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The Stinky Cheese Man and Other Fairly Stupid Tales Hardcover – October 1, 1992
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If geese had graves, Mother Goose would be rolling in hers. The Stinky Cheese Man and Other Fairly Stupid Tales retells--and wreaks havoc on--the allegories we all thought we knew by heart. In these irreverent variations on well-known themes, the ugly duckling grows up to be an ugly duck, and the princess who kisses the frog wins only a mouthful of amphibian slime. The Stinky Cheese Man deconstructs not only the tradition of the fairy tale but also the entire notion of a book. Our naughty narrator, Jack, makes a mockery of the title page, the table of contents, and even the endpaper by shuffling, scoffing, and generally paying no mind to structure. Characters slide in and out of tales; Cinderella rebuffs Rumpelstiltskin, and the Giant at the top of the beanstalk snacks on the Little Red Hen. There are no lessons to be learned or morals to take to heart--just good, sarcastic fun that smart-alecks of all ages will love.
From Publishers Weekly
Grade-school irreverence abounds in this compendium of (extremely brief) fractured fairy tales, which might well be subtitled "All Things Gross and Giddy." With a relentless application of the sarcasm that tickled readers of The True Story of the Three Little Pigs , Scieszka and Smith skewer a host of juvenile favorites: Little Red Running Shorts beats the wolf to grandmother's house; the Really Ugly Duckling matures into a Really Ugly Duck; Cinderumpelstiltskin is "a girl who really blew it." Text and art work together for maximum comic impact--varying styles and sizes of type add to the illustrations' chaos, as when Chicken Licken discovers that the Table of Contents, and not the sky, is falling. Smith's art, in fact, expands upon his previous waggery to include increased interplay between characters, and even more of his intricate detail work. The collaborators' hijinks are evident in every aspect of the book, from endpapers to copyright notice. However, the zaniness and deadpan delivery that have distinguished their previous work may strike some as overdone here. This book's tone is often frenzied; its rather specialized humor, delivered with the rapid-fire pacing of a string of one-liners, at times seems almost mean-spirited. Ages 5-up.
Copyright 1992 Reed Business Information, Inc.
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This picture book is appropriate for most children as soon as they are able to read but also should not be taken too seriously. If you are going to use this in a school setting, make sure to remind students this book is not making fun of other stories, just providing an alternative storyline. Just to make sure that the students do not start making fun or harshly criticizing other's work. One of the best lesson plans that you can use this book with is exploring the idea of different points of view on a story or subject. You can simply provide the students with different versions of classic folktales and have them compare and contrast them. They can even rewrite the stories themselves and provide an alternative ending.