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Survivor Song: A Novel Kindle Edition
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A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts.
“Absolutely riveting.” — Stephen King
In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering.
Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.
Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink.
Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateJuly 7, 2020
- File size4548 KB
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Editorial Reviews
About the Author
Paul Tremblay has won the Bram Stoker, British Fantasy, and Massachusetts Book awards and is the author of The Cabin at the End of the World, Disappearance at Devil's Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. He is currently a member of the board of directors of the Shirley Jackson Awards, and his essays and short fiction have appeared in the Los Angeles Times, Entertainment Weekly online, and numerous year's-best anthologies. He has a master's degree in mathematics and lives outside Boston with his family.
Erin Bennett is an Earphones Award-winning narrator and a stage actress who played Carlie Roberts in the BBC radio drama Torchwood: Submission. She can be heard on several video games. Regional theater appearances include the Intiman, Pasadena Playhouse, Arizona Theatre Company, A Noise Within, Laguna Playhouse, and the Getty Villa. She trained at Boston University and the London Academy of Music and Dramatic Art.
--This text refers to the audioCD edition.Review
"For the past few years, Paul Tremblay has been setting the standard for modern horror. His genius is that he never forgets the core of a great horror novel resides first in its characters. In Survivor Song, he revitalizes the zombie novel by keeping the focus narrow and intimate: two women, in the space of a few hours, just trying to get across town. The result is heartfelt and terrifying, in a narrative that moves like a bullet train." -- Nathan Ballingrud, author of North American Lake Monsters and Wounds
"Inventive… an emotional punch… There is plenty here traditional zombie fans will recognize and enjoy.” -- Boston Globe
“A cinematic scope, scenarios grounded in the real world, and a breathless pace make this thriller one of the must-read titles of the summer. A prescient, insidious horror novel that takes sheer terror to a whole new level.” -- Kirkus Reviews (starred review)
"The vividly drawn characters of Ramola and Natalie give the story an uncommon emotional intensity. This is genuinely hard to put down." -- Publishers Weekly (starred review)
"Absolutely riveting. I haven’t been able to put it down." -- Stephen King
"Tremblay has earned worldwide acclaim because he is able to seamlessly combine reality with speculative elements, and his newest may be his most prescient yet. . . . Gorgeously written about terrible things, the relatively short Survivor Song is a good choice for fans of pandemic epics . . . and novels that probe themes of friendship, family, and social commentary amidst chillingly realistic horror." -- Booklist (starred review)
“[F]resh and surprising. Survivor Song may be one of Tremblay’s best – beautifully detailed, viscerally frightening, and deep with emotional resonance.” -- Dan Chaon, New York Times bestselling author of Ill Will
"Tremblay is an undeniably skillful writer. The sentences are lean where they need to be, decorative where they need to be. . . . He knows how to drive the story forward, while affording it a layer of linguistic color.” -- New York Times
"Survivor Song will leave emotional trenches in your heart long after you’ve finished trying to ugly-cry and read at the same time. . . . A gift to readers right here, right now. -- Cemetery Dance --This text refers to the paperback edition.
Product details
- ASIN : B07YSLZFBY
- Publisher : William Morrow (July 7, 2020)
- Publication date : July 7, 2020
- Language : English
- File size : 4548 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 335 pages
- Page numbers source ISBN : 1789094925
- Best Sellers Rank: #38,300 in Kindle Store (See Top 100 in Kindle Store)
- #55 in Medical Thrillers (Kindle Store)
- #73 in Medical Thrillers (Books)
- #369 in Paranormal Suspense
- Customer Reviews:
About the author

Paul Tremblay is the author of the Bram Stoker Award and Locus Award winning THE CABIN AT THE END OF THE WORLD, winner of the British Fantasy Award DISAPPEARANCE AT DEVIL'S ROCK, and Bram Stoker Award/Massachusetts Book Award winning A HEAD FULL OF GHOSTS. A HEAD FULL OF GHOSTS is in development with Focus Features. He's also the author of the novels The Little Sleep, No Sleep till Wonderland, Swallowing a Donkey's Eye, and Floating Boy and the Girl Who Couldn't Fly (co-written with Stephen Graham Jones).
His newest book is the short story collection GROWING THINGS AND OTHER STORIES.
His essays and short fiction have appeared in the Los Angeles Times and numerous "year's best" anthologies. He is the co-editor of four anthologies including Creatures: Thirty Years of Monster Stories (with John Langan). Paul is on the board of directors for the Shirley Jackson Awards. He lives outside of Boston, Massachusetts, has a master's degree in Mathematics, and has no uvula. You can find him online at www.paultremblay.net. twitter: @paulgtremblay
He is represented by Stephen Barbara, InkWell Management.
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Learn more how customers reviews work on AmazonReviewed in the United States on November 23, 2020
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The prelude draws the reader in from the beginning, creating a solid anchoring through a whirlwind of a ride. “Survivor Song” will go down as another favorite by Tremblay. The book is fast-paced and filled with gripping horror and strange circumstances that once again, provoke the reader to think. It is a page-turner the reader does not put down.
Natalie escapes the terror that has taken over her home and asks the only person she knows who can possibly help her, her college friend, Ramola, a British pediatrician who moved to America to follow her dream of being a doctor. Through Ramola, the other main character, the reader has already learned the extent of the medical crises affecting hospitals and treatment plans as a result of the strange virus. She is about to report for round-the-clock work at the hospital when suddenly enlisted by her best friend for help, a pregnant friend who may be infected.
Ramola moves fast getting Natalie to the hospital, despite traffic jams and an overcrowded hospital where admittance is based upon whether or not one is infected. Natalie does not run a fever—not yet. Once inside, Natalie is administered a vaccine, all that can be done now is wait and pray. Soon, it is learned that Natalie needs an immediate C-section out of caution for the baby. But as the attending physician fails to arrive, pandemonium breaks out at the hospital. Ramola and Natalie must get to a clinic across town, but as they try, Tremblay presents the reader with gruesome, horrifying scenes he is best at, those that are both weird and scary.
After escaping the hospital, the two set forth on a journey to help a weakening Natalie. For her, time is running short. She records messages on a computer file to be read in the future by her child, a daughter she claims. After a mishap along the way, they meet up with Josh and Luis, two adolescent boys whose lives are defined by the movies that made them die-hard fans. They are self-proclaimed zombie hunters with past secrets Ramola hears hints of but is afraid to ask. Their attempts to get Natalie and Ramola to the clinic are stalled by a run in with more antagonists, conspiracy theorists who claim the government purposely exposed its inhabitants to the virus. They are scouting door-to-door, killing healthy animals and rabid humans in attempts to eradicate. They are the next cause of mayhem in the book, providing scenes of both horror and unforgettable shock.
But something has happened to Josh in this time. Now, time is just as vital for him as it is for Natalie. In the book’s Interlude, Josh and Luis retreat to the woods and stun the reader as their stories are more clearly revealed.
The long day’s journey finally leads Natalie and Ramola to an abandoned farmhouse. Now, there is no longer time. Natalie needs a C-section, and Ramola must perform it. She reluctantly agreed to adopt Natalie’s baby in the event of her death, a prospect that appears more and more inevitable. The final scene punches right in the gut as Ramola does what she has to, stopping the reader’s breath until the last words.
The book ends with a Postlude, one that surprises, as well as confirms Paul Tremblay’s proficiency in both horror and storytelling. “Survivor Song” is another great book by Tremblay and will sit well alongside “A Head Full of Ghosts,” “Disappearance at Devil’s Rock,” and “Cabin at the End of the World.”
It's also "unputdownable," if I may be forgiven for using a made-up word. There are just a couple passages that seem to drag on forever despite only being a few pages in length--by far the worst being an exchange of text messages near the beginning of the novel written in a headache-inducing facsimile of "text speak" and rendered in shaded text boxes that strain the eyes--but the rest of the novel moves at a faster pace than I've read in quite a while. Action scenes and character-driven scenes exist in perfect balance to drive the plot forward and keep the reader turning the pages, desperate to see how things will turn out.
All of this leads to a conclusion that is far more resonant than that of the average horror novel. Even though the climax is rendered in staccato flashes of disjointed sentences and paragraphs separated by large blocks of white space, a technique that would be annoying in a less capable author's hands, the reader will find the ending both emotionally impactful and intellectually satisfying. Following such a climax, the afterword doesn't really seem to do much, but it does provide a punctuation mark for the story.
It would be easy to give this book a five star rating, except there are several moments in which the author seems to lose control of the narrative in order to inject a political commentary. On some level, the whole book is political, and fair enough; especially since this book came out during a time of pandemic, many of the author's points seem both timely and valid. However, when a fairly close third-person narration is suddenly interrupted simply to make a political point that has nothing whatever to do with what the characters in the scene might be thinking about (or worse, that is far beyond even the periphery of their knowledge), it takes several pages for the narrative to regain its momentum. It seems to be a defining pathology of the 21st Century that people can't resist the temptation to inject their personal politics into every communication, but these paragraphs, though thankfully few in number, represent a tumor within what would otherwise be a near-perfect novel.
Fortunately, the book's flaws, though their effects spread farther than the particular paragraphs in which they're contained, don't detract too much from a book that I'm very pleased to have purchased and read. If you're a Tremblay fan, you won't be disappointed, and if you're a new reader, this is a good place to start. It's a good book for any time, but readers in 2020 will find it particularly timely.
Top reviews from other countries
Its not that it's a bad book or not written well, I just didn't feel any connection towards the characters or even much for the story itself to be honest. It was all just a bit on the meh side.
Okay, it was well realised. I'll give it that, and at around the 25% mark, I felt like it was beginning to pick up. There was some real good tension in the hospital, but it just seemed to quickly fall flat again. Not even the last 15% of the book could save it from being mediocre. I'd lost interest by then.
Shame, I really wanted to like it too.
THE CABIN AT THE END OF THE WORLD is still my favourite of his.
And I'll always be keen to read his books.
No doubt about that.
This feels like 2.5 stars for me, straight down the middle, but for Goodreads and Amazon it's a 2.
Can't love them all.
Not to worry.
New England is locked down, a strict curfew the only way to stem the wildfire spread of a new rabies-like virus. The hospitals cannot cope with the infected.
Paediatrician Ramola Sherman can’t stay safe, when her friend Natalie calls – her husband is dead, she is eight months pregnant, and she’s been bitten…
In 2020, the word ‘unprecedented’ seems to be repeated on news broadcasts so often as to be unprecedented. The world is like an angry wasp nest drenched in petrol, set alight, and then shoved into your child’s duvet in a condemned building next to a leaking nuclear reactor. And then Paul Tremblay comes along and adds zombie rabies victims. And not just people. We have zombie coyotes, racoons, dogs and deer.
From overwhelmed hospitals, confused public messaging, conspiracy theories and a claptrapocracy in government, I occasionally glimpsed up from the pages to make sure my front door was well and truly locked. Sometimes I thought to myself, ‘”Yep… that already happened.”
What would ordinarily seem like fanciful horror now reads like your Twitter feed.
Occasionally, I play a game with myself where I wonder how long I could survive the zombie apocalypse. After all, I’ve seen a load of zombie movies, read a fair few books, including Max Brooks’ Zombie Survival Guide.
I have a plan – stock up on water and canned goods, move into the attic, destroy the stairs.
Realistically, I’d be dead of an asthma attack in 45 minutes, and that’s what Paul Tremblay is really good at showing – that the apocalypse isn’t a movie. There are no good choices, just a succession of worse ones.
Do I have food? Is there enough loo paper? What if I get sick?
These are questions none of us thought we would need to consider in 2019, and Paul Tremblay answers them at breakneck speed. The events in this novel take place over a period of only 4 hours, but it feels like a lifetime of stress.
Ttemblay is a skilful writer, and he keeps the pace cranked while giving nice interiority to his characters, particularly Natalie’s use of her cell phone to record messages for her unborn kid ‘just in case…’
I felt it maybe fell down in the last third, with the inevitability of its conclusion never being anything other than inevitable. There were nice touches though – the teenage ‘zombie killers’ proved the best characters, particularly when they realise this isn’t their story.
Don’t get me wrong, I really liked it. But it felt a little like a short story trying to be a novel.
Paul Tremblay
Publisher: Titan Books
Page count: 336pp.
Release date: 7th July 2020
It's often been said that writers are almost psychic when it comes to the horrors they imagine, and have predicted remarkable inventions, wars, discoveres or in this case, viruses.
I'm writing this review amidst lockdown during the coronavirus pandemic 2020. Rather ironic then, that this novel, first talked about by the publisher well overa year ago, brings us on a journey with Paul and Natalie during a virus curfew. Natalie is heavily pregnant and reliant on best friend Ramola, a doctor, to ensure she gets support for the impending birth.
Though the people in the journey might change, swap over or start other stories, it is the connections between them and the sense of growth that pervades throughout the novel.
Epistolary in nature and set/written in real time - think the Keifer Sutherland show '24' - it includes social media comments, which reflect the innate stupidity of some people, with risque jokes - if this were real, but in the context of fiction they are actually light relief - anti-vaxxer commentary, real human concerns and a great sense of humanity. Much like now, we are aware of a virus but at first that belongs to other people.
The worries start with quiet rumbles.
Via a group message between paediatrician Ramola and her group she says "I realise it’s an emergency but we should have proper PPE regardless as a safeguard."
Scattered dialogue or comments on social media are scarily prescient;
“—the quarantine will help get the spread of the illness under control—”
“—and it ... dove right at my front tire.”
“—everyone will be all right as long as we don’t . . .”
I don't know to what extent, if at all, Tremblay edited in aspects of the current pandemic, but it contributes to the escalating horror. Amidst that though, and some very visceral scenes, are the poignant and harrowing moments that are beautifully written.
"After shared, restrained laughter, they drive in silence, passing through this new ghost town, where the ghosts are reflections of what was and projections of what might never be again."
This, more than anything, encapsulates the burgeoning tension that Ramola and Natalie experience as they're on their road trip to help Nat give birth safely. Terrifyingly, it also feels very much like 'now'; the now of the pandemic, the feeling of fear mixed with cold shock at the drastic changes to the world we live in.
Without spoiling the end, it is a good ending in so far as it can be, in a fictional world of a vicious strain of rabies.
It's not always an easy read, but it's timely, poetic and brilliant.
Skipped lots of pages and still kept up with the story if you could call it that.
Haven't read any of the author's other books and won't after this rubbish.
The author seems to have left wing political leanings which he just has to express in a work of fiction go into politics if that's how you feel.
Should have known a recommendation by Stephen King who is now past his sell by date would indicate this was one to be missed.
I did scan through it till the end without actually reading it but even that was hard going.
Seriously read the phone book it's more entertaining.
This is harsh but I did not write it without giving it a fair amount of thought as I appreciate someone has went to the trouble of writing it.
They shouldn't have bothered though.
Actually I have just realise I have read another book by this author The Cabin at the end of the World .It was rubbish as well have it one star so my reviews are consistent.Wish I had remembered though would have saved money by not buying this one
I particularly liked how it wasn't a wham-bam zombie story. I've read enough of those and enjoyed them, but this is different. The outbreak is localised and not the end of the world, just a tragedy for some. Kind of like the current pandemic, which this book was written before but was spot on with some of the reactions from governments, hospital and the general public.
This leads onto the one star reviews. I read some them because they are always interesting - why would you leave one? Seem a bit troll-like. They come across as rather politically motivated, due to a part of the book with some militia men with some conspiracy theories. Seems to me that it was handled accurately. It's not as if these people don't exist but Paul Tremblay gives the group different characters and the main militia man is actually a help to the protagonists. Maybe they missed that part.
Anyway, Paul Tremblay for me is a great writer, one of the best working in horror. He is definitely on the literary side, which is to say the prose is great but so is the story. I enjoyed it and would recommend.










