Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.78 shipping
+ $5.32 shipping
State of Wonder: A Novel Paperback – Deckle Edge, May 8, 2012
|New from||Used from|
The Amazon Book Review
Author interviews, book reviews, editors picks, and more. Read it now
Frequently bought together
Customers who bought this item also bought
Amazon Best Books of the Month, June 2011: In State of Wonder, pharmaceutical researcher Dr. Marina Singh sets off into the Amazon jungle to find the remains and effects of a colleague who recently died under somewhat mysterious circumstances. But first she must locate Dr. Anneck Swenson, a renowned gynecologist who has spent years looking at the reproductive habits of a local tribe where women can conceive well into their middle ages and beyond. Eccentric and notoriously tough, Swenson is paid to find the key to this longstanding childbearing ability by the same company for which Dr. Singh works. Yet that isn’t their only connection: both have an overlapping professional past that Dr. Singh has long tried to forget. In finding her former mentor, Dr. Singh must face her own disappointments and regrets, along with the jungle’s unforgiving humidity and insects, making State of Wonder a multi-layered atmospheric novel that is hard to put down. Indeed, Patchett solidifies her well-deserved place as one of today’s master storytellers. Emotional, vivid, and a work of literature that will surely resonate with readers in the weeks and months to come, State of Wonder truly is a thing of beauty and mystery, much like the Amazon jungle itself. --Jessica Schein
Amazon Exclusive: Elizabeth Gilbert Interviews Ann Patchett
Elizabeth Gilbert is the author of the #1 New York Times bestseller, Eat, Pray, Love, as well as the short story collection Pilgrims—a finalist for the PEN/Hemingway Award, and winner of the 1999 John C. Zacharis First Book Award from Ploughshares. A Pushcart Prize winner and National Magazine Award-nominated journalist, she works as writer-at-large for GQ.
Elizabeth Gilbert: As your close personal friend, I happen to know that you traveled to the Amazon to conduct research for this novel, and that you sort of hated the Amazon--can you share a little about that?
Ann Patchett: I absolutely loved the Amazon for four days. It was gorgeous and unfamiliar and deeply fascinating. Unfortunately, I stayed there for ten days. There are a lot of insects in the Amazon, a lot of mud, surprisingly few vegetables, too many snakes. You can’t go anywhere by yourself, which makes sense if you don’t know the terrain, but I enjoy going places by myself. I can see how great it would be for a very short visit, and how great it would be if you lived there and had figured out what was and wasn’t going to kill you, but the interim length of time isn’t great.
EG: Didn't I hear that you have a sort of magical story about a friend who is also a writer, who was also once going to write a book about the Amazon? Can you share this miraculous tale? Also, is your writer friend pretty?
AP: This friend of mine, who happens to be you, is gorgeous, and much taller in real life. Yes, you were writing a novel about the Amazon, and then you decided not to write a novel about the Amazon, and then I started writing a novel about the Amazon, and later when we compared notes (your book dismissed, mine halfway finished) they had remarkably similar story lines, to the point of being eerie. I thought this must be because it was an incredibly banal idea and we had both come up with a generic Amazon novel, but then you told me that ideas fly around looking for homes, and when the idea hadn’t worked out with you it came to me. If this is true I think your name should be on the cover. It would increase sales significantly.
EG: Readers of your prior work--particularly the luminous Bel Canto--will be delighted to see that opera makes an appearance in this novel, as well. In fact, one of the most dramatic scenes in the book takes place at the opera. Is that a wink and a nod to loyal readers, or just an expression of your own deep and abiding musical passions?
AP: It’s a wink and a nod to Werner Herzog and his brilliant Amazon film “Fitzcarraldo” which opens at the opera house in Manaus where the aforementioned scene takes place. I had very little experience with opera when I wrote Bel Canto, and since then it’s become a huge part of my life. It was fun to write a scene set at the opera now that I know what I’m talking about.
EG: State of Wonder a rollicking adventure story, full of peril and bravery and death-defying action. I personally know you to be a homebody who likes to bake muffins for neighbors. How the heck did you pull off this wildness so convincingly? Was it as invigorating to write as it is to read?
AP: Ah, the life of the mind. All the adventure I need I can dream up in my kitchen. I love writing outside of my own experience, making imaginary worlds. If I wrote novels based on my own life I would not be making a living at this. I also love to write a strong plot. I want things to happen in my books, I want to be thrilled. I always think about Raymond Chandler. I’m sure I’m getting the phrasing wrong but the general idea is that when things get slow, bring in a man with a gun. If you can’t find a gun, a poison arrow works just as well.
EG: The cover is a work of beauty. Authors are not always so lucky. Tell us how you managed such a miracle?
AP: When I first started writing this book, I came downstairs one night and found my husband listening to “Horowitz at Carnegie Hall”. The album cover has a very lush filigreed border. I had two thoughts: first, I have an amazing husband who thankfully held onto his Horowitz LPs; second, that the album cover had the exact the feeling I wanted for my book--half jungle, half Baroque period. When I was finished writing the novel I sent the album to my editor, who sent it to the art department. They understood exactly what I was talking about.--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. Patchett (Bel Canto) is a master storyteller who has an entertaining habit of dropping ordinary people into extraordinary and exotic circumstances to see what they're made of. In this expansive page-turner, Marina Singh, a big pharma researcher, is sent by her married boss/lover to the deepest, darkest corner of the Amazon to investigate the death of her colleague, Anders Eckman, who had been dispatched to check on the progress of the incommunicado Dr. Annick Swenson, a rogue scientist on the cusp of developing a fertility drug that could rock the medical profession (and reap enormous profits). After arriving in Manaus, Marina travels into her own heart of darkness, finding Dr. Swenson's camp among the Lakashi, a gentle but enigmatic tribe whose women go on bearing children until the end of their lives. As Marina settles in, she goes native, losing everything she had held on to so dearly in her prescribed Midwestern life, shedding clothing, technology, old loves, and modern medicine in order to find herself. Patchett's fluid prose dissolves in the suspense of this out-there adventure, a juggernaut of a trip to the crossroads of science, ethics, and commerce that readers will hate to see end. (June) --This text refers to an out of print or unavailable edition of this title.
If you buy a new print edition of this book (or purchased one in the past), you can buy the Kindle edition for only $2.99 (Save 70%). Print edition purchase must be sold by Amazon. Learn more.
For thousands of qualifying books, your past, present, and future print-edition purchases now lets you buy the Kindle edition for $2.99 or less. (Textbooks available for $9.99 or less.)
Browse award-winning titles. See more
If you are a seller for this product, would you like to suggest updates through seller support?
Top Customer Reviews
The basic plot of "State of Wonder": In the first sentence we learn that Dr. Anders Eckman is dead. Anders had traveled deep into the Amazon at the behest of his employer, a Minneapolis-based pharmaceutical company that has a researcher working at a secret site on a secret drug that will revolutionize the world. But the researcher is incommunicado. Anders was sent to investigate. And then tragedy strikes. With few details about his death and no body (he was hastily buried in the jungle), Dr. Marina Singh, Anders's officemate, is sent to the Amazon to find out what happened to this married father of three young boys. And so begins a state of wonder in which the reader will be carried with descriptions so vivid that it's easy to envision the chaos and blistering heat of the jungle and almost hear the squawking birds and screeching creatures that inhabit it. Marina's perfectly ordinary life has been upended and will never be perfectly ordinary again.
But the book is so much more than plot--no matter how riveting and engrossing. It is also about people, our connections, the choices we make and the effects those choices have on us and others.
But at the end of the day, I was torn between one crucial question: is a book that is realistic also authentic? How do the two concepts merge...and how do they differ?
Ann Patchett, in State of Wonder, revisits the contemporary adventure story genre, with a provocative tale of an emotionally crippled doctor - Marina Singh - who embarks on an odyssey to the Amazon after learning that her pharma colleague Anders died there. His wife doesn't believe it...and her boss and love interest, Mr. Fox, entreats her to go there to find out what is going on.
He is, after all, invested in the outcome of the research that is going on there. Dr. Annick Swenson - formidable and inscrutable - has been there for years, reportedly working on a new drug that will have a massive effect on female fertility, with the prospect of making his company very rich. Dr. Swenson was Marina's former mentor and her associations with her are fearsome. As a result, the journey to the heart of darkness for Marina is also a plunge into her own emotional terrors.
The exploration of these terrors - along with the world of the Amazon and the Lakisha tribe - are masterfully done. But for me, in the end, the characters became sacrificed to the plot, pacing, and setting.
I did not believe in the relationship between Marina and her widowed older boss, Mr. Fox; neither seemed capable of sustaining it. Nor was the relationship between Marina and her doomed colleague fully developed. There were a number of missteps. For example, Marina must take a drug called lariam - a malaria preventative that can have major emotional side effects. She chooses to dump the lariam in the trash, exposing herself to almost certain malaria. As someone who has traveled to the region, I know that doxcycline can be used (not quite as effectively) for those who cannot take lariam.
Dr. Swenson comes across as very one-dimensional - uncompromising and rigid. Yet (no spoilers), she eventually produces a part of the puzzle based on supposition - which does not fit her character and beliefs. There are many examples of ways in which the characters did not react in an authentic manner, but to enumerate all of them would create spoilers.
It is always a little disconcerting to me when I am at odds with a majority of reviewers whose opinions I respect. I DO recommend State of Wonder for those who love plot-driven adventure stories that are well-written and have a strong sense of place. But for those of us who err towards characters, I can recommend only with qualifications.