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Steelheart (The Reckoners) Hardcover – September 24, 2013
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Q&A with Brandon Sanderson (Interviewed by James Dashner)
Q. Brandon, you’re perhaps best known for your adult books—Mistborn, The Way of Kings, and particularly for finishing Robert Jordan’s The Wheel of Time series. However, recently you’ve undertaken several projects for younger readers. Why is that? How does it feel to be entering into the world of YA fiction? How does it differ from writing for an adult audience? How do you possibly think you can compete with your friend, James Dashner?
A. I've known this guy James Dashner for so long, and he was such an inspiration to me, and I thought, if this joker can do it, then I can too! The sci-fi/fantasy genre is what made a reader out of me, and it has a long history of crossing the line between YA and adult fiction. For example, you mentioned The Wheel of Time. In the early books, the main protagonists are all teenagers. Are these books YA? The publishers don't classify them that way. They’re shelved with the adult fantasy books. Books like that have influenced me in that some of the stories I tell fit into the mold that society says will package well as YA books. Other stories I tell—that are a thousand pages long—don’t seem to fit that mold. But I don’t sit down and say, “I’m writing for a teen audience now. I need to change my entire style.” Instead, I say, “This project and the way I’m writing it feels like it would work well for a teen audience.”
Q. In previous interviews, you’ve mentioned that you come up with characters, worlds, and magic systems independently and then fit them together to create a book. How is that different when writing a YA book like Steelheart? Are certain worlds or magic systems more suitable for YA readers? And how in the world did you get so smart?
A. Ha! I do a lot of talking about the process of writing. That makes it sound like I’m doing it more consciously than I am, but at this point I do most of it by instinct. I do take things like characters, settings, and magic systems—all these little fragments and pieces—and put them together into stories. Whether I’m writing YA or adult, this process doesn’t vary. Some of these elements feel better suited for a teen audience, so when everything starts coming together as it does when a book is forming for me, some stories naturally gravitate toward YA. To me Steelheart is distinctive because it was one of those stories where all the elements came together at the same time. Once I got the idea—people gaining super powers but only evil people getting them—the story basically started to write itself in my head. It happened during a four-hour drive along the East Coast, where by the end of it, I basically had this entire story. I knew where it was going, and I was really excited to write it. That's rare for me, but sometimes it does happen where everything clicks right at the beginning.
Q. Can you give us a sense of the world in which Steelheart takes place? Why do you think this world worked well for these particular characters?
A. Technically, Steelheart is set in a post-apocalyptic world where super villains gained powers and took over. I wanted it to feel alien and familiar at the same time and to be very visual. So I wrote it to be kind of like an action movie in book form. One of my catchphrases that I use when talking about writing is ”Err on the side of awesomeness.” So I wanted the setting and feel of the book to be visually distinctive and awesome.
When I designed Steelheart, the emperor of Chicago, I wanted him to have the power of transmutation—he turns things into steel. The idea that, in a burst of power, he turned the entire city—and even part of the lake—into steel was fascinating to me. This renders a lot of things useless. When your streetlights and all their wiring have been turned into steel, everything short circuits and doesn’t work anymore. You can’t get into buildings because their doors and windows have been melded together. The whole city has become a shell—like the husk of a dead beetle—and people have built on top of it. It’s always perpetual twilight there, so we’ve got this cool feel of everything being steel at night.
From School Library Journal
Gr 8 Up-This fun, fast-paced, futuristic science-fiction superhero story is the first in a projected series. When David was six, an unexplained explosion in the sky caused perpetual darkness and ordinary people to gain supernatural powers. These people became known as Epics. Two years later, in a bank in what was once Chicago, now called Newcago, David witnessed Steelheart, one of the most powerful Epics of all, murder his father. In the 10 years since his father's death, David has made it his mission to learn all he can about Epics. Everyone thinks they are invincible, but he knows otherwise. He knows that each one has a weakness, and he's seen Steelheart's. Steelheart can bleed. David intends to get his revenge. A cowed populace accepts the fact that Epics control their lives and the strongest among them are in a constant battle for dominance. Only one shadowy group of ordinary humans called the Reckoners dare fight to eliminate them. David persuades the Reckoners to let him join their ranks after proving he has unique knowledge about Epics. This enjoyable read focuses more on action than character development and is perfect for genre fans who love exciting adventure stories with surprising plot twists. Readers will be rooting for David, a super geek with a love of weapons, who can hold his own against Epics with names like Nightwielder, Conflux, or Firefight.-Sharon Rawlins, New Jersey State Library,Trentonα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Only downsides were a couple. The only major downside to the book is that I felt the "bad guys" were pretty shallow. You never get any sense of them as being people, like you do with "good guys". As for the minor quibbles, it definitely has the feel of a YA book at times, especially when dealing with the love interest, which as a 40-year-old I noticed how differently it felt than more adult books. The other thing was the fake sci-fi-esq fake cursing. I tend not to like it ever, and this book used it a lot. At least half of the "oh sparks" should have been deleted. But both of those complaints are minor quibbles, and probably more my personal preference than anything.
I dropped a star for having the shallow antagonists, but I still feel like it deserves a 4.0 star rating for fun genre book.
The story is this...David sees his father get brutally murdered by an epic godlike man named Steelheart. These times that David lives in are tough ones. Epics like Steelheart rule with an iron hand or in this case with a steel one...he and others like him can not be killed but David and others try to bring them down in an amazing number of ways. Steelheart uses people, kills people and laughs while he does it. David has spent the last ten years of his young life trying to figure out how to kill him. He joins a rogue group called the Reckoners to fulfill his lifelong quest to kill Steelheart. This is truly exciting stuff...rather like watching and rooting for Tom Cruise in a Mission Impossible movie. I can not even remotely begin to relate to you the breathless pace of this book...and I believe that there are more books to come in this series.
This book would make a brilliant movie...truly!
Brandon Sanderson is an amazing author. I started reading his books with "Elantris" and I knew I wanted more. His books are free from smut, but they are entertaining ANYWAY! I think what amazes me about this author is how he can crank out so many books and still have every trilogy or story be completely developed and original. The ideas he comes up with absolutely blow my mind.
I strongly suggest the Mistborn trilogy (which goes on into more books) for anyone who wants to get into a deep story that will keep them reading from book to book. Also, the Stormlight books are fantastic, but I thought they were a little more advanced...maybe for an older crowd.
Having said that, Steelheart is, as I have come to expect of Sanderson, a complex, well-developed world, that combines realism with "magic" without going over the top so as to become unbelievable. I will leave comments about the plot to the many others who have reviewed Steelheart. I don't think I can add much value in that respect, but I think a recommendation on my part is definitely deserved. An enjoyable read that is time well-spent.