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Stiff: The Curious Lives of Human Cadavers First Edition
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"One of the funniest and most unusual books of the year....Gross, educational, and unexpectedly sidesplitting."―Entertainment Weekly
Stiff is an oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For two thousand years, cadavers―some willingly, some unwittingly―have been involved in science's boldest strides and weirdest undertakings. In this fascinating account, Mary Roach visits the good deeds of cadavers over the centuries and tells the engrossing story of our bodies when we are no longer with them.- ISBN-100393324826
- ISBN-13978-0393324822
- EditionFirst Edition
- PublisherW. W. Norton & Company
- Publication dateMay 17, 2004
- LanguageEnglish
- Dimensions5.5 x 0.9 x 8.3 inches
- Print length303 pages
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Editorial Reviews
Review
― Tara Parker-Pope, Wall Street Journal
"A laugh-out-loud funny book... one of those wonderful books that offers up enlightenment in the guise of entertainment."
― Michael Little, Washington City Paper
"As weird as the book gets, Roach manages to convey a sense of respect and appreciation for her subjects."
― Roy Rivenburg, Los Angeles Times
"Roach is authoritative, endlessly curious and drolly funny. Her research is scrupulous and winningly presented."
― Adam Woog, Seattle Times
"Mary Roach is one of an endangered species: a science writer with a sense of humor. She is able to make macabre funny without looting death of its dignity."
― Brian Richard Boylan, Denver Post
"Roach writes in an insouciant style and displays her métier in tangents about bizarre incidents in pathological history. Death may have the last laugh, but, in the meantime, Roach finds merriment in the macabre."
― Gilbert Taylor, Booklist
"Acutely entertaining, morbidly fascinating."
― Susan Adams, Forbes
About the Author
Product details
- Publisher : W. W. Norton & Company; First Edition (May 17, 2004)
- Language : English
- Paperback : 303 pages
- ISBN-10 : 0393324826
- ISBN-13 : 978-0393324822
- Reading age : 1 year and up
- Lexile measure : 1230L
- Item Weight : 10.4 ounces
- Dimensions : 5.5 x 0.9 x 8.3 inches
- Best Sellers Rank: #30,063 in Books (See Top 100 in Books)
- #9 in Forensic Medicine (Books)
- #28 in Sociology of Death (Books)
- #53 in Anatomy (Books)
- Customer Reviews:
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About the author

Mary Roach is the author of Grunt: The Curious Science of Humans at War, Packing for Mars: The Curious Science of Life in the Void, Bonk: The Curious Coupling of Science and Sex, Spook: Science Tackles the Afterlife, and Stiff: The Curious Lives of Human Cadavers. Her writing has appeared in Outside, Wired, National Geographic, and the New York Times Magazine, among others. She lives in Oakland, California.
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Learn more how customers reviews work on AmazonReviewed in the United States on March 26, 2023
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Then why leave Stiff alone for so many months? For it sat on my desk at the mercy of dust. Tell the truth, I even considered giving it no review at all. After going through Roach’s unfortunate bestseller, one thing is sure, I am not giving my body to science. Had such a tasteless assemblage not been given birth, I might have.
It is a sad decision when a major publishing company decides to go ahead with a project like this one. And indeed I was caught, like I will be in the future, I am sure, in this marketing manipulation. But what Mary Roach’s book ends up being is a collage of indecency.
Why such indignation and what is Stiff about? If you watch Law and Order, or read thrillers and mysteries, you will know what a stiff is. It is the name cops give to cadavers.
That’s what got me interested, the title. It implies what happens on the operating table of the medical examiner. As a mystery writer, I don’t know when the next stiff is going to pop up. And please, don’t think I am using the word in a cavalier way. Neither do the creators of the expression and the ones who shake hands with death every day---cops. Stiff seems just more familiar than cadaver.
But someone is cavalier with stiffs and that is Mary Roach. She is cavalier with death, with bodies, with their dismemberment, with cannibalism. The touch of humor she adds naming her little chapters adds cruelty and lack of sensitivity to a topic that needs to be dealt with sensitivity. She acts like that wounded teenager unable to express her hurt and sending sarcasms and witticisms instead.
But Roach is not a teenager. And she’s addressing a serious topic. The other side of life. The extension of life. Death is not the end of life. Even when it comes to the body. Think of it. Bury it. It becomes part of the earth. Other cells build and combine and enrich the soil. Death is just a name. Life, spiritual or material, never ends.
Roach’s book is a book of misery.
Instances. “A Head is a Terrible Thing to Waste” is the title where Roach (she’s missing a cock in her name; nothing to do with part of you, gentlemen) describes heads decapitated from cadavers carefully placed on trays by medical students. I am sure Danton and Robespierre, would have appreciated the photo that comes with this. (Good marketing for the guillotine.) And the rest of the body, you may ask? Either thrown out or sliced off. An arm is thrown time and again to test the impact of a fall, a leg sees how the breaks of that new car will work. Ping-pong time! See why I and other reviewers changed their minds about giving their body to science? See how irresponsible this is?
Indeed, a head is a terrible thing to waste. Where was yours, and incidentally, where is your heart, Madame Roach?
This is not the worst part. And please, stop eating your sandwich and grab a tea instead, with lemon preferably to settle your stomach, for what I am going to tell you next deals with cannibalism on live bodies. An ancient Chinese practice that extends actually to Mao’s time, it demands a daughter in law to cut a piece of her own flesh so that her new parents (hubby’s parents) can roast or fry her. Roach goes on over a page about this cuisine, and then moves into people fighting on aborted fetuses in a chapter titled Eat Me.
It’s not the writing about cannibalism that bothers me, or the one about science. I am quite sure that fascinating history and ethnology books must be begging under the dust of library shelves to be grabbed. No, it’s not that. It’s the buffet, the little buffet of death presented here to amuse the reader. Pick here, pick there, put a little of each on your plate. Well, I’ve got an indigestion and I may catch a worm.
I think of the cop who, every day, sees dead people. The accident, the murdered, or the little girl raped by her father and who becomes a stiff.
When I was a student at L’Ecole du Louvre, one of the first things I saw was when I entered the museum was the Egyptian section, a culture where soul and skin are inseparable.
When I returned from Spain one summer after learning to kiss, I saw my best friend, 16, dead. She was a gorgeous stiff, my lovely Christine.
As for Mary Roach’s Stiff, I shall extend its life too. When I am done writing this, I will place it in the recycling bin.
10.24.19
Thanks James!
Reviewed in the United States 🇺🇸 on March 26, 2023
Thanks James!
Top reviews from other countries
Her opening lines hooked me in completely: “The way I see it, being dead is not terribly far off from being on a cruise ship. Most of your time is spent lying on your back. The brain has shut down. The flesh begins to soften. Nothing much new happens, and nothing is expected of you.” She continues in this vein through the book, and in her footnotes — do not miss any of them as they are completely delightful. She explains the reluctance of the churchgoing masses to donate bodies as “who’s going to open the gates of heaven to some slob with his entrails all hanging out and dripping on the carpeting?” In a description on embalming — “opening up an artery, flushing the blood out with water, and pumping in alcohol” — she is reminded of frat parties!
Her book spans a long history of cadavers and surgery — from the time when “the poor donated themselves as living practice material” to paying tuition at certain Scottish schools in corpses rather than in cash and now to cadaver donations (or willed body programs); or from the era of body snatchers to memorials for cadaver donators. She also explores a range of topics related to cadavers and their uses — from decay, embalming and disposal techniques of corpses to the usage in car safety tests and in airplane crash investigations. She alternates her experiences while researching for the book (which seem to be extensive) with factoids from history, making the book interesting reading. And I learnt new facts as well, such as the ability for a decapitated head to perform most functions for a few seconds! She also raises important questions such as the need for gross anatomy labs given the vast depository of knowledge and the availability of digital models now. Or the moral dilemma of informing families if the cadavers of their near ones are used to test bullets or explosives. Or whether the decision for donations should rest with the donor or the donor’s family (she thinks that the latter should take the call).
Parts of the book can make the reader squeamish, however, such as when she describes the process of decay or embalming with graphic details, even as tries to lighten up the atmosphere with humour. Or the time when crucifixion is described in great detail. The reader needs to be prepared for that. Also, some parts do get trying to read as well.
The book is enjoyable largely due to her irreverent writing style, even when she speaks about her mother’s cadaver. At one point during her research, she is told that one should think of severed heads as wax to cope. And I suppose that’s the approach she has taken to write this book — think of everything as wax!
Pros: Surprising, interesting, witty
Cons: Morbid and boring at times
作者が実際に突撃取材をしたルポ(かなり笑える)と古今東西の(これまたなかなか笑える)引用の数々が絶妙のバランスで、この本を他の「死体についての本」とは一線を画したものにしている。少なくとも、ほとんどの読者にとっての「あなたの知らない世界」が展開されていることだけは、お約束できるだろう(さらには、笑える読書体験でもあるし、非常に教育的でもある、最後に献体の仕方も書いてある)。
翻訳も出ているが、表紙や各章の扉の写真など遊び心は原書の方が数段上。それにしても、日本の遺体事情はいったいどうなっているのだろう?同じ内容の本を出すにしても、はるかに真面目なものになってしまうのではないだろうか。
I gave it 4-stars since the last couple of chapters got a little boring where it seemed she was trying to stretch the book and in certain cases being repetitive.
All in all, I would definitely recommend reading it - takes you into a completely different world, allows you to explore the workings of professions you never believed could exist or the details of professions that live their life by working with (or on) the dead










