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Steal Like an Artist: 10 Things Nobody Told You About Being Creative Paperback – February 28, 2012
| Austin Kleon (Author) Find all the books, read about the author, and more. See search results for this author |
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An inspiring guide to creativity in the digital age, Steal Like an Artist presents ten transformative principles that will help readers discover their artistic side and build a more creative life.
Nothing is original, so embrace influence, school yourself through the work of others, remix and reimagine to discover your own path. Follow interests wherever they take you—what feels like a hobby may turn into you life’s work. Forget the old cliché about writing what you know: Instead, write the book you want to read, make the movie you want to watch.
And finally, stay Smart, stay out of debt, and risk being boring in the everyday world so that you have the space to be wild and daring in your imagination and your work.
“Brilliant and real and true.”—Rosanne Cash
- Print length160 pages
- LanguageEnglish
- PublisherWorkman Publishing
- Publication dateFebruary 28, 2012
- Dimensions6 x 0.56 x 6.06 inches
- ISBN-109780761169253
- ISBN-13978-0761169253
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Editorial Reviews
Review
-Rosanne Cash
"Austin Kleon is positively one of the most interesting people on the Internet... Kleon makes an articulate and compelling case for combinatorial creativity and the role of remix in the idea economy."
-The Atlantic
"Breezy and fun and yes, scary. Scary because it calls your bluff."
-Seth Godin
"A quick, easily digestible read that is particularly relevant in today's digital world."
"Filled with well-formed advice that applies to nearly any kind of work."
From the Back Cover
- Steal like an artist.
- Don’t wait until you know who you are to get started.
- Write the book you want to read.
- Use your hands.
- Side projects and hobbies are important.
- The secret: do good work and share it with people.
- Geography is no longer our master.
- Be nice. (The world is a small town.)
- Be boring. (It’s the only way to get work done.)
- Creativity is subtraction.
About the Author
Austin Kleon is the New York Times bestselling author of a trilogy of illustrated books about creativity in the digital age: Steal Like An Artist, Show Your Work!, and Keep Going. He’s also the author of Newspaper Blackout, a collection of poems made by redacting the newspaper with a permanent marker. His books have been translated into dozens of languages and have sold over a million copies worldwide. He lives in Austin, Texas, with his wife and sons. Visit him online at www.austinkleon.com.
Excerpt. © Reprinted by permission. All rights reserved.
Every artist gets asked the question,
“Where do you get your ideas?”
The honest artist answers,
“I steal them.”
How does an artist look at the world?
First, you figure out what’s worth stealing, then you move on to the next thing.
That’s about all there is to it.
When you look at the world this way, you stop worrying about what’s “good” and what’s “bad”—there’s only stuff worth stealing, and stuff that’s not worth stealing.
Everything is up for grabs. If you don’t find something worth stealing today, you might find it worth stealing tomorrow or a month or a year from now.
“The only art I’ll ever study is stuff that I can steal from.”
—David Bowie
NOTHING IS ORIGINAL
The writer Jonathan Lethem has said that when people call something “original,” nine out of ten times they just don’t know the references or the original sources involved.
What a good artist understands is that nothing comes from nowhere. All creative work builds on what came before. Nothing is completely original.
It’s right there in the Bible: “There is nothing new under the sun.” (Ecclesiastes 1:9)
Some people find this idea depressing, but it fills me with hope. As the French writer André Gide put it, “Everything that needs to be said has already been said. But, since no one was listening, everything must be said again.”
If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.
“What is originality? Undetected plagiarism.”
—William Ralph Inge
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Product details
- ASIN : 0761169253
- Publisher : Workman Publishing; 1st edition (February 28, 2012)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 9780761169253
- ISBN-13 : 978-0761169253
- Item Weight : 8.8 ounces
- Dimensions : 6 x 0.56 x 6.06 inches
- Best Sellers Rank: #1,986 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Austin Kleon is a writer and artist living in Austin, Texas. He's the author of two bestselling books: Steal Like an Artist, a manifesto for creativity in the digital age, and Newspaper Blackout, a collection of poetry made by redacting newspaper articles with a permanent marker. He speaks about creativity for organizations such as Pixar, Google, SXSW, TEDx, and The Economist. Visit him online at www.austinkleon.com.
Customer reviews
Reviewed in the United States on March 10, 2022
Top reviews from the United States
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Austin Kleon is an artist from Austin, TX, and in Steal Like An Artist he asserts that what good artists do—that is, "stealing" as much as possible from as many influences as possible to shape one's own unique style—is a concept that can carry over into virtually any line of work. And while there are a number of people out there who have made the case that we are all a product of our influences, few have communicated this truth so compelling and creatively as Kleon.
The reality is that someone can "know" that's true, yet still feel bound by a desire to be "original" than can have a debilitating effect on creativity. I know, because I'm that guy. And that's why I'm so thankful to have been told to read this book, because it's definitely a game changer for me!
Kleon's 10 short chapters each present a different principle for developing creativity, and though it's a numbered list, it manages not to come across as a "how to" manual. Rather, it's a testimonial borne from experience, and an encouragement that these timeless principles (e.g., "Be Nice") really do work in the real world, and they really are things that don't apply only to artists. It's a book which manages to be both artistic and pragmatic... not an easy combination!
Anyway, I've already written a review that will take you half as long to read as the book itself, so stop reading this and go get the book!
"If we're free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and embrace influence instead of running away from it." ~ Austin Kleon
Top reviews from other countries
I needed this book, but didn't know about it until it was recommended.
I'd reached out to the group about the fact that as an illustrator I felt a bit lost in the creative world, like I hadn't found my place, because I didn't have a 'style' by which people could recognise my work, and no particular style that I favoured illustrating over others, I just felt like I wasn't a real illustrator if I didn't produce consistent work that was clearly 'me', like everyone else seems to do. I would (and still do really) trawl through the art by others I admired, and be able to say oh that's by so and so, they're so good!
No one could do that with me, as my illustrations are so random, there's no cohesion. Should I stop putting my art out there until I know who I am as an artist?
So this book was one of two recommended to me to read (find your artistic voice by Lisa Congdon is the other).
And I'm so glad I did buy this. It all made sense, it all seemed so relatable, in particular section 2 - Don't wait until you know who you are to get started.
If you're an artist just starting out, or one who already creates a lot of art (any kind of creation really) and are unsure you belong in the creative world yet because you're not good enough, or you're not original enough, or you don't know your style yet - get this book.
Reviewed in the United Kingdom on January 5, 2020
I needed this book, but didn't know about it until it was recommended.
I'd reached out to the group about the fact that as an illustrator I felt a bit lost in the creative world, like I hadn't found my place, because I didn't have a 'style' by which people could recognise my work, and no particular style that I favoured illustrating over others, I just felt like I wasn't a real illustrator if I didn't produce consistent work that was clearly 'me', like everyone else seems to do. I would (and still do really) trawl through the art by others I admired, and be able to say oh that's by so and so, they're so good!
No one could do that with me, as my illustrations are so random, there's no cohesion. Should I stop putting my art out there until I know who I am as an artist?
So this book was one of two recommended to me to read (find your artistic voice by Lisa Congdon is the other).
And I'm so glad I did buy this. It all made sense, it all seemed so relatable, in particular section 2 - Don't wait until you know who you are to get started.
If you're an artist just starting out, or one who already creates a lot of art (any kind of creation really) and are unsure you belong in the creative world yet because you're not good enough, or you're not original enough, or you don't know your style yet - get this book.
Every aspiring, yet insecure and fearful artist should read this book.
The book feels delightful to hold in our hands. And it is delightful to look at. And stare at. And open a random page and read a couple of lines.
BUT
It is not a 'book'. It is a coffee-table book. The quality is good, but the quantity of content is that of a tiny coffee-table book. It is a very small book, you can read it in less than an hour even if you read very very slowly like I do. And most of the content is borrowed (or stolen) from other artists! The only interesting or creative part of the book are the doodles and sketches, which the author has drawn himself.
Why I was slightly disappointed with this book?
Because it was repeating of the content I have read over and over in other art and creativity books. Though it may be a good place to begin if you are new to the art and creativity arenas.
If you are a seasoned artist, having spent much time studying the 'creative' processes, you may consider giving this book a pass.
Also, this book is highly priced, given the imported version. I bought it for Rs.490, and have seen it at lower prices around Rs.400 (Just to give an idea of the price variations). The cover price is 12.95 USD.
[I bought a paperback version, and the cover, print, layout and paper quality are beyond excellent. The binding is weak and seems to have already started coming off]











