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Condition: Used: Very Good
Comment: This Used CD is VERY GOOD CONDITION !! We are going to ship from Japan, the delivery time is about 14-28days. Basically, Standard delivery is no charge, (No tracking number) . We are unable to confirm or guarantee the availability of special accessories and bonus items, OBI, photocards, posters and a box for CD/DVD set, for pre-owned products. Sometimes, there is a case where there is a seal mark of rental CD in Japan. It may become sold out in the time difference because it is also sold in the store. So we will have to cancel this order in that case, please understand. Please feel free to contact us before placing the order if any query. We will send a product to you very carefully. Thank you so much!!
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Superunknown Import

4.8 out of 5 stars 464 customer reviews

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$48.09 + $3.99 shipping Usually ships within 6 to 10 days. Ships from and sold by KAZU JAPAN SHOP.

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Editorial Reviews

Japanese only SHM-CD paper sleeve pressing. Universal. 2011.

Track Listings

Disc: 1

  1. Let Me Drown
  2. My Wave
  3. Fell on Black Days
  4. Mailman
  5. Superunknown
  6. Head Down
  7. Black Hole Sun
  8. Spoonman
  9. Limo Wreck
  10. Day I Tried to Live
  11. Kickstand
  12. Fresh Tendrils
  13. 4th of July
  14. Half
  15. Like Suicide
  16. She Likes Surprises


Product Details

  • Audio CD (October 4, 2011)
  • Number of Discs: 1
  • Format: Import
  • Label: Universal Japan
  • ASIN: B00599UGE2
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (464 customer reviews)
  • Amazon Best Sellers Rank: #1,001,940 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

By Bricktop VINE VOICE on June 3, 2014
Format: Audio CD
A major label announces two surround titles within a couple weeks of each other, a first in a very long time in North America where the majors have given up on surround sound since around 2005/2006 when they withdrew from the Super Audio CD/DVD-Audio format war. Could this be the push some of us have been hoping for finally starting? Soundgarden and Bob Marley both getting brand new 5.1 mixes?

Well after 8 weeks of asking we finally got the details of this release a few days ago in terms of the technical specs, they did go back to the original analogue multitracks to create the 5.1 mix and they did go back to the original analogue stereo master to create the vinyl, although they archived it to 24/192 and then mastered in the digital domain. Adam Kasper who produced Down on the Upside and King Animal was going to do the 5.1 mix, he has no 5.1 credits to his name so that was a bit concerning but at least he was using the multitracks so we knew we could hope for a fully discrete mix.

Now as we begin to listen we realize it was all for nought, despite all the care taken or seemingly being taken to go back to the original source material we have a release that's been slammed in true loudness wars fashion. One might have expected the regular CDs and lossy digital download files to be victims, but this is also available on Blu-ray Audio in 24-bit/96kHz stereo AND on another audiophile website (name removed in case it's against review policies) as a 24-bit/192kHz download. These are both equally as dynamically challenged as the CD! It makes no sense. People buy 24-bit to listen to on superior equipment. Dynamically lifeless music is only bearable on the cheapest in ear buds while busy commuting or working out when you're not really paying attention to the music.
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Format: Audio CD
I've listened to lots of music, and "Superunknown" doubtlessly stands as arguably the best album I have ever heard. Visionary, perfectly executed and technically impeccable, Soundgarden set the standard for dark hard rock with this one. I can't really think of a place to start in praising this album, but Chris Cornell's vocals are as good a place as any. From the hushed tones of "Fell on Black Days" to the cathartic wailing of tunes like "My Wave" and the propulsive singing of "Fourth of July," Cornell can simply do it all. His dark, churning, guitar riffs, aided by Kim Thayil's soaring, distorted solos, complete the powerful atmosphere of these songs. Add in Matt Cameron's nimble and inventive drumwork and the result is a musical masterpiece. The variety of this album is also noteworthy, as it mixes hard rockers like the opening double shot of "Let Me Drown" and "My Wave" with slower, more melodic numbers like the hits "Fell on Black Days" and "The Day I Tried To Live." The megahit "Black Hole Sun," while a strong song, is easily the worst track on the album, with the exception of the filler track "Half." "Superunknown" boasts all that serious music fans could possibly want, from creativity to technical precision to complex arrangements to a truly masterful and powerful overall vocal performance from Chris Cornell. A masterpiece in every sense of the word.
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Format: Audio CD
While Nirvana brought "grunge" and alternative rock to the mainstream, it was Soundgarden, along with Mudhoney and Green River (the precursor to Mudhoney) that, along with others, helped create the "grunge" sound. The band spent much of the 80s playing to enthusiastic audiences and building up a fan base. The band's early work, like "Screaming Life" (1987) and "Ultramega OK" (1988) saw a real Sabbath and Stooges influence, and while this influence remained, the band started to get a more refined and metallic edge as they progressed, with "Louder than Love" (1989) and "Badmoterfinger" (1991). In the spring of 1994, at the twilight of the Seattle grunge era, Soundgarden unleashed what would be their masterpiece "Superunknown."

To the general, fickle public that followed whatever was the flavor-of-the-week, Soundgarden's 1994 smash album "Superunknown" may have seemed to come out of left-field. While Soundgarden's pervious, top-40 album "Badmoterfinger" (1991) as well as a high profile tour with Guns N' Roses and props from Kurt Cobain may have put the band firmly on the map, it was "Superunknown" that made Soundgarden one of rock's premier bands of the 90s.

"Superunknown" takes up where "Badmoterfinger" left off, but "Superunknown" is less metallic, and there is a greater focus on melody with a noticeable Beatles influence present. In addition, the scope of the band's sound is expanded with the appearance of guest musicians (cello, viola, piano). While some fans of the band's earlier work may have perceived Soundgarden becoming more "commercial" or loosing their edge, this isn't really a fair argument. "Superunknown" was really the next logical step for Soundgarden to take as it saw the band mature and branch out artistically, without loosing its edge.
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By A Customer on August 31, 2001
Format: Audio CD
Whoa. If you're in a good, optimistic mood and you want to stay that way, don't listen to this album. You'll be running for the razors in no time. Fortunately, Soundgarden fans like myself recognize the unmistakable brilliance of Cornell's pitch-black lyrics, Thayil's guitaring genius, Shepherd's throbbing bass and Cameron's fantastically tight drumming. All are truly on show in this, their best album, a balance between the best elements of the faster, harder Badmotorfinger and the slightly more mellow Down On The Upside.
Forget the popular tracks "Black Hole Sun" and "Spoonman", the true highlights of this album include "Let Me Drown", "My Wave", "Superunknown", "Limo Wreck", "The Day I Tried To Live", "Fresh Tendrils" and the darkly brilliant "Head Down". Awash with cynical lyrics and complex, crashing guitars, there is no better way to experience the music of one of the best and most unique bands of the 90's.
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