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Strange Little Girls
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Strange Little Girls
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Track Listings
| 1 | New Age |
| 2 | 97' Bonnie & Clyde |
| 3 | Strange Little Girl |
| 4 | Enjoy The Silence |
| 5 | I'm Not In Love |
| 6 | Rattlesnakes |
| 7 | Time |
| 8 | Heart Of Gold |
| 9 | I Don't Like Mondays |
| 10 | Happiness Is A Warm Gun |
| 11 | Happiness Is A Warm Gun |
| 12 | Real Men |
Editorial Reviews
Product Description
STRANGE LITTLE GIRLS, the new studio album from Tori Amos, is an assemblage of songs written by men, but performed by Tori from the perspectives of a diverse cast of female characters. Songs composed by such artists as Neil Young, the Stranglers, Eminem, Depeche Mode, Slayer, Lou Reed, Lennon/McCartney, and others are taken apart and put back together darkly, gently, and in an uncompromising fashion. In crafting the new album, Amos wanted to talk about men - how men see women, how men see themselves, and how the view changes depending on where you're standing. So Tori turned to the words of men themselves to do it. "I've always found it fascinating how men say things and women hear them," the songwriter says.
Amazon.com
Tori Amos's idea for Strange Little Girls was to present covers of men's songs from a female perspective. The concept is fairly unique--although Liz Phair had a similar idea with 1993's Exile in Guyville. But while Phair fashioned original lyrics in response to the Rolling Stones' Exile on Main Street, Amos sticks with the script when reciting lyrics from acts as diverse as the Velvet Underground, Depeche Mode, Neil Young, Tom Waits, and Slayer. She transforms the material, though, by singing in a pained tone, weighing the lyrics with heavy emotion and stripping most of the songs down to their simplest elements--often just a string section, a drum machine or a piano, leaving the original music almost unrecognizable. The most poignant of these tracks is definitely her cover of Eminem's "97' Bonnie and Clyde." The first-person story of a man dumping his lover's dead body takes on an ugly sickness and brutality with Amos's almost-whispered narration. As with most of these songs, Amos removes the pop façade and leaves the listener with a stark picture of the message behind the lyrics--whether that message concerns violence or male identity--in a statement both subtly political and stunningly beautiful. --Jennifer Maerz
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.55 x 4.88 x 0.39 inches; 3.74 ounces
- Manufacturer : Atlantic
- Item model number : 7567834862
- Date First Available : December 7, 2006
- Label : Atlantic
- ASIN : B00005NKYQ
- Number of discs : 1
- Best Sellers Rank: #122,599 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #2,310 in Adult Alternative (CDs & Vinyl)
- #3,610 in Pop Singer-Songwriters
- #6,401 in Folk (CDs & Vinyl)
- Customer Reviews:
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Strange Little Girls was conceived as a woman’s perspective on twelve songs written by men (a few other songs were created but released a on a quickly pulled Europe only single).
For each song Tori created a character with an accompanying picture and a caption from a short story by Neil Gaiman.
Ignoring all that, what do we have here music wise?
Well not enough. Quite a bit was put into the makeup (done by the late Kevyn Accoin) and though inspired not enough preparation was put creating these characters. These songs succeed on about three of the twelve if I’m being generous.
‘’97 Bonnie and Clyde,” works incredibly well and goes perfectly with Amos’ concept intent. This is a disturbing cover of Eminem’s song that describes a man killing his wife and using his infant daughter as a conspirator after the fact. Eminem conceived this song as an irony and also as a sarcastic dig at Will Smith’s Just the Two of Us.
But Tori brings out the horror in this song, speaking from the point of dead wife in trunk, who is trying to comfort her daughter as the mother floats to her watery grave. Amos didn’t change a word, yet made this song so powerful and disturbing. Like Cash now owns Nine Inch Nails’ “Hurt,” Amos owns Bonnie and Clyde.
“Strange Little Girl”, the lead single, may not be showing us something new from the woman’s point of view but it’s a catchy little diddy. Unfortunately that’s about all I can really say about this one. That and I enjoy it more than The Stranglers’ version.
Once again the cover of 10cc’s is very different and sounds great but doesn’t pass the muster when it comes to making this completely from a woman’s point of view and the picture of Tori in a wig isn’t going change that.
Then we have the bad: her cover of Depeche Mode’s “Enjoy the Silence,” turns a vibrant electronic dance song into a barely there, boring ballad. “I Hate Mondays,” is also a mess. First of all song was already told by the point of a woman: the killer. So Amos didn’t need to try to change the view to an officer who saw the first body. By the way, we only know about these characters through the pictures and captions. We should hear it through the music. Aside from that, on “I Don’t Like Mondays, I miss the claps.
The worst is a tie between “Heart of Gold” and John Lennon’s “Happiness is a Warm Gun.” The Lennon song turns into an unrecognizable statement on gun control in the USA. “Heart of Gold” sounds awful. I can easily say it’s worst thing Amos has ever recorded (enjoy the silence indeed).
I can’t complete dismiss this album but I can’t really recommend it either. If you do decide you’re interested in some of the songs, purchase the album physically to truly experience it. Dive in all the way.
Will continue to follow her as long as she keeps producing.
Very well done music on this record and it is worth getting.
Tori fans are sure to enjoy it. The photo shoot accompanying the work is neat too.
Top reviews from other countries
Then this one to brilliant
Do not know what to think
But her voice and this record has made me a fan. Like the first “Doors “ album ( l bought when it came out when l was young)
with” the end” & “ light my fire” caught by surprise. Same with this album
Will be a classic too
Lizard says so
But her voice, emotion, mood of each song is simply captivating, just outstanding, otherworldly! As with many of her other divine albums Strange Little Girls is one I play lots in the car, it's just so atmospheric, moody & each song so cleverly sung with her synonymous beckoning vocals... it makes you think & then yearn for another listen. It's like nothing you'll ever hear again, the songs are all so unique. Thank you Tori.
Ricomprato recentemente ..... che devo dire ...nella vita si cambia!
Brani ( cover) FANTASTICI ed emozionanti , alcuni stravolti rispetto all 'originale ma Tori puo permetterselo !! Gia dalla prima traccia si capisce subito l ' alto livello interpretativo , gli arrangiamenti non troppo pianistici ( questa volta) sono molto ben fatti e il disco non perde un colpo , bello bello bello
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