- Paperback: 358 pages
- Publisher: Grand Central Publishing; 1st edition (February 13, 2012)
- Language: English
- ISBN-10: 0446574457
- ISBN-13: 978-0446574457
- Product Dimensions: 5.5 x 1 x 8 inches
- Shipping Weight: 1.6 pounds (View shipping rates and policies)
- Average Customer Review: 4.4 out of 5 stars See all reviews (664 customer reviews)
- Amazon Best Sellers Rank: #64,575 in Books (See Top 100 in Books)
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The Story of Beautiful Girl Paperback – February 13, 2012
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It is 1968. Lynnie, a young white woman with a developmental disability, and Homan, an African American deaf man, are locked away in an institution, the School for the Incurable and Feebleminded, and have been left to languish, forgotten. Deeply in love, they escape, and find refuge in the farmhouse of Martha, a retired schoolteacher and widow. But the couple is not alone-Lynnie has just given birth to a baby girl. When the authorities catch up to them that same night, Homan escapes into the darkness, and Lynnie is caught. But before she is forced back into the institution, she whispers two words to Martha: "Hide her." And so begins the 40-year epic journey of Lynnie, Homan, Martha, and baby Julia-lives divided by seemingly insurmountable obstacles, yet drawn together by a secret pact and extraordinary love.
When The Story of Beautiful Girl came out, I kept getting asked two questions. Why was I drawn to writing disability-themed literature? And was it hard to write from the point of view of characters with disabilities?
My answer to the first question begins with this basic fact: for one month every year, I am a twin.
My sister Beth, who has an intellectual disability, was born eleven months after me. So every year when I visit her for her birthday, the first thing we both say is, "Now we’re twins!" And for the next thirty days, as she gleefully moves through her days wearing the Tweety Bird shirts and using the Scooby Doo stickers I bought for her big celebration, we are indeed twins. Then my birthday rolls around, and when I visit her for that admittedly more secondary occasion, and she thrusts dozens of handmade cards at me, all of which express her happiness at my coming to see her, the first thing we both say is, "Now we’re not twins."
As with any siblings who are so close in age, we’ve shared a lot: parents, a brother and sister, a challenging family history, bedrooms, opinions, dreams, tears, jokes, anxieties, secrets, unspoken understandings, and sideways glances. So I have a reasonably good sense of how my sister feels, what she thinks, who she cares about, and why she does what she does.
Of course, there are additional layers to our relationship because of her disability. I feel a sense of responsibility toward her and she feels a level of trust in me. We’ve both always known that, whenever necessary, I will act as a go-between: I will explain to her the things she doesn’t understand about the world, and I will explain to the world the things it doesn’t understand about her.
At the same time, since she is a person with a disability, I’ve spent my life noticing--and being annoyed at--how so much of the world has got it all wrong when it comes to my sister and others like her. How she gets ignored by waitresses, snickered at by teenagers, patronized by people who assume she’s helpless, underestimated by people who assume she’s angelic. In addition, I’ve pondered many of the deepest issues about the mind. What is universal about intelligence? About sorrow and longing? About pleasure and love? On top of all this, I’ve long wondered: Why does so much of the public just not get it? And how, given that some people like my sister never get seen or acknowledged or heard by the world, might that ever change?
In 2002, I tried to do what I could to answer those thoughts. I wrote a memoir about my relationship with Beth, Riding The Bus With My Sister, which is about both her present-day passion of riding city buses and our lives as siblings from birth to middle age. The book, which was also adapted for a Hallmark Hall of Fame movie by the same name, led to my getting asked to give talks around the country. At every talk, I met more and more people with disabilities, their family members, and the professionals who work with them. They told me their stories, and I started to feel a new urge. I wanted to do whatever I could to give voice to those who had never been heard.
I realized I was in an unusual position to take on that responsibility. As a family member, I wouldn’t get bogged down by cliches and stereotypes. As someone who’d already published two books of fiction before Riding The Bus With My Sister, I wouldn’t have to stick with nonfiction, nor was I daunted by the idea of a novel. As a sister who’d stood up for Beth since the day I was conscious of my own existence, I felt a sense of mission. And as a once-a-year twin, I had developed the skill of being a go-between.
This gets me to the second question. Was it hard to write The Story of Beautiful Girl through the eyes of characters with disabilities?
I wish I could say it took a huge amount of effort. But there’s another word that’s synonymous with being a go-between: being a translator. I’ve spent my life translating the world into terms my sister could comprehend--and translating my sister into terms the world could comprehend.
So when I sat down to write the characters of Beautiful Girl and Number Forty-Two, I just did what I’ve always done. I wrote about the world’s rules and injustices and rewards and irrationalities as those characters would perceive them. And I wrote about their wonderings and yearnings and motivations and joys in ways that readers would understand.
Neither character is like my sister. And both go through adversity and anguish the likes of which my sister has never seen. But I wouldn’t say that writing their experiences was hard for me.
I would say, instead, that it was heart-opening and soul-deepening.
I would say, instead, that it was fun.--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In this enthralling love story, Lynnie, a young white developmentally disabled woman with limited speech, and Homan, a deaf African-American man, meet at the Pennsylvania State School for the Incurable and Feebleminded in the late 1960s. Despite strict rules, poor conditions, an abusive staff, and the couple's lack of language, Lynnie and Homan share tender moments. After their escape, a few days of freedom not only enables the secretly pregnant Lynnie to give birth outside the walls of the corrupt institution, it also secures the couple's admiration for one another. Fears of discovery force them to leave the baby in the hands of a nurturing widow, Martha Zimmer. Soon after, the school's staff apprehend Lynnie, while Homan flees. Although their stories diverge and unfold independently of one another, memories of their short time together sustain them for more than 40 years as they develop the confidence to eventually parent, learn to sign and speak, and finally, reunite. Simon (Riding the Bus with My Sister) who grew up with a developmentally disabled sister, has written an enormously affecting read, and provided sensitive insight into a complex world often dismissed by the "abled." (May)
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
Apparently Simon wrote a memoir about her developmentally disabled sister (Riding the Bus with My Sister) but I haven't read it.
Similarly, The Story of Beautiful Girl is about a developmentally challenged young woman, only this woman is entirely fictional. She gets pregnant, gives up her baby and loses her true love, a black deaf-mute man named Homan.
Beginning in 1968, the story is about Beautiful Girl, but it's also about those horrible state institutions where people like Beautiful Girl and Homan were relegated.
I didn't care for Simon's writing. A lot more "tell" than "show": "Julia bounded ahead, her green dress, white suede jacket and patent-leather Mary Janes making her more stylish than most people on the Cape, who preferred blue jeans and light jackets." No. Please stop. If the patent-leather Mary Janes don't play a role in the story, I don't care.
And, like so much fiction I don't care for, the story was just a little too neat. It reminded me of Forrest Gump -- an amazing story, sure, but everything just falls into place a little too perfectly.
Simon, however, does an excellent job of creating suspense, and I was hooked after Chapter 1, even though I quibbled with some of the details.
The book has appeal for reader who might know developmentally disabled people because Simon does a decent job of portraying the world from their perspective, but if that's your interest, I'd recommend John Elder Robison's memoir Look Me in the Eye: My Life with Asperger's, which I appreciated more.
On the other hand, if you're reading it for a book club, it's worth finishing!
I like for authors to show me, not tell me. There were too many times when she described what someone was thinking or what was happening, instead of showing me. I didn't think she fleshed out the characters in a way that I could see them living and breathing. Think 'One Flew Over the Cuckoo's Nest' - reading that made me see the people in the book. Here, they all felt cardboard and cliched- either good or evil, strong or weak. I also felt that the writing was rather juvenile; many times I wondered if the book was meant more for Young Adults.
Then was the unbelievability of much of the plot. First, I questioned how much Lynnie would have been able to hide her pregnancy, and/or hide the fact that she just gave birth. Second, People can indeed be generous and giving. But I found that too often Martha was given a door to escape to with each conflict, someone on the other end who was going to be helping her make it. I wanted all the characters to succeed, but I felt too often it was via other people, not themselves. Finally, people who are deaf don't usually have the kind of language that Homan uses. If the writing is good enough, I can brush aside these anachronisms. But it wasn't, and I couldn't.
I'm not looking for a literary masterpiece; I wanted a read that would pull me into that time and place, with characters I would remember long after I close the book. Unfortunately that didn't happen here. I am giving this book a 2* instead of a 1*, because I can see the promise of a good writer, and that I suspect her non fiction memoir was probably heads and tails better than this. I know I am in the minority, and fully expect folks to be up in arms, giving me 'not helpful' votes and making negative comments. So be it. I could care less about my rank here. What I expect from other reviewers are honest reviews. I hope at least I have written one.
It also carries a message about how we so often fail the ones we love. And also, how often humans treat people who are different from them as lower than them.