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Stevie Ray Vaughan and Double Trouble - Live at Montreux 1982 & 1985

4.7 out of 5 stars 118 customer reviews

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Product Description

By the summer of 1982, Stevie Ray Vaughan, desparately searching for his big break, was asked to play "Blues Night" at the annual Montreux Jazz Festival in Montreux, Switzerland. Stevie put on a fiery performance - full of future SRV classics like "Pride

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If you have even a passing interest in Stevie Ray Vaughan's peerless mastery of urban blues guitar, you must own Live at Montreux 1982 & 1985. Spaced almost exactly three years apart, these concerts (60 and 93 minutes, respectively) represent the Texan blues god at his fiery best, with Double Trouble (drummer Chris Layton and bassist Tommy Shannon) laying the solid foundation upon which SRV built a Fender-driven sound as fierce as it was perfectly refined. The '82 show was truly "success in disguise," because despite booing from a festival audience lulled by a day of acoustic blues, and the stunned dejection that SRV felt after persevering through a uncompromising set, this was the turning point in SRV's career, leading to post-show encounters with Jackson Browne and David Bowie, who proved instrumental in bringing Stevie's music to an appreciative global audience.

When Stevie, Chris, and Tommy returned to Switzerland three years later, with organist Reese Wynans adding rich new dimension to the Double Trouble sound, the Montreux crowd was primed for a rip-snorting set, and SRV's jubilant response is a joyous thing to witness. One of SRV's favorite bluesmen, Johnny Copeland, appears for a three-song triumph in a set that's uniformly superior and ecstatically energized. Basic three-camera coverage is all you need, although guitar students--for whom this DVD is a godsend--will surely wish for more emphasis on SRV's picking and fretwork. Recording quality is superb in the Montreux tradition, with 5.1-channel remixes that surpass the original masters. A splendid 23-minute documentary features retrospective interviews with Layton, Shannon, Browne, and John Mayer, and the accompanying booklet includes a heartfelt reminiscence from Bowie. Stevie Ray may be gone, but Live at Montreux ensures that his gold-standard legacy will endure. --Jeff Shannon


Special Features

  • Disc 1, July 17, 1982: Hide Away, Rude Mood, Pride and Joy, Texas Flood, Love Struck Baby, Dirty Pool, Give Me Back My Wig, Collins Shuffle
  • Disc 2, July 15, 1985: Scuttle Buttin', Say What!, Ain't Gone 'n' Give Up on Love, Pride and Joy, Mary Had a Little Lamb, Cold Shot (with Johnny Copeland), Tin Pan Alley (aka Roughest Place in Town) (with Johnny Copeland), Look at Little Sister (with Johnny Copeland), Voodoo Child (Slight Return), Texas Flood, Life Without You, Gone Home, Couldn't Stand the Weather
  • "Success in Disguise": an all-new documentary
  • Discography

Product Details

  • Actors: Stevie Ray Vaughan, Double Trouble
  • Format: Color, NTSC
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 2
  • Rated:
    NR
    Not Rated
  • Studio: Sony Legacy
  • DVD Release Date: September 14, 2004
  • Run Time: 132 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (118 customer reviews)
  • ASIN: B0002SPPSC
  • Amazon Best Sellers Rank: #54,642 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Top Customer Reviews

Format: DVD
After reading for years about Stevie Ray's rejection in 1982 at the hands of the Montreux audience, I was both excited and a bit apprehensive upon the release of this DVD, knowing it would afford me the opportunity to experience the realism of the event. I've forced myself to believe that the booing was directed more at what the crowd perceived as a pretentiousness on the part of SRV, with the cowboy hat, boots, chest tattoo, and the fact that Stevie was certainly not a conventional or mainstream blues performer. Being a relatively young, not yet 28 year old white man probably didn't help either.

But as I watch the 1982 show, I am absolutely dumbstruck by the crowd's reaction. Yes, there are obviously some players in the crowd who recognize the mastery of Stevie's technique, and they initially cheer rather boisterously and with great approval. The cheering only seemed to anger the "purists" who booed all the more loudly and who seemed to have made the final word by the conclusion of SRV's set.

If you can place yourself in the moment, the final shot of Stevie walking off backstage is heartbreaking, showing bewilderment, discouragement, anger - I can't imagine what was going through his mind - he had just played his heart out!

Most of us know the rest of the story and Stevie's incredible success at bringing his music to a mass audience. What '82 Montreux perhaps shows best is how difficult it can be for anyone to present a unique and original approach to a traditional musical idiom like the Blues.

I initially intended to write a scathing indictment of the Montreux crowd. I'll just leave it at this - Frank Zappa once said that most people wouldn't recognize good music if it bit them in the ass. This Montreux crowd wouldn't have recognized musical virtuosity if it slapped them in the face.
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Like most people who are into Blues, I couldn't wait to see this set when it was released. It contained two SRV sets at a very reasonable price and a short documentary as well as 5.1 DTS sound. Well it is great! Like my all time favourite, Albert King (see my reviews), material available on SRV (for all his impact in the 1980s) is rather scarce. I even saw him in Australia and he was so loud you really couldn't appreciate it, he needed smaller venues! This was a great chance to see him perform.I think the overall production of this set is excellent, as it usually is at Montreux. Great sound and camera work.

Well as a Blues enthusiast of 40 years. I think the first disc is far better than the second (but I love Reese Wynans keyboards). All the hipe about him being booed to me is overplayed. As a guitarist he was better when he was hungry, than after he became famous (do you know of a bluesman, not rock, that actually produced better material after they got famous?)(Listen to Buddy Guy, Albert King, Little Walter, Junior Wells, etc etc even Johnny Winter, the original SRV). So this is great and I agree the El Mocambo set is great, but I rate the first disc as his best work.

Top selection to me on Disc one is how he modernized Freddie King's Hideaway and combined it with Rude Mood (Urban/Country Blues). Just great. And the final tune is a great Albert Collins salute without copying Collins difficult style-you still recognise it (like in some of Duke Robillard's work). Fantastic! The old standbys- Texas Flood and Pride and Joy are great of course and his great slow blues Dirty Pool has that great unexpected chordal solo- an ode to Otis Rush's "Double Trouble" without, again, copying him completely (except the intro).

The booing didin't bother me.
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Format: DVD
Finally the legend of those shows comes to us in high quality, beautifully done packaging, and artful handling of all the material is extremely well done. This is an absolute must own DVD and anyone who knows anything about Stevie will want this in their collection. Considering when these shows were originally video taped and recorded, the restored audio mixing and the brightened video color correction and editing are top notch. You can see the care and quality Epic and Legacy put into restoring and releasing these two concerts. The documentary feature that's added as a bonus element rounds out the content by letting the viewer hear about those days straight from those that were there and witnessed it. There are wonderful stories and reflections from Tommy and Chris, and Jackson Browne adds his reflections. Adding John Mayer to the show was also a nice touch, and he speaks so well and the sound quotes that director Michael B. Borofsky uses really tells the story of a how SRV's influence and impact to this day remains remarkable. The stills that are used in the documentary make you think that someone new that history was being made on those nights, and director and editor used them brilliantly. The only bad part cant be blamed on Epic or Borofsky, but apparently when the original show in 1985 was videotaped, the cameramen went off duty or something and only one camera captures the performance of the encore and even that camera inexplicably turned off for a couple minutes during Couldn't Stand the Weather. But the audio recording captured it all. Luckily for us, Borofsky and John Jackson who co-produced the DVD had the sense not to cut the audio out when the video goes to black, and allows us through a created montage of images, to continue to hear the music as it was originally performed on that historic day. What a great DVD to own, I highly recommend it. I got it last Wednesday, and have watched it at least three times already.
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