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A Streetcar Named Desire (The Original Restored Version) [Blu-ray Book]

4.5 out of 5 stars 424 customer reviews

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Editorial Reviews

A Streetcar Named Desire 60th Ann. (BD Book) (The Original Restored Version)

A STREETCAR NAMED DESIRE: THE ORIGINAL RESTORED VERSION is the film moviegoers would have seen in 1951 had not Legion of Decency censorship occurred at the last minute. Making itsBlu-ray™ debut, stunningly restored and digitally remastered to brilliant 1080p clarity, this classic is presented in a collectible, premium 40-page Blu-ray book format, with behind-the-scenes photography, production notes, biographies and more! Elia Kazan masterfully directs Tennessee Williams' masterpiece starring Vivien Leigh, Marlon Brando, Karl Malden and Kim Hunter. Nominated for an unprecedented 12 Academy Awards,® includingBest Picture, and winner of 4,* its contributions to film continue to be celebrated, holding its place on the AFI's list of Top 100 Films.

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Special Features

-The Original Director's Version is the Elia Kazan/Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last minute.
-Three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband Stanley.

Product Details

  • Actors: Marlon Brando, Vivien Leigh, Kim Hunter, Karl Malden
  • Directors: Elia Kazan
  • Format: Multiple Formats, Blu-ray, NTSC, Restored, Full Screen, Black & White
  • Language: English
  • Region: All Regions
  • Aspect Ratio: 1.37:1
  • Number of discs: 1
  • Rated:
    PG
    Parental Guidance Suggested
  • Studio: Warner
  • DVD Release Date: April 10, 2012
  • Run Time: 122 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (424 customer reviews)
  • ASIN: B001QFYCZM
  • Amazon Best Sellers Rank: #31,649 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Streetcar Named Desire (The Original Restored Version) [Blu-ray Book]" on IMDb

Customer Reviews

Top Customer Reviews

By Shane J. Byrd on March 5, 2005
Format: DVD
I won't go into how amazing this movie is. We all know that. What gets me is how little respect Warner Bros. pays to the classic films that built their studios. Here you have one of the best films of all time and they release it on a DVD with virtually no extras and a VERY sub-par transfer. From the moment the Warner Bros. logo pops up you can see how unstable the image is...not to mention a large amount of dirt and debris running through every scene. The sound quality isn't much better (I actually had to turn the subtitles on for some of the pivotal scenes).Isn't this film worthy of a restoration? I've run across this same problem a lot with this company's releases. I guess they know that people will buy these wonderful movies based on the reviews of the movies themselves and don't feel any need to fork out cash to ensure the quality of their products.
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Format: DVD
As a playwright, Tennessee Williams was to the South what William Faulkner was as a fiction writer: a creative genius who revolutionized not only the region's arts scene and literature but that of 20th century America as a whole, bringing a Southern voice to the forefront while addressing universally important themes, and influencing and inspiring generations of later writers.

Pulitzer-Prize-winning "A Streetcar Named Desire" dates from the peak of Williams's creativity, the period between 1944 ("A Glass Menagerie") and 1955 ("Cat on a Hot Tin Roof," his second Pulitzer-winner). After its successful 1947 run on Broadway, "Streetcar" was adapted into a screenplay by Williams himself for this movie produced and directed by Elia Kazan, starring the entire Broadway cast except Jessica Tandy, who was replaced by the star of the play's London production, Vivien Leigh. The piece takes its title from one of the New Orleans streetcar lines that protagonist Blanche DuBois (Leigh) rides on her way to the apartment of her sister Stella (Kim Hunter), foreshadowing her later path, from (ever-unfulfilled) Desire to Cemetery (death, or the loss of reality) and a street called Elysian Fields, like the ancient mythological land of the dead.
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By A Customer on December 4, 1999
Format: DVD
The film (like virtually all pre-1952 films) was shot in the Academy format of 1.37 to 1. Because your non-widescreen TV is 1.33 to 1, there is no reason to letterbox the DVD image. So the aspect ratio has only been altered to the extent that you're losing a few millimeters on each side. (The same is true of virtually all other pre-1952 films, despite numerous posts at Amazon.com complaining about no widescreen and pan-and-scan cutting, etc. It's great that people now look for widescreen videos and DVDs, but it's not so great that people don't understand that you're not going to find them before the fifties.) "Streetcar" is a masterpiece, certainly one of the top 50 American movies every made. The only reason I've given it 4 stars instead of 5 is because the film print used for this DVD is somewhat warn and there is much graininess in the image. There's also a hiss on the mono audio. Hopefully, this film will be remastered for DVD someday. In the meantime, this is still the best the film has ever looked for the home market. Also, at this price it's a real bargain.
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Format: DVD
"I've always depended on the kindness of strangers," is a very difficult line to read convincingly. Recent years have brought us a plethora of *Blanches DuBois*. Just ask Jessica Lange or Ann-Margaret how hard that line is to read - neither of them came close to convincing us of it. But Vivien Leigh - the ethereally lovely and vastly skilled actress who brought us the immortal Scarlett O'Hara - utters the line in such a way that makes the heart ache. Leigh, who won Best Actress for her performance, plays the seminal Blanche. She is flighty, unstable and riddled with neuroses, and the very apex of Tennessee Williams' dysfunctional but immense creativity. Her character is strongly contrasted by that of Marlon Brando's crude, Neanderthal-like Stanley Kowalski, and both of them, perhaps because of their personal parallels to their characters, excel at these playing parts. This re-release restored several minutes of sexual tension to the film that had been hacked out by the censors, notably filling out Kim Hunter's Oscar-winning role as Blanche's beloved sister, Stella. Despite the stifling mores of the Fifties, the film also garnered awards for Karl Malden, and Best Art Direction.
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Format: DVD
Tennessee Williams's play of sultry passion set in the French Quarter of New Orleans is a masterpiece flawlessly rendered by the magnificent cast in this classic Elia Kazan directed film. I first laid my eyes on this wonderful work of art over a decade ago, while in my mid-twenties. The stark human drama that unfolded before me on the screen literally had me enthralled. I could not find sufficient words to say enough about it then, nor can I even now, I fear. Yet as it is in my ultra-indulgent nature to do, I shall, amidst all this rambling, try to do this film fair justice -
This is the harsh and burning tale of an emotionally fragile woman, Blanche DuBois (Vivien Leigh) who goes to find shelter under her younger sister Stella Kowalski's (Kim Hunter) roof in New Orleans after losing their inherited southern plantation estate. Marlon Brando is Stella's rough, sexually volatile husband Stanley. Driving this fervent tale is the war of wills that is waged between Leigh's fading Southern Belle and Brando's blue collar brute.
After having recently viewed this movie after so many years away from it, I was much struck by the distinct transformation that my own reaction to this story had undergone over the years - as if living in the world a decade longer had completely altered my perspective. Watching this in my twenties, I saw a madly impassioned play depicting unheeded fervor and unrequited yearnings - a fierce romance. It had been impossible to take my eyes off Brando, his presence on the screen and the power of his performance were so palpable. I even found some of his cruel outbursts, his pointed darts aimed with such cold precision, amusing.
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