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Suspiria (Two-Disc Special Edition)

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Editorial Reviews

Jessica Harper (PHANTOM OF THE PARADISE) stars as Suzy Banyon a young American ballet dancer who arrives at a prestigious European dance academy run by the mysterious Madame Blanc (Joan Bennett of DARK SHADOWS) and Miss Tanner (Alida Valli of KILLER NUN). But when a series of bizarre incidents and horrific crimes (including what Entertainment Weekly calls the most vicious murder scene ever filmed ) turn the school into a waking nightmare of the damned Suzy must escape the academy s unspeakable secret of supernatural evil.Experience the most shocking and hallucinatory horror movie in history as you ve never seen or heard it before now featuring the fully remastered landmark score by Goblin and a heart-stopping new film transfer supervised by cinematographer Luciano Tovoli. This is the definitive version of Dario Argento s SUSPIRIA an aria of terror beyond imagination and one of the most extraordinary horror films ever made.Format: DVD MOVIE Genre: HORROR UPC: 827058201391 Manufacturer No: BU2013

Product details

Aspect Ratio : 2.35:1
Is Discontinued By Manufacturer : No
MPAA rating : s_medNotRated NR (Not Rated)
Product Dimensions : 0.7 x 7.5 x 5.4 inches; 6.4 Ounces
Media Format : Special Edition
Language : Unqualified
Studio : RYKO DISTRIBUTION
ASIN : B000S0GYRU
Number of discs : 2

Best Sellers Rank: #47,144 in Movies & TV (See Top 100 in Movies & TV)
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Brian E

Suspira

Reviewed in the United States on May 6, 2018

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I really enjoy this movie ever since I first saw it. Just the lighting schemes throughout are great. I wasn't expecting a huuuuge amount of difference in picture quality (most editions do pretty good job. I already have the LTD 3 DVD disc Edition the definition on that is good).
The Synapse Edition is ok with the extras. But where they shined on this edition is the picture restoration and enhancement is AMAZING !!!!!!!! I really liked the fact that they did a great job on the picture. The color tints and hues were just stunningly brilliant!!!
Great job overall.

40 people found this helpful

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Bill A.

A Horror Masterpiece

Reviewed in the United States on May 30, 2018

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This is by far one of the all time greatest horror films! It’s colorfully surreal with an incredible soundtrack. This blu-Ray transfer is the best I’ve ever seen Suspiria look! Razor sharp with unusually vivid, stable color. I’ve checked out other transfers and they’re very soft and pale by comparison. Unforgettable experience!

27 people found this helpful

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Andy

Phenomenal Restoration of A Classic Italian Horror Opus

Reviewed in the United States on October 31, 2018

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Legendary horror masterpiece of giallo maestro Dario Argento tells the chilling tale of an American student and her enrollment in a prestigious European ballet school that holds a dark and sinister secret. One of the ultimate examples of style over substance, this film is a bloody, beautiful assault on the senses. A dazzling, anxiety-fueled thriller filled with intense atmosphere of torrential thunderstorms, mind blowing use of hypnotically vivid color and light, a driving haunting score, and impossible architecture, punctuated with outrageous murder tableaux and supernatural set pieces. A seminal combination of art and horror film that, no matter how hard they may try, has no true equal. Modern examples of it's descendants include the over-rated Black Swan, due to the ballet, and the under-rated The Neon Demon. As for other films by director Dario Argento, I recommend Deep Red and Tenebrae, but are more of murder mystery films. This Synapse Films Blu ray is truly extraordinary, and is one of the most impressive restorations I've ever seen of any film. I have seen Suspiria many times on TV and VHS years ago, and seeing this restored print with it's proper aspect ratio, color correction, and cleaned up soundtrack- I was literally watching Suspiria for the first time. The film is 40 years old and looks utterly amazing, from the texture of the velvet curtains ,down to the intricate wallpaper. This two disc set also contains two audio commentaries and plenty of extras, even reversible art (very cool !). An essential horror classic, best watched alone and in darkness, and an unforgettable movie experience.

16 people found this helpful

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James C Girasa

Excellent Release, Beautiful Picture for Classic Italian Horror Film

Reviewed in the United States on November 2, 2018

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This review is for the Blu-ray edition of 'Suspiria' released by Synapse films in March, 2018.

If you are a fan of this movie then this is a must have. The picture is as good as it gets.

In my opinion this is a 5 star release.

WHAT DOES SUSPIRIA MEAN? I had no idea what this meant so I did a little digging.
The actual definition means something like 'sighs'.
The latin phrase "Suspiria de profundis" mean "sighs from the depths".
"Suspiria de profundis" is also the title of a piece of literature by a well known English essayist, Thomas De Quincey.
'Suspirara' in latin means breathing. 'Suspiria' therefore would mean something along the lines of 'taking a deep breath'.
They talk about this briefly in one of the feauturettes as having something to do with the witches but I'm still not sure if the word has something to do with witchcraft.

BLU-RAY: This is a new 4K restoration of the original uncut Italian 35mm camera negative done by Synapse films. It is a beauty. The colors are very bright and the picture has virtually no flaws. It is as clear as the day they filmed it. There are subtitles available and the movie is also dubbed in English.

EXTRA's: The extra's are top notch. You get:
-Two audio commentareis by Derek Botelho, David Del Valle and Troy Howarth.
-Featurette - 'Suzy in Germany' - This goes through the locations used in the film both then and today.
-Featurette - 'A sigh from the Depths: 40 years of SUSPIRIA - a bunch of historians reflect on the movie 40 years later.
-Featurette-'Do You Know Anything About Witches'- This is an very informative 30 minute visual essay that goes a long way toward explaining some of my questions. It answers some of the things I say in the section down below called A FEW THINGS I'M STILL UNSURE ABOUT.

PRODUCTION: This movie was made in 1977 and was released under a shell company of 20th Century Fox.
-Even though the movie is set in Germany, it was largely filmed in Rome, Italy.
-Dario Argento got his inspiration for this movie from 'Suspiria de Profundis' by Thomas De Quincey which was written in 1845.
-This is the first movie in Argento's 'Three Mothers' Trilogy. The other two movies are 'Inferno' and 'Mother of Tears'.
-Suzy Banyon's character was supposed to be based on 'Snow White'.
-Each actor/actress spoke their own language and the movie was then dubbed into Italian and English.
-The story itself was initially supposed to be a fairy tale but ended up sort of a hybrid fairy tale.
-The school was supposed to be populated with young girls but production codes at the time would have never allowed for it. Argento didn't completely give in. He had the door handles raised to make the girls appear smaller. Also he made the point of having high ceilings.

PLOT/SUMMARY: An American ballet student, Suzy Bannion (Jessica Harper), flies to Germany to attend a prestigious ballet school. Suzy arrives at the school late in the evening. As she gets to the front entrance, she see an angry girl leaving and can make out two words she days, 'secret' and 'iris'. When she tries to get in, the person speaking on the intercom tells her to go away, which she does. She goes to the school in the morning and meets a tough instructor, Miss Tanner, and the headmistress, Madame Blanc. She is told that she must get a rental apartment briefly and she goes to stay with one of the other students named Olga.

During one of Suzy's first classes, she gets sick and starts bleeding. The doctor keeps her at the school and orders her to be given a glass of wine every day. Suzy is given a room next to Sara. Sara reveals that she was the girl on the intercom the first night. Suzy and Sara become friends. A few disappearances occur at the school and Sara becomes suspicious. She confides with Suzy. They figure out that the school supervisors are not leaving at night but are walking to unknown parts of the school. One night while Suzy is passing out from being drugged, Sara goes in search of the hidden place that the supervisors go to. Sara is killed. Suzy is told that Sara packed her bags and abruptly left the school. Suzy, suspecting that something is wrong, calls and meets a friend of Sara's, Frank Mandel. Mandel is a psychiatrist who used to treat Sara. He introduces Suzy to another psychiatrist, Professor Milius. From these people, Suzy learns that the school was founded by an alleged witch, Helena Markos. She also learns about covens. She is told that Markos died in a fire at the school many years ago.

Armed with the knowledge about the school's history, Sara's notes and her now complete recollection of what the girl leaving the school said on the first night, Suzy goes poking around the school to find out what is really going on.

COMMENTS: I just watched this movie the night before this review and haven't spent a whole lot of time researching this movie but here is what my thoughts are.
-I liked how this movie kept me guessing about some things right to the final scene. I tend to get bored in horror movies once the mysterious killer is revealed, as the rest of the movie is usually just a game of cat and mouse and the director usually attempts to come up with some creative way to end it. I could guess some of what was going to happen but I was never really sure to what extant all the people were involved. I wasn't really sure if Helena Markos was still alive or if she just passed down her knowledge.
-I think this was a good movie. I do not think it was a great movie. There are all kinds of ways to rank movies. I look for an engaging plot. If you don't have that then you don't have a great movie. I think this movie has a good plot but by no means is it great. Atmosphere is a big thing to me also. This movie has it to some extent, just not quite what I'm looking for.
-The musical score is unusual. It seems to combine elements of different horror movies. Sometimes it reminds me of 'The Exorcist' other times it reminds me of 'The Omen' and others. Whatever it is, it is quite effective. Without it, I believe many of the scenes would have been considerably less 'creepy'.
-There are a lot of things that I didn't understand the meaning of. This is not to say that these are complicated things and that the plot lost me. I'm saying I just didn't understand why these scenes were in the movie. Here is a list of those things right below:

A FEW THINGS (NOT COMPLAINTS) I'M STILL UNSURE ABOUT: These are some things that I don't quite 'get'. Either I missed or forgot about parts of the dialogue or the meaning just went over my head.
-I didn't quite understand how the girl could be running through the black forest and be so close to the center of the city. That opening scene was a bit disconcerting. Was she running because she was scared or because she was in the rain on a stormy night? She didn't seem to be running for her life as nobody was chasing her so I'm not sure.
-What was the point of the maggots falling from the ceiling? I didn't catch the meaning of this. Was this just a way to setup the next scene, which I also don't quite understand? That scene was...
-The scene in the gymnasium. Why did the directoress come to the gymnasium to sleep? and once the girls figured out who was behind the curtain sleeping, why didn't they look? Or perhaps they did look but the movie doesn't show you?
-I completely missed out on the reason for making the dog violent and killing the blind pianist. They obviously wanted to get rid of the pianist. Why? I understand why they killed off the others. The other people that died had learned the secret of the witches. But the pianist was blind and they gave no indication that he knew anything, at least as far as I can see. Why make the dog violent?... why fire the pianist and why kill the pianist?
-What was Olga's role? She becomes Suzy's roommate and then right after that Suzy goes back to the school and we never see her again. I'm not exactly sure what the point of this storyline was. Why make her leave for such a brief time just to come right back to the school? Was this just to show her stubborness when she decided she didn't want to board at the school?
-What was the reason for the bat? It enters and Suzy dispatches it rather easily. Was the bat influenced by witchcraft? If so, what was it's purpose? It obviously wasn't all that dangerous. It couldn't have been sent by the witches to attack Suzy because you see the order given to eliminate her well after that scene. It couldn't have been sent to spy on her or be somebody's 'eyes'. It was too obvious for that.
-Was there a purpose for the setting being a ballet school? That seems like a very odd place for a coven of witches to be doing business. Could it be as simple as it's as good a cover as any?
-I'm still not sure why they were drugging Suzy. Why have her stay at the school at all if they were concerned with her? Why not let her stay with Olga so she can't figure out anything at the school? Why did they decide to kill her? Were they originally planning on making her a witch? To me, this whole main story line was unclear.

*****QUESTIONS ANSWERED*****I watched one of the featurettes and it did explain some of what I wanted to know. The girl running through the forest was supposed to mimic a scene from 'Snow White'. Olga apparently was most likely supposed to be a witch. One of her scenes ended up being not shot but that wouldn't really have changed anything. My confusion is justified as many of the scenes were in fact 'red herrings' or for whatever reason, Argento never finished some of the plot lines he was developing.

MY NITPICKS: The purpose of this section is not to 'slam' the movie. It's just to point out that no movie is perfect in my eyes and there are always things that could have been done better. Overall, I think this was a good movie.
-Ultimately, what makes this movie so memorable is the very bright colors and lighting.It is something that I did not really like. It was different. I get it... it's part of what makes this movie so memorable. I just didn't like the constant use of it. More specifically the lighting. The painted buildings and rooms are not the issue for me. The colored lighting just seemed out of place a lot of the time. I think it would have been more effective had Argento used it more strategically. For example, I see no reason for the lighting to be all red right at the beginning while she was in the airport. I think a scene like that should have been similar to the scene where Suzy meets the psychiatric doctors at the corporate park. The lighting becomes more effective when you don't see it the whole time. Think of how effective the 'Wizard of Oz' was going from black & white to color.
-The blood didn't look very much like blood other than the fact it was red. It just looked like paint, which is what it probably was. One of the problems of such beautiful restorations and watching in such high resolution is that flaws in the special effects are magnified.
-The girl who falls into the room with the razorwire doesn't actually get cut up by the razor wire. She did a lot of struggling in it and didn't appear to be cut at all. The only blood on her was from her previous wound. Perhaps it wasn't razor wire? Was it just put there to entangle her like a net? If it was razor wire what was it doing there? Was it intentionally put there? There didn't seem to be any use for it at the ballet school.
-I thought the scene where Suzy meets the psychiatrist's was out of place. On the one hand it does take some pressure
off of the tension that is prevalent throughout. But somehow it just doesn't seem to belong in the movie. You go from almost surreal to the real world. I don't like it for just one scene. If going back and forth between realities was part of the movie then it would be OK but in this case it happens just once.
-Finally, the final scene. Two things here...
1) I didn't like Suzy's reaction at the very end. Her smile was just wrong. Instead of looking like she was relieved, like she should have been, she had a big smile, almost as if somebody just told her a joke... The reaction doesn't seem to be the proper reaction for what she just went through especially since the school was on fire and crumbling and people were dying.
2 ) I didn't like how Argento ended the movie. It just didn't seem right. The music with the direct jump to the credits just seemed out of place to me.

CONCLUSIONS/RECOMMENDATIONS: I'm giving this release 5 stars. The picture is 4 1/2 to 5 stars. The extra's are 5 stars and the movie... let's call it 4 stars. But overall this is a 5 star release.

This is about as good as a release as you can get for this particular movie. If you are a fan, it is worth the upgrade.

Recommended for fans of Italian horror and/or 'Giallo' films and obviously Dario Argento fans.
Recommended for fans of 70's horror films.
Recommended for fans of any good horror movie, anytime, anywhere.

12 people found this helpful

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James Michael Denig

Astounding Remaster

Reviewed in the United States on April 6, 2018

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Just a quick review of the movie quality, its jaw dropping I had never seen it but wanted to try it in its restored glory and it is a reference bluray even at 40 plus years old. My niece had a marvel movie on from 2017 on bluray and this eclipsed it in terms of picture quality by far. Get it before its gone again.

20 people found this helpful

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James

Stylish Argento horror...

Reviewed in the United States on August 26, 2017

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Absolutely fantastic Goblin score, and really one of my favorite scores of all time. Suspiria is visually so beautiful, and packed full of wonderfully colorful shots. This one still gets better with every watch, and really have no complaints. Very high recommend to anyone who has yet to see this.

I currently own the Blue Underground 2 disc DVD, but I cannot wait for the new Synapse 4K Blu Ray release.

14 people found this helpful

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Definitive version of the film

Reviewed in the United States on July 31, 2018

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Amazing restoration by Synapse, having Tovoli's guidance makes this the definitive version. I believe the contents of the 2-disc are the same as the limited steelcase version, except it's missing the soundtrack CD. I own a DVD lmited edition of the movie and it's night and day between them.

9 people found this helpful

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Jason T. Weiss

a gothic fairy tale masterpiece gets even better...

Reviewed in the United States on March 16, 2018

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One of my all time favorite Italian films. Superb 4k transfer, color correction makes it all the more vibrant, all to the benefit of one of the best gothic horror stories put to film. I still can't help but feel some scenes were left on the cutting room floor, and I wish they included them in the film. That said, if you have never seen Suspiria or an Argento movie in general, this masterpiece is an absolute must.

13 people found this helpful

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Mr G Turner

Susperia (1977) - The one and only 1970s classic suspense horror, please forget the remake.

Reviewed in the United Kingdom on May 16, 2019

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In 1977, Dario Argento decided to broaden his horizons, and delve into the supernatural of witchcraft. He decided to do the greatest trilogy in film history (two great movies (Susperia and Inferno), and the final not so great (yes, you guest it The Mother of Tears)) calling it ‘The Three Mothers Trilogy’ blending Horror and Suspense plus Art Deco along the way. When American Actress Jessica Harper’s protagonist character ‘Susan Bannion’ see a beautiful big red gothic house that represents her dance academy then her spellbinding adventure really has just begun.

Both Jessica Harper, along with Stefania Casini, Barbara Magnolfi, Alida Valli, and a cameo appearance by German actor Udo Keir all shine in this fantastic 1977 cult classic, but all acting credits should go to American actress Joan Bennett as this was her final movie before retiring. And what a movie go out on.

And with the 1970s Italian Prog Rockers Goblin performing was a magical music score was a stoke of genius blending a blend of gothic electronica and subliminal messaging in the opening credits to start this first part of this great trilogy, along with the second part of the trilogy the wonderful, dark, mysterious and spellbinding 1980 sequel ‘Inferno’ crafted in a gothic atmosphere. As I mentioned in my review of Dario Argento’s Inferno (1980), I said that it’s a pity that Dario Argento waited so long for the last of the trilogy, in my opinion ‘Mother Of Tears’ should have done it either in 1986 or 1987, and set it in a posh Italian Board School (with British styled formal posh school uniforms for the actors who are playing the students) with cameo appearances by Jessica Harper and Leigh McCloskey as their main characters (from both Susperia and Inferno), and with a blend of existing and new actors and actresses from Italy, France, Germany, Britain, Canada and America. The third movie should have the same dark style of the first two movies with the same dark and evil surprise at the end when they discover who is the Third Mother, and have either Goblin or Keith Emerson do the music score. I think my version would have been a lot better than the woeful 2007 ‘Mother Of Tears’. But Dario wanted to get back to Italian Giallo Movies, which lead him to create his 1980s Movie Masterpieces ‘Tenebrae’ (1982), ‘Phenomena’ (1985) and his last masterpiece in my opinion was ‘Opera’ (1987).

Please get this in either DVD or Blu Ray Format as it’s a million time better than the lousy, boring and dull 2018 remake which is an insult to Dario Argento’s 1977 supernatural masterpiece.

13 people found this helpful

disturbedchinchilla

Colour me dead

Reviewed in the United Kingdom on August 30, 2020

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Suspiria is less of a conventional horror story and more of a dizzying assault on the senses. The plot, after all, is paper thin and despite Argento's purported claim to want to make.a film about witches, witches barely feature in the film at all - unless you count hairy hands doling out ultra violence like free biscuits. It would be hard to argue that there's much in the way of suspense either - when something nasty or gory is about to happen, it's usually so heavily telegraphed that, well, although you might feel your stomach churn, it's less from surprise that the lurid special effects.

So what makes it such a unique piece of cinema? The most obvious thing is the cinematography and production design - where primary colours (particularly red) are emphasised to such an extreme degree that the whole thing has a feeling of unreality. The soundtrack, by Italo-Krautrockers Goblin is also turned up to the maximum and is played so relentlessly that when it's not there, it feels like something's wrong. Sound effects are also foregrounded to an almost absurd level - water running down a sink sounds like a waterfall. All in all, the way your senses get pummelled means that the narrative hardly matters that much - you're even told at the end that "You have been watching Suspiria" - as if you needed reminding that this is fiction and the room you're watching it is is real.

The restoration on this blu-ray is exquisite, both for its pinpoint clarity and for the way it pushes Suspiria's lurid colour palette even further to the fore and there are some enjoyable extras.

2 people found this helpful

Chris2var

Special edition 2019 blu-ay .

Reviewed in the United Kingdom on November 27, 2019

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Special edition 2019 blu-ay .
I purchased Inferno and Mother of Tears years ago, but for some reason I always put of buying Susperia, this must have been the reason, waiting for this version!
Obviously the film is absolutely brilliant , read other reviews for description of the film.
This remastered version is something else, the colours are how Dario Argento originally made the film before the colours were paled down and ruined for the original release.
The unique use of the colours is one of Dario’s talents and needs to be seen as was intended.
Get this version if you can!!!

4 people found this helpful

Mr. P. Saunders

Italian Arts and Witchcrafts

Reviewed in the United Kingdom on January 27, 2017

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Suspiria is one film that gets better with every repeat viewing. It's truly a dream caught on camera, but like a lot of Italian Horror films (including the work of Lucio Fulci) it may take your average viewer (and even some hardened Horror fanatics) a coupling of viewings to get one's head around. But once your heads in, it's in and Argento has it by a noose. Prog Rock(ers), Goblin providing the excellent score.

9 people found this helpful

StevieJ

Mental and visual terror masterpiece.

Reviewed in the United Kingdom on March 3, 2020

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I first saw Susperia at the Saturday late night pictures at The Classic Cinema in Westcliff on sea...I froze, my blood froze, I had cold chills, and would have shat myself if I had been less circumspect. Anyway, I watched it all these years later and it’s still a great movie. I’ve grown up and developed reason and scientific understanding, I’m no longer I rationally scared of the dark, I know there’s no god or devil or evil, just life. As a film it’s entertaining and I do recommend it, just leave the light on as you walk up the stairs at night 😱👀

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