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T(here) Paperback – March 1, 2010

5.0 out of 5 stars 1 customer review

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Editorial Reviews

About the Author

Jonathan Hayes is the editor and publisher of the long-running American small press journal, Over the Transom. His books include Echoes from the Sarcophagus (3300 Press), St. Paul Hotel (Ex Nihilo Press), self invented (split chapbook with Mark Sonnenfeld, Marymark Press), and Hallucinating California (split chapbook with Richard Lopez, Windowpane Press). His work has appeared in Big Bridge, Quarterly Literary Review Singapore, Realpoetik, San Francisco Bay Guardian, Shampoo, and other publications. He lives in San Francisco, California.
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Product Details

  • Paperback: 66 pages
  • Publisher: Silenced Press; 1 edition (March 1, 2010)
  • Language: English
  • ISBN-10: 0979241030
  • ISBN-13: 978-0979241031
  • Product Dimensions: 5.5 x 0.2 x 8.5 inches
  • Shipping Weight: 3.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #11,078,120 in Books (See Top 100 in Books)

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By Mel C. Thompson on March 3, 2010
Format: Paperback
Whether you seek the interior view of a city exposed in its raw elements or the interior view of an author who embodies the spirit, pathos and artistic sense of that city, Jonathan Hayes is a great place to start.

His book T(HERE) explores how consciousness and street life really work, not from a strictly narrative point of view, but from a kind of dark revelatory view. One sees compassion mixed with psychedelic and continual feedback from an environment that, like Brahman itself, never stops moving from the inside, and never stops at the whim of any one person's moods or needs. It is a mirror reflection of the process of a city being a city. In Hegelian terms, we could say that it's a view of the Metrogeist in full process.

Here death and life play with one another, and there is no final conclusion which would resolve itself in the possessive human sense. Rather life refuses resolution and simply continues to crayon itself, watercolor itself and sand-paint itself, being only itself. From time to time the book can be a bit disturbing, and yet it then returns in waves of comfort too. No state is held on to, but each successive phase of this megapoem grows and builds on the previous stages, leading into the live, beating heart of a metropolis which has no agenda beyond a continual urban self-revelation.

Mel C. Thompson, Concord, 3-3-2010.
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