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Story: Substance, Structure, Style and the Principles of Screenwriting Hardcover – November 25, 1997
| Robert McKee (Author) Find all the books, read about the author, and more. See search results for this author |
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In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
- Print length480 pages
- LanguageEnglish
- PublisherReganBooks
- Publication dateNovember 25, 1997
- Dimensions9.4 x 6.5 x 1.6 inches
- ISBN-109780060391683
- ISBN-13978-0060391683
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"...the best guide on writing you can find." -- Laurence Chollet, The Record, Northern New Jersey
"In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" -- -- Dominick Dunne, Novelist
"McKee is the Stanislavski of writing." -- -- Dennis Dugan, Writer, NYPD Blue
"[Story is]an excellent instruction manual on the craft of storytelling." -- Austin American-Statesman
"to the people who write, direct and produce for Hollywood - or desperately wish they did - Bob McKee is a cross between E. F. Hutton and Sun Myung Moon. The man speaks, and people start to take furious notes - he is now the undisputed screenwriting king... for the legendary screenwriting boot camp that he runs. Thirty-thousand aspiring screenwriters have already taken McKee's 30-hour, three-day course..." -- Newsday
About the Author
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Product details
- ASIN : 0060391685
- Publisher : ReganBooks; 1st edition (November 25, 1997)
- Language : English
- Hardcover : 480 pages
- ISBN-10 : 9780060391683
- ISBN-13 : 978-0060391683
- Item Weight : 1.45 pounds
- Dimensions : 9.4 x 6.5 x 1.6 inches
- Best Sellers Rank: #7,650 in Books (See Top 100 in Books)
- #2 in Screenplays
- #6 in Screenwriting (Books)
- #7 in Library Management
- Customer Reviews:
About the author

Robert McKee, a Fulbright Scholar, is the most sought-after story authority in the world. The best-selling author of STORY, DIALOGUE: The Art of Verbal Action for Page, Stage and Screen, and soon to be published STORYNOMICS, McKee occupies a unique place in modern media storytelling. His teachings have spread beyond the screen, stage and page and his influence in corporate storytelling has become a global phenomenon. Writers of fiction and non fiction, producers, directors, media professionals, and business leaders from the world over read McKee's books and attend his sold-out international seminars (http://mckeestory.com) for an exclusive deep dive into the mastery of the story arts.
McKee’s former students include over 65 Academy Award Winners, 250 Emmy Award Winners, 2,000 Emmy Award Nominees, 150 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, 50 DGA (Directors Guild of America) Award Winners, and 100 DGA Award Nominees.
McKee continues to be a project consultant to major film and television production companies such as 20th Century Fox, Disney, Paramount, & MTV. In addition, Pixar, ABC, BBC, Disney, Miramax, PBS, Nickelodeon, Paramount, GLOBOSAT, MNET and other international TV and film companies regularly send their entire creative and writing team to his lectures.
In the corporate world, McKee consulted his STORYNOMICS to companies such as Microsoft, Intel, BOLDT, Marriott International, Arm and Hammer, and Deutsche Telecom/T-Systems to name a few.
Since 1984, more than 100,000 students have taken McKee’s courses in various cities around the world.
Customer reviews
Reviewed in the United States on February 11, 2015
Top reviews from the United States
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It's kind of ironic, when you think about it, because the problem with this book (a book on writing no less) isn't the content or ideas, it's the writing of it. And I've found this in many other books on writing too... why do writers that write these books have such a hard time using some of the very lessons that they are teaching, in their own writing. Dunno. Anyway, useful book, I do recommend it, but it's needlessly wordy and the content is badly diluted.
His bias against the avant-garde was shocking to me at first and it took time to get past that, but I forgave him. He does include meta and anti-novel type structures, at least.
I recommend this book to my fiction students all the time. What a gem.
Out of a dozen or so books on writing, I found McKee's "Story" thoroughly enlightening.
It can be a challenge to comprehend in places - but worth the extra effort!
In terms of characters driving narrative, review chapter 7 and examine writing w/in "the gap".
I found it easier to grasp McKee by writing one paragraph summaries of each chapter as I progressed.
It may be helpful to think of each chapter as a separate vignette of knowledge.
I suggest reading the chapters in this order: 1-3, 8, 4, 7, 5-6, 15, 9, 10-11, 14, 18, 12-13, 16-17
(the above order was suggested to me in fact by L.S.)
Also, try reading "Save the Cat", contrast/compare w/ "Story" and refer to the "Bible" by Trottier.
On a side note, the slip cover is absolutely awful. Throw it away.
The hardcover book w/out the slip cover is a tasteful blue-purple w/ STORY and McKee in gold print.
(see attached photo)
Reviewed in the United States on February 11, 2015
Out of a dozen or so books on writing, I found McKee's "Story" thoroughly enlightening.
It can be a challenge to comprehend in places - but worth the extra effort!
In terms of characters driving narrative, review chapter 7 and examine writing w/in "the gap".
I found it easier to grasp McKee by writing one paragraph summaries of each chapter as I progressed.
It may be helpful to think of each chapter as a separate vignette of knowledge.
I suggest reading the chapters in this order: 1-3, 8, 4, 7, 5-6, 15, 9, 10-11, 14, 18, 12-13, 16-17
(the above order was suggested to me in fact by L.S.)
Also, try reading "Save the Cat", contrast/compare w/ "Story" and refer to the "Bible" by Trottier.
On a side note, the slip cover is absolutely awful. Throw it away.
The hardcover book w/out the slip cover is a tasteful blue-purple w/ STORY and McKee in gold print.
(see attached photo)
The discipline to write is NOT taught in this book, so it's not going to make you a better screenwriter. Only trail and error can do that.
McKee's seminal text can do is help you focus and give structure to how you compile your screenplay; his central notion that plot is character and character is plot (although he's not the first to suggest this) is the heart of what he's conveying, and you can learn from this or whole-heartedly disagree. Unfortunately, no one really cares about that debate; what they care about is: can you write a compelling and engaging screenplay. Don't bore us, surprise us when and where you can, but learn to tell us a satisfying story that resonates.
Otherwise, you fail.
This book is sort of like a riveting coach for a Division One NCAA athlete; although, you better have some raw ability to begin with, otherwise, what are you doing?
The way this book is broken down and its terminology is helpful for any writer's journey, but it's not a panacea or quick-fix, as McKee is points out, writing is hard work and if you're not willing to be in the chair time and time observing life, then nothing in here is going to solve any mysteries you might think there are to success in the film industry.
Top reviews from other countries
The book is well written and gives so much insight into the process. It has made watching films / TV shows very different for me now as I feel like I understand story much better
There's no doubting the author's credentials, he is one of the heavyweights of Hollywood. He pulls no punches in pointing out the many (in his eyes) flaws in modern screenwriting. Some of the concepts are a bit hard to follow, but hey it's a book you can always re-read when it comes to preparing your masterworks.
My only niggle with the book is he does cite the French New Wave - Brunuel, Godard as well as Ingmar Bergman an awful lot. The only American writer who gets a look in is Robert Towne. Perhaps McKee doesn't rate any of the Scorseses or Spielbergs but it would have been good to at least get his take on their (immensley successful) approaches to story.
Despite all the self-analysis, smashing of preconceptions, and an awful lot of honest (are you sure you can do this?) talk, McKee has crafted a text that spurs the budding writer on. It builds confidence by presenting the tools, saying 'Look, this works' and then setting you free. His parting message is to be courageous. Something that I have learned and will be putting into practice today, and everyday from now on.










