This was a devastating story, tragic in its focus on a life not truly well lived, mostly because of the obstinate pride and irascible sense of independence that the main character Hagar fought so hard to maintain. Her inability to just let herself be joyful and loved was heartbreaking. I've known people like Hagar - never a moment where she wasn't thinking of how things ought to be, of how others should live in order to live up to her expectations. The sad thing is that there are all too many people like that. Perhaps we ALL know someone like Hagar, someone that we know will find fault in even the smallest gesture of kindness or friendliness. How tiresome that kind of life is - which Hagar actually came to realize, of course when it was too late to do anything about it.
This is a story that will stay with me a long time because of its stark spotlight that uncovers even the darkest little corner of a woman who could not mean in to not or love. A warning perhaps to readers to NOT be like the Stone Angel that stands as a symbol for Hagar's life.
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The Stone Angel (Phoenix Fiction) Paperback – June 15, 1993
by
Margaret Laurence
(Author)
| Margaret Laurence (Author) Find all the books, read about the author, and more. See search results for this author |
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The Stone Angel, The Diviners, and A Bird in the House are three of the five books in Margaret Laurence's renowned "Manawaka series," named for the small Canadian prairie town in which they take place. Each of these books is narrated by a strong woman growing up in the town and struggling with physical and emotional isolation.
In The Stone Angel, Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant.
"This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times
"It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic
"Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic
"[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth."—Time
"Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review
"The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's
In The Stone Angel, Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant.
"This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times
"It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic
"Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic
"[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth."—Time
"Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review
"The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's
- Print length318 pages
- LanguageEnglish
- PublisherUniversity of Chicago Press
- Publication dateJune 15, 1993
- Dimensions7.98 x 5.3 x 0.9 inches
- ISBN-100226469360
- ISBN-13978-0226469362
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Editorial Reviews
Review
The Stone Angel is a compelling journey seen through the eyes of a woman nearing the end of her life. At ninety, Hagar Shipley speaks movingly of the perils of growing old and reflects with bitterness, humor, and a painful awareness of her own frailties on the life she has led. From her childhood as the daughter of a respected merchant, to her rebellious marriage, Hagar has fought a long and sometimes misguided battle for independence and respect. In the course of examining and trying to understand the shape her life has taken, her divided feelings about her husband, her passionate attachment to one son and her neglect of another, she is sometimes regretful, but rarely penitent. Asking forgiveness from neither God nor those around her, she must still wrestle with her own nature: "Pride was my wilderness, and the demon that led me there was fear." She has been afraid of being unrespectable, afraid of needing too much, afraid of giving too much, and her pride is both disturbing and inspiring. The Stone Angel is an excellent example of the realism and compassion present in all of Margaret Laurence's writing. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Sonja Larsen
From the Back Cover
With her life nearly behind her, the witty, irascible, and fiercely proud Hagar Shipley escapes from her nursing home and sets out in search of a way to reconcile herself to her tumultuous past. Through her reflections, we come to know the rebellious young bride in a remote prairie town, her love for her two sons, the freedom she claimed, and the joys she denied herself. In this bold, final step toward freedom and independence, Hagar gains a deeper understanding of the meaning of acceptance. Her thoughts evoke not only the rich pattern of her past experience but also the meaning of what it is to grow old and to come to terms with mortality.
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Product details
- Publisher : University of Chicago Press; 1st edition (June 15, 1993)
- Language : English
- Paperback : 318 pages
- ISBN-10 : 0226469360
- ISBN-13 : 978-0226469362
- Item Weight : 12.8 ounces
- Dimensions : 7.98 x 5.3 x 0.9 inches
- Best Sellers Rank: #326,634 in Books (See Top 100 in Books)
- #2,058 in Classic American Literature
- #9,223 in Classic Literature & Fiction
- #20,406 in Literary Fiction (Books)
- Customer Reviews:
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Reviewed in the United States on September 14, 2020
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Reviewed in the United States on March 15, 2021
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This book is taught in high school in Canada. It is as important to Canadian literature as Huck Finn is to American literature. Bit this book shouldn’t be read until you’ve hit 40 or more years. It’s a woman’s book. I give this book to every women I know who is over 50 and they all come back to me like they’ve had a religious experience of some kind. If you read the plot you might say to yourself: the sounds like no fun. Here is my plot synopsis of how I perceive this book: Did you ever read Anne of Green Gables, all six book, and wish they went on? Well The Stone Angel, for me, is about Anne in the last year of her life. It’s about a woman with gumption and pluck, and imagination looking back upon her life. She is still Anne and part Marilla. This book is for the woman who is halfway there... who is looking back and reflecting and moving towards the end with all she was in youth still inside.
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Reviewed in the United States on January 24, 2021
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Just finished “THE STONE ANGEL” by Margaret Lawrence(Canadian author)
Read some reviews which described it as disturbing(ONLY IF YOU DONT WANT TO THINK ABOUT AGING)
Maybe! But as a geriatrician and hospice/palliative care doctor I found it to be a description of aging. Hagar the main character is 90y old. Her son and daughter-in-law live and care for her in HER house. They are tired of caring for her and begin looking for a skilled nursing facility. Keep in mind this was published in 1964!
It brings up so many issues for the elderly:
who will care for me, is my property my property, regrets over how children were raised, anger over children’s choices of jobs or mates, anger at spouses and ex-spouses, sadness over lost siblings, children, constipation, incontinence, fear of falling, forgetfulness, depression, pain, pain relief, condescending care givers, memory that comes and goes and fails just when needed. So full of things I see everyday in my patients. Hagar’s SNARK is inspirational. Epilogue by Dylan Thomas: Do not go quiet........
Hagar you are an inspiration and a teacher!!! Thank you Margaret Lawrence!
Read some reviews which described it as disturbing(ONLY IF YOU DONT WANT TO THINK ABOUT AGING)
Maybe! But as a geriatrician and hospice/palliative care doctor I found it to be a description of aging. Hagar the main character is 90y old. Her son and daughter-in-law live and care for her in HER house. They are tired of caring for her and begin looking for a skilled nursing facility. Keep in mind this was published in 1964!
It brings up so many issues for the elderly:
who will care for me, is my property my property, regrets over how children were raised, anger over children’s choices of jobs or mates, anger at spouses and ex-spouses, sadness over lost siblings, children, constipation, incontinence, fear of falling, forgetfulness, depression, pain, pain relief, condescending care givers, memory that comes and goes and fails just when needed. So full of things I see everyday in my patients. Hagar’s SNARK is inspirational. Epilogue by Dylan Thomas: Do not go quiet........
Hagar you are an inspiration and a teacher!!! Thank you Margaret Lawrence!
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Reviewed in the United States on December 28, 2009
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The character of Hagar ("stranger") from the Book of Genesis has retained a fascination for many readers over the millenia. In the Biblical story, Hagar is the servant of Sarah, the wife of Abraham. Hagar becomes pregnant with Abraham's child, Ishmael, after Sarah herself is unable to conceive. Twice, before the birth of Ishmael and thereafter, Abraham sends Hagar, at Sarah's insistence into the desert to wander and die. Genesis 17 and 21. On both occasions, God rescues Hagar and promises that Ishmael will be the father of a great nation of warriors. Throughout the Biblical account, there is an enmity between Ishmael and his descendants and Isaac, the son of Abraham and Sarah, and his descendants. African Americans frequently describe themselves as Hagar's children, for her character as a lonely outcast. For example, a famous early blues by W.C. Handy is titled "All Aunt Hagar's Children, in a recording here by Louis Armstrong.
Louis Armstrong Plays W.C. Handy
An extraordinary story by Edward P. Jones takes Handy's title and adds new dimensions to the Biblical tale, stressing themes of common humanity.
All Aunt Hagar's Children
The renowned Canadian author Margaret Laurence's (1926 -- 1987) novel "The Stone Angel" (1964) adds its own layers to the story of Hagar. The story is set in Manawaka, a small fictitious prarie town in Manitoba, Canada and spans roughly the late 19th to mid-20th Century. The main character and narrator is a woman named Hagar Shipley, (born Hagar Currie.). She tells her story when she is a woman, terminally ill, in her 90s. Hagar tells the story of her old age with many flashbacks to and dreams of her long life.
Hagar feels herself an outcast, a loner, and independent, as her Biblical namesake. She is not an entirely likeable person but rather is tough, raw, judgmental, and cantankerous. She has been living for 17 years with her 65 year old son, Marvin and his wife Doris in a small home. At the age of about 80, Hagar took up cigarette smoking. She is demanding and makes life difficult for her son and his wife who themeselves are frail and getting on in years. Marvin and Doris try to persuade Hagar to move to a nursing home, but Hagar refuses and runs away.
Hagar is not an unreliable narrator, but she has blinkers in how she sees herself. Laurence presents her convincingly while also inviting the reader to come to his or her own understanding of Hagar. The story is taut, sharp, and sometimes told with Hagar's withering judgments on herself and others. I find the book secular in outlook although replete with Biblical allusions, including Hagar herself, other Scriptural stories, and the young minister of Marvin and Doris, Mr. Troy, who visits and tries to comfort Hagar at critical moments late in her life.
Hagar was the child of a self-made man, Currie, who owned a successful general store in early Manawaka. She has two brothers and a mother who died when Hagar was very young. We see in the book the deaths of these three men and Hagar's reactions and memories. Hagar's father sent her to the eastern part of Canada to a finishing school even though Hagar felt the money would be better spent by sending her brother to college. When she returns, her father tries to make Hagar a suitable match, but she is uninterested. Instead, she marries Bram Shipley, 14 years her senior. Bram is shunned in Manawaka. Her father refuses to see her after the marriage and cuts her out of his will. She truly becomes an outcast, as was the Biblical Hagar.
Bram's first wife died of natural causes. He lives on a run-down farm but has no interest in working the land. He is taciturn, crude, and vulgar. Hagar with her manners and education, seems swayed by the opinions of others about Bram, but, to her own surprise, she responds deeply to Bram sexually. Hagar ultimately has two children, John, who dies, and Marvin, with whom she lives. She leaves Bram but returns when he dies.
Hagar strives to be independent. She tends to blame others for her misfortunes, but she realizes that when she married Bram she knew much of what he was about. She valued Bram's crudeness, vulgarity, and sexuality. She remained ambivalent, and her pride, particularly, got in the way. She was unable to stand up for what she wanted, but adopted the view of Bram of the higher, more reputable citizens of Manawaka, particularly her father. When Bram dies, he is buried in a plot with Hagar's father and Shipley-Currie is inscribed on the grave. There is some belated reconciliation here, perhaps similar to that which might occur between the descendants of Ishmael and Isaac.
When Mr. Troy, late in the book, sings Hagar a hymn about serving God "with mirth" and rejoicing, she has an epiphany of sorts. She says: (p. 292)
"Pride was my wilderness, and the demon that led me there was fear. I was alone, never anything else, and never free for I carried my chains within me, and they spread out and shackled all I touched. O my two, my dead. Dead by your own hands or by mine? Nothing can take away these years."
As with most people, Hagar straddles uneasily between her insight into herself and her ingrained habits and responses.
This is a thoughtful, well-written book about growing old and about the never ending task of coming to terms with oneself and, as Nietszsche might describe it, becoming who one is. The book reminded me of two other recent works I liked a great deal in which an elderly narrator reflects on the course of his or her earlier life. The first is "Veronica" by Mary Gaitskill, in which a middle-aged but terminally ill narrator gains peace with her earlier life of tawdry sex and sexual exploitation. Veronica The second novel is "So Long, See You Tomorrow by William Maxwell. In this acclaimed novel, a narrator in his 70s revisits and tries to understand haunting events from his youth, including the death of his mother and a sensational adulterous affair and murder-suicide involving a young friend. So Long, See You Tomorrow These two books, and Laurence's, offer varying understandings of the relationship between old age and youth.
Robin Friedman
The renowned Canadian author Margaret Laurence's (1926 -- 1987) novel "The Stone Angel" (1964) adds its own layers to the story of Hagar. The story is set in Manawaka, a small fictitious prarie town in Manitoba, Canada and spans roughly the late 19th to mid-20th Century. The main character and narrator is a woman named Hagar Shipley, (born Hagar Currie.). She tells her story when she is a woman, terminally ill, in her 90s. Hagar tells the story of her old age with many flashbacks to and dreams of her long life.
Hagar feels herself an outcast, a loner, and independent, as her Biblical namesake. She is not an entirely likeable person but rather is tough, raw, judgmental, and cantankerous. She has been living for 17 years with her 65 year old son, Marvin and his wife Doris in a small home. At the age of about 80, Hagar took up cigarette smoking. She is demanding and makes life difficult for her son and his wife who themeselves are frail and getting on in years. Marvin and Doris try to persuade Hagar to move to a nursing home, but Hagar refuses and runs away.
Hagar is not an unreliable narrator, but she has blinkers in how she sees herself. Laurence presents her convincingly while also inviting the reader to come to his or her own understanding of Hagar. The story is taut, sharp, and sometimes told with Hagar's withering judgments on herself and others. I find the book secular in outlook although replete with Biblical allusions, including Hagar herself, other Scriptural stories, and the young minister of Marvin and Doris, Mr. Troy, who visits and tries to comfort Hagar at critical moments late in her life.
Hagar was the child of a self-made man, Currie, who owned a successful general store in early Manawaka. She has two brothers and a mother who died when Hagar was very young. We see in the book the deaths of these three men and Hagar's reactions and memories. Hagar's father sent her to the eastern part of Canada to a finishing school even though Hagar felt the money would be better spent by sending her brother to college. When she returns, her father tries to make Hagar a suitable match, but she is uninterested. Instead, she marries Bram Shipley, 14 years her senior. Bram is shunned in Manawaka. Her father refuses to see her after the marriage and cuts her out of his will. She truly becomes an outcast, as was the Biblical Hagar.
Bram's first wife died of natural causes. He lives on a run-down farm but has no interest in working the land. He is taciturn, crude, and vulgar. Hagar with her manners and education, seems swayed by the opinions of others about Bram, but, to her own surprise, she responds deeply to Bram sexually. Hagar ultimately has two children, John, who dies, and Marvin, with whom she lives. She leaves Bram but returns when he dies.
Hagar strives to be independent. She tends to blame others for her misfortunes, but she realizes that when she married Bram she knew much of what he was about. She valued Bram's crudeness, vulgarity, and sexuality. She remained ambivalent, and her pride, particularly, got in the way. She was unable to stand up for what she wanted, but adopted the view of Bram of the higher, more reputable citizens of Manawaka, particularly her father. When Bram dies, he is buried in a plot with Hagar's father and Shipley-Currie is inscribed on the grave. There is some belated reconciliation here, perhaps similar to that which might occur between the descendants of Ishmael and Isaac.
When Mr. Troy, late in the book, sings Hagar a hymn about serving God "with mirth" and rejoicing, she has an epiphany of sorts. She says: (p. 292)
"Pride was my wilderness, and the demon that led me there was fear. I was alone, never anything else, and never free for I carried my chains within me, and they spread out and shackled all I touched. O my two, my dead. Dead by your own hands or by mine? Nothing can take away these years."
As with most people, Hagar straddles uneasily between her insight into herself and her ingrained habits and responses.
This is a thoughtful, well-written book about growing old and about the never ending task of coming to terms with oneself and, as Nietszsche might describe it, becoming who one is. The book reminded me of two other recent works I liked a great deal in which an elderly narrator reflects on the course of his or her earlier life. The first is "Veronica" by Mary Gaitskill, in which a middle-aged but terminally ill narrator gains peace with her earlier life of tawdry sex and sexual exploitation. Veronica The second novel is "So Long, See You Tomorrow by William Maxwell. In this acclaimed novel, a narrator in his 70s revisits and tries to understand haunting events from his youth, including the death of his mother and a sensational adulterous affair and murder-suicide involving a young friend. So Long, See You Tomorrow These two books, and Laurence's, offer varying understandings of the relationship between old age and youth.
Robin Friedman
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Reviewed in the United States on November 5, 2019
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This incredible story draws you in so deeply that it’s hard to put down. The various characters are described so perfectly - you feel as though you know them. Margaret Laurence is an exceptional author.
Reviewed in the United States on July 4, 2018
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In her poignant portrayal of Hagar Shipley, Margaret Laurence captures the essence of our basic human struggle and fear: to find meaning in life.
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V.L.Walker
5.0 out of 5 stars
She is not an easy person but you can see how her past has ...
Reviewed in the United Kingdom on October 25, 2016Verified Purchase
This is a very interesting book following the life story of an old woman in a Canadian small town as she reaches the end of her life. The plot might sound depressing but the characters are very well drawn and the story well told and it becomes compelling to read on. As she faces getting older and having to go into a home, her memories of the past come back to her. She recognises the mistakes she made and the successes she has achieved. She is not an easy person but you can see how her past has made her what she has become. The book was written in the 1960s and republished recently. I can recommend it.
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Customer
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on April 4, 2015Verified Purchase
Great
Naomi Anderson
5.0 out of 5 stars
An amazing story
Reviewed in the United Kingdom on June 7, 2013Verified Purchase
One of the best books I have read {and i read a lot of books} in a long long time
William T
5.0 out of 5 stars
And then...
Reviewed in Canada on October 24, 2020Verified Purchase
"And then..." are the two simple, ordinary words Margaret Laurence uses to close her minor masterpiece, The Stone Angel to extinguish the life of Hagar Shipley. Two simple words say it all!
Hagar is in hospital, dying, althogh she doesn't know it until that suddenly gone moment when she spills her glass of water in her hospital bed, then blinks out.
The "almighty terror" - as described by her caretaking son to a nurse - had the apparent misfortune of being born Scottish and so being upset into a world of dreadful self-containment and voluntary depravations.
I read and re-read and read yet again Margaret Laurence's canon of stories...and likely will continue to do so until I drop! "Why?" Upon finishing this, my fifth read of Stone Angel I feel richer again.
"Why," I asked myself upon this read, "must the Scotts carry such a cussed load?" And they truly do, you know. I'm married to one, myself, so I know very well Hagar's incapacity to communicate her innermost feelings to others; her starchy tendency to always judge others critically. Her damned fears about the simple cost of living; her buried tendernesses; her unease about mortality.
Her incessant pettiness.
Laurence....No... I really must actualize her personhood by using her given name, "Margaret" to do the same favour a total stranger but drunken-friend-well-met in a dark, dank seaside hideaway of existential escape for hobos and other lost souls, does for Hagar. He addresses her as "Hagar." Hagar has no one else in her life who speaks her name to her, personally, respecting her.
Margaret uses the 'two-simple-words' trick elsewhere in her novels as opening or closing revelations. She has the power to say practically everything about a novel using them. So Canadian.
I remember the day in 1987 when Margaret's death was announced tenderly by another legendary Canadian wordsmith, CBC Radio personality Peter Gzowski (RIP 2002), on his popular talk show, Morningside. I cried. A dozen heartful novels. "What's going on inside is never the same as what's happening on the outside," she once wrote about people. It's the beautiful dread and awful grace she writes into her characters that she refers to. Her dramatic, troubled and beloved female characters were all so transparently herself. Surely when Margaret took her own life, stricken with cancer, she had not come to the end of her stories. So many stories, so many hearts and minds; so much to say about the human condition.
All that!
Hagar is in hospital, dying, althogh she doesn't know it until that suddenly gone moment when she spills her glass of water in her hospital bed, then blinks out.
The "almighty terror" - as described by her caretaking son to a nurse - had the apparent misfortune of being born Scottish and so being upset into a world of dreadful self-containment and voluntary depravations.
I read and re-read and read yet again Margaret Laurence's canon of stories...and likely will continue to do so until I drop! "Why?" Upon finishing this, my fifth read of Stone Angel I feel richer again.
"Why," I asked myself upon this read, "must the Scotts carry such a cussed load?" And they truly do, you know. I'm married to one, myself, so I know very well Hagar's incapacity to communicate her innermost feelings to others; her starchy tendency to always judge others critically. Her damned fears about the simple cost of living; her buried tendernesses; her unease about mortality.
Her incessant pettiness.
Laurence....No... I really must actualize her personhood by using her given name, "Margaret" to do the same favour a total stranger but drunken-friend-well-met in a dark, dank seaside hideaway of existential escape for hobos and other lost souls, does for Hagar. He addresses her as "Hagar." Hagar has no one else in her life who speaks her name to her, personally, respecting her.
Margaret uses the 'two-simple-words' trick elsewhere in her novels as opening or closing revelations. She has the power to say practically everything about a novel using them. So Canadian.
I remember the day in 1987 when Margaret's death was announced tenderly by another legendary Canadian wordsmith, CBC Radio personality Peter Gzowski (RIP 2002), on his popular talk show, Morningside. I cried. A dozen heartful novels. "What's going on inside is never the same as what's happening on the outside," she once wrote about people. It's the beautiful dread and awful grace she writes into her characters that she refers to. Her dramatic, troubled and beloved female characters were all so transparently herself. Surely when Margaret took her own life, stricken with cancer, she had not come to the end of her stories. So many stories, so many hearts and minds; so much to say about the human condition.
All that!
Judith Weber
5.0 out of 5 stars
A solid Canadian classic
Reviewed in Canada on June 20, 2021Verified Purchase
This was purchased for friends who have not read it and cannot find this at the library anymore.
It arrived in very good condition. Bless used book stores, they are the holders of many classics that should not be dismissed or forgotten.
It arrived in very good condition. Bless used book stores, they are the holders of many classics that should not be dismissed or forgotten.







