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Sticky Fingers
Reissued, Remastered
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Track Listings
| 1 | Brown Sugar |
| 2 | Sway |
| 3 | Wild Horses |
| 4 | Can't You Hear Me Knocking |
| 5 | You Gotta Move |
| 6 | Bitch |
| 7 | I Got The Blues |
| 8 | Sister Morphine |
| 9 | Dead Flowers |
| 10 | Moonlight Mile |
Editorial Reviews
Product description
Rolling Stones - Sticky Fingers - CD
Amazon.com
Only a peak-of-their-powers Stones could manage to overshadow one of their very greatest albums by surrounding it in their studio chronology with Let It Bleed and Exile on Main St.. Sticky Fingers, however, is anything but an also-ran. Offering some of the band's most inspired twists on their basic approach--"Sway," the midtempo rocker that would sound orchestral even without Paul Buckmaster's climactic string arrangement; the gorgeous closer "Moonlight Mile"--this also rocks like the demon they had lived to face another day after Altamont. And, as if to prove their minds were still as dirty as their music, its keynote is "Brown Sugar." --Rickey Wright
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.5 x 4.94 x 0.45 inches; 3.36 Ounces
- Manufacturer : Virgin Records Us
- Item model number : CDV2730
- SPARS Code : DDD
- Date First Available : December 12, 2006
- Label : Virgin Records Us
- ASIN : B000000W5N
- Number of discs : 1
- Best Sellers Rank: #36,815 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,664 in Metal
- #10,679 in Notebooks & Writing Pads
- #17,935 in Rock (CDs & Vinyl)
- Customer Reviews:
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I want to focus on the most well-known track, "Brown Sugar." Has there ever been a more politically incorrect hit song? This great rock anthem is a stew of racism, sadism, sexism, violence and cruelty. The lyrics are quite audible, though mixed in such a way that they don't reveal themselves all at once. Plus, the words are so fluidly literate, they are unexpected, so a lot of fans might not really think they're hearing what they're hearing--an excited account of the life and times of a "slaver"--a guy who delivered slaves to market.
By comparison, Randy Newman's "Sail Away," which is on a related theme, seems both safer and more obvious. And that's my point about the Stones. As they are being recalled now, the emphasis is on the great music, the greatness of Jagger as a singer and icon, Richards and Watts as musicians; their longevity, and their image of sexuality, satanism and "bad boy" appeal. What's forgotten is they were also among the smartest satirists in rock. Their earlier stuff from the Andrew Loog Oldham period, is full of snot-nosed sarcasm, making the same social points as Bob Dylan, but with far more humor. Like Randy Newman, Ray Davies and Warren Zevon, they often adopted obnoxious, loathesome or dangerous characters to portray in their songs, and they both give the devils their due, and enough rope with which to hang themselves.
"Brown Sugar" is the song where they take this strategy to the absolute limit--rubbing everyone's nose in as much of it as they can get away with, forcing the listener to, in a way, identify with the evil pleasures enjoyed by someone with the whip-hand of power. It's brilliant, scary, and devilishly ironic--a dimension of the Stones that is hardly credited enough by critics and fans.
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