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About S.C. Perkins
S.C. Perkins is a fifth-generation Texan who grew up hearing fascinating stories of her ancestry and eating lots of great Tex-Mex, both of which inspired the plot of her debut mystery novel. Murder Once Removed was the winner of the 2017 Malice Domestic Best First Traditional Mystery competition. She resides in Houston and, when she’s not writing or working at her day job, she’s likely outside in the sun, on the beach, or riding horses.
Find S.C. at www.scperkins.com or on social media at @SCPerkinsWriter
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S.C. Perkins's Fatal Family Ties is the captivating third mystery in the Ancestry Detective series, in which Texas genealogist Lucy Lancaster deals with murders in both the past and present.
Lucy is just about to tuck into a plate of tacos at her favorite Austin joint, Big Flaco’s, when she gets an unexpected visit from her former—and least-favorite—co-worker. Camilla Braithwaite hasn’t gotten much friendlier since the last time Lucy saw her, but that doesn't stop her from asking a favor. In her hand is a newspaper feature on an ancestor, a civil war corporal—and a liar, according to the article. Charles Braithwaite is depicted as a phony and a deserter, and Camilla wants Lucy’s help clearing his name.
Lucy would prefer to spend her free time with her new beau, special agent Ben Turner, but takes the case, making no promises that Camilla will like the outcome of her investigation. Camilla leads Lucy to the Texas History Museum, where their first clue is a triptych painting, passed down in the Braithwaite family for generations, one panel of which has disappeared. But before Lucy can get much further, a member of the Braithwaite family is murdered in his own bed, and another panel of the painting found missing.
There are no shortage of suspects among the Braithwaite clan—including Camilla herself. This case will take Lucy to Houston and back again as she works to find the truth, and catch an elusive killer.
S.C. Perkins' Murder Once Removed is the captivating first mystery in the Ancestry Detective series, in which Texas genealogist Lucy Lancaster uses her skills to solve murders in both the past and present.
Except for a good taco, genealogist Lucy Lancaster loves nothing more than tracking down her clients’ long-dead ancestors, and her job has never been so exciting as when she discovers a daguerreotype photograph and a journal proving Austin, Texas, billionaire Gus Halloran’s great-great-grandfather was murdered back in 1849. What’s more, Lucy is able to tell Gus who was responsible for his ancestor’s death.
Partly, at least. Using clues from the journal, Lucy narrows the suspects down to two nineteenth-century Texans, one of whom is the ancestor of present-day U.S. senator Daniel Applewhite. But when Gus publicly outs the senator as the descendant of a murderer—with the accidental help of Lucy herself—and her former co-worker is murdered protecting the daguerreotype, Lucy will find that shaking the branches of some family trees proves them to be more twisted and dangerous than she ever thought possible.
In S. C. Perkins's Lineage Most Lethal, the captivating second mystery in the Ancestry Detective series, Texas genealogist Lucy Lancaster grapples with a mystery rooted in World War II and espionage.
It's the week before New Year's Eve and genealogist Lucy Lancaster is ready to mix work and play at the beautiful Hotel Sutton, enjoying herself while finalizing the presentation for her latest client, hotel heiress Pippa Sutton.
Freshly arrived at the hotel—and determined not to think about Special Agent Ben Turner, who went radio silent on her after one date—Lucy is stopped in her tracks when a strange man comes staggering toward her. She barely has time to notice his weak, sweaty appearance before he presses a classic Montblanc pen onto her hand, gasps, “Keep them safe,” and collapses at her feet, dead.
When Lucy shows the fountain pen to her grandfather, an avid collector and World War II veteran, she’s in for another shock. Not only does Grandpa recognize the Montblanc, he also reveals a secret: he was an Allied spy during the war and the pen is both a message regarding one of his wartime missions and the key to reading a microdot left by the dead man.
On the microdot is a series of ciphers, some decrypted to form names. Could they be the descendants of Grandpa’s fellow spies? When two from the list end up murdered—including the chef at the Hotel Sutton—and Grandpa’s life is put in jeopardy, Lucy’s sure she’s right. And with Lucy’s and Pippa’s names possibly on the list, too, she’s got to uncover the past to protect those in the present.
With a secret Allied mission, old grievances, and traitors hiding behind every corner, Lucy must use her research skills to trace the list’s World War II ancestors and connect the dots to find a killer in their midst—a killer who’s determined to make sure some lineages end once and for all.
Shelby Waterlane’s dating moratorium has come under fire.
No longer will her best friend, three employees, or Franzilla—otherwise known as her mother Frances and her Aunt Priscilla—allow her to enjoy her self-authorized suspension of the ol’ romance activity while her career as one of Houston’s top wedding planners continues to skyrocket. To them, Shelby is officially in the dating game again.
Whether she likes it or not.
Becoming a witness to Shelby’s social misery is Luke, the contractor for her office renovations and the first guy she’s had a connection with in ages. But since Shelby thinks Luke is already cozied up with the beautiful Claudia and his sister Maggie has just become her latest bridal client and is planning one ridiculously expensive wedding, Shelby has to suck it up and keep things professional.
But with her arch rival (and former assistant) Kendra out to ruin her, Franzilla orchestrating a sneak-attack set-up date involving Shelby’s former high-school crush, and her feelings for Luke growing by the day, it seems the only things going well are the weddings Shelby’s planning for her clients. Otherwise, she’s stuck back in the crazy dating world, and even the Jaws of Life can’t get her out again.