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The Strain (The Strain Trilogy Book 1) Kindle Edition
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“Part The Andromeda Strain, part Night of the Living Dead.” —Salon.com
The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. The first installment in a thrilling trilogy.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city—a city that includes his wife and son—before it is too late.
An epic battle for survival begins between man and vampire in The Strain—the first book in a heart-stopping trilogy from one of Hollywood’s most inventive storytellers and a critically acclaimed thriller writer. Guillermo del Toro, the genius director of the Academy Award-winning Pan’s Labyrinth and Hellboy, and Hammett Award-winning author Chuck Hogan have joined forces to boldly reinvent the vampire novel. Brilliant, blood-chilling, and unputdownable, The Strain is a nightmare of the first order.
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateMay 28, 2009
- File size926 KB
Editorial Reviews
Review
Amazon.com Review
Amazon Best of the Month, June 2009: Who better to reinvent the vampire genre than Guillermo Del Toro, the genius behind Pan's Labyrinth, and Chuck Hogan, master of character-driven thrillers like Prince of Thieves? The first of a trilogy, The Strain is everything you want from a horror novel--dark, bloody, and packed full of mayhem and mythology. But, be forewarned, these are not like any vampires you've met before--they're not sexy or star-crossed or "vegetarians"--they are hungry, they are connected, and they are multiplying. The vampire virus marches its way across New York, and all that stands between us and a grotesque end are a couple of scientists, an old man with a decades-old vendetta, and a young boy. This first installment moves fast and sets up the major players, counting down to the beginning of the end. Great summer reading. --Daphne Durham
Book Description
The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event.
The Strain
They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come.
In one week, Manhattan will be gone. In one month, the country.
In two months--the world.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city--a city that includes his wife and son--before it is too late.
The Strain: Chapter One
"Once upon a time," said Abraham Setrakian’s grandmother, "there was a giant."
Young Abraham’s eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or at least less garlicky. He was a pale boy, underweight and sickly. His grandmother, intent on fattening him, sat across from him while he ate his soup, entertaining him by spinning a yarn.
A bubbeh meiseh, a "grandmother’s story." A fairy tale. A legend.
"He was the son of a Polish nobleman. And his name was Jusef Sardu. Master Sardu stood taller than any other man. Taller than any roof in the village. He had to bow deeply to enter any door. But his great height, it was a burden. A disease of birth, not a blessing. The young man suffered. His muscles lacked the strength to support his long, heavy bones. At times it was a struggle for him just to walk. He used a cane, a tall stick--taller than you--with a silver handle carved into the shape of a wolf’s head, which was the family crest."
"Yes, Bubbeh?" said Abraham, between spoonfuls.
"This was his lot in life, and it taught him humility, which is a rare thing indeed for a nobleman to possess. He had so much compassion-- for the poor, for the hardworking, for the sick. He was especially dear to the children of the village, and his great, deep pockets--the size of turnip sacks--bulged with trinkets and sweets. He had not much of a childhood himself, matching his father’s height at the age of eight, and surpassing him by a head at age nine. His frailty and his great size were a secret source of shame to his father. But Master Sardu truly was a gentle giant, and much beloved by his people. It was said of him that Master Sardu looked down on everyone, yet looked down on no one."
She nodded at him, reminding him to take another spoonful. He chewed a boiled red beet, known as a "baby heart" because of its color, its shape, its capillary-like strings. "Yes, Bubbeh?"
"He was also a lover of nature, and had no interest in the brutality of the hunt--but, as a nobleman and a man of rank, at the age of fifteen his father and his uncles prevailed upon him to accompany them on a six-week expedition to Romania."
"To here, Bubbeh?" said Abraham. "The giant, he came here?"
"To the north country, kaddishel. The dark forests. The Sardu men, they did not come to hunt wild pig or bear or elk. They came to hunt wolf, the family symbol, the arms of the house of Sardu. They were hunting a hunting animal. Sardu family lore said that eating wolf meat gave Sardu men courage and strength, and the young master’s father believed that this might cure his son’s weak muscles."
"Yes, Bubbeh?"
"Their trek was long and arduous, as well as violently opposed by the weather, and Jusef struggled mightily. He had never before traveled anywhere outside his family’s village, and the looks he received from strangers along the journey shamed him. When they arrived in the dark forest, the woodlands felt alive around him. Packs of animals roamed the woods at night, almost like refugees displaced from their shelters, their dens, nests, and lairs. So many animals that the hunters were unable to sleep at night in their camp. Some wanted to leave, but the elder Sardu’s obsession came before all else. They could hear the wolves, crying in the night, and he wanted one badly for his son, his only son, whose gigantism was a pox upon the Sardu line. He wanted to cleanse the house of Sardu of this curse, to marry off his son, and produce many healthy heirs.
"And so it was that his father, off tracking a wolf, was the first to become separated from the others, just before nightfall on the second evening. The rest waited for him all night, and spread out to search for him after sunrise. And so it was that one of Jusef’s cousins failed to return that evening. And so on, you see."
"Yes, Bubbeh?"
"Until the only one left was Jusef, the boy giant. That next day he set out, and in an area previously searched, discovered the body of his father, and of all his cousins and uncles, laid out at the entrance to an underground cave. Their skulls had been crushed with great force, but their bodies remained uneaten--killed by a beast of tremendous strength, yet not out of hunger or fear. For what reason, he could not guess—though he did feel himself being watched, perhaps even studied, by some being lurking within that dark cave.
"Master Sardu carried each body away from the cave and buried them deep. Of course, this exertion severely weakened him, taking most of his strength. He was spent, he was farmutshet. And yet, alone and scared and exhausted, he returned to the cave that night, to face what evil revealed itself after dark, to avenge his forebears or die trying. This is known from a diary he kept, discovered in the woods many years later. This was his last entry."
--This text refers to an alternate kindle_edition edition.About the Author
Born in Guadalajara, Mexico, Guillermo del Toro is the director of the films Cronos, Mimic, The Devil's Backbone, Blade II, Hellboy I, Hellboy II, and Pan's Labyrinth, which garnered enormous critical praise worldwide and won three Academy Awards.
Nacido y criado en Guadalajara, MÉxico, Guillermo del Toro ha dirigido muchas pelÍculas exitosas, incluso El laberinto del Fauno. Va a dirigir dos pelÍculas basadas en El Hobbit, que serÁn producidas por Peter Jackson.
--This text refers to an alternate kindle_edition edition.From AudioFile
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition.
From the Back Cover
The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event.
The Strain
They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come.
In one week, Manhattan will be gone. In one month, the country.
In two months—the world.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city—a city that includes his wife and son—before it is too late.
--This text refers to an alternate kindle_edition edition.From the Inside Flap
In one week, Manhattan will be gone.
In one month, the country. In two months . . . the world.
At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold.
A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an all-consuming wildfire--lethal, merciless, hungry . . . vampiric.
And in a pawnshop in Spanish Harlem an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here . . .
--USA Today --This text refers to an alternate kindle_edition edition.Review
From Bookmarks Magazine
Product details
- ASIN : B002BD2V38
- Publisher : William Morrow; Media Tie In edition (May 28, 2009)
- Publication date : May 28, 2009
- Language : English
- File size : 926 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 498 pages
- Page numbers source ISBN : 000731129X
- Best Sellers Rank: #128,367 in Kindle Store (See Top 100 in Kindle Store)
- #255 in Read & Listen for $14.99 or Less
- #338 in U.S. Horror Fiction
- #553 in Read & Listen for Less
- Customer Reviews:
About the authors

Guillermo del Toro is one of the most creative and visionary artists of his generation whose distinctive style is showcased through his work as a filmmaker, screenwriter, producer and author. Born in Guadalajara, Mexico, del Toro first gained worldwide recognition for the 1993 Mexican-American co-production “Cronos,” a supernatural horror film. In 2004, del Toro directed and co-wrote the action-adventure sci-fi thriller “Hellboy”. Del Toro earned international acclaim as the director, writer and producer of the 2006 fantasy drama “Pan’s Labyrinth.” In all, the film garnered more than 40 international awards and appeared on more than 35 critics’ lists of the year’s best films. In 2013, del Toro wrote and directed the epic sci-fi action-adventure “Pacific Rim”, which has grossed over $400 million worldwide.
Del Toro has also turned his attention to publishing. With novelist Chuck Hogan, he co-authored the vampire horror novel “The Strain,” which was published in June 2009 by William Morrow. They have since collaborated on “The Fall” and “The Night Eternal” which make up “The Strain Trilogy.” All three books debuted as The New York Times top-ten bestsellers. Dark Horse Comics has also issued a graphic novel series adapted from the trilogy. In October 2013, Harper Design published “Guillermo del Toro Cabinet of Curiosities,” a lavishly illustrated book that contains notes, drawings, and untold creatures from del Toro’s private journals.

Chuck Hogan is the New York Times bestselling author of several acclaimed novels, including THE TOWN (aka PRINCE OF THIEVES) and DEVILS IN EXILE. THE TOWN was awarded the Hammett Prize for excellence in crime writing, and made into the movie starring Ben Affleck, Jeremy Renner, and Jon Hamm. He is also the co-author, with Oscar-winning filmmaker Guillermo Del Toro, of the internationally bestselling STRAIN trilogy: THE STRAIN, THE FALL, and THE NIGHT ETERNAL.
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The Strain and its two follow-ups are actually the combined effort of author Chuck Hogan and the award-winning director Guillermo Del Toro, the creator of such acclaimed films like the surreal Pan's Labyrinth. The notion of two authors writing one book is a foreign one to me, thus I can't say who thought of what or influenced the other. Thus I don't want to disregard Hogan's work in the novel, after all this is a combined effort, yet Del Toro's influence in the book is undeniable from the moment you start reading. From the opening's chilling bedtime story, the eeriness from the coming storm, and the inevitable onslaught of blood that follows, the prose found in this book practically radiates darkness. The many horror scenes that follow are so superbly orchestrated that I could easily see them adapted to the big screen without a single word changed in the script. I've always been a skeptic regarding a novel's ability to scare or frighten the reader, yet The Strain books may be the first novels to make me question my stance. This book also isn't afraid of emotionally fatiguing the reader. While not every victim in the novel shares the same sense of emotional investment, many of their fates truly tug on one's heart-strings and further immerse the reader into the cataclysmic scale of the crisis. Yet the most impressive feat the two authors were able to accomplish was instilling a sense of dread and hopelessness in the story. Traditionally, most books often feel disconnected to the reader in the sense that you know the heroes will inevitably triumph and good will prevail, that isn't the case here. With the vampire virus's rapid infection rate and the heroes' seemingly fruitless attempts at stemming the tide, you begin to question if they can truly succeed. With the advent of two sequels, you know that a happy ending is seemingly out of the question.
This book also has quite a slow start which admittedly led to a bit of skepticism, though as I delved further into the book's increasingly dark story, I began to see that this slow beginning may have been by design. Just like any great horror film the book takes its time in building its atmosphere and characters, methodically injecting them with just enough suspense and intrigue to the point that when the vampires finally make their grand entrance, the book has already built up enough suspense that it's ready to explode.
It's clear that Hogan and Del Toro wanted to return vampires to their horror roots while reimagining them with a new visionary approach that they can claim as their very own. It starts by seemingly stripping the supernatural aspects from vampires almost entirely, paving the way for a biological approach that's grounded in realism and thus more believable, complemented even further by factual, albeit a little dense medical terminology from Hogan's own expertise. If this new perspective on vampires sounds akin to zombie mythos than you'd be right, for The Strain shares various aspects of the ever popular zombie sub-genre in both its style and themes. The clumsy lumbering bags of flesh with the sole intent of killing to stem their hunger, made even more frightening by the sheer desperation of being hopelessly outgunned by the hordes of the walking dead. It's these kinds of elements combined with several alterations to the vampire mythos that once again injects the vampire character with a much needed dosage of fear and a sense of the unknown that has long since been buried with today's reimagining in popular literature.
A good thriller also needs great characters to become too attached to. Thanks to Hogan's experience on characterizing multi-faceted characters in his previous novels The Strain is able to succeed in this area. The first major character, Dr. Ephraim Goodweather's role in the novel is twofold. His expertise in the area of biological terror helps serve as a window of understanding for the reader, all through the eyes of a medical expert who provides such believable detail that you'd almost believe was factual evidence. He also provides a real sense of humanity that's easy for the reader to attach to. His devotion to his only child Zack is a very endearing element of the book that becomes nearly unbearable when his profession and ruined marriage prevents him from possessing his desired happiness with his son. The second of the two major protagonists and my personal favorite is Setrakian, an old holocaust survivor and the world's top aficionado on vampire lore. Like Ephraim, Setrakian exudes a strong sense of humanity that shines ever brighter in the ensuing tide of darkness. His selfless devotion of his entire life to fighting the undead makes for a character that's easy to root for... and the fact that he's a sword-wielding old man doesn't hurt either.
However the one area where I garnered mixed feelings from the book came from the overload of minor characters that mostly devolve into red-shirts. These alternate characters provide different perspectives into the virus's alarming infection rate, and how it can tragically effect and ultimately end the lives of innocent bystanders which again pulls on one's emotions. The problem with these characters is that there are simply too many of them, thus their continued appearances eventually bogs the narrative down to a crawl. Some were interesting and able to make me care; others were not as fortunate and felt completely inconsequential in the grander scheme of the book.
Though that one glaring flaw does prevent me from rating The Strain a five, it's still one of the darkest books I've ever read and easily my favorite in the genre. Del Toro's visionary direction combined with Hogan's expertise and characterization made for an exceptional first novel in a trilogy that should be read by any fan of horror. I'll be checking out the sequel... after I read something a bit more upbeat first.
In this story, Ephraim and his girlfriend Nora work at the Center for Disease Control (CDC). Ephraim has a son named Zach who he loves dearly, and an ex-wife named Kelly. Ephraim (he goes by Eph) gets a call to go investigate a plane that landed at the JFK airport. The plane initially lands with lights and a call from the pilot, and then when air traffic control tried to contact them again, there were no lights and absolutely no contact from the plane. This part was creepy because when everyone got there to investigate (airport security, police, CDC, etc.), the plane was completely dark and there were no sounds coming from a plane full of people. The investigators didn't know if they were dealing with a terrorist situation or what, so when they entered the plane, you felt like you were there with them. When they enter the plane, the passengers and staff all seemed like they were dead, but later they found that a few had survived. Eph wanted to do autopsies on the dead passengers to see what had killed them, as well as quarantine the surviving passengers. The director of the CDC wanted to let one of the passengers go because he was a famous rock star and claimed he didn't want fans storming the building. Later, Eph finds out the real reason for the director's actions, but at the time he was just frustrated that these people were going to be let go without discovering why they had survived and so many others died.
It turns out that the passengers who survived were infected by a vampire who was traveling on the plane in a coffin of sorts. Eph realizes that there was a large wooden container on video at the airport, but when he goes to investigate, he finds that it has disappeared. He also discovers through an autopsy that the people who were killed were infected with a sort of worm. He feels sure that there is something terribly wrong with the passengers who survived, but can't bring them back in. The survivors go out and begin infecting their families, etc., and vampires are born all over New York City.
I liked that the authors even showed the antogonist's perspective. You got points of view from the main vampire (the master), which makes the story interesting because you understand his actions a bit more.
All the characters, from Eph to Fet (an exterminator who finds that vampires have the same habits as rats), to Gus (a Mexican gang member who learns that he is great at killing vampires) and Setrakian (an old man who has been hunting the master for years), there are many protagonists to root for in this book. I worried about each character's fate and wanted everyone to succeed. I would recommend this book and the entire trilogy to those who love books about vampires.
Top reviews from other countries
The novel sees the arrival of a plane in New York City and the efforts by a CDC doctor, a disgraced European professor and assorted others in a race against time to fight the vampire contagion and `The Master'.
That short synopsis is effectively what the book is all about and that would have been enough to snare my attention and make me part with a few Queen's Heads for the book; but the big attraction for me was the author: Guillermo Del Toro, the man behind Mimic, Blade II, Hellboy and Pan's Labyrinth. I was later to discover that Del Toro, although lending his name to this novel, submitted a 12 page layout and let co-writer Chuck Hogan do the rest.
However, I have to say, that considering this man put his name to the tome, I was quite disappointed. Allow me to seemingly contradict myself here, please do not doubt I enjoyed this book thoroughly! My problem lies with the fact that given Del Toro is identified as the author, the novel lacks the striking originality of much of his work, in fact, `The Strain' is an incredibly derivative piece of work. Allow me to explain...
Early in the novel, a plane lands at JFK airport in mysterious circumstances carrying a strange cargo; much like the Demeter in Bram Stoker's Dracula. Instead of a Transylvanian Count, we have a Polish nobleman. The Van Helsing of The Strain is a Holocaust survivor and we have a CDC doctor instead of Jonathan Harker.
Many reviewers seem to think that Del Toro was doffing his cap to the horror granddaddy with such references. I did not feel this was the case, given that Del Toro seems to have channeled much of his own pre-existing work into the tale here. The vampires are incredibly similar, if not almost identical to the reapers of Blade II and the vampires eventually nest in the subway tunnels of the city, much like the swarm in Mimic.
I hope that Del Toro will develop this tale significantly in The Fall , the second of this trilogy, but without giving the story away, he has yet again borrowed elements from his own movies that I choose not to reveal for fear of ruining the books for readers of this review.
Again, I feel I have to emphasise that yes, I did enjoy this book! It truly is great fun, ought to easily transfer to the big screen and I have already bought the second of the trilogy but with Del Toro's name attached to it, I expected so much more. I do recommend the first of this trilogy but please, do not read with the expectations of anything more than a horror-action blockbuster type novel, with a screen version that seems to be very much on the cards.
Zuerst das Positive: Es gibt einige wenige Passagen, die durchaus gelungen sind, atmosphärisch wie inhaltlich. Ausnahmslos handelt es sich dabei um die vereinzelt eingestreuten "Interludes", die die Geschichte des Obervampirs, des "Masters", und seines Gegenspielers beleuchten, eines zum Zeitpunkt der Haupthandlung etwa 80-jährigen Professors bzw. Pfandhändlers.
Die Story ist OK. An sich zwar nichts weltbewegend neues, aber Fans von Vampiren und apokalyptischer Szenarien bekommen das, was sie interessiert: Vampire verbreiten sich wie eine Seuche über New York, im Hintergrund ziehen ein schwerreicher Industrieller und ein Obervampir die Fäden.
Jetzt zum Negativen: Wo fang ich an?
Der Schreibstil
Simpel gehalten, wenig Schnickschnack, hölzern und unbeholfen. Wie ein verkaterter, schreibfauler Stephen King an einem auch ansonsten schlechten Tag.
"Show don't tell" scheint dem Autor kein Begriff zu sein. Er tellt und tellt und showen tut er niemals nicht. Furchtbar.
Und was er alles tellt: Zahllose Spezifika diverser Gerätschaften, ihre Funktionsweisen und bevorzugten Einsatzgebiete, Daten, Zahlen, Modellnummern, ein Sammelsurium komplett nutzloser Informationen prasselt auf den weltuntergangshungrigen Leser nieder, auf dass er sich - schlimmes ahnend - fragen möge, was der Scheiß eigentlich soll und wann's denn endlich losgeht.
(Spoiler: tut's irgendwie bis zum Schluß nicht so richtig)
Charaktere/Inhalt
Nora, die Frau ohne Eigenschaften. Nora heißt sie glaube ich, der love interest des Protagonisten. Nora dient dazu, dem Protagonisten Ephraim bzw. Eph eine Gelegenheit zu geben, seinen Sohn Zacharias bzw. Zack bzw. Z zu parken, während er zusammen mit Vasily bzw. Fet und dem 80-jährigen van Helsing Typen Vampire killen geht. Nora sagt ab und zu mal was Belangloses und macht ab und zu mal was Belangloses und ist ansonsten weder für den Protagonisten noch den Autor groß eine Erwähnung wert.
Eph, tellt uns der Autor, ist sowas wie ein Medizingenie. Oder Universalgenie, keine Ahnung, ist auch völlig Wurscht, weil merkt man natürlich nix von. Das was er leistet uns sagt, hätte jeder gemütlich auf den Ruhestand wartende Landarzt genauso leisten und sagen können. Ansonsten ist Eph uninteressant bis nervig in seiner plumpen Zweidimensionalität (was übrigens auch für fast alle anderen Charaktere gilt).
Fet, seines Zeichens Rattenfänger und Sidekick, unterscheidet sich nicht groß von Eph. Es gibt keinen Zack, keine Nora, keine Ex-Frau und ein Genie ist er auch nicht, der Rest ist gleich. Blah-blah, bin Rattenexperte und hau weg die Vampire. End of Story of Fet.
Dann gibts noch den 80-jährigen van Helsing, der es trotz fortgeschrittenem Alters und verkrüppelter Hände nicht nur immer wieder schafft, rasend schnelle Vampire zu killen, sondern auch als einziger über so etwas wie eine rudimentäre Persönlichkeit verfügt. Was an den bereits erwähnten Interludes liegt. Leider neigt der Autor dazu, ihn als Infomaten zu mißbrauchen und ansonsten links liegen zu lassen.
Alle zusammen stehen als mehr oder weniger Einzige einer die gesamte Menschheit bedrohende Bedrohung gegenüber und Autor wie Co-Autor legen sich mächtig ins Zeug, dass es auch dabei bleibt. Indem sie einfach den gesamten Rest der Menschheit mit der Intelligenz und Kompetenz der drei Stooges ausstatten.
Schließlich und endlich (ich kann nicht mehr) gibts in dieser von Stümpern zusammengebrauten, trüben Suppe das, was man bei sowas erwarten darf: Nachlässigkeiten, Logiklöcher, schlichten Unsinn und natürlich Dei ex machinae (?) noch und nöcher.
Summa summarum: Eine richtige Gurke.
These are the Strigoi, humans infected with deeply unpleasant parasitical worms, they s*** while eating, their genitalia shrivels up then blackens and falls off, riddled with cancers and very unpalatable to behold. Once infected, the person that once existed is no longer, the parasite prevails, taking control of its host body. The Strigoi are a disease that threatens all humanity, an uncontrolled outbreak has the potential to be an apocalypse event.
I'm not quite sure why this book has so many negative reviews, perhaps it's that vamp-lovers are let down by the lack of gothic romance, or that the subject matter is not in keeping with the genre. There is certainly an association with zombie-apocalypse literature here, only reined in, more tightly controlled, less gruesome, more scientific.
The main protagonist heads up a CDC department, backed up by an 86 year old Strigoi hunter, a scientist colleague and a rat exterminator. Aside from 86 year old Abraham, the personalities are not quite fleshed out as well as they could be (the reason I knocked a star off my rating).
The Strain is a very well written modern take on vampires. For me there are very few team up books that are actually more than just ok, a book like Good Omens for example is a perfect matchup and so great from Gaiman and Pratchett. You can add Chuck Close and Del Toro to that list of quality team writers as having nearly finished the 2nd book, The Fall, I'm having a great time still! The Strain is truly creepy from the start, and keeps that momentum for most of the way. The beginning reminds me of one of the scariest intros I've read, Perdido St. Station by China M Mieville... which I highly recommend.
If it does become a little less scary by the time more is revealed in the 2nd book, this is not at the expense of the quality of writing. It does start to feel more of a dark adventure than a creepy horror later, but I enjoy the pace, the close shaves, the twists and turns and the lore revelations all the way through. All that commentary aside I know I will quickly read this fun trilogy all the way through, so for that reason alone it is worth the 5 star rating.
Highly recommended if you are a Del Toro movie fan.



