Lynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher and found that they are very much alike. She lives in Wisconsin, where she is a professor of Interdisciplinary Creativity at the University of Wisconsin-Madison.

Barry is the inimitable creator behind the seminal comic strip that was syndicated across North America in alternative weeklies for two decades, Ernie Pook's Comeek, featuring the incomparable Marlys and Freddy. She is the author of The Freddie Stories, One! Hundred! Demons!, The! Greatest! of! Marlys!, Cruddy: An Illustrated Novel, Naked Ladies! Naked Ladies! Naked Ladies!, and The Good Times are Killing Me, which was adapted as an off-Broadway play and won the Washington State Governor's Award.

She has written three bestselling and acclaimed creative how-to graphic novels for Drawn & Quarterly, What It Is which won the Eisner Award for Best Reality Based Graphic Novel and R.R. Donnelly Award for highest literary achievement by a Wisconsin author; Picture This; and Syllabus: Notes From an Accidental Professor, and In 2019 she received a MacArthur Genius Grant. Barry was born in Wisconsin in 1956.

“Lynda Barry [is] one of the greatest visual artists of our time . . . Syllabus makes not only tangible but also practically attainable the idea that keeping a notebook or a diary, whether visual or otherwise, is one of the most consciousness-expanding ways of bearing witness to our experience and our journey through this world.” —Brainpickings

Writing exercises and creativity advice from Barry’s pioneering, life-changing workshop

The award-winning author Lynda Barry is the creative force behind the genre-defying and bestselling workWhat It Is.She believes that anyone can be a writer and has set out to prove it. For the past decade, Barry has run a highly popular writing workshop for nonwriters called Writing the Unthinkable, which was featured inThe New York Times Magazine. Syllabus: Notes from an Accidental Professor is the first book to make her innovative lesson plans and writing exercises available to the public for home or classroom use. Barry teaches a method of writing that focuses on the relationship between the hand, the brain, and spontaneous images, both written and visual. It has been embraced by people across North America—prison inmates, postal workers, university students, high-school teachers, and hairdressers—for opening pathways to creativity.
Syllabus takes the course plan for Barry’s workshop and runs wild with it in her densely detailed signature style. Collaged texts, ballpoint-pen doodles, and watercolor washes adornSyllabus’s yellow lined pages, which offer advice on finding a creative voice and using memories to inspire the writing process. Throughout it all, Barry’s voice (as an author and as a teacher-mentor) rings clear, inspiring, and honest.