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Suddenly, Last Summer
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Shipping & Fee Details
| Price | $14.26 | |
| AmazonGlobal Shipping | $9.08 | |
| Estimated Import Fees Deposit | $0.00 | |
| | ||
| Total | $23.34 | |
Return this item for free
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Shipping & Fee Details
| Price | $14.26 | |
| AmazonGlobal Shipping | $9.08 | |
| Estimated Import Fees Deposit | $0.00 | |
| | ||
| Total | $23.34 | |
| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
September 14, 2016 "Please retry" | — | 1 | $15.99 | $9.10 |
|
DVD
January 1, 1959 "Please retry" | — | 1 | $35.00 | — |
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Purchase options and add-ons
| Genre | Foreign, Drama |
| Format | Multiple Formats, Anamorphic, Black & White, Color, Full Screen, NTSC, Subtitled, Widescreen |
| Contributor | Montgomery Clift, Katharine Hepburn, Joseph Mankiewicz, Elizabeth Taylor, Sam Spiegel, Horizon Pictures (G.B.) Ltd., Albert Dekker, Mercedes McCambridge See more |
| Language | English |
| Runtime | 1 hour and 55 minutes |
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Product Description
A beautiful girl is committed to a mental institution after witnessing the violent death of her cousin. The doctor uses a truth serum on her and confirms his suspicions that her "hallucinations" areindeed fact. The shock causes her wealthy aunt to relapse into unreality.
Product details
- Aspect Ratio : 1.33:1, 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 3.84 ounces
- Item model number : 4752
- Director : Joseph Mankiewicz
- Media Format : Multiple Formats, Anamorphic, Black & White, Color, Full Screen, NTSC, Subtitled, Widescreen
- Run time : 1 hour and 55 minutes
- Release date : August 15, 2000
- Actors : Elizabeth Taylor, Katharine Hepburn, Montgomery Clift, Albert Dekker, Mercedes McCambridge
- Dubbed: : Portuguese, Spanish
- Subtitles: : English, Spanish, Portuguese, Georgian, Chinese, Thai
- Producers : Sam Spiegel
- Language : English (Dolby Digital 2.0 Mono), Unqualified
- Studio : Sony Pictures Home Entertainment
- ASIN : B00004TWZH
- Number of discs : 1
- Best Sellers Rank: #42,333 in Movies & TV (See Top 100 in Movies & TV)
- #266 in Foreign Films (Movies & TV)
- #6,735 in Drama DVDs
- Customer Reviews:
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Top reviews from the United States
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I remember being a child when the movie came out and hearing adults whispering about the movie. Of course, my curiosity was peaked. I would ask my mom over and over to tell me what the movie was about - what everyone was talking about. I never really found out all the angles. When I rented this movie, I watched it three times back to back, absorbing every sentence, every nuance by the cast.
I still can't believe that the movie made it through censorship. I read that the cast was not allowed to say "homosexuality" and not refer to it during the filming. The first time I saw the movie, in my twenties, I really didn't understand it. I couldn't figure out what all the fuss was about. This is a great movie for today's audiences. It was ahead of it's time. Watching it recently, I was at the edge of my seat. It won't appeal to everyone. I was a nursing student when I got part of my psychiatric clinical experience in a similar institution in Canada. I know those places existed. There were patients there who had lobotomies. For me,the movie has everything, wrapped up in one production. It's still controversial....and it's an extraordinary piece of film.
In this movie Elizabeth Tayler suffers from mental problem after witnessing his cousin's death. Montgomery Clift, a brain doctor decides to help her. When him and Elizabeth and the aunt of her's who is played by Katharin Hapburn all got together, Montgomery pull out everything in Elizabeth's mind to cure her. That is a very long scene. From that moment, the doctor figures out that the real problem is not her but her aunt.
That is the main point from this film.
Katharin played her evil roll so well that she even made me shake and my hair all stand up, if there's a word like that.
There are too many dialogues but the last scene was a memorable and I cannot complain about the long dialogues at all since William's plays are all like that.
Elizabeth and Hapburn are so good that Montgomery's acting was almost invsible.
Two main actresses were alomst like growling the whole time. I never seen one like that before.
I don't see classic movies that much. But this is a pleasant surprise.
The movie was shot in Black and white and was 1.85:1. Full screen for the widescreen TV.
The location was very limited and I liked it that way.
I also personally thought that Hapburn was brave that she appeared herself in the screen even after she was aged. She was always remembered when she was young and beautiful for me. But not in this film. She was old and grumpy.
If you want to experience some movie that has really good acting with spark through the whole movie, you should check this out.
Top reviews from other countries
Always love the movie and if you watch,you also sure will.Buy it,an extraordinary gem of your collection and an asset for whole life.
亡き愛息を追慕する未亡人役のキャサリン・ヘプバーンはドンピシャの適役で、見事である。医師役のモンゴメリー・クリフトは失礼ながら可もなく不可もなしだろうか。
なお、最後まで顏を出さないセバスチャン役の男優は「特典」で静止画ではあるがその素顔と全身像を観ることができる。なんともいい男っぷりである。彼は全く無名のままだったのだろうか?と名も出されないままだったから余計に気になった。
ところで原作はあのテネシー・ウィリアムズ。翻訳本を探したのだか直ぐには見つからなかった。というのも原題は SUDDENLY,LAST SUMMER 映画の邦題は「去年の夏、突然に」だが、「この夏、突然に」という邦題で戯曲が全訳されていた。確かに LASTは「過ぎた」の意味であり、今が秋なら、今年の夏も LAST SUMMER になるわけだ。且つ、戯曲通りでは「この夏」であり、映画では「去年の夏」になっているからそれぞれの邦題も正しい。映画化にあたってはウィリアムズ自身が脚色したらしい。映画と戯曲の違いを探るのもまた一興。その延長で、戯曲としての英語の原書も手に入れ、辞書片手に読み込むほどの我ながら大変な熱中ぶりだった。
いや、もしかしたら、テネシー・ウィリアムズの戯曲の中でベストワンなのではないか?
ミステリー仕立てで進む展開。それぞれ一癖も二癖もある登場人物たち。間に挿入される惨劇の予感。女主人公キャサリンの正真正銘のトラウマが明らかにされる過程。そして、とんでもないどんでん返し・・・。
.
Il est certain que cette histoire plus que scabreuse et affolante si elle avait été réalisée avec plus de réalisme n'aurait pas pu franchir les frontières de tout ce qui était strictement interdit en 1959 mais tout y est dit avec la plus grande finesse de suggestion.
Sébastien, qui dans cette histoire est mort, est le centre d'intérêt du film et dans le jardin hallucinant de Sébastien, aux plantes carnivores, sa mère
demande à un jeune chirurgien de pratiquer une lobotomie ( opération qui en 1937 n'en était qu'à son stade expérimental ) sur sa nièce qui selon cette mère est folle, dépravée et vulgaire.
Or pourquoi cette mère veut-elle cette trépanation pour sa fort belle nièce? Quel secret veut-elle que l'on passe sous silence ou bien la mère aurait-elle tellement peur de la vérité qu'elle voudrait refouler ce qu'elle craint si fort dans sa passion par trop exacerbée et toujours présente pour son fils?
Et pour quelle raison sa nièce devenue amnésique ne présente toujours pas ces signes de démence et est prise en considération et mieux en
affection par ce chirurgien?
Et puis comment Sébastien était-il mort ''l'été dernier'' alors que l'on apprendra qu'il se servait de sa mère, quand elle était jeune, puis de sa cousine ensuite pour ''appâter'' qui? Toute la gent masculine et de plus à coups de dollars!
Et encore, on aura trouvé ici ce miroir aux alouettes proposé par la mère très fortunée de ce Sébastien-là au chirurgien et à la mère comme au frère de cette même nièce! Vénalité et compromission du sang...
La dernière scène ahurissante du film frise le fantastique avec une évocation finale du cannibalisme qui relèverait plutôt du symbolisme, de la lutte des classes et surtout d'un rejet par trop violent de certaines moeurs... Sacré Tennessee et sacré Joseph!
Qui était la plus folle? Katharine Hepburn ( la mère ) ou Elizabeth Taylor ( la nièce )? Qui était le plus sage et le plus prudent: Montgomery Clift ( le chirurgien! ) Admirables interprétations de ces trois incomparables artistes.
N'ayez crainte, à la limite, ce film, tel qu'il fut conçu en 1959, pourrait être vu en famille!
Billy.
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