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The Story of Beautiful Girl Hardcover – May 4, 2011
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It is 1968. Lynnie, a young white woman with a developmental disability, and Homan, an African American deaf man, are locked away in an institution, the School for the Incurable and Feebleminded, and have been left to languish, forgotten. Deeply in love, they escape, and find refuge in the farmhouse of Martha, a retired schoolteacher and widow. But the couple is not alone-Lynnie has just given birth to a baby girl. When the authorities catch up to them that same night, Homan escapes into the darkness, and Lynnie is caught. But before she is forced back into the institution, she whispers two words to Martha: "Hide her." And so begins the 40-year epic journey of Lynnie, Homan, Martha, and baby Julia-lives divided by seemingly insurmountable obstacles, yet drawn together by a secret pact and extraordinary love.
When The Story of Beautiful Girl came out, I kept getting asked two questions. Why was I drawn to writing disability-themed literature? And was it hard to write from the point of view of characters with disabilities?
My answer to the first question begins with this basic fact: for one month every year, I am a twin.
My sister Beth, who has an intellectual disability, was born eleven months after me. So every year when I visit her for her birthday, the first thing we both say is, "Now we’re twins!" And for the next thirty days, as she gleefully moves through her days wearing the Tweety Bird shirts and using the Scooby Doo stickers I bought for her big celebration, we are indeed twins. Then my birthday rolls around, and when I visit her for that admittedly more secondary occasion, and she thrusts dozens of handmade cards at me, all of which express her happiness at my coming to see her, the first thing we both say is, "Now we’re not twins."
As with any siblings who are so close in age, we’ve shared a lot: parents, a brother and sister, a challenging family history, bedrooms, opinions, dreams, tears, jokes, anxieties, secrets, unspoken understandings, and sideways glances. So I have a reasonably good sense of how my sister feels, what she thinks, who she cares about, and why she does what she does.
Of course, there are additional layers to our relationship because of her disability. I feel a sense of responsibility toward her and she feels a level of trust in me. We’ve both always known that, whenever necessary, I will act as a go-between: I will explain to her the things she doesn’t understand about the world, and I will explain to the world the things it doesn’t understand about her.
At the same time, since she is a person with a disability, I’ve spent my life noticing--and being annoyed at--how so much of the world has got it all wrong when it comes to my sister and others like her. How she gets ignored by waitresses, snickered at by teenagers, patronized by people who assume she’s helpless, underestimated by people who assume she’s angelic. In addition, I’ve pondered many of the deepest issues about the mind. What is universal about intelligence? About sorrow and longing? About pleasure and love? On top of all this, I’ve long wondered: Why does so much of the public just not get it? And how, given that some people like my sister never get seen or acknowledged or heard by the world, might that ever change?
In 2002, I tried to do what I could to answer those thoughts. I wrote a memoir about my relationship with Beth, Riding The Bus With My Sister, which is about both her present-day passion of riding city buses and our lives as siblings from birth to middle age. The book, which was also adapted for a Hallmark Hall of Fame movie by the same name, led to my getting asked to give talks around the country. At every talk, I met more and more people with disabilities, their family members, and the professionals who work with them. They told me their stories, and I started to feel a new urge. I wanted to do whatever I could to give voice to those who had never been heard.
I realized I was in an unusual position to take on that responsibility. As a family member, I wouldn’t get bogged down by cliches and stereotypes. As someone who’d already published two books of fiction before Riding The Bus With My Sister, I wouldn’t have to stick with nonfiction, nor was I daunted by the idea of a novel. As a sister who’d stood up for Beth since the day I was conscious of my own existence, I felt a sense of mission. And as a once-a-year twin, I had developed the skill of being a go-between.
This gets me to the second question. Was it hard to write The Story of Beautiful Girl through the eyes of characters with disabilities?
I wish I could say it took a huge amount of effort. But there’s another word that’s synonymous with being a go-between: being a translator. I’ve spent my life translating the world into terms my sister could comprehend--and translating my sister into terms the world could comprehend.
So when I sat down to write the characters of Beautiful Girl and Number Forty-Two, I just did what I’ve always done. I wrote about the world’s rules and injustices and rewards and irrationalities as those characters would perceive them. And I wrote about their wonderings and yearnings and motivations and joys in ways that readers would understand.
Neither character is like my sister. And both go through adversity and anguish the likes of which my sister has never seen. But I wouldn’t say that writing their experiences was hard for me.
I would say, instead, that it was heart-opening and soul-deepening.
I would say, instead, that it was fun.
From Publishers Weekly
In this enthralling love story, Lynnie, a young white developmentally disabled woman with limited speech, and Homan, a deaf African-American man, meet at the Pennsylvania State School for the Incurable and Feebleminded in the late 1960s. Despite strict rules, poor conditions, an abusive staff, and the couple's lack of language, Lynnie and Homan share tender moments. After their escape, a few days of freedom not only enables the secretly pregnant Lynnie to give birth outside the walls of the corrupt institution, it also secures the couple's admiration for one another. Fears of discovery force them to leave the baby in the hands of a nurturing widow, Martha Zimmer. Soon after, the school's staff apprehend Lynnie, while Homan flees. Although their stories diverge and unfold independently of one another, memories of their short time together sustain them for more than 40 years as they develop the confidence to eventually parent, learn to sign and speak, and finally, reunite. Simon (Riding the Bus with My Sister) who grew up with a developmentally disabled sister, has written an enormously affecting read, and provided sensitive insight into a complex world often dismissed by the "abled." (May)
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I like for authors to show me, not tell me. There were too many times when she described what someone was thinking or what was happening, instead of showing me. I didn't think she fleshed out the characters in a way that I could see them living and breathing. Think 'One Flew Over the Cuckoo's Nest' - reading that made me see the people in the book. Here, they all felt cardboard and cliched- either good or evil, strong or weak. I also felt that the writing was rather juvenile; many times I wondered if the book was meant more for Young Adults.
Then was the unbelievability of much of the plot. First, I questioned how much Lynnie would have been able to hide her pregnancy, and/or hide the fact that she just gave birth. Second, People can indeed be generous and giving. But I found that too often Martha was given a door to escape to with each conflict, someone on the other end who was going to be helping her make it. I wanted all the characters to succeed, but I felt too often it was via other people, not themselves. Finally, people who are deaf don't usually have the kind of language that Homan uses. If the writing is good enough, I can brush aside these anachronisms. But it wasn't, and I couldn't.
I'm not looking for a literary masterpiece; I wanted a read that would pull me into that time and place, with characters I would remember long after I close the book. Unfortunately that didn't happen here. I am giving this book a 2* instead of a 1*, because I can see the promise of a good writer, and that I suspect her non fiction memoir was probably heads and tails better than this. I know I am in the minority, and fully expect folks to be up in arms, giving me 'not helpful' votes and making negative comments. So be it. I could care less about my rank here. What I expect from other reviewers are honest reviews. I hope at least I have written one.
Knowing the school will hunt them down they leave their newborn with caring Widow Martha Zimmer who provided them with shelter on her farm. The school catches Lynnie, but Homan flees. For the next four decades, the two though separate thrive on their short time together while Martha decides what to do with the baby entrusted in her care.
This is a passionate character driven cautionary tale at a time when leaders propose cuts to health care reminding readers of how society locked away in institutions those with disorders as a cheap way to ignore those who need some encouragement and support to be independent. Readers will not have a dry eye as Homan named for homing pigeons and Lynnie expect to one day meet again and see their offspring and the kind widow who took them and their baby in.
The story begins with Lynnie a young and beautiful disabled white woman with limited speech abilities and Homan, a deaf-mute African American man, who have escaped from the Pennsylvania State School of the Incurable and Feebleminded in the last 1960's. Lynnie is pregnant and it is imperative to the two that the baby not be born under those circumstances.
The night the baby is born, its windy and rainy and the two stumble upon a farmhouse of retired grade-school teacher, Martha Zimmer. Hiding in her attic, they are discovered, Lynnie is captured and returned to the school, Homan escapes and the baby is left behind in the hopes that Martha will look after her.
Over the course of the next 30 years we share their ups and their downs, their worries and their happiness. Lynnie never gives up her love of Homan and knows one day he will return for her. Martha agrees to look after the baby and spends the remaining years in contast state of fear that the secret will be found out and the baby will removed from her care. Enlisting her past students, each of them plays a role in hiding Martha and the baby til the day that Lynnie or Homan return. Homan travels about the country with no way of knowing where to find Lynnie, he doesn't even know her name, but as fate would have it, he is lead to the one place they shared in common, Lynnie's love of lighthouses. Will he ever find his true love or will he remain with only a lighthouse to remember her by?
** MAY contain a SPOILER for some...but I don't think so! **
I just loved this book and couldn't put it down, I had to know if Lynnie ever got to see her baby and if she and Homan were ever reunited. The conditions of the psychiatric hospitals in the 60's and 70's were deplorable and I couldn't imagine how anyone could stand by as long as they did before the abuse was reported and the hospitals took a huge overhaul. I could imagine seeing this tale recapitulated to the big screen, it would make a great movie! I think the only thing that could've made the book better, was giving the reader more insight to the kinds of abuse occurred in the state run hospitals. As well, I was a tad disappointed in the ending, I wanted to see and feel the outcome and let the emotions that had built up during the read be released and there wasn't any, it was left to the imagination of the reader and this reader wanted release. All in all, the book is excellent and I recommend it to anyone who enjoys a love story with insurmountable odds.