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The Sting

4.7 out of 5 stars 653 customer reviews

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(Jun 05, 2012)
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(Sep 06, 2005)
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$7.50 & FREE Shipping on orders over $49. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.

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Editorial Reviews

Winner of 7 Academy Awards, including Best Picture, The Sting stars Paul Newman and Robert Redford as two con men in 1930s Chicago. After a friend is killed by the mob, they try to get even by attempting to pull off the ultimate ‘sting.’ No one is to be trusted as the twists unfold, leading up to one of the greatest double-crosses in movie history. The con is on!

Special Features

  • The Art of The Sting
  • Theatrical Trailer

  • Product Details

    • Actors: Robert Redford, Paul Newman, Robert Shaw, Charles Durning, Eileen Brennan
    • Directors: George Roy Hill
    • Writers: David S. Ward
    • Producers: Tony Bill, Michael Phillips, Julia Phillips
    • Format: Multiple Formats, Color, NTSC, Original recording remastered, Widescreen
    • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Mono)
    • Subtitles: French, Spanish
    • Subtitles for the Hearing Impaired: English
    • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
    • Aspect Ratio: 1.85:1
    • Number of discs: 1
    • Rated:
      PG
      Parental Guidance Suggested
    • Studio: Universal Studios Home Entertainment
    • DVD Release Date: June 5, 2012
    • Run Time: 130 minutes
    • Average Customer Review: 4.7 out of 5 stars  See all reviews (653 customer reviews)
    • ASIN: B007N31YH0
    • Amazon Best Sellers Rank: #2,761 in Movies & TV (See Top 100 in Movies & TV)

    Customer Reviews

    Top Customer Reviews

    By James Morrison on February 12, 2007
    Format: HD DVD
    Honestly i've seen better HD DVD's but still this one is remastered like crazy,its a hell of alot clearer than the original dvd release and its amazing to see what they can do with movies such as old as this one. I mean 1973 this movie comes out and after watching the HD DVD you would think it was a new release. All in all to keep this short this is an amazing film and you should pick it up on HD DVD right now!
    3 Comments 52 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: VHS Tape
    The acting is wonderful, the suprises are unpredictable, and overall, this is one of the most original movies I've ever seen in my life. There can be no duplicates. And evey time i watch this movie, some how I notice about five things I've never seen before, like it changes every time. And no, I'm not an old movie collector or total classic lover, actually, I'm only sixteen. But this is easily one of my favorite movies in history. My favorite scene is with the card playing on the train.
    Comment 20 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: DVD
    Here's the real deal. The U.S. out-of-print "The Sting" DVD's are full screen. The U.S. September 6, 2005 "The Sting" DVD is cropped widescreen. I have watched both presentations, and BOTH ARE FINE. Neither presentation distracts from the FUN. If widescreen gives you a warm fuzzy feeling, get the new one. Purists will want the old full screen with no top/bottom picture loss. The dreaded "This film has been modified from its original version - It has been formatted to fit this screen." message on the 1998 full screen version is MISLEADING. The only "modification" is more picture at the top and more picture at the bottom than the widescreen theatrical release had. The director shot the film using 35 mm 4:3 open matte, but his bosses chose to crop the theatrical version. Oh, and note that this and all earlier reviews were written before the September 6, 2005 cropped widescreen version release date.
    1 Comment 27 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: DVD
    The film is a classic, the restoration is beautiful, and the restored audio is excellent, with one inexplicable gaff. During a humorous dialog exchange, one of Redford's funniest lines is replaced with a sanitized-for-TV dub, which I had only ever heard on the broadcast version of the movie.

    Original Dialog

    Gondorf: Luther didn't tell me you had a big mouth.

    Hooker: He didn't tell me you was a f**k-up, neither.

    The perfect timing of the exchange is blown to bits by the dubbed in line, "He didn't tell me you was a screw-up, neither," which has neither the delivery nor the comic impact of Redford's original. Even if it meant getting the film re-rated, this movie deserved better treatment. Why a company would go the all the effort of restoring a classic, award-winning film, then leave in a clumsy, laugh-robbing dub like this, is a complete mystery to me.

    Other than this one cringing moment, it's a true gem.
    Comment 19 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: DVD
    ...I am a cinematography purist. I'm giving it 5 stars anyway, because this film is that good!

    The 1998 DVD release of "The Sting" was not a "pan-and-scan" treatment -- as incorrectly stated (still!) in the amazon.com listing for it -- but the whole, uncut film image, presented as intended by the director and cinematographer. George Roy Hill and Robert Surtees shot it as a 1.33:1 (4:3) film, and intended it to be seen in theaters that way. But the studio chickened out, thinking that people wouldn't want to see a 1.33:1 film 19 years after widescreen revolutionized the moviegoing experience in 1954, so they matted it into 1.85:1 widescreen and altered the cinematographer's craft and the director's intent. Not good!

    I used to call myself a "widescreen fan," but what I have really always been is a "cinematography purist," or an "as the director intended" fan of filmed images. Virtually all "widescreen fans" of home video releases really are "cinematography purists" like me. Embrace yourself and your label, and embrace 4:3 if a film called for it!

    Many 1.85:1 widescreen films are shot in 4:3, with the full intention by the director and cinematographer to matte them into 1.85:1 format for theatrical release. So they shoot scenes accordingly, not worrying too much about the very top and very bottom of the images in the camera eye, because they will be matted away. What is different here is that "The Sting" was meant to remain a 4:3 film in the theaters, and so was shot accordingly, with Surtees' full use of the 4:3 frame. If you matte it, you lose parts of the intended images, which detracts from the overall experience, and for some films this means ruin.

    If you are a film fan, you want to see what the director intended you to see, don't you?
    Read more ›
    2 Comments 25 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: Blu-ray Verified Purchase
    Director George Roy Hill had a hit with Butch Cassidy and the Sundance Kid in 1969, and four years later he brought the movie's two stars together again in The Sting. Paul Newman and Robert Redford had a natural chemistry that appealed to audiences, so the comedy adventure of western cowboy outlaws in the first decade of the 1900s was followed by the comedy adventure of eastern criminal grifters in the 1930s.

    The Sting was another huge hit, with Newman as the wise old con man Henry Gondorff, and Redford as the up-and-coming con man Johnny Hooker. All the way down the cast list you find accomplished actors, and the intricate screenplay needed just such pros to make it work. Robert Shaw portrays an Irish gangster, Doyle Lonnegan, a tough who tells one of his henchmen that he would even kill a childhood friend if necessary to preserve his hold on the mob.

    Gondorff and Hooker, the small-time grifters, are out for revenge against Lonnegan for killing one of their old con-man accomplices. Regarding Lonnegan, Johnny Hooker says "he's not as tough as he thinks", to which the more experienced Gondorff replies, "neither are we." Gritty realism flows through the entire film, but the story is told with a light comedic touch. Of special note is the soundtrack music of Scott Joplin, now most famous for "The Entertainer" due to its use in The Sting. Joplin's music was actually from a time even earlier than the setting of Butch Cassidy and the Sundance Kid, but its spirit does seem to fit the time of The Sting.

    When a film succeeds, or when it fails, much credit or blame is due the director. George Roy Hill took this complex story, delicately balanced between tragedy and farce, and made it work.
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