
Amazon Prime Free Trial
FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with FREE Delivery" below the Add to Cart button and confirm your Prime free trial.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited FREE Prime delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
-51% $7.91$7.91
Ships from: Amazon.com Sold by: Amazon.com
Save with Used - Very Good
$5.99$5.99
FREE delivery March 13 - 18
Ships from: Better World Books: West Sold by: Better World Books: West
Sorry, there was a problem.
There was an error retrieving your Wish Lists. Please try again.Sorry, there was a problem.
List unavailable.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the authors
OK
Surrender Paperback – February 25, 2020
Purchase options and add-ons
"[A] riveting, and original, achievement."—WIRED
From award-winning Spanish author Ray Loriga comes a dystopian novel about authority, manipulation, and the disappearance of privacy that “calls to mind The Handmaid’s Tale by Margaret Atwood [and] Blindness by José Saramago” (Alfaguara Prize Winner Citation).
Ten long years have passed since war first broke out, and one couple still does not know the whereabouts of their children, or what their country is even fighting for. They follow orders and their lives go by simply, routinely, until—one day—a mute boy walks onto their property. When the authorities announce that the area needs to be evacuated and that everyone must relocate to “the transparent city,” the three leave together.
At first, the city proves to be a paradise: a stunning glass dome of endless highways, buildings, trains, and markets. Everything its inhabitants need is provided to them—food, protection, shelter—and the family quickly, unquestioningly, settles into their new life. But, soon, a sinister underlay begins to emerge. Neither secrets nor walls are permitted here, and strict order, authoritarian calm, and transparency must always reign supreme.
In a society in which everything private is public, the most chilling portent of our future emerges. Surrender is an urgent novel about dignity and rebellion and the lengths we go to preserve love, hope, and humanity.
"Loriga envisions in this gripping tale an unsettling dystopia in which all secrets are forbidden...This memorable page-turner will appeal to fans of Brave New World."—Publishers Weekly
- Print length224 pages
- LanguageEnglish
- PublisherHarperVia
- Publication dateFebruary 25, 2020
- Dimensions5.31 x 0.59 x 8 inches
- ISBN-101328528529
- ISBN-13978-1328528520
Frequently purchased items with fast delivery
Silence YouPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Wednesday, Mar 12
BurnedPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Wednesday, Mar 12
Perma RedPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Wednesday, Mar 12
ImpulsePaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Wednesday, Mar 12

Editorial Reviews
Review
WINNER OF THE ALFAGUARA PRIZE (SPAIN), 2017 WINNER OF THE NORTHERN CALIFORNIA BOOK AWARD IN TRANSLATION “Ray Loriga is a fascinating cross between Marguerite Duras and Jim Thompson.” —Pedro Almodóvar "[A] riveting, and original, achievement." —WIRED, "13 Must-Read Books for Spring" "Loriga envisions in this gripping tale an unsettling dystopia in which all secrets are forbidden... [His] chilling portent of the future will undoubtedly resonate with readers concerned about the erosion of privacy. This memorable page-turner will appeal to fans of Brave New World." —Publishers Weekly “[Surrender is] a Kafkaesque and Orwellian story about authority and collective manipulation, a parable on our societies exposed to the gaze and judgment of all. Through the use of a modest and thoughtful voice, with unexpected bursts of humor, the author constructs a luminous fable about exile, loss, paternity and attachment.” —Alfaguara Prize Winner Citation “Part allegory, part dystopian nightmare, Ray Loriga's Surrender narrates one man's futile search for a separate peace under a totalitarian regime . . . A descendant of Orwell's Winston Smith and Kafka's nameless protagonists, he endures his country's authoritarian whimsies with stoicism and surface submission. His voice is deadpan, non-confrontational, yet every so often he sneaks in a telling comment, slyly critical of the authorities. The challenge for the translator, Carolina De Robertis, which she handles with terrific aplomb, is to capture the subtle shifts in tone that signal his inner rebellion.” —Northern California Book Award Winner Citation “[Surrender’s] climax packs abundant weight…this novel has plenty of power.” —Kirkus Reviews "[A] contemplative dystopian story...With an allegorical tone, Spanish writer Loriga presents a spare novel that yields harsh realizations and a deeply felt perception of humanity." —Booklist “Loriga can be considered the originator of writing that moves away from Spanish realism, to mental monologue in a desolate landscape, as if taken from a Hopper painting, with protagonists whose only social nucleus, generally broken, is that of refined writing, of short paragraphs, that does not describe but rather goes, silently, like the tires of a car on a highway.” —La Vanguardia —
About the Author
Caro De Robertis is the award-winning, bestselling author of So Many Stars, The Palace of Eros, and more, and the literary translator of six Latin American novels. They live in California.
Excerpt. © Reprinted by permission. All rights reserved.
Anyone who looks carefully at this house's garden can easily tell that it's seen better days, that the drained pool isn't out of place with the buzz of airplanes that punish us nightly, not only here on this property but throughout the valley. When she comes to bed I try to calm her, but the truth is that I know something is collapsing and we won't be able to build anything new in its place. Each bomb in this war rips open a hole we won't be able to fill, I know it and she knows it, although we pretend otherwise when it's time to go to sleep, searching for a peace we no longer find, for a time like before. On some nights, in order to dream better, we remember.
*
In that other time, we enjoyed what we thought would be ours forever. The cool waters of the lake'we called it a lake, but it was more like a big pond'not only refreshed us on hot days, but also offered all sorts of games and safe adventures. That last thing, safe adventures, is without a doubt a contradiction we were unaware of at the time.
We had a small rowboat and the boys spent hours in it pretending to be pirates, and sometimes, on summer afternoons, I'd take her out on the water, as we say, and we'd each get lost in our own thoughts, not talking much, but serene.
Yesterday a letter arrived from Augusto, our son, our soldier, and it informs us that a month ago he was still alive, though that doesn't mean he isn't dead today. The joy the letter brings us also feeds our fear. Ever since the pulse signals were cut off by the provisional government's decree, we've gone back to waiting for the mail carrier, the way our grandparents did. There is no other form of communication. At least we have month-old news of Augusto, it's been almost a year since we've had word of Pablo. When they left for the front, the pulse signals still kept us constantly in touch with their heartbeats; she said it was almost like having them inside, like when she'd felt them living in her womb. Now we're forced to dream them into being, in silence. War, for parents, is not the same thing as war for the men who go and fight, it's a different war. Our only job is to wait. Meanwhile, the garden despairs and dies, worn out. She and I, on the other hand, get up every morning ready and willing.
Our love, in facing this war, is growing stronger.
It's hard to say now how much we loved each other before; obviously, the kisses at our wedding were sincere, but that sincerity is a part of what we were then, and time has clearly turned us into something else. This very morning, I walked the property to confirm yet again that this place barely resembles what our house used to be. The lake is almost dry; someone, likely the enemy, has dammed the mountain streams. The shores of the lake, once as green as the jungle, are withering.
War doesn't change anything on its own, it only reminds us, with its noise, that everything changes.
And despite the war'or thanks to the war'we carry on, good morning, good night, one day after another, just like that, one kiss after another, against all logic. The water boils, the heirloom teapot with its crocheted cozy, the last tea bags .?.?. the little we have left boils, is protected, goes on. Something dies and lives between us, something nameless that we decide, for good reason, to ignore. Passion either ignores misfortune or dies. We've made choices; one of them is not to be alone.
Product details
- Publisher : HarperVia (February 25, 2020)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 1328528529
- ISBN-13 : 978-1328528520
- Item Weight : 2.31 pounds
- Dimensions : 5.31 x 0.59 x 8 inches
- Best Sellers Rank: #3,593,762 in Books (See Top 100 in Books)
- #17,017 in Political Thrillers (Books)
- #17,441 in Dystopian Fiction (Books)
- #134,998 in Literary Fiction (Books)
- Customer Reviews:
About the authors

Discover more of the author’s books, see similar authors, read book recommendations and more.

A writer of Uruguayan origins, Caro De Robertis is the bestselling author of seven books, including SO MANY STARS: AN ORAL HISTORY OF TRANS, NONBINARY, GENDERQUEER, AND TWO-SPIRIT PEOPLE OF COLOR, as well as THE PALACE OF EROS, a finalist for the Octavia Butler CALIBA Golden Poppy Award; THE PRESIDENT AND THE FROG, a finalist for the PEN/Faulkner Award and the PEN/Jean Stein Book Award; CANTORAS, winner of a Stonewall Book Award; and more. Their books have been translated into seventeen languages and have received numerous other honors, including a fellowship from the National Endowment for the Arts and the John Dos Passos Prize for Literature, which they were the first openly nonbinary person to receive. De Robertis is also an award-winning translator of Latin American literature, and editor of the anthology RADICAL HOPE: LETTERS OF LOVE AND DISSENT IN DANGEROUS TIMES. In 2022, they were an inaugural Baldwin-Emerson Fellow, gathering oral histories of queer and trans BIPOC elders in collaboration with the Center for Oral History at Columbia University. De Robertis is a professor at San Francisco State University, and lives in Oakland, California with their two children.
Related products with free delivery on eligible orders
Related books
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
It's all goes down hill
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
- Reviewed in the United States on January 29, 2020Tendrils of both Huxley’s Brave New World and Orwell’s 1984 curl through Spanish writer Ray Loriga’s brief, lean, and stark dystopian novel SURRENDER, a fine fable of paradox about personal freedom and sense of self. Instead of Oceania or World State, it’s the Transparent City. Instead of soma, a crystalline product in the water creates a feeling of constant peace and wellbeing. Like the novels before, the people are controlled by government manipulation with an absurdist execution of an ideology that nevertheless is widely accepted by the citizens. Yet, in SURRENDER, it’s difficult for anyone to literally define this ideology. Rather, the dwellers soon adapt to the lifestyle or are labeled traitors.
A decade of war has been going on in an unnamed country. The protagonist—also unnamed—and his unnamed wife haven’t heard from their two sons in years; they are off fighting this war in parts unknown. This man and his wife have lost their farm, the animals have disappeared and the water has almost dried up. Moreover, they have taken in and grown fond of a young mute boy they call Julio, who showed up six months ago at their farm, before the transfer to their new home. This transfer is accomplished by a rounding up effort via regional agents.
Cooperative citizens are taken to the Transparent City, where everything is made of glass or some derivative or similarity. All is transparent; you can see what everyone is doing at all times. It never even gets dark—there is no night, so day is day and night is day, too. Nothing has an odor anymore—not even people. No longer the enjoyable and complex odors of your spouse. And everyone has ample food; shelter; a job; clothing; and supplies. They lack for nothing, and don’t need money. All is complacent and serene. The narrator works at a sewerage plant—but no worries, waste matter has no smell.
What compelled me was the convincing voice of the narrator/protagonist. He is getting weary with all this happiness, with the enforcement of compliant behavior by a government that doesn’t state what it stands for—in fact, the new citizens become the government, by direct complicity in its function. Does nobody question what is going on and why? The purpose of the provisional government is implied--to commandeer happiness, and to keep the masses obedient. But, to what end? What is the agenda? “Nobody here is different or better than anyone else, and nobody gives orders…We ourselves are the provisional government.” As the narrator becomes increasingly fraught with existential unease, the stakes get higher on the issue of resistance or surrender
A shout out to Carolina de Robertis for her remarkable, smooth translation. I'm a huge fan of her novels.
- Reviewed in the United States on March 2, 2020“Surrender” was originally published in Spanish in 2017, and the English translation came out in 2020. A word about the translation: to most Americans, the f bomb used exclusively as the word indicating intimate relations, is crude sounding and takes away from what really is a loving relationship between the narrator and his wife. For some readers, this is offensive and could have been very easily avoided by an astute editor.
The story is told by a narrator who remains nameless. He started life as an uneducated laborer, and eventually married his widowed boss, who took it upon herself to educate him in the ways of a gentleman. Theirs is a loving relationship, and over the course of time they had two sons, who both joined the army. The location and time period of the story is vague. The location, with its small insular village, wide areas of wild forests, and sharp seasons, makes it appear to be a couple of hundred years ago in Europe. However they have television and motor vehicles. The science fiction elements are wonderful, with the mysterious “pulse” powering an under-the-skin-wrist communicator that allows the wearer to receive news, and see and hear loved ones in real time, even tracking their heartbeats.
As the story begins, there have been years of a nameless war, the pulse power has been turned off, and the couple has been enduring increasing privations. A lost and injured boy had wandered onto their property, and now lives with them, becoming a surrogate for their missing older sons. The boy, who they named Julio, is smart, but chooses not to speak.
Most of the people in their area are rounded up and told they must be relocated out of harms way as the war is being lost. They are loaded onto buses and taken to the Transparent City, passing abandoned towns, escaping a bombing run, and eventually arriving at the City on foot. The Transparent City is a marvel: completely clear from the walls to the pipes to the trains and roadways, and is covered by a huge geodesic dome. Lights are constantly on and any awareness of the outside world is erased by the light. Seemingly a refuge at first, the narrator eventually finds himself at odds with just how perfect everything is. Although this is great sci fi stuff, at this point to me the story becomes an allegory for what some think heaven might be like. If one is always happy (in this case happiness is the result of a crystallization process that takes place upon entering the City), there is no boredom, no jealousy, no fear, no progress. Nobody is better or different, and there is no one to complain to. There does not appear to be anyone in charge and all decisions are made by union vote. However, the narrator begins to realize that knowing what he knew about people on the outside, this life on the inside rings false. As he starts to remember his sons in the army and realizing his wife has surrendered to the attentions of another man, and he should care about that, he decides to leave. So he does, and just walks out and returns to the burnt out remains of his old home. Toward the end of the book, there came a point where the people around the narrator try to convince him that he is ill, and the crystal city is really made of solid concrete, and that other events in the past few years were of his own delusions. Then the story becomes sort of a “Life of Pi” moment: Was the tiger real or not?
The story is very thought provoking about what it takes to be happy. Do humans require some sort of conflict to feel alive or content?


