") the more fundamental human motivation of the "mother" to have the child stay, indeed stay with her. One sees beyond the intellectual argument to the underlying human need and love.
Viewed literally, this story is quite unrealistic and perhaps may seem off-putting in the extreme to the literal minded. To criticize the novel on that score, however, misses the mark. One great purpose of fiction is to teach us about life, about what it truly means to "be human." The magic of great fiction is that an imagined story -- even one that tests credulity in some respects -- can accomplish that important and grand purpose better than a more realistic recitation of "the facts" out of which the imagination and skill of the fiction writer has woven the tale.
I, for one, applaud Patchett, the skillful nuance of her art, and this engaging and human story. Her "gift of craft" gives us the gift of this story.
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Now the company sent out 42 year old Dr Marina Singh, a former pupil of Swenson’s and friend of Anders to establish contact with Swenson and to find out more about Anders’ death. What happens during this mission makes up the bulk of the book, which is intricately plotted, wonderfully written, and in which dramatic incidents follow close on one another.
There is first of all the compelling way in which Patchett describes the Amazon jungle and the innumerable dangers from insects, snakes, poisonous frogs etc.
Then there is the description of Lakashi tribe, of their so unfamiliar behaviour and customs, and the habit of its women to go to a particular place in the jungle to chew the bark from the trees there, which was the cause of their prolonged fertility and which, incidentally but importantly, prevented them from catching malaria.
Dr Swenson is the most impressive and fully realized character in the book. She was commanding personality whose gestures the Lakashi instantly obeyed. Although she initially resented the appearance of Marina, she was actually not as remote as one might have thought, told Marina at length about her experiences with the tribe, and in due course liked and respected her, and entrusted her with some quite remarkable responsibilities. Nor was she a solitary a worker: she was surrounded by a group of other doctors. But it also turns out that, on two important matters, she had deliberately lied, and these result in the dramatic ending of the book.
She had also more or less adopted Easter a young deaf boy from another tribe. He was very agile and intelligent boy; he skilfully piloted the pontoon boat on which they travelled and memorized all the creeks and inlets of the river system. He also easily formed bonds: with Dr Swenson, with Marina, and he had formed one with Anders while Anders was with the Lakashi.
It also turns out that, on two important matters, Dr Swenson had deliberately lied, and these result in the dramatic ending of the book.
There are a few drawbacks: the novel ends without telling us what happened to Dr Swenson when Marina eventually returned to America; and I found one or two crucial events hard to explain – notably what had made Marina agree to go to the Amazon in the first place, and why she had agreed to the company’s request that she should stay when she had decided to leave. But these cavils do not stop me from giving this remarkably inventive and unputdownable novel a five star rating.
I'm less convinced about State of Wonder. Patchett's great strengths are a good sense of writerly style, of use of language, of ability to create space and physical reality, an excellent imaginative sense, the ability to write books with philosophical themes, to raise questions, to not need to provide the neat wrap, and, most of all, in her ability to create complex, real, meaningful characterisation.
These were all in place in this book, which, as others have stated, is the story of a scientist working for a pharmaceutical company who goes to the Amazonian jungle in order to investigate the death of a colleague, sent there to check up on the company's 'intellectual investment' - a plant which appears to stop menopause, and therefore ensure lifelong fertility. If true, this will clearly be a moneyspinner for the pharmaceutical company, but the scientist heading the project is secretive beyond belief, hidden deep in the Amazonian rainforest and the company is beginning to despair on the drain on their purse, and want to see results.
It is in the story itself that this book is less satisfying than Bel Canto. All stories (indeed all lives!) have their measure of what might be called 'coincidence'. This has quite a few, often involving chance sightings and encounters in various tributaries and creeks of the impenetrable jungle. The story itself took a little while to hook this reader, the scene setting in Minnesota, before the search exists, taking rather too long.
I was also a little frustrated that the indigenous people were pretty well treated as a mass, and were not ever really identified (other than the memorable and central figure of the young boy, Easter) Even though I understood that the scientific role of the observer would tend to pull people out of relationship with the tribe, I felt it was less this, than perhaps Patchett's inability to get inside the heads of the non-Westerners, or to find a way to convey personality without dialogue.
Whilst I liked the fact that certain enormous new questions opened up as unfinished business at the end of the book, including a lot of moral ambiguity for the reader to puzzle over, I couldn't really believe in the major twists which happened towards the end of the book (and I assume Patchett herself may realise they were a little far-fetched, as she doesn't really explain how one major event happened)
Really, 3 1/2 stars; certainly better than okay, so 4 will have to do
In State Of Wonder, Patchett again returns to South America but via a different route. Marina Singh works for a prestigious pharmaceutical company in Minnesota, and is engaged in an affair with her boss Mr Fox. Suddenly both their courses are changed by the shock news that their colleague Anders Eckman has died in the Amazon after being sent there on assignment by Fox.
Eckman was sent there on the trail of the aloof, imperious Annick Swenson who though employed by the company refuses to be in any way answerable to them and Singh is sent after him to establish what went wrong. What she finds there will change her forever.....
This novel has shades of Conrad's Heart Of Darkness, Theroux's Mosquito Coast and Kingsolver's Poisonwood Bible, the last of the three being among my favourite novels, dealing with the issues of being a 'stranger in a strange land'. Marina makes a likeable central character and the dynamic she shares with Swenson is made all the more intense by their unspoken shared past. Surrounding characters with the exception of beautifully realised deaf orphan Easter, are a little thin, it is the single minded, slightly scary Swenson, who will stop at nothing to succeed who stands out.
The book touches on some issues which are interesting but doesn't overly develop them, such as the difficult relationship between students, and teachers who seem more like Gods to their faculty; and also, the difficult decisions Western outsiders must make when deciding to intervene in a society where they do not belong. I think it's a shame that these interesting topics were not further explored.
The prose is very accessible, and, I think in this case, I liked the inconclusiveness of the ending because there were so many ways in which the lives of the characters concerned could change or stay the same. It gives the reader something to imagine, and in the act of imagining what might happen next, you discover that actually, you really care. 8/10
When our Book Club read `Bel Canto' one of our members wailed that she thought the captives were never going to get up off the floor - in `State of Wonder' Ann Patchett creates the same slow to start effect with sticky early sections that feel interminable yet can eventually be forgiven. Time does seem to stand still in parts until the story whips itself up and then becomes quite frantic.
In order to follow someone to Brazil and then up the winding mysterious reaches of the Amazon on a `pontoon' (flat bottomed boat) under the control of a twelve year old, via a remote two horse town, at the drop of a hat/aerogramme, you have to care about them at least a little. Sympathising with Marina is hard when we initially understand so little about her. She is however a good sort with the best of intentions. Albeit manipulated by tougher types.
Up a hidden, winding creek, an American drug company (Vogel) has been funding an arrogant, aging academic, scientist Dr. Swenson and her expensive team for years without results. This formidable lady has apparently been spending her time discovering the reason a secret tribe go on having babies into their seventies, a potential pharmaceutical goldmine. This is without Dr. Swenson ever expecting to respond to enquiries or justify expenses - well anyway until the reported death of a chap sent out there previously to politely enquire what is going on and when might there be some useful outcome.
Unless you are really interested in jungles, rivers, natives, shaman medicine or rude people in general this takes some suspension of disbelief. Tangents you might go off on were querying the veracity of Ackers reported demise, the possibility that Dr. Swenson, who has no problem being economical with the truth when it suits her purposes, is nevertheless herself actually pregnant at an advanced age.
The adventure evolves with an exciting filmic quality - friends who have enjoyed it too are both male and female so I imagine a pretty general appeal.
For me anyway, State of Wonder is reminiscent of The Female of the Species (P.S.) , Brazzaville Beach , The Poisonwood Bible .











