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Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon Mount

4.4 out of 5 stars 657 ratings

-33% $399.00
List Price: $599.95

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Canon
Canon

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Brand Tokina
Lens Type Standard
Compatible Mountings Canon EF-S
Camera Lens Description Zoom lens
Maximum Focal Length 16 Millimeters

About this item

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  • Ultra-wide angle zoom lens
  • Internal silent focusing motor
  • Fast internal focusing
  • One touch focus clutch mechanism
  • Water resistant optical coating on the glass for ease of cleaning

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  • Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon Mount
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  • Canon EF 50mm f/1.8 STM Lens
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Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon Mount
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Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)
Tokina ATX-i 11-20mm F2.8 Canon EF-S Mount
Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens
Customer Rating 4.4 out of 5 stars (657) 4.5 out of 5 stars (456) 4.7 out of 5 stars (996) 4.7 out of 5 stars (2948) 4.5 out of 5 stars (88) 4.7 out of 5 stars (2329)
Price $399.00 $349.00 $439.99 $622.33 $404.00 $299.00
Sold By Cambridgeworld TheCameraBox Cambridgeworld Digital Village TheCameraBox Wholesale Photo
Item Dimensions 3.51 x 3.31 x 3.31 inches 3.31 x 3.31 x 3.61 inches 4.02 x 4.02 x 4.02 inches 4.76 x 3.07 x 3.07 inches 3.7 x 3.5 x 3.5 inches 2.83 x 2.95 x 2.95 inches
Item Weight 1.21 lbs 1.22 lbs 1.21 lbs 1.79 lbs 1.26 lbs 0.53 lbs
Lens Type Standard Wide Angle Wide Angle Wide Angle Wide Angle Wide Angle
Maximum Aperture 2.8 2.8 millimeters 2.8 millimeters 1.8 2.8 millimeters 4.5 millimeters
Maximum Focal Length 16 millimeters 16 millimeters 16 millimeters 35 millimeters 20 millimeters 18 millimeters
Maximum Aperture Range f2.8 F1.8 F4.5 - F5.6
Maximum Format Size APS-C Full Frame APS-C APS-C / DX APS-C APS-C / DX
Minimum Aperture 2.8 22 millimeters 2.8 16 22 millimeters 29
Minimum Focal Length 11 millimeters 11 millimeters 11 millimeters 18 millimeters 11 millimeters 10 millimeters
Photo Filter Thread Size 77 millimeters 77 millimeters 77 millimeters 72 millimeters 82 millimeters 67 millimeters

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Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens for Canon Mount


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Product Description

Based on the high quality optical design of the AT-X 124 PRO DX (12-24 mm f/4) lens, the AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures and has an internal silent focusing motor to allow the lens to AF on Nikon bodies that do not have an AF drive gear and motor.

One Touch Focus Clutch: Tokina's One-touch Focus Clutch mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF-MF switch on Nikon cameras and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring.

Tokina Optical Technology: Aspherical Optics - a standard lens is made up of a combination of spherical lens elements. Individual "lenses" within the lens are commonly referred to as "elements". A spherical element has an even curve to the surface of the glass. However, there can be problems with such elements; light entering the centre of the lens and light entering at the edge may not be perfectly focused at the same point. This is called spherical aberration. More enhanced computer assisted optical designs are creating lenses with more spherical elements. More spherical elements within a lens means a higher risk of spherical aberration having a negative impact on optical quality.

Wide-angle zoom lenses and wide-angle lenses with large apertures are especially at risk for spherical aberration.

To eliminate spherical aberration, Tokina employs aspherical all-glass elements in many of its optical designs to correct this problem. The aspherical shaped surface of the lens element focuses light rays entering both the centre and edge of the element correctly at the film plane for an accurately focused image. In addition to correcting spherical aberration, these elements fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with a floating element design.

Through a close collaboration with Hoya Corporation, one of the world's largest optical glass manufacturer, Tokina has succeeded in producing high quality precision moulded glass elements with a bigger aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.

F&R Aspherical: This lens, the AT-X116 PRO DX encompasses Tokina's new F&R aspherical moulded glass elements. These give outstanding performance with very even illumination in the corners and correction of spherical aberration across the image area.

SD Super Low Dispersion: When standard optical glass is used in telephoto lenses, a phenomenon called chromatic aberration can occur. Chromatic aberration is the inherent tendency for glass to disperse (separate) a ray of light into the colours of the rainbow. The rainbow effect created by a glass prism is the most dramatic demonstration of chromatic aberration. In lenses, it is much less pronounced, but still creates slightly out of focus colours, akin to an "optical noise" that has a negative impact on the quality of the picture. To eliminate chromatic aberration, Tokina employs special glass material having super- low dispersion (SD) properties.

Lenses in the Tokina line-up with the SD mark incorporate these Super-Low Dispersion glass elements, minimising the secondary spectrum or optical noise caused by chromatic aberration.

HLD: Tokina's wide-angle and standard zoom lenses feature a higher quality of optical glass known as Tokina HLD (High-refraction, Low Dispersion) glass. Having higher refractive index and lower dispersion properties, HLD glass is far less likely than standard optical glass to create lateral chromatic aberration, which is often a problem with conventionally designed wide-angle lenses.

Multi-Coating: Reflections off the surface of lens elements are the enemy to any photographer and to every lens manufacturer. They are reduced or eliminated by bonding multiple layers of a transparent anti-reflection chemical to the surface of the glass. Tokina has developed and enhanced a coating technique for its optics so that they will maintain faithful colour reproduction and render clean, sharp images.

Mechanical Technology - Floating Element System: When designing a lens, Tokina calibrated its astigmatism at the points between minimum focus distance and infinity so that it will give the better image results at each settings. However, when there are large differences between the focus limits, effect calibration is not possible. A floating element system incorporates optical elements that move in proportion to the focus setting of the lens. This allows astigmatism to be corrected. Many Tokina lenses employ floating element systems to provide optimum correction of astigmatism from minimum focus distance to infinity.

Internal Focus System: The two most used methods of focusing a lens are either the complete straight forward movement of lens elements (used mainly with single focal length lenses) or the rotation of the entire lens barrel group (used mainly with zoom lenses). The internal focusing system used by Tokina move each element group within the lens, but does not change the overall length of the lens. This is especially useful with telephoto designs.

The internal focusing system has a number of advantages including: faster focusing, improved handling due to fewer movements near the centre of gravity, more compact lens designs, superior use of filters because the barrel with the filter thread does not rotate.

Focus Clutch Mechanism: Tokina AT-X PRO series lenses feature the patented "Focus Clutch" Mechanism for switching the lens between auto focus and manual focus modes.

The manual focusing ring can move (be snapped) back and forth between an AF and MF position. When the focusing ring is forward in the AF position, it is not engaged to any of the internal focus gearing and will turn freely. Without the added weight of the metal ring the camera can auto focus the lens more quickly and smoothly.

For manual focus, simply rotate the focus ring the way to one side or the other on the focus travel, either infinity or it's closest focusing distance, then pull back (towards the mount plate) on the manual focus ring. While pulling back, rotate the ring from one side of the focus travel to the other. When the gears align, the focus ring will snap back into the MF position and the lens can be focused manually.

To return the manual focus ring to auto focus mode, simply snap the ring forward from any point.

Customer reviews

4.4 out of 5 stars
4.4 out of 5
657 global ratings

Top reviews from the United States

Reviewed in the United States 🇺🇸 on September 20, 2018
Size: CanonStyle: CanonVerified Purchase
Customer image
4.0 out of 5 stars Scared me half to death, but turned out okay
By Benjamin on September 20, 2018
I am very new to photography, especially using DSLR cameras. I use a Canon Rebel t7i, which is a crop sensor camera and my first DSLR. I saw reviews for this lens and I thought I would give it a "shot".
Now first thing's first: I am certainly impressed with this lens! Especially as a beginning amateur astrophotographer. Admittedly I have only had this lens a few days now, but based on my experience thus far the build quality is nice, it feels like a sturdy, heavy lens, and it has a nice sharp and clear picture (aside from the chromatic aberration and slightly barrel distortion, but I'll get into that later).
Now I took this lens out to take a test photo just to see how the lens handled in low light situations (pictured above, the bright one). The photo was taken with the aperture set at f/2.8 for 30 seconds on a tripod. When I looked on the preview on the LCD I was devastated.
The picture looked as though it was one of those 3D pictures where you have to wear those red and blue glasses. The red and blue light was way out of place! I expected SOME chromatic aberration due to the refracting nature of glass, but not this extreme. I considered sending it back and looking into getting a different lens with a bit more care to correcting such extreme aberration.
However, I overreacted. After uploading the photos onto my computer, they were not nearly as bad as on the LCD screen of the camera, some magenta fringing and coma at worst. Enter photo processing software (like Lightroom or darktable). Make some adjustments to exposure, tone and temperature, chromatic aberration correction, and defringing and I ended up with a decently nice, true to life photo (the darker photo ((ALWAYS SHOOT IN RAW FORMAT FOLKS)). Considering that the included photos were only a test shot, I have to say that this lens is capable of a lot! Especially for beginners who do not have thousands to throw around on lenses. It DOES suffer from chromatic aberration, but this is easily fixed, and some distortion however it is so slight it is barely noticeable! The depth of field is not great either, it goes from 11-16mm which is not a huge amount. The switch from auto focus and manual focus requires you pulling the ring down instead of flipping a switch which is not immediately intuitive, but it is not inconvenient by any means either... The autofocus IS a bit loud, however this is only a problem if you are taking video using the lens.

Here is a list of pros and cons about the lens:
PROS:
Cheap but decently good quality for the price you pay,
sturdy and heavy,
Manual and auto focus capability,
Sharp and clear,
Great in low light settings thanks to the f/2.8 aperture,
Nice wide view (again for the price you pay)

CONS:
A bit on the heavy side (not necessarily bad, but you may want a camera bag to carry it in),
Suffers from chromatic aberration (but all lenses with heavy glass do, easily fixed in photo processing software),
Slight distortion (emphasis on slight),
Relatively noisy autofocus,
Non-intuitive switch from auto to manual focus (minor, but still annoyed me when I first got it),
Weak depth of field (just makes it less versatile).

If you are just beginning or just need a decent wide angle lens, I would definitely recommend it. Do not trust your camera's preview screen to be accurate, put your photos on your computer first.
I tried to be as unbiased as possible in my review, and I was skeptical at first, but this lens really is nice for price.
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2 people found this helpful
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Reviewed in the United States 🇺🇸 on February 21, 2014
Size: CanonStyle: CanonVerified Purchase
19 people found this helpful
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Top reviews from other countries

imacer
4.0 out of 5 stars Great lens for landscapes; fair price, fast delivery
Reviewed in the United Kingdom 🇬🇧 on March 12, 2017
Size: 通常版Style: For Sony α A-MountVerified Purchase
Customer image
4.0 out of 5 stars Great lens for landscapes; fair price, fast delivery
Reviewed in the United Kingdom 🇬🇧 on March 12, 2017
It is noted for its good processability. I bought it to take pictures from landscapes and northern lights and i don't regret it. The Lens works fine, and has a fabulous focal length. The autofocus is not as fast as other lenses like the SONY SAL1650 2.8 SSM but in most cases it doesn't matter. Especially in cases were you can use the manually focus like northern lights. The reason why i can't give 5 stars is, that the lens produces (ghost) flares when there are bright lights in front of you. Maybe that will be with all lenses with similar focal lengths ...i don't know.
I can recommend this lens to take pictures of landscapes, buildings and starry sky. To make portraits or take pictures of animals or something like that, i would prefer the Sony 16-50.
I use a Sony Alpha 55 (APC-S) Camera.
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Donald O,
5.0 out of 5 stars Great lens for astrophotography.
Reviewed in the United Kingdom 🇬🇧 on April 21, 2020
Size: CanonStyle: CanonVerified Purchase
Customer image
5.0 out of 5 stars Great lens for astrophotography.
Reviewed in the United Kingdom 🇬🇧 on April 21, 2020
This lens has a fast F2.8 aperture which gathers a lot of light so it's well suited for astro-photography of constellations and meteor showers. The 11 - 16 mm zoom gives a great, wide coverage. Gives really sharp results.
I had a Tokina 19 - 35 mm lens years ago for my Minolta 35 mm camera and it was my favourite. Tokina lenses are robustly built and the 11 - 16 mm is no exception. The downside of this is the weight: it is heavy, no getting away from it.
I use it on a tripod quite a lot, so the weight doesn't bother me too much, but if someone has hand or wrist issues it might be a problem.
Overall, I think it's a brilliant, good value lens, and I'd recommend it.
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Dan
4.0 out of 5 stars A nice addition to my collection.
Reviewed in the United Kingdom 🇬🇧 on July 14, 2016
Size: CanonStyle: CanonVerified Purchase
6 people found this helpful
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Jay M
4.0 out of 5 stars Add it to your kit bag
Reviewed in the United Kingdom 🇬🇧 on October 15, 2018
Size: CanonStyle: CanonVerified Purchase
2 people found this helpful
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WanderinGeorge
4.0 out of 5 stars Good value for a fast, wide-angle zoom