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Summer in February Paperback – February 1, 1996
Purchase options and add-ons
- Print length356 pages
- LanguageEnglish
- PublisherLittle, Brown Book Group
- Publication dateFebruary 1, 1996
- Dimensions5 x 1 x 7.6 inches
- ISBN-100349107467
- ISBN-13978-0349107462
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Editorial Reviews
Review
This is a book rich in incident and richer still in its subtle and intricate analysis of emotional depths. It is also a meticulous re-creation of artistic life near the beginning of this century.―THE TIMES
Imaginative.―DAILY MIRROR
Subtle and affecting, a tender Edwardian love story.―GOOD HOUSEKEEPING
About the Author
Product details
- Publisher : Little, Brown Book Group; New Ed edition (February 1, 1996)
- Language : English
- Paperback : 356 pages
- ISBN-10 : 0349107467
- ISBN-13 : 978-0349107462
- Item Weight : 10.6 ounces
- Dimensions : 5 x 1 x 7.6 inches
- Best Sellers Rank: #1,745,175 in Books (See Top 100 in Books)
- #766,467 in Literature & Fiction (Books)
- Customer Reviews:
About the author

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Learn more how customers reviews work on AmazonCustomers say
Customers find the story intriguing, heartwarming, and suspenseful. They describe the book as great and brilliant. Readers praise the writing quality as beautifully written and detailed. They also mention the book describes a beautiful setting.
AI-generated from the text of customer reviews
Customers find the story intriguing, heartwarming, and touching. They appreciate the good dramatization of true events that gives depth and suspense. Readers also describe the book as exciting, provoking, and a true love story.
"...The story, in itself, is at once provoking and tense, but further on, Jonathan Smith's depictions of Cornwall in the early years of the last century..." Read more
"...The book is beautifully written although it's a tragic love story...." Read more
"...A sensitive and revealing insight to the feelings of love and devotion for a beautiful visitor to the colony that remain in place for many years...." Read more
"The book describes a beautiful setting, interesting characters, and a tragic end. It is hard to put this book down, the words flow easily...." Read more
Customers find the book great and brilliant.
"The book was OK, but I think the movie will be a great deal better. Difficult to get into it at first." Read more
"...He thought it was beautifully written and really enjoyed reading it. I can't wait to read it...." Read more
"...But nevertheless it is a movie worth seeing." Read more
"...I also enjoyed the movie from the book." Read more
Customers find the writing quality of the book beautifully written. They also describe it as pure literature and a detailed read.
"...This is pure literature and am so glad it was resurrected from its 1996 origin." Read more
"...The book is beautifully written although it's a tragic love story...." Read more
"...This book is beautifully written exposing emotions and feelings of the characters of an art community in England in an unusual way in the early 1900..." Read more
"I bought this book as a gift for my son. He thought it was beautifully written and really enjoyed reading it. I can't wait to read it...." Read more
Customers find the art content in the book fascinating. They also say it describes a beautiful setting, interesting characters, and a tragic ending.
"...The book is part truth and part fiction but in its' telling a work of art." Read more
"Fascinating look at Munnings. It's fun to see him outside of his paintings...." Read more
"The book describes a beautiful setting, interesting characters, and a tragic end. It is hard to put this book down, the words flow easily...." Read more
"...He was an amazine person, a genius in his own right, and a fabulous painter." Read more
Customers find the characters interesting and say Dan Stevens is a good actor.
"...The characters were very well drawn, and I did become engrossed in their story, more than I thought I would at first...." Read more
"The book describes a beautiful setting, interesting characters, and a tragic end. It is hard to put this book down, the words flow easily...." Read more
"Dan Stevens is a very good actor..." Read more
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Top reviews
Top reviews from the United States
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As much as I don't like tear jerker movies, I can't wait to see this one, since Dan Stevens co-produced and starred in this movie.
Here's part of the review on my blog, of both the film-making and the story:
In 2013, fans of the lavish PBS series Downton Abbey may have to get up from the couch and head to the local cinema to see a new film that combines the glorious fashion and elegance of the pre-World War I years in Britain with an icon of the equestrian world. Mix in the appeal of the actor who plays the romantic Matthew Crawley on the PBS series and you can see why ears are going up around the world.
Dominic Cooper, Dan Stevens (Matthew Crawley on Downton Abbey) and Emily Browning star in the passionate and tragic true story of love among the artists residing in a picturesque fishing village in Cornwall. And the artist isn't just any artist-it's Sir Alfred Munnings, whom many consider the finest painter of horses in history.
The artists have gathered together to paint out in the "plein air" but they seem to spend a lot of time having parties. Munnings has a predilection for reciting poetry, as long as people are listening-who knew?
The film is based on a book by the same name; its author, Jonathan Smith, found the principle character's diary documenting the story; it inspired him to write the book
The film was shot exactly where the story happened, as well as up and down the coast around Penzance, and is now in post-production; it will premiere next year.
Dan Stevens admitted to having to do some remedial equestrian work to prepare for the role, which includes at least one good gallop on the beach.
The Cambridge graduate, who has been in New York this month for a Broadway performance, is no stranger to horses; few people know that he is the narrator of the original audio version of War Horse by Michael Morpurgo. It was shortlisted for "Audiobook of the Year 2010″. He also rode in the BBC's production of Jane Austen's Sense and Sensibility in 2007, after which he remarked, "It was brilliant - I wish there were more situations in life where I could pull up on a horse and announce something."
Few stills are available so we don't know if the script called for Emily Browning to actually ride sidesaddle; the real-life Munnings painted her character riding his own horse, Merrilegs, in the famous painting, "The Morning Ride", which graces the cover of the book.
Horses are what Munnings painted, to be sure, but this film will be much more of a love story than a horse story. Maybe horses will be the background, and if they're anything like the ones Munnings painted, they'll be beautiful.
A new copy of Summer in February is hard to find in the USA but you probably have time to order one from a British bookseller between now and Christmas, or you can download the Kindle version. The book will surely be reissued before the premiere but for now all you can find are a few copies of the 1996 edition, both new and used.
A copy of Summer in February would make a great gift for anyone who loves horses, art, Downton Abbey-or all three. Or buy it for yourself-you know you want to. Just don't ever tell anyone how it ends.
See photos at [...]
Top reviews from other countries
Visiting the exhibition was a truly special trip, after having read the book, and knowing the people so much better; it was a joy to see them in paintings and photographs, as large as life, in some cases! Getting close up to `The Morning Ride' was gave me goose bumps, especially when we heard the huge price it was sold for when it was eventually sold, a most valuable thank you gift from A.J. Munnings, left with Harold Knight, who, in the book as Smith imagines it, from his sick bed instructed the recently returned Gilbert to "Go up into my studio, and you'll find something wrapped up, with your name on it. Next to the clock, you can't miss it." The thank you was for Gilbert's `wise' decision to leave, and I've seen the friendly, civilised letter that Munnings wrote, praising Gilbert for doing so... as well as the most terribly poignant entries made when news reached him of what had happened in Lamorna after his leave taking. What a privilege, kindly offered by Gilbert Evans' son, whose collection really helps to show the way they all lived then.
The tragic story of Florence and her marriage to A. J. Munnings was not spoken of during his lifetime. In the manner of those days, it was discreetly put to one side. Dame Laura Knight, who had a place in her heart for him too, kept up a friendship with the man her husband described as looking like a `bookie', to the last. She knew the whole story. Clues at what is to come are carefully placed, making this all worth a second or further read. So this delightful book, written in a touchingly old fashioned style, even for 1995, with each chapter titled and tidy, is the drawing aside of a long closed curtain.
A wonderful companion to this book is a copy of A.J. Munnings: An Appreciation of the Artist and a Selection of His Paintings The many colourful reproductions are bright and clear, they zing off the pages. Stanley Booth has written a short introduction and description of Munnings' career and life, without a mention of Florence!
In addition to giving us a fascinating insight to the life and work of the Lamorna artists, and the stresses and strains of class differences, this is essentially a love story, and for the most part it is well told. However, some two thirds into the book the style does rather emulate that to be found in Mills and Boon notably, "his spine tingled as he felt her body close to him etc.," but thankfully, this does not last too long. Most of this dramatic and dark story is related in a forthright and objective manner and provides well drawn, if not always very flattering, characterisations of the key players.
This is a really quite moving and dramatic story, all the more so as it is based on fact, and these are real people not some fictional contrivance. A very interesting insight into part of the artistic colony at Lamorna before the onslaught of war and Modernism consigned them for a long period to obscurity. It is not surprising that it has now been made into a feature film.





